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The

Artist

Nominated in
2026
By
PhotoIreland
Lives and Works in
Wales, UK
Born in 1996, Moyse is based in Swansea, Wales, and has an MA in photography from Plymouth College of Art. He holds a position at Teesside University, lecturing and leading their MA in Photography. His practice focuses on the lived disabled experience, providing insight into and exposure for those marginalised in the UK, and the oppressive systems they encounter. Moyse has exhibited at BayArt and Ffotogallery in Cardiff, Mission Gallery in Swansea, Belfast Exposed, and MOMA Machynlleth. He was recently awarded a Welsh Arts Council grant to continue his inquiry into The Sorry State.
Projects
2025

The Sorry State

Does your condition affect your washing and bathing? Does your condition affect you using the toilet or managing incontinence? These are just two of the questions UK citizens are asked when applying for aid from the Welfare State, typically posed by strangers. Jack Moyse finds the process intrusive and demeaning and has fought back with his work, mapping the relevant scenarios with his own body, then shooting at a distance. Peeping through doorways or watching long-distance through trees, his imagery suggests the surveillance to which he and others are subjected; using images to raise awareness, he also suggests the camera as a liberatory tool. Moyse’s staged still lifes materialise the rhetoric that surrounds disability, meanwhile, and his layered artworks the trappings of bureaucracy.
Jack Moyse
was nominated by
PhotoIreland
in
2026
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The artists navigate a variety of concerns and topics, from the personal to the universal, asking pertinent and at times uncomfortable but urgent questions, bringing contemporary issues to the fore.

Originally from Egypt, Eslam Abd El Salam is an artist based in Belfast, Northern Ireland, whose gentle but powerful work focuses on walking as a pedagogical practice. Through an intuitive visual language, Eslam's practice centres around motion and nature, while raising conversations around belonging.

Exploring similar topics around belonging and identity, Polish artist Izabela Szczutkowska, practicing and residing in Ireland, works with darkroom processes and collage. Using the recurring motifs of a body and a stone, combining analogue photography and collage, the work explores states of becoming shaped by time, environment, and uncertainty.

Asking pertinent questions, Wales artist Jack Moyse presents us with the lived disabled experience, providing insight into those marginalised in the UK. All the while, he proposes photography as a liberatory tool, using his practice to confront the oppressive systems and intrusive bureaucracy.

Irish artist Thérèse Anna Rafter investigates how Western visual culture represents the living world, particularly through institutional and museum contexts. Her work draws on institutional displays and photographic traditions to examine how relationships between humans, animals, and land are defined and upheld.

Varvara Uhlik is a Ukranian artists based in London. Uhlik amalgamates archival materials with contemporary imagery, highlighting the fragility of memory and tension with the digital. In her projects, Uhlik explores themes around Slavic and post-Soviet visuals and identities.

The artists this year represent the wealth of diversity and traditions in contemporary realities across Europe, strengthening and shaping new forms of creative expression.

Members of the jury:

Eamonn Doyle, Artist (Ireland)

Siân Addicott, Director, Ffotogallery (Wales)

Vivienne Gamble, Director, Stills Centre for Photography (Edinburgh)

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