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Danaé Panchaud is a Swiss exhibition curator, museologist and lecturer specialising in photography. She has been the director of the Centre de la photographie Genève since 2022, after serving from 2018 to 2021 as director and curator of the Photoforum Pasquart in Biel, Switzerland. She trained in photography at the Vevey School of Photography before completing a bachelor’s degree in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She later studied museology at Birkbeck, University of London, earning a master’s degree in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, including the Centre d’Art Contemporain Genève, where she was a research associate from 2007 to 2012, the Gallery SAKS in Geneva in 2012-2013, the Fondation Verdan in Lausanne as scientific collaborator, and the mudac in Lausanne, where she was in charge of the public relations from 2012 to 2017. As a free-lance curator, she has curated exhibitions for several Swiss and international museums, independent spaces and galleries since 2012. She regularly writes texts for monographs of contemporary artists, exhibition catalogues, and thematic publications such as Flora Photographica, co-authored with William Ewing and published by Thames & Hudson in 2022. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and regularly lectures at art and photography schools in Switzerland. In 2023, she joined the teaching faculty of the CAS in Theory and History of Photography at University of Zurich.
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Anton Shebetko (he/him) is a Ukrainian artist, photographer, curator, and writer from Kyiv, currently based in Amsterdam. His practice focuses on LGBTQIA+ experiences in Ukraine, themes of memory, loss of identity, multiplicity of history, and the role that photography and archival materials can play in revealing these stories. Much of his research is dedicated to forgotten and unrecorded queer histories of Ukraine, parts of which were published in his book 'A Very Brief and Subjective Queer History of Ukraine'.
His work has been exhibited internationally, including at FOAM Museum (Amsterdam), Schwules Museum and nGbK am Alex (Berlin), Q21 (Vienna), Photo Elysée (Lausanne), CENTQUATRE-PARIS, BWA Studio (Wroclaw), Württembergischer Kunstverein (Stuttgart), and PinchukArtCentre and Mystetskyi Arsenal (Kyiv). He participated in the Kyiv Biennial (2023) and was a nominee for the PinchukArtPrize (2025). Shebetko has curated exhibitions and film programs for Schwules Museum, Melkweg Expo, and WORM Rotterdam, and has lectured at Maastricht University, Gerrit Rietveld Academie, and Between Bridges Gallery. He holds a BA from Gerrit Rietveld Academie.
Portrait of Anton Shebetko by James Barnett
His work has been exhibited internationally, including at FOAM Museum (Amsterdam), Schwules Museum and nGbK am Alex (Berlin), Q21 (Vienna), Photo Elysée (Lausanne), CENTQUATRE-PARIS, BWA Studio (Wroclaw), Württembergischer Kunstverein (Stuttgart), and PinchukArtCentre and Mystetskyi Arsenal (Kyiv). He participated in the Kyiv Biennial (2023) and was a nominee for the PinchukArtPrize (2025). Shebetko has curated exhibitions and film programs for Schwules Museum, Melkweg Expo, and WORM Rotterdam, and has lectured at Maastricht University, Gerrit Rietveld Academie, and Between Bridges Gallery. He holds a BA from Gerrit Rietveld Academie.
Portrait of Anton Shebetko by James Barnett



Rafael Roncato (Brazil, 1989) is an interdisciplinary visual artist, editor, and educator working between Brazil and the Netherlands. His practice examines colonial memory, media myths, and the politics of representation, focusing on how images construct belief systems and shape collective perception. Grounded in documentary photography and expanded through archival research, video, and editorial strategies, Roncato develops semi-fictional, non-linear narratives that interrogate contemporary media landscapes and historical power structures.
Inspired by comics, cinema, and Brazilian (post)modernism, his work moves fluidly across formats, from artist books to exhibitions and multimedia projects. He holds a Master’s in Photography and Society from the Royal Academy of Art, The Hague, where he teaches artist bookmaking and visual storytelling and mentors emerging practitioners.
His work has been exhibited internationally, including at the Netherlands Fotomuseum, Noorderlicht International Photo Festival, PhMuseum Days, Les Rencontres de la Photographie d’Arles, Encontros da Imagem, and Schwules Museum Berlin. His photobook Tropical Trauma Misery Tour received the 1st Prize at the Kassel Dummy Award ’23 (GER), the Imaginária Festival Dummy Awards ’23 (BR), and a Special Mention at the Hong Kong Photobook Festival ’23.
Portrait of Rafael Roncato by Gita Cooper-van Ingen



Dev Dhunsi (b. 1996) is a multimedia artist working at the intersection of photography, textiles, and installation. Utilizing water and movement as central elements in his projects, he creates works that invite reflection on complex themes such as identity, belonging, migration, social justice, and injustice.
Through his art, Dhunsi provides space for stories that are often overlooked or suppressed, illustrating how historical, cultural, and political forces shape our lives and experiences. Addressing global issues like migration and colonialism as well as personal experiences of loss and belonging, he creates works that connect past and present, diverse geographies, and identities. His work encourages viewers to reflect on how we understand and relate to the world around us as he simultaneously look at the world through a lens of queer theories and diasporic gaze. Recent exhibitions include: Fotogalleriet (Oslo; NO), MELK (Oslo; NO), Kunstnernes Hus (Oslo; NO), Andrehn-Shiptjenko (SE; Stockholm), Nitja Centre for Contemporary Art (Lillestrøm; NO)



