
The
Artist
Naa Teki Martey Lebar
Lives and Works in
Vienna
Naa Teki Martey Lebar (*1989) is a visual artist and author. She studied Fine Arts and Photography in Great Britain, Language Arts at the University of Applied Arts Vienna and Austrian Studies at the University of Vienna. Her work explores themes of belonging and identity shaped by living across multiple cultures, often reflecting on the gaze in and beyond the photographic medium through personal narratives. Working with photography, text, and installation, Lebar creates spaces for reflection, narration, and care where experience becomes both material and method.
Projects
2013
Family Meetings (ongoing)
The series "Family Meetings" (2013–ongoing) explores familial relationships and belonging in terms of cultural identity, its ambiguity, fractuality, and fluidity over a timespan of more than a decade. The work began with a longing to locate myself within a family construct while identity felt porous, fractal, and constantly in motion. I returned to a family constellation in which closeness and distance coexisted. Some relatives were familiar only through childhood fragments; others felt like I had never left their side. In that tension, my role kept shifting: guest and family member, newcomer and kin, granddaughter, niece, cousin, visitor.
Naa Teki Martey Lebar
was nominated by
FOTO ARSENAL WIEN
in
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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However, the themes in my artistic practice today are still characterised by a tightly structured childhood, youth and apprenticeship: in my work, I have been exploring the concepts of collectivity and intimacy for several years. I am always looking for liberating and solidary acts in performative moments and arts production. My image- and sound-based practice reveals my great affinity for technology, the exploration of boundaries and needs in dialogue and the creation of trusting connections and learning spaces in my collaborations.
As a child of the working class, I am concerned with my own role as an artist in society and what (political) room for manoeuvre this opens up for me. The problem of self-exploitation, especially - but not only - with a body read as female, is a recurring theme in my artistic practice.
Since 2019, the Salon Vert has been a network of artists, a laboratory for sound research and a place for interdisciplinary dialogue. The Salon Vert has found a new home in my studio in Lichtensteig in 2023. I am also co-founder of the audiovisual Glitch Festival in St.Gallen and music editor at the community radio station Stadtfilter in Winterthur.



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Anna Kereszty (b. 1997) is a Hungarian photographer who graduated from École Nationale Supérieure des Arts Décoratifs in 2025. Her work weaves past and present into intimate visual essays that explore memory and time. Born in Budapest but having lived abroad for many years, she has the impression of moving between two parallel realities—one grounded in the present, and the other shaped by nostalgia, memory, and echoes of a past. This duality informs her research driven practice, which examines how personal and historical narratives overlap, blur, and transform one another. She often incorporates archival photographs and uses associations, visual parallels, and a literary approach in her creative process. She currently lives and works between Paris and Budapest.



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Clare Lyons (b.1993) is an artist and photographer working between Belfast and Dublin. Considering the photograph as an object is integral to Clare’s practice. Her work often employs methods borrowed from sculpture and printmaking to draw attention to this, blurring the lines of what photography is or can be. Clare’s practice has been largely autobiographical, focusing on deeply personal themes and stories of healing and catharsis in the face of trauma and mental illness. Recent works represent a transitory phase for Clare as her practice shifts and changes, no longer confined to being the subject of her own work.
Clare was one of five Irish Talents selected by PhotoIreland for the FUTURES European Photography Platform in 2021, and in 2022 represented Ireland at 'Visage(s) d'Europe' curated by Collectif Fetart in Paris. Clare presented her debut solo exhibition 'To Jack' at The Limerick Museum in October 2024.
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Emese Bíborka Szakács studied at the Institute of Communication and Media Studies at Pázmány Péter Catholic University. She is currently pursuing a degree in Art History at the University of Pécs.
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Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
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Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
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See some of his Graphic and Web Design work in the 100 Design Archive.

Danaé Panchaud is a Swiss exhibition curator, museologist and lecturer specialising in photography. She has been the director of the Centre de la photographie Genève since 2022, after serving from 2018 to 2021 as director and curator of the Photoforum Pasquart in Biel, Switzerland. She trained in photography at the Vevey School of Photography before completing a bachelor’s degree in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She later studied museology at Birkbeck, University of London, earning a master’s degree in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, including the Centre d’Art Contemporain Genève, where she was a research associate from 2007 to 2012, the Gallery SAKS in Geneva in 2012-2013, the Fondation Verdan in Lausanne as scientific collaborator, and the mudac in Lausanne, where she was in charge of the public relations from 2012 to 2017. As a free-lance curator, she has curated exhibitions for several Swiss and international museums, independent spaces and galleries since 2012. She regularly writes texts for monographs of contemporary artists, exhibition catalogues, and thematic publications such as Flora Photographica, co-authored with William Ewing and published by Thames & Hudson in 2022. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and regularly lectures at art and photography schools in Switzerland. In 2023, she joined the teaching faculty of the CAS in Theory and History of Photography at University of Zurich.
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