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The

Artist

Nominated in
2022
By
PHotoESPAÑA
Lives and Works in
Madrid
Ignacio Navas (b. 1989 Tudela, lives and works in Madrid) creates computational, generative and interactive projects based on photographic image to research how dominant structures—political, economic, or social—are made present and shape our everyday affairs. With this approach, Ignacio explores the possibilities that emerging technologies, computing, and new media offer to the photographic medium. His recent work has received support from several grants and institutions, including the Visual Arts Creation Fellowship (Community of Madrid, 2024) and the Plastic and Visual Arts Fellowship (Government of Navarra, 2024). His images and interactive installations have also been part of initiatives such as Plat(t)form at Fotomuseum Winterthur (Switzerland, 2024), the Photoworks Digital Programme (UK, 2023), the Return2Ithaca Residency (Greece, 2023), and the FUTURES European Photography Platform (Netherlands, 2022). Ignacio believes that contemporary creation cannot be understood without actively engaging in its own management. This conviction drives him to lead collective initiatives such as La Embajada (2024–), a platform to showcase projects created within the Spanish territorial context in the unofficial circuit of the Rencontres d’Arles festival, or El Local (2023–), an independent space for contemporary photography in Madrid.
Projects
2026

KICKFLIP

KICKFLIP is an interactive project —similar to a visual novel or a walking simulator video game— built from recent photographs, found documents, vernacular images, and audio recordings. It gathers the testimonies of a group of people whose teenage years revolved around a skatepark in Tudela, a small town in northern Spain, during the 2000s. The work is presented as an audiovisual installation that can take different forms depending on the exhibition space. Through a nonlinear interactive structure and a node-based navigation system, viewers can wander through the skatepark, uncovering narrative threads that form a collective portrait of small-town youth communities marked by social stigma, restoring complexity to lives often reduced to labels such as “problematic” or “deviant.” Through the voices of its protagonists, KICKFLIP looks back on adolescence from the present, revisiting experiences of friendship, desire, vulnerability, risk, and subcultural belonging, while reflecting on academic failure, school dropout, substance use, sexuality, gender expectations, the social scripts imposed on youth, and the consequences of those experiences. Skateboarding becomes an excuse to talk about everything else. The public skatepark emerges as a space of belonging where forms of identity and self-definition took shape outside the institutional frameworks of school, work, and family, while also becoming an emotional landscape marked by affective memory, contradictions, silences, and shared experiences. In this way, KICKFLIP aims to challenge how youth communities outside dominant social frameworks are remembered, judged, and narrated.
Ignacio Navas
was nominated by
PHotoESPAÑA
in
2022
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

Ignacio Navas draws from everyday life to explore the political, social and personal structures that comprise us. His project is a critique on the capitalist system, and the
instances of micro-violence that define it.

With her Paul project, Cristina Galán suggests the subversion of identity and something sinister under the visually-polished surfaces of reality. Figures suspended in
time appear in an idealised but impersonal world, representing the clichéd spaces of consumer society.

A disturbing feeling also permeates Felipe Romero Beltrán’s Dialect project, which saw the artist recreate the everyday lives of a group of Moroccan youngsters, as they await a future beyond an immigrant centre in Seville.

In Como la casa mía Laura C. Vela accompanies Xirou, a Chinese immigrant woman, in her search for a way of being in the world. The work is both an exploration of the main character’s inner world and a significant photographic encounter between two women.

Finally, Lorena Morin reflects on family life through intimate images of her partner, herself and their children. Captured in shared domestic spaces, her photographic diary reflects 15 years of familial love and unbreakable bonds.

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