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An Unfinished House has Many Views

Ilias Lois

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In this series the concept of the ‘unfinished’ is approached as a non-negative phase, where youth finds joy in creation and new life experiences. Simultaneously, it links the anxiety of completion and the torment of success to a fundamental human need: creating a home. This work finds its roots in the photographer’s memories of his childhood. The foundation of those recollections lies in his family’s efforts to construct their home through a combination of physical labor and unwavering determination. Furthermore, Lois delves into the challenges faced while navigating the demanding task of searching for a home in the current era, consequently the contemporary housing crisis.

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The Artist
Ilias Lois
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Lives and Works in
Athens, Greece
Ilias Lois pursued his education at the Department of Photography & Audiovisual Arts at the UniWA and furthered his studies at the School of Fine Arts in Venice. His artistic endeavours have garnered international recognition, with his works featured in institutions, festivals, and prominent photography publications. In 2018, he received the title of “Young Greek Photographer” from APhF, and in 2019, he earned the “Lensculture Emerging Talent” award for his series, Aisle Seat. In addition to his artistic pursuits, Lois serves as editor of the photography magazine Velvet Eyes. He is also a regular contributor to the Athens Photo Festival, where he recently curated the exhibition Good Advice & Other Recipes (2022) at the Benaki Museum. He contributes to the field of photography education as a teacher at the Hellenic Centre of Photography and Paper Drop Lab, where he is in charge of project development and curation classes. In the summer of 2024 he graduated with a Master of Photography: Research and Methodology from UniWA. Lois’ work is usually developed in long-term series, in which the interplay of different photographic genres is attempted, mixing staged photography and quasi-documentary strategies. His projects are inspired by the systematic observation of communication between people, the human manipulation of materials and technology and body language. The artist’s approach pays close attention to the practices of transferring a three-dimensional world onto a two-dimensional surface, as well as to the reverse process that follows. He is particularly interested in the sequencing of photographs while researching and practising non-linear forms of narration, both in his personal and curatorial work.
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