Carlos Trancoso

Malte Uchtmann (*1996 in Hamburg) is a photographer and media artist based in Leipzig, Germany. Using different visual media he is interested in how concepts of knowledge, truth and reality are expressed and affect our perception and behavior. His work has been awarded the German Photo Book Prize and was shortlisted for the C/O Berlin Talent Award 2023. He is currently part of the Photography and Media Class and the Expanded Cinema Class of the Academy of Fine Arts Leipzig.

Claudia Amatruda (1995, Foggia, IT) is a visual artist living and working in Bologna, IT. Her work focuses on the representation of the body through photography, video performances and installations, addressing social issues such as disability and with particular attention to the creative process, supported by research on scientific and literary texts. In 2019 she published the photographic book "Naiade", presented through lectures in Italian schools and festivals to raise awareness on the topic of invisible diseases. From 2021 to the present her project "When you hear hoofbeats think of horses, not zebras" is exhibited in Italy, Greece, France, Holland and England. In 2022 she won the Special Mention for the Emerging Photography section of the Francesco Fabbri Prize. According to Il Giornale dell'Arte she is among the 30 artists under 30 in 2023 and produced NFT works during a PhotoVogue x Voice.com Art Residency. In 2024 she exhibited her project "Good Use of my Bad Health" at the Fotografia Europea Festival in Reggio Emilia, winning the ‘Nuove Traiettorie’ mention of the Luigi Ghirri Prize: an art residency and solo exhibition at the Italian Cultural Institute in Stockholm in May 2025. This year she will release her new photography book published by RVM HUB.

Sybren Vanoverberghe (b. 1996, BE) is an artist who lives and works in Belgium. Vanoverberghe has had recent solo exhibitions at Deweer Gallery, Otegem (BE), UZ Brussels (BE), CC De Factorij, Zaventem (BE) and Keteleer Gallery, Antwerp (BE). He had two-person exhibitions at De Brakke Grond, Amsterdam (NL), Contretype, Brussels (BE), Barbé Gallery, Ghent (BE), Ontsteking, Ghent (BE). His works have been shown at various fairs such as Unseen, Amsterdam (NL); Miart (IT), Art Brussels (BE) and Art Cologne (DE). Vanoverberghe’s works are published in artist books such as 2099 (2018), Conference of the Birds (2019), 1099 (2020), Sandcastles and Rubbish (2021), Desert Spirals (2023), MUSA (2024) by Art Paper Editions (BE). His works are included in the public collection of the Flemish Government – FoMu, Antwerp, BE. Vanoverberghe received his MFA from The School of Arts – KASK in Ghent, (BE). Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations capture landscapes and their remnants in a perpetual state of transformation, revealing the intricate interplay between place and time. Through his works, Vanoverberghe explores the convergence of history, nature, and heritage, presenting viewers with a visual dialogue that spans both the historical ruins and commonplace locales. His art challenges established notions by juxtaposing present-day structures with what might be interpreted as artefacts from an envisioned future. Vanoverberghe’s pieces possess a pronounced anachronistic quality, with certain images portraying a bygone era that never truly existed. Within his monographs, he often delves into the cyclical nature of specific sites, transcending their original geographic context. His work prompts speculative inquiries that traverse time, oscillating between past and future with equal resonance. A perpetual tension permeates Vanoverberghe’s oeuvre, inviting contemplation on the dual nature of images — whether to accept them as historical documents or dismiss those that seem to foretell a future yet to unfold. Sybren Vanoverberghe is represented by Keteleer Gallery, BE.

Independent Ukrainian documentary photographer currently residing and working in Kyiv, Ukraine. Master degree in International Economics of the Institute of International Relations of Kyiv National University. He has pursued photography since 2008. Since 2012 member of the Ukrainian Photographic Alternative (UPHA) and since 2014 of the Ukrainian Association of Professional Photographers (UAPF). In 2014 - 2019, he was the official photographer of the President of Ukraine. Founder of “Untitled” online magazine and co-founder of Ukrainian Street Photography group. Member of PEN Ukraine since 2022. Author of the photo book “Anamnesis” (2020) and art-book “Maidan Faces” (2020). Since the beginning of full-scale Russian invasion of Ukraine concentrated mostly on documenting war crimes and impact of war on civilians.‍

Cosmin Gârleșteanu was born in August 1984, in Bucharest. He studied at the Academy for Economic Studies – The Accounting Faculty, but his passion for music drove him to a different kind of job, in radio. Nowadays he works as a video editor in television. Photography has always been among his passions, due to the feeling of freedom it gives him, before anything else.