Kristīne Krauze-Slucka is a visual artist based in Riga, Latvia, whose conceptual practice interrogates the materiality of industrially produced objects, transforming them into catalysts for pseudo-social anthropological inquiries that unravel conventional perceptions.
Her approach to photographic image-making transcends the traditional lens, venturing into the realm of meta images and afterimages. By employing experimental, camera-less techniques, she treats the photographic medium not only as a tool for visual representation but as a tactile, sensory and embodied experience that underscores the physical and material processes of creation.
Balancing familiarity with abstraction, her work invites viewers to reconsider the often distorted relationships between man-made materials and the environment, ultimately engaging a sensory dialogue about our perception.
Krauze-Slucka holds a Master’s degree in Fine Arts from the Visual Communication Department of the Latvian Academy of Arts. She was awarded the Grand Prix of the Nordic and Baltic Young Artist Award in 2020 and has been twice nominated for the prestigious Purvītis Prize.
In 2022, she was selected as a FUTURES artist, an honor awarded by the Europe-based photography platform. She also serves as a lecturer at the International Summer School of Photography (ISSP).



Karolina Gembara is a photographer and researcher whose work revolves around themes such as home, belonging, migration, and practices of care. Much of her recent activity has been devoted to politics and activism. She uses photography and video as tools and pretexts for collaboration, fostering creative processes. In 2013, she published her debut book "Fitting Rooms," which examines the role of women in her generation. Between 2009 and 2016, Karolina was based in India, where she produced her second book "When We Lie Down, Grasses Grow From Us," exploring the migratory experience (published by GOST Books in 2019). She is an editor of several Strike Newspapers published by the Archive of Public Protest. In recent years, she has initiated and completed several participatory projects involving refugees, creating spaces for collaboration and self-expression. Karolina is currently working on her Ph.D. dissertation (K. Kieślowski Film School), which centers around the subjective narratives of historical migrations. She is a member of Sputnik Photos and the A-P-P

Anna Kereszty (b. 1997) is a Hungarian photographer who graduated from École Nationale Supérieure des Arts Décoratifs in 2025. Her work weaves past and present into intimate visual essays that explore memory and time. Born in Budapest but having lived abroad for many years, she has the impression of moving between two parallel realities—one grounded in the present, and the other shaped by nostalgia, memory, and echoes of a past. This duality informs her research driven practice, which examines how personal and historical narratives overlap, blur, and transform one another. She often incorporates archival photographs and uses associations, visual parallels, and a literary approach in her creative process. She currently lives and works between Paris and Budapest.



Bo Vloors (she/her b. 1993, Belgium) is a visual artist, writer, photographer and filmmaker living and working between Brussels and Liège. Her artistic work hovers between the complex yet fascinating realms of image and language, exploring human relations in association with and within their surroundings, and the influential power of images.
Drawing analogies between human experiences, natural cycles and symbiotic arrangements, she explores the ambiguity of the human condition, while simultaneously questioning the influence of images on our collective and personal intersection of reality and memory.
For several years now, she has been practicing the artistic pollination between the audiovisual art, photography and writing by maintaining an archive with her own photographs, written texts, audiovisual and field recording. In 2022, she returned more explicitly to photography which eventually led her to a growing interest in the dynamic between image and text, as she started approaching her writings not only as an essayistic, but as material, printed matter, linguistic and lyrical vocal arrangements, all within the broader sense of “image-making”.
The formats she uses may vary from publications, spatial installations, audio-visual to audio-performative. Her work has been exhibited in several cinemas, institutes, galeries, theaters and off spaces, both nationally and internationally. Since 2019, she is an active member of the Paris-based art collective SPASS and co-founder of the revue Voyons Voir.



Karol Szymkowiak (b. 1983) is a photographer, photobook artist, curator and educator based in Poznań, Poland. Self-taught photographer, specializing in documentary photography and photo collages - work with archives. His work revolves around themes such as environmental problems, military and civil defence, physical and mental immobilisation. He is constantly fascinated by finding surrealism in faithfully recording reality using photography. As a photographer, he has participated in over a dozen group exhibitions. Since 2015 he is art curator of a long-term photography documentary project The Września Collection (Kolekcja Wrzesińska) whose patron is the Mayor of the City and Municipality of Września. As part of his work on this project, he is collaborating with leading Polish photographers to create photobooks and exhibitions about his home town of Września. Karol is a member of The Association of Polish Art Photographers (ZPAF) and a scholarship recipient of the Marshal of the Wielkopolska Region in the field of culture. He is also a lecturer in photography at the Institute of Art of the Polish Academy of Sciences in Warsaw.



