Sonechko, Yak Ty? (Sunshine, How Are You?)
Varvara Uhlik
Nominated by
Varvara Uhlik

"Sonechko, Yak Ty? (Sunshine, How Are You?)" is an exploration of childhood memories and the enduring impact of the Soviet era on one's sense of identity. Born in eastern Ukraine, five years after the collapse of the Soviet Union, I was often told I was fortunate to have missed the hardships of Soviet rule. However, as I grew older, I began grappling with a profound sense of disorientation and uncertainty about my identity, akin to the elusive sense of self experienced by a Soviet citizen. Caught between the remnants of Soviet influence and my own evolving sense of self, this project represents my process of emotional and cultural renewal in the face of a lingering past.
My childhood was a blend of joy and discipline, moments of climbing trees and enjoying my mother’s sour cherry varenyky intertwined with the strict, lingering structures of Soviet values. The weight of this past, still carried by my family, teachers, and community, shaped my early years. Despite the Soviet Union’s dissolution, the oppressive influence of our neighbour endures, now magnified by the war that has forced me away from my family and home.
Through newly staged photography and digitally manipulated family archives, I de-construct and re-construct fragments of my past, re-contextualising them as I redefine my identity, femininity, and cultural heritage. Each image serves as a piece in the puzzle of my self-discovery, reflecting on how memories shape and transform our understanding of who we are.
This series explores how memories are preserved, distorted, and altered over time, serving both as an introspective reflection and as a portrayal of a generation coming of age in the post-Soviet world. While addressing generational traumas, it also reclaims Ukrainian identity from the shadows of Russian colonialism by admitting the beloved, yet Russified childhood.
The Artist

Varvara Uhlik
Nominated in
2026
By
Varvara Uhlik
Lives and Works in
London, UK
Varvara Uhlik (b.1997, Ukraine) is a London-based visual artist who explores themes of Slavic culture and identity, with a focus on the post-Soviet era’s impact on her generation.
Working across photography, installation, and video, Varvara often reworks archival materials, bringing them into dialogue with contemporary narratives and newly produced work. Through this process, she examines the tension between past and present, reality and its digital afterlife, foregrounding the impermanence of our surroundings and the fragility of memory.
In 2024, the British Journal of Photography recognised Varvara as a Ones to Watch artist. Her work has been exhibited internationally, including at The Sunday Painter, London; Photo Élysée Museum, Switzerland; European Photography Month, Tokyo; MIA Milan Photo Fair, Italy; Encontros da Imagem, Portugal; and Liquida Photofestival, Italy. Her work has appeared in publications such as The Guardian, Beaux Arts Magazine, Photoworks, Riga Photography Biennial 2025, Der Greif, and LensCulture, among others.
More projects by this artist
2025
Lyoh
My grandmother’s root cellar was lined with shelves of jars filled with pickled fruits and vegetables - a common sight in (post)Soviet Ukraine, where scarcity made preservation a necessity. Drawing on this domestic ritual, the work reflects on the desire to preserve sustenance as well as sentiment. By sealing family photographs from holidays in Crimea and school days in Dnipro together with seasonal vegetables, the piece transforms a familiar act of preservation into a metaphor for memory itself. The jars become vessels of nostalgia and impermanence, embodying the desire to preserve and to savour what will be gone.
Lyoh is the Ukrainian word for Root Cellar.
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