Iveta Gabalina

Karol Szymkowiak (b. 1983) is a photographer, photobook artist, curator and educator based in Poznań, Poland. Self-taught photographer, specializing in documentary photography and photo collages - work with archives. His work revolves around themes such as environmental problems, military and civil defence, physical and mental immobilisation. He is constantly fascinated by finding surrealism in faithfully recording reality using photography. As a photographer, he has participated in over a dozen group exhibitions. Since 2015 he is art curator of a long-term photography documentary project The Września Collection (Kolekcja Wrzesińska) whose patron is the Mayor of the City and Municipality of Września. As part of his work on this project, he is collaborating with leading Polish photographers to create photobooks and exhibitions about his home town of Września. Karol is a member of The Association of Polish Art Photographers (ZPAF) and a scholarship recipient of the Marshal of the Wielkopolska Region in the field of culture. He is also a lecturer in photography at the Institute of Art of the Polish Academy of Sciences in Warsaw.

Angeniet Berkers (1985) is a documentary photographer and educator based in Rotterdam. She holds a BA Degree in Social Work and Photography (KABK The Hague). She previously worked as a sociotherapist, counseling veterans and refugees with complex PTSD. Her background in mental health care is evident in her choice of subjects, approach, and working methods. Her long-term projects explore the intersections of history, trauma, and family, revealing how personal and collective memories shape and influence our present. Through extensive research and a blend of visual languages, archival materials, text, and sound, she translates complex stories into an accessible and empathetic whole. Her project Lebensborn was shortlisted for the Aperture Paris Photo First Book Award and the Historical Book Award at Luma Rencontres d'Arles. Her work has appeared in The Washington Post, Katalog Journal, de Volkskrant, and NRC.

Artur Pławski is a photographer with a late debut. A graduate of Philosophy at Adam Mickiewicz University in Poznań, Poland, he participated in the Sputnik Photos Mentoring Program for photographers. He works in the field of documentary photography, drawing on the critical potential of imagination and subjective forms of meaning-making. In his work, he focuses on moments when facts lose their apparent obviousness, the image reveals its subjective nature, and emerging meanings point to a broader contextual framework. He explores the relationship between the individual and urban space, as well as the influence of ideology and language on perception. He is particularly interested in images that resist closure. Artur is the winner of the Photography Publication of the Year Award (Poland, 2023) and received an honourable mention at the PhMuseum Photobook Award 2025.

Clare Lyons (b.1993) is an artist and photographer working between Belfast and Dublin. Considering the photograph as an object is integral to Clare’s practice. Her work often employs methods borrowed from sculpture and printmaking to draw attention to this, blurring the lines of what photography is or can be. Clare’s practice has been largely autobiographical, focusing on deeply personal themes and stories of healing and catharsis in the face of trauma and mental illness. Recent works represent a transitory phase for Clare as her practice shifts and changes, no longer confined to being the subject of her own work. Clare was one of five Irish Talents selected by PhotoIreland for the FUTURES European Photography Platform in 2021, and in 2022 represented Ireland at 'Visage(s) d'Europe' curated by Collectif Fetart in Paris. Clare presented her debut solo exhibition 'To Jack' at The Limerick Museum in October 2024.

Jéssica Pereira Gaspar is a Portuguese transdisciplinary artist, born in Coimbra in 1996. She began her academic journey in sciences and technologies, which profoundly influenced her methodology, research focus, and creative practice. She earned her Bachelor's degree in Visual Arts from Universidade Lusófona de Lisboa and her Master's degree in Visual Arts from Escola Superior de Artes e Design das Caldas da Rainha.Currently, she is pursuing a PhD in Science and Technology of the Arts at the Catholic University of Porto, where she is developing research on interfaces for interspecies communication and artistic co-creation with different organisms.Her practice centers on interactions with other-than-human entities and their dynamic agency, seeking to unravel the intricate relationships between living organisms and matter. By integrating multiple mediums such as image, video, sound, and organic materials as catalysts for immersive experiences, her work creates a space for reflection on the interconnectedness of all entities. In 2022, she was awarded a scholarship for an art residency at RAMA, where she developed the solo exhibition Spectacular Instability. She also participated in Zonas deTransição (2023), a project by the PLMJ Foundation, showcasing Transmutations II, a piece later included in the foundation's collection. Her work has been featured in group exhibitions such as A Certain Practice of Attention (2023) and the XXII Biennial of Cerveira (2022). In 2024, her work was included in the Portuguese Emerging Art book, the Millennium BCP Young Art Award from which she was awarded the Portuguese Serigraphy Center Award.In 2025, she was one of the five artists to be selected to represent Porto and Ci.clo Platform in Futures Photography Festival of 2025.

Born in 2001, Chernihiv, Ukraine. Started doing photography in 2019. Graduated the cinematography faculty of the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University. In 2019 completed the MYPH school from Serhiy Melnitchenko and the concept photography course from Roman Pyatkovka in 2020. Member of UWPO and UAPP.

Ruslana Kliuchko (b. 2002) is multidisciplinary artist from Ukraine, based in Kyiv. Member of MYPH. Graduated with a MA from the National Academy of Fine Arts and Architecture in Kyiv in graphics and book illustration (2024). Ruslana explores themes related to memory, landscape, emotional and sensitive experiences. She works in various media genres, including artist books, graphics, photography, objects, and installations. She delves into local contexts and family archives, analyzes the impacts of war on the environment.

Constantin Schlachter’s research takes place through an exploration of interior and exterior landscapes. Nature, the invisible and matter are dominant entities in his work. His experimental approach to the techniques he employs aims to put a less anthropocentric world into perspective, and to re-enchant nature. This mysterious entity that takes hold of each viewer in its own way, because it’s eloquent for everyone, but never entirely translatable. Through different media linked to photography, he questions matter and its synesthetic power. By inverting the scales, colours and textures of the elements presented, he induces a confusion of senses in the viewer, revealing deeper ones. His images invite us to let go, to enter a contemplative state in which we can project our emotions. His cosmic and telluric images, in which matter plays a predominant role, merge the microcosm and the macrocosm. In the course of his work, the artist increasingly seeks to erase his own presence to highlight that of his subject. Constantin Schlachter was born in Altkirch in 1992 and graduated from Les Gobelins in 2014. He lives and works in Paris.

Anna Safiatou Touré (Bamako, Mali, born in 1996) is a Franco-Malian multidisciplinary artist based in Brussels. She graduated from the Nantes Saint-Nazaire School of Fine Arts and the ENSAV La Cambre in photography. Anna Safiatou was awarded the Médiatine Prize in 2022 and the Roger De Conynck Fund in 2023-24. Her work explores the space that unites or separates the two sides of every migratory narrative. The journey through this personal, historical, and cultural blending fills for her empty or unanswered spaces. On her own scale, she wishes to materialize this absence by creating her own evidence to make history heard—rendering the absence visible to tell stories from these new bodies. Like a certain poetry of emptiness, couldn’t the world be told in reverse, like a stencil, from the edge?