Minimal Prayer is a poetic exploration of spirituality and worship through a speculative
sci-fi lens. In this imagined future, religion is banned, yet people continue to create
personal altars from whatever materials they can find. These objects, assembled from
mixed iconography, ready-mades, and salvaged symbols, reflect improvised belief
systems shaped by censorship, misinformation, and cultural migration. Inspired by
East-Asian futurism, the project reimagines Vietnam. A country often viewed through
the lens of its war-torn past. Now, as a site of spiritual adaptation and quiet resistance.
One work from the series, “Altar of Integration”, draws on my family’s early years in
Norway. We were placed with a Christian host family—kind and well-meaning, but with
strong missionary intentions. Though we practiced Vietnamese folk religion and
Buddhism, we attended Baptist church every Sunday. This blending of belief. Part
accommodation, part erasure - mirrored the wider pressures of assimilation and
cultural survival, and became a form of quiet negotiation between identity, adaptation,
and spiritual autonomy.
I grew up between religions, yet gradually became atheist. Returning to Vietnam as an
adult altered my perspective on faith. I became drawn to the subtle, everyday ways
people engage with spirituality.
As tradition struggles to keep up with technology and growth, Minimal Prayer asks: how
do we preserve spiritual identity in a future that may not allow it, and what does belief
look like when it’s improvised?
Finally, it poses a question to the Vietnamese diasporic descendants:
How can we achieve a deeper understanding of one another?
Duy Nguyen
I'm a Norwegian-Vietnamese designer and artist based between Oslo and Berlin. Born in the Bidong refugee camp in Malaysia and raised on Norway's west coast, my background drives my research into migration, diaspora stories, and multicultural identity.Much of Vietnamese refugee history remains clouded in post-war trauma and politically charged narratives. My work seeks to make sense of our position as displaced individuals in the Western world and examines diasporic existence beyond simply digesting the past. I wish to envision what our identity looks like in the future.Through field and archival research interpreted with a poetic lens, I create what I call poetic essays: exhibitions and projects that seamlessly intertwine poetry, photography, sound, video, and installation. My asymmetrical approach allows elements to inspire each other non-hierarchically. The work explores contradictions between perception and reality, truth and staging, filling historical and memory voids by creating plausible simulacra.
ProfessionPhotographer, Visual Artist
IdentityMan, Asian
LocationNorthern Europe, Western Europe, Norway, Germany