Sebastian Vaida

Tony Dočekal (1992, Amsterdam) is a photographer and visual artist whose work focuses on identity, belonging, and the shared human condition. Her practice is shaped by encounters with individuals and communities on the road, with a particular interest in the resilience and adaptability of people living on society’s margins. Her first monograph, The Color of Money and Trees, explores the tension between material success and deeper fulfillment, asking if true prosperity lies in community and self-awareness rather than wealth and possessions. The series includes Chad on Skid Row, which won the Zilveren Camera Portrait Award in 2021, and Lyric at El Pais, a portrait of a young girl living off the grid in Arizona. The work navigates the balance between societal expectations and individual freedom. Tony’s debut short film, Pearls on Credit, reflects on how personal identity is shaped by broader economic systems and societal expectations. Shown alongside an installation of The Color of Money and Trees at Biennale Images Vevey, it deepens Tony’s exploration of the pressures individuals face in navigating these structures. Tony holds a Bachelor’s degree in Fine Arts from ArtEZ University of the Arts and has received recognition, including the Olympus Young Talent Award and De Burgemeester de Bruinprijs.

Maria Beatriz de Vilhena (b. 1991) is a Lisbon based photographer, with a professional background in architecture. She studied photography at CFP Bauer Milan and holds a master's degree in architecture from the University of Lisbon.

Her photographic work explores the pluralism of human nature through belief and collective identity, as well as issues related to memory and noetic.

In 2025, she was selected by GUP Magazine, as one of FRESH EYES' international talents.

Recent shows include Five Relics, Five Photographers (Museum of São Roque, Lisbon, 2025), Real Life is Not Black and White (Paris Photo, 2024) and OMNIS (Narrativa Gallery, Lisbon 2023).

Michal Sita (1985) is a photographer and curator. Graduate of photography at the ITF in Opava and anthropology at the Adam Mickiewicz University in Poznań, where he is concluding doctoral research on social uses of the past in contemporary Poland. Interested in social memory and research strategies of photography. Curator of an interdisciplinary analysis of Wiesław Rakowski’s interwar zoological photographs, curator and producer of a series of exhibitions (including Małgorzata Lebda and Rafał Siderski, Mayumi Suzuki, Jan Kurek, Martin Parr and Rimaldas Vikšraitis, Sputnik Photos, among others), and photobook festivals. Co-author of “Củ Chi Tunnels Restoration Report” (Photographic Publication of the Year 2020 – Łódź, PL), a book relating to the activities of the Polish-Vietnamese architectural heritage conservation mission. Author of “History of Poland” vol. 1 and 2 — publications commenting on anthropological research carried out in Murowana Goślina among volunteers staging a large-scale historical pageant. Author of critical texts on photography. Lecturer at the Magdalena Abakanowicz University of Arts in Poznań.

Nazlı Yıldırım was born in Ankara and is living in Ireland. She studied at Istanbul University Faculty of Letters. After teaching for a while, she worked as an editor in the publishing industry. Nazlı’s articles have been published in various magazines, newspapers and online platforms in Greece, Belgium and Turkey. Nazlı released her first photo fanzine called Hayret. Her creative journey involves documenting the impact of factors like class, culture, gender, sexual identity, and family dynamics on societies. Through the lens of her own life, she delves into subjects such as gender, cultural identity, discrimination, and the experiences of LGBTI+ communities.

Younes Mohammad is Born in 1968 in Dohuk, Iraq. He’s a Kurdish freelance photographer mostly active on assignments for newspapers, magazines, etc. He spent his life in Iran as a refugee from 1974 - 1998 and graduated with an MBA University of Tehran. Photography was his passion but he had no chance to follow it while the war situation was still continuing Under Saddam’s time. In 2011 he quits his job and starts his journey as a photographer. His work has been exhibited internationally and published widely in publications.

Irish artist, Miriam O’Connor lives and works in Cork. She holds a BA in photography from Dublin Institute of Technology, and completed a Research Masters at the Institute of Art, Design & Technology, Dun Laoghaire in 2011. Drawing inspiration from the language, sights and sounds of the everyday, O’Connor’s practice frequently engages with matters which reflect her everyday surroundings, as well as her day-to-day experiences of being a photographer. Her projects have explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of images and the complex nature of photographic representation.Her work has been exhibited and distributed extensively, with features in magazines and publications including; Camera Austria, Source Photographic Review, The New York Times and The Guardian. Recent solo shows include Sternview Gallery, Cork, Galleri Image, Denmark, The Third Space Gallery, Belfast and during ‘THERE THERE’ festival, Cork curated by Stag & Deer. In 2012, she received the Alliance Française Photography Award, which included a residency at the Centre Culturel Irlandais, Paris. She was the recipient of the Emerging Irish Artist Residency Award [EIARA] in 2015 which included a month-long residency at Burren College of Art, Co. Clare. Publications include, ‘Attention Seekers’ (2012) ‘The Legacy Project’ (2013) and ‘Tomorrow is Sunday’ (2017). She was one of the selected artists for Greetings from Ireland (2015) and New Irish Works I & II (2013, 2016). In conjunction with Galleri Image, Denmark, she recently produced new work for FRESH EYES - International artists rethink Aarhus, which was exhibited during Aarhus Capital of Culture, 2017.

Camilla Ferrari (b. 1992) is a visual artist working with images and video based in Milan, Italy. Her work blends still and moving images to explore the ambiguity of perception, the coexistence of dream and reality, the eloquence of silence, and the poetry found in everyday life. Her portfolio includes features in prominent publications such as National Geographic, The New York Times, Essenziale, NPR, Artsy, and Domus. She is a Canon Ambassador. In addition to her personal projects and editorial contributions, Camilla has collaborated with commercial clients for special commissions, including names like Apple, Lamborghini, Marcolin, and Sony Music. In 2021 she was one of the five finalists of the ING Talent Award and in 2020 she was nominated by Camera Torino for Futures Photography, a European Platform focused on amplifying emerging artists in contemporary photography. In 2019 she was selected by PDN as one of PDN’s 30: New and Emerging Photographers to Watch worldwide and by Artsy as one of the “20 Rising Female Photojournalists”.

Marija Mandić (b. 1990, Novi Sad, Serbia) is an artist whose practice spans photography, text, drawing, and found footage. Her work delves into the themes of identity, memory and the past, often within a familial context, blending personal narratives with broader social issues. In 2023, Mandić was a finalist for the Mangelos Award, part of the Young Visual Artists Awards network. She won the Fotograf Magazine (CZ) open call in 2022 and received the VID Foundation for Photography grant in 2021 for her project White Bee. Her accolades also include the Dositeja scholarship, a grant from the Ministry of Education of the Czech Republic, and the Mali Princ Foundation award. Mandić holds a PhD in Visual Communication from the Faculty of Art and Design in Ústí nad Labem, where she lectured from 2015 to 2019.

Angeniet Berkers (1985) is a documentary photographer and educator based in Rotterdam. She holds a BA Degree in Social Work and Photography (KABK The Hague). She previously worked as a sociotherapist, counseling veterans and refugees with complex PTSD. Her background in mental health care is evident in her choice of subjects, approach, and working methods. Her long-term projects explore the intersections of history, trauma, and family, revealing how personal and collective memories shape and influence our present. Through extensive research and a blend of visual languages, archival materials, text, and sound, she translates complex stories into an accessible and empathetic whole. Her project Lebensborn was shortlisted for the Aperture Paris Photo First Book Award and the Historical Book Award at Luma Rencontres d'Arles. Her work has appeared in The Washington Post, Katalog Journal, de Volkskrant, and NRC.