Karol Szymkowiak (b. 1983) is a photographer, photobook artist, curator and educator based in Poznań, Poland. Self-taught photographer, specializing in documentary photography and photo collages - work with archives. His work revolves around themes such as environmental problems, military and civil defence, physical and mental immobilisation. He is constantly fascinated by finding surrealism in faithfully recording reality using photography. As a photographer, he has participated in over a dozen group exhibitions. Since 2015 he is art curator of a long-term photography documentary project The Września Collection (Kolekcja Wrzesińska) whose patron is the Mayor of the City and Municipality of Września. As part of his work on this project, he is collaborating with leading Polish photographers to create photobooks and exhibitions about his home town of Września. Karol is a member of The Association of Polish Art Photographers (ZPAF) and a scholarship recipient of the Marshal of the Wielkopolska Region in the field of culture. He is also a lecturer in photography at the Institute of Art of the Polish Academy of Sciences in Warsaw.

Constantin Schlachter’s research takes place through an exploration of interior and exterior landscapes. Nature, the invisible and matter are dominant entities in his work. His experimental approach to the techniques he employs aims to put a less anthropocentric world into perspective, and to re-enchant nature. This mysterious entity that takes hold of each viewer in its own way, because it’s eloquent for everyone, but never entirely translatable. Through different media linked to photography, he questions matter and its synesthetic power. By inverting the scales, colours and textures of the elements presented, he induces a confusion of senses in the viewer, revealing deeper ones. His images invite us to let go, to enter a contemplative state in which we can project our emotions. His cosmic and telluric images, in which matter plays a predominant role, merge the microcosm and the macrocosm. In the course of his work, the artist increasingly seeks to erase his own presence to highlight that of his subject. Constantin Schlachter was born in Altkirch in 1992 and graduated from Les Gobelins in 2014. He lives and works in Paris.

Camilla Ferrari (b. 1992) is a visual artist working with images and video based in Milan, Italy. Her work blends still and moving images to explore the ambiguity of perception, the coexistence of dream and reality, the eloquence of silence, and the poetry found in everyday life. Her portfolio includes features in prominent publications such as National Geographic, The New York Times, Essenziale, NPR, Artsy, and Domus. She is a Canon Ambassador. In addition to her personal projects and editorial contributions, Camilla has collaborated with commercial clients for special commissions, including names like Apple, Lamborghini, Marcolin, and Sony Music. In 2021 she was one of the five finalists of the ING Talent Award and in 2020 she was nominated by Camera Torino for Futures Photography, a European Platform focused on amplifying emerging artists in contemporary photography. In 2019 she was selected by PDN as one of PDN’s 30: New and Emerging Photographers to Watch worldwide and by Artsy as one of the “20 Rising Female Photojournalists”.

Bertrand Cavalier unfolds his artistic thinking across photography, sculpture, drawing, and video, each medium enriching the others. His work shifts from a politics of the gaze to a logic of sensation, where art becomes a bodily experience rather than mere representation. In this way, his work is part of a contemporaneity that echoes the ideas of Gilles Deleuze, offering a reflection on our ability to communicate and share ideas beyond words, through sensations that resonate with our bodies and our spaces. — Olivier Grasser Bertrand Cavalier has published with Fw:Books (NL, 2020) and Spector Books (DE, 2024). He is the laureate of the Prix Ville de Bruxelles – Centrale for Contemporary Art (BE, 2025) and has exhibited at FOMU Antwerp (BE), Photoforum Pasquart Biel (CH), BIP – Biennale de l’Image Possible, Liège (BE), and FRAC Orléans (FR). He received the Sébastien van der Straten Fund Award (2019) and was a resident at Artwell Amsterdam (NL, 2021) and Cité internationale des arts, Paris (FR, 2023). His work has been published in Artpress, Mouvement (both FR), Camera Austria (AT) and l’art même (BE).