Clare Lyons (b.1993) is an artist and photographer working between Belfast and Dublin. Considering the photograph as an object is integral to Clare’s practice. Her work often employs methods borrowed from sculpture and printmaking to draw attention to this, blurring the lines of what photography is or can be. Clare’s practice has been largely autobiographical, focusing on deeply personal themes and stories of healing and catharsis in the face of trauma and mental illness. Recent works represent a transitory phase for Clare as her practice shifts and changes, no longer confined to being the subject of her own work.
Clare was one of five Irish Talents selected by PhotoIreland for the FUTURES European Photography Platform in 2021, and in 2022 represented Ireland at 'Visage(s) d'Europe' curated by Collectif Fetart in Paris. Clare presented her debut solo exhibition 'To Jack' at The Limerick Museum in October 2024.

Emilia Martin is a Polish artist and photographer based in The Hague, Netherlands, where in 2022 she graduated from Photography & Society Masters at the Royal Academy of the Art. Working with photography, writing, and sound, she explores how the stories we tell shape the realities we inhabit. She investigates mythologies and tales, and how they fluctuate and shift throughout histories. Through her work, she aims to complicate the binary understandings of fiction and truth and their established aesthetics. Her process is based on careful research and personal, often playful approaches, through which she questions dominant narratives.
The belief in storytelling is rooted in her upbringing, where she engaged with both rural mythologies and urban narratives. She grew up between two different realities: a remote farm belonging to her grandmother in rural Eastern Poland and a heavy industry coal mining urban region in the West of the country. The clash between these two realities, the narrative of extractivism against rural mythologies and the proximity of nature, formed a place that continues to ground her artistic practice. Her work is inspired and informed by her rural Polish ancestry and intersectional feminist approaches.


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Emese Bíborka Szakács studied at the Institute of Communication and Media Studies at Pázmány Péter Catholic University. She is currently pursuing a degree in Art History at the University of Pécs.
Her interests focus on the past and present of experimental photography, as well as the cultural role of new media. As a staff member of the Robert Capa Contemporary Photography Center, she is involved in organizing international exhibitions and professional programs. She also works as a curator and writer within the frameworks of the Studio of Young Photographers (FFS) and the Studio of Young Artists’ Association (FKSE), contributing to the professional development and realization of several exhibitions in recent years.

Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
Vitale is the Artistic Director of EXPOSED Torino Foto Festival and FUTURES Photography, both international platforms dedicated to contemporary photography. He also serves as a Professor at Lucerne University of Applied Sciences and Arts, where he leads the Transmedia Storytelling Programme. Previously, he was the co-founder and editor-in-chief of YET magazine, an international photography publication.
Vitale’s work has received international awards. It is featured in several public and private collections and has been widely exhibited in museums and at festivals worldwide.

Emese Mucsi is a Hungarian-born curator, and art critic. Emese curates exhibitions where photography is interpreted in the context of contemporary art and works with artists who have an expanded idea of photography and produce photo-based works. Her projects bring together artists and photographers with photojournalists, writers, editors, and other thinkers to experiment with new approaches to photography. She graduated from the Faculty of Contemporary Art Theory and Curatorial Studies at the Hungarian University of Fine Arts in 2013, and from the Faculty of Hungarian Literature and Linguistics at the University of Szeged in 2017. She is a member of the curators’ collective BÜRO imaginaire since 2012. Since 2013, she ran projects as a freelance curator. From 2014 to 2018, she was the Editor-in-Chief of Artmagazin Online. Emese is a curator of the Robert Capa Contemporary Photography Center, Budapest since 2018. She is the member of Global Photographies Network since 2020. She founded DOXA exhibition space and editorial den in 2022. She is doing her PhD in the Film, Media, and Contemporary Culture PhD program at Eötvös Loránd University. Emese is a guest lecturer at the Moholy-Nagy University of Art and Design (2023) and the University of Szeged (2024).

Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
See some of his Graphic and Web Design work in the 100 Design Archive.

Julia Gelezova is a Cultural Producer and Curator, specialising in contemporary lens-based practices. She is General and Project Manager for PhotoIreland, producing events throughout the year like the annual PhotoIreland Festival and Critical Academy, while collaborating on ambitious projects like Creative Europe Photography Platforms—Parallel and Futures. Julia is co-editor of OVER Journal: The Critical Journal of Photography and Visual Culture for the 21st Century. In 2024, she has founded vicinities.network - a peer network for Visual Arts curators and professionals based in Ireland.
She has ample experience in producing exhibitions and events, including curatorial work and project management, has vast and successful experience in personal and collective application writing for bodies like the Arts Council of Ireland and local councils. She has participated in portfolio reviews, acted as visiting lecturer, and also worked in an editorial capacity and translation for artists and other arts professionals, including work for The Routledge Guide to Photography and Visual Culture. Most recently, she curated the 2021 edition of PhotoIreland Festival and was the Centre Culturel Irlandais cultural producer resident 2022. She is a member of the AICA International Association of Art Critics.

Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.

I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.
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