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The

Artist

Katarina Radović

Nominated in
2026
By
Photo Romania Festival
Lives and Works in
Belgrade, Serbia

Katarina Radović was born in Belgrade, Serbia. She studied History of Art at the University of Sussex in Brighton, UK in the 1990’s and later acquired the BA Degree in Photography from the Academy of Arts ‘BK’ in Belgrade in 2006. 

As a free-lance artist, she has participated in a number of solo and group exhibitions and festivals in Serbia, Croatia, Slovenia, Hungary, Austria, the Czech Republic, Lithuania, Spain, The Netherlands, France, Malta, Egypt, Japan, Senegal, USA, Israel, etc. 

She received the Kultur Kontakt artist-in-residence grant in Vienna, Austria, in 2007; the European Cultural Foundation (ECF) grant for the project Until Death Do Us Part in 2009; and the artist-in-residence grant from the Fondazzjoni Kreattività in Malta in 2019. She also received a grant for attending a specialised course in photography at the International Summer Academy of Fine Arts in Salzburg, Austria, in 2020.

Projects
2024

I'm Going to Live a Hundred Years!

This long-term visual/literary study of my grandmother, i.e., ‘Great Mother’, source of life, and, at the same time, end to life, is a story about perseverance in difficult circumstances (she survived two wars – WWII and the 1990s Balkan bloodshed, and changed five countries on one and the same territory: The Kingdom of Yugoslavia, SFRY, FRY, Serbia and Montenegro, and Serbia) and testimony to a strong will to live, perceived through many layers of memory – a story of presence and absence, guilt and forgiveness, abundance and deprivation, toughness and fragility, love and hate.

In this project, the photo material is presented in several forms: old photographs from my grandmother’s archive combined either with some recent photographs I took of her or with objects related to her; documentary shots taken in the last fifteen years of her life; and re-photographed posthumous installations.

Katarina Radović
was nominated by
Photo Romania Festival
in
2026
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

Katarina Radović: The Performative Anthropologist

Katarina Radović is selected for her unique ability to blend documentary photography with a sharp, performative, and often witty anthropological lens. Her work investigates the "theatre of the everyday", focusing on social rituals, gender roles, and the construction of identity within specific cultural frameworks.

  • Why she fits Futures: Radović’s practice is essential for the platform because it critiques contemporary social structures through a sense of irony and deep empathy. Whether exploring the kitsch of wedding rituals or the performative nature of the "selfie" culture, her work invites viewers to question the authenticity of the roles we play in society. Her established yet evolving voice provides a bridge between traditional social commentary and contemporary conceptual practice.

Vera Hadzhiyska: The Guardian of Memory

Vera Hadzhiyska is a multidisciplinary photographer whose work is deeply rooted in research, archival intervention, and the politics of identity. Her projects, most notably those dealing with the "Names Process" in Bulgaria and the forced displacement of minority groups, demonstrate a profound commitment to uncovering silenced histories.

  • Why she fits Futures: Hadzhiyska represents the "research-as-art" movement that is vital to the future of photography. Her ability to weave personal family narratives with broader geopolitical traumas makes her work both deeply moving and politically urgent. By selecting Vera, the project highlights the importance of photography as a tool for reconciliation, historical preservation, and the exploration of "belonging" in a post-migration Europe.

Alexis Cismas: The Poetic Documentarian

Alexis Cismas is chosen for her sensitive, tactile, and highly psychological approach to the image. His work moves away from the grand narrative to focus on the "micro-moments", the fragility of human connection, the emotional residue of domestic spaces, and the quiet tension between presence and absence.

  • Why she fits Futures: Alexis brings a cinematic and lyrical quality to the selection. Her projects display a sophisticated understanding of light, texture, and the "unspoken" aspects of photography. She represents a generation of artists who use the camera not just to see the world, but to feel it. Her inclusion ensures the project encompasses the interior, psychological landscapes that define the contemporary human experience.

The synergy between these three artists creates a powerful narrative arc for the Futures Photography project. From Radović’s extroverted social critiques and Hadzhiyska’s archival depth to Cismas’s introverted psychological portraits, this selection offers a comprehensive look at the state of contemporary photography: an art form that is simultaneously a witness to history, a mirror to society, and a map of the human soul.

The members atof the jury:

Andrei Budescu, photographer and university professor, former dean of UAD (University of Art and Design), Cluj-Napoca, Romania

Panagiotis Papoutsis, photographer and former artistic director of Ioannina Photo Festival, Greece

Dorel Găină, photographer and university professor, former dean of UAD (University of Art and Design), Cluj-Napoca, Romania

Sebastian Vaida, photographer and artistic director of Photo Romania Festival, Cluj-Napoca, Romania

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