was geschehen und nie geschehen ist (what happened and never happened)
Amelie Sachs
Nominated by
Triennial of Photography | Deichtorhallen

was geschehen und nie geschehen ist (what happened and never happened) by photographers Amelie Sachs and Paulina Metzscher, created in collaboration with author and filmmaker Eva Gemmer, confronts one of the least visible yet deeply wounding legacies of the German Democratic Republic (GDR): the forced adoption of children.
Following Germany’s division into East and West after the Second World War, several hundred to several thousand children were separated from their parents—an exact number that remains unknown to this day. East German family law stipulated that parents should raise their children ‘to be active builders of socialism’. They had to ‘respect work’, ‘love the Soviet Union’, and ‘defend the borders – if necessary with armed force’. When parents failed to comply with these ideological demands, the state had the authority to revoke their parental rights.
The practice of forced adoption remains controversial, and the process of reckoning with injustice in the GDR is still ongoing. Through a layered combination of artistic documentary photography, archival material, and factual as well as poetic texts, was geschehen und nie geschehen ist traces the fragmented family histories of five protagonists—Andreas, Ortrud, Swen, Petra, and Ivonne—who were directly affected by these policies. What remains in the aftermath of separation? Grief? Loss? Hope? The work brings together personal narratives and historical traces to create a space where memory, absence, and unanswered questions intersect.
The Artist

Amelie Sachs
Nominated in
By
Triennial of Photography | Deichtorhallen
Lives and Works in
Munich (GE) and Cairo (EGY)
Amelie Sachs is a documentary photographer and photo editor based between Munich and Cairo. Her work focuses on portrait photography and long-term documentary projects. She studied photojournalism and documentary photography at Hanover University of Applied Sciences and Arts and at the Danish School of Media and Journalism (DMJX) in Aarhus. In her practice, Amelie Sachs engages primarily with feminist perspectives and questions of self-empowerment. Her visual narratives combine different photographic approaches and deliberately incorporate gaps, ambiguity, and fictional elements. Developed over extended periods of time and
in close collaboration with her protagonists, her long-term projects are grounded in visual research and explore hidden and intimate realities that often remain unseen or overlooked.
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