Odysseas Tsompanoglou

András Zoltai (1990, Szentes) is a documentary photographer, visual storyteller, and National Geographic Explorer based in Budapest, Hungary. He studied photojournalism at the Academy of the National Association of Hungarian Journalists. Specializing in socially and environmentally critical issues, he strives to blend journalistic and conceptual approaches in his documentary narratives. Since 2021, he has worked on environmental stories along the River Brahmaputra in India. This experience made Zoltai realize the urgency of addressing the water crisis in his homeland, Hungary, a landlocked country abundant in water. His current long-term project, "Blue Memoir," focuses on water issues and its isolation on physical, social, and spiritual levels in a Central European country that is supposed to be a water superpower. His approach explores the fragile and vulnerable relationship between humans and water through encounters and memories from his homeland, while also addressing how climate change and human negligence affect this most precious resource and the quality of life surrounding it. He has been working on this project since 2022. His work has been published in numerous international publications such as the Washington Post, Fisheye Mag, Libération, El País, and Le Monde, among others. He has been awarded the national József Pécsi Photography Scholarship three times and was the first recipient of the Carmencita–Kodak Grant and also got nomination to Leica Oskar Barnack Award and Joop Swart Masterclass. He is a talent of the European FUTURES platform and proud member of NOOR Academy Alumni.

Natalie Malisse (b. 1998) is a Belgian photographer based in Brussels. She graduated from ESA “Le 75” (BE) and holds a master’s degree from KASK, the Royal Academy of Fine Arts in Ghent (BE). Through image and text, her practice explores the vulnerabilities and layers that shape our identities, navigating traumatic memory, mental health, disability, and gender inequalities. Malisse is the recipient of the residency awarded by the Friends of the Museum of Modern and Contemporary Art of Saint-Étienne Métropole (MAMC+). Her work has been exhibited in Belgium and France, including at the Photography Museum in Charleroi, Festival OFF Arles, Circulation(s) Festival, the Centre Photographique Hôtel Fontfreyde, and Prix Médiatine. Her pictures will be presented in 2026 at FOMU (BE), Cultuurcentrum Hasselt (BE), and the Biennale de la Photographie de Mulhouse (FR). "La grande maison", published by les éditions du Caïd, is her first book.

Teresa Freitas (b. 1990) is a Portuguese photographer and colourist. Her work navigates the genres of fine art, documentary and street photography, often exploring the impact of colour in composition, place, mood, and in the viewer's aesthetic response. Initially drawn to black and white film, Teresa followed her influences from Painting and Cinema to apply a knowledge of colour theory and harmony to develop a signature style which has earned her praise in many publications. She shares this knowledge through international workshops and online courses. After several years working in commercial photography—with collaborations including Leica, Adobe, and Dior—she is now focused on short and long-term documentary projects. Her current work examines cultural and symbolic relationships to nature, particularly through flowers.

Henri Kisielewski is a self-taught French-British photographer based in London. His work addresses the relationship between images to the real world – broadly speaking he makes photographs about photography. Research-led and informed by his studies in human geography, Henri’s work explores themes of memory, photographic representation and the porous boundary between fact and fiction in documentary media. Working primarily with medium format film and allowing room for chance, Henri’s practice is characterised by a documentary approach based on a conceptual framework. Henri is currently working on a new ambitious and multi-faceted project in New York State: a collective portrait of Agloe, a fictional town that came to exist in the real world. Through a variety of visual strategies – photographs, archive images, video interviews – the work probes the ‘documentary’ image in a post-truth era.

Sergio (b.2003) is an Afrodominican-Spanish artist, photographer and director who graduated on a Audiovisual Communication Photography degree in May 2025. He works on both personal and external creative comissions related to photography and moving image in the fashion and creative industry. His creative journey began at the age of 15 when he picked up one of his old film cameras from his mom. His work spans across fashion, racial narratives, documentary storytelling, and observations. Sergio places profound significance on colorimetry and the essence of the Black individual. His practice strives to redefine new perceptions on blackness and its beauty, particularly delving into the intricacies of Spanish-Black society and diaspora. In 2025, Sergio published Esto es España, a photographic book examining Black presence, identity, and lived experience within contemporary Spanish society. The publication was launched through two highly successful events in Madrid and London, and has received significant media attention, including interviews and international coverage by platforms such as PhotoVogue, EE72, and El País Semanal. The project extends his ongoing exploration of Spanish-Black narratives and the diaspora, positioning the book as both a personal and cultural document.

