Nama
Francesca Giaitzoglou-Watkinson
Nominated by
Void

“Nama” is the story of my passage through illness and healing, after being diagnosed with lymphoma. The word itself transports me back to its root, lympha, borrowed from the ancient Greek “nymph”. I wander through the convergence of mythology and medicine, with the Greek Naiads -nymphs of rivers, streams, and wells- as companions along life’s hidden currents. Once believed to inhabit sacred springs, they were guardians of waters whose flows were sought for cleansing, healing, and renewal.
Lymphoma, a disease of the body’s inner waterways, parallels the Naiads’ realm, therefore becoming the framework for an assemblage of illustration, text, photographs of landscapes believed to have been touched by the nymphs’ presence, self-portraits, ancient sites, recreated ceramic offerings and the stark traces of medical scans, plaiting the clinical with the mythical.
In this journey, from diagnosis to treatment, loss to hope, the Naiads, both healers and mourners, accompany me through this unsettling time, becoming guides in a deeper sense of therapy. They remind me that even in profound uncertainty, there is movement of water which carries away, where healing is not an uninterrupted flow, but a confluence of loss and restoration.
The Artist

Francesca Giaitzoglou-Watkinson
Nominated in
By
Void
Lives and Works in
Athens
She completed her studies in Photography and Audiovisual Arts at the Faculty of Fine Arts and Design in Athens and has been working as a photographer since 2015. Her work tends to explore social issues surrounding identity and gender through photography. Her main aim through portraiture is to capture the essence of the subject, conveying their character and ultimately telling their story. Alongside her socially engaged work, she develops deeply immersive and intensely personal projects that draw from her own experiences of belonging, memory, and trauma. Her practice is rooted in long-term, research-led projects that function as extended acts of introspection, using photography as a psychological and emotional tool through which she examines processes of self-understanding and transformation.
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