Mikkel Hørlyck (b. 1990) is an independent photojournalist and visual artist based in Copenhagen, Denmark. Once a student at Fatamorgana The Danish School of Art Photography, he holds a BA in Photojournalism from the Danish School of Media and Journalism. Hørlyck’s career began as a photojournalist intern at Politiken, a Danish daily broadsheet. His work has since been recognised by a series of prizes – including Danish Picture Of The Year, Vilnius Photo Circle and World Report Award. In 2019, Hørlyck was named Discovery Of The Year at The Lucie Awards in New York.‍

Rosa Lacavalla (b. 1993) is an Italian photographer and visual artist based in Bologna. She holds a BA in Art Graphic and an MA in Photography from the Academy of Fine Arts Bologna, along with one-year studies in the BA in Photography program at Coventry University, UK, and an internship with the collective Cesura. Her work has been featured in several printed and online publications, and exhibited in festivals, collective and solo shows in Italy and abroad. Since 2023 she's been part of the PhMuseum's team as an Editorial, Production and Education Assistant. Lacavalla's visual narratives unfold as transformative journeys – whether it is a personal quest for emotional healing or an exploration of cultural intersections and migrations. Navigating the complexities of the human experience, her works invite viewers to reflect on the intricate paths of healing, transformation, and the blurred boundaries between reality and dream.‍

Hana Selena Sokolović was born in Vienna in 1999 and grew up in Belgrade. She is a visual artist and researcher working between the Balkans and the Netherlands. Her work has been shown in group exhibitions in the Czech Republic and the Netherlands, some of which are As Water Softens Stones (Royal Academy of Arts, The Hague, 2025), Push, Pull, Shift (Živi Atelje DK, Zagreb, 2025), 00:05:59 (Paradise, The Hague, 2024), and Fragments in Transit (Beetroot Studio, Thessaloniki, 2024). Alongside her artistic practice, she has worked with children in educational and socially engaged settings, an experience that continues to shape her people-centered and collaborative approach to art. Hana holds a BA in Photography and New Media from FAMU in Prague (2021) and an MA in Photography and Society from the Royal Academy of Art in The Hague (2025). She currently lives and works between Belgrade and The Hague.

Graduated in Political Science and Urban Sociology, his work unfolds in territories left, maintained or deliberately built on the fringes of our cities. He takes them on over a long period of time and draws up a personal cartography, walking a fine line between documentary and fine art photography. He attaches particular importance to form, colour and material, which serve as points of encounter with his mental universe. In this way, he constructs a visual language that is both frontal and polysemous, offering a singular vision in which human frailties are transfigured by new lines of force. His work is regularly exhibited at festivals in France and abroad, like Athens Photo Festival, Tbilisi Photo Festival, Les Rencontres de la Photographie d'Arles or Circulation(s). He was awarded the Maison Blanche Prize in 2021.

Zoe is a photographer from Co. Antrim, now living in Edinburgh. Zoe is interested in the relationship between humans and the environment, as well as the systems of classification that we use to make sense of the world around us. She works on long term photographic projects, drawing on scientific and historic research as well as lived experience to tell a story about a place or subject. Her background research has been informed by photography’s history as a tool of imperialism and this is something that she works to recognise and subvert within her photographic practice. She currently teaches on the Stills School, an alternative education programme for young people and is a visiting lecturer at Queen Margaret University. She has received funding from Edinburgh City Council and the Richard & Siobhan Coward Foundation and was recently included in Fantasy Island, a publication documenting the last 50 years of photography in Ireland. Zoe participated in PhotoIreland's New Irish Works III between 2019 and 2021.