The artists nominated by

PhotoIreland
in
2026

PhotoIreland is pleased to nominate five artists for 2026 to join the FUTURES Platform. A jury of three Irish and UK professionals has been invited to contribute with their expertise to the selection process: artist Eamonn Doyle, Ireland; Siân Addicott, Director, Ffotogallery, Wales; and Vivienne Gamble, Director, Stills Centre for Photography, Edinburgh. The five selected artists demonstrate an exciting diversity of contemporary practices from Ireland and the UK: Eslam Abd El Salam (NI/EG), Izabela Szczutkowska (IE/PL), Jack Moyse (UK), Thérèse Anna Rafter (IE), and Varvara Uhlik (UK/UA).

The artists navigate a variety of concerns and topics, from the personal to the universal, asking pertinent and at times uncomfortable but urgent questions, bringing contemporary issues to the fore.

Originally from Egypt, Eslam Abd El Salam is an artist based in Belfast, Northern Ireland, whose gentle but powerful work focuses on walking as a pedagogical practice. Through an intuitive visual language, Eslam's practice centres around motion and nature, while raising conversations around belonging.

Exploring similar topics around belonging and identity, Polish artist Izabela Szczutkowska, practicing and residing in Ireland, works with darkroom processes and collage. Using the recurring motifs of a body and a stone, combining analogue photography and collage, the work explores states of becoming shaped by time, environment, and uncertainty.

Asking pertinent questions, Wales artist Jack Moyse presents us with the lived disabled experience, providing insight into those marginalised in the UK. All the while, he proposes photography as a liberatory tool, using his practice to confront the oppressive systems and intrusive bureaucracy.

Irish artist Thérèse Anna Rafter investigates how Western visual culture represents the living world, particularly through institutional and museum contexts. Her work draws on institutional displays and photographic traditions to examine how relationships between humans, animals, and land are defined and upheld.

Varvara Uhlik is a Ukranian artists based in London. Uhlik amalgamates archival materials with contemporary imagery, highlighting the fragility of memory and tension with the digital. In her projects, Uhlik explores themes around Slavic and post-Soviet visuals and identities.

The artists this year represent the wealth of diversity and traditions in contemporary realities across Europe, strengthening and shaping new forms of creative expression.

Members of the jury:

Eamonn Doyle, Artist (Ireland)

Siân Addicott, Director, Ffotogallery (Wales)

Vivienne Gamble, Director, Stills Centre for Photography (Edinburgh)

Projects nominations
Varvara Uhlik
Varvara Uhlik (b.1997, Ukraine) is a London-based visual artist who explores themes of Slavic culture and identity, with a focus on the post-Soviet era’s impact on her generation. Working across photography, installation, and video, Varvara often reworks archival materials, bringing them into dialogue with contemporary narratives and newly produced work. Through this process, she examines the tension between past and present, reality and its digital afterlife, foregrounding the impermanence of our surroundings and the fragility of memory. In 2024, the British Journal of Photography recognised Varvara as a Ones to Watch artist. Her work has been exhibited internationally, including at The Sunday Painter, London; Photo Élysée Museum, Switzerland; European Photography Month, Tokyo; MIA Milan Photo Fair, Italy; Encontros da Imagem, Portugal; and Liquida Photofestival, Italy. Her work has appeared in publications such as The Guardian, Beaux Arts Magazine, Photoworks, Riga Photography Biennial 2025, Der Greif, and LensCulture, among others.
Jack Moyse
Born in 1996, Moyse is based in Swansea, Wales, and has an MA in photography from Plymouth College of Art. He holds a position at Teesside University, lecturing and leading their MA in Photography. His practice focuses on the lived disabled experience, providing insight into and exposure for those marginalised in the UK, and the oppressive systems they encounter. Moyse has exhibited at BayArt and Ffotogallery in Cardiff, Mission Gallery in Swansea, Belfast Exposed, and MOMA Machynlleth. He was recently awarded a Welsh Arts Council grant to continue his inquiry into The Sorry State.
Eslam Abd El Salam
Eslam Abd El Salam is a visual artist based in Belfast, Northern Ireland. His work focuses on walking as a pedagogical practice and is centered around the body: the body in motion, in contact with nature, and in the presence of other bodies. Through the mediums of analogue photography, Polaroids, text, moving image, and mixed media, Eslam considers notions of synchronicity, specifically in relation to friendship and serendipitous encounters with others. Other recurring themes in his work include family archives, time, and displacement. He is keen to visually find the common thread between the personal and collective within his artistic practice. Originally from Cairo, Egypt, and based in Belfast since 2022, Eslam's journey to Ireland began in March 2019 as an artist-in-residence at The Curfew Tower in Cushendall. His work has been exhibited internationally in Finland, France, Latvia, Egypt, and the UK. Most recently, he has worked with Kunstverein Aughrim on developing a long-term photographic and installation project called Can You See with Your Heart? that was exhibited during Craic in the Granite Music & Arts Festival on the 27th of June 2025.
Thérèse Anna Rafter
Thérèse Anna Rafter (b. 1989, Dublin, Ireland) is an artist and researcher working across photography and installation. Her practice investigates how the living world is mediated within Western visual culture, with particular attention to institutional modes of representation and display. Engaging critically with the legacies of natural history, museum practices, and photographic visual regimes, Rafter’s work explores the boundaries through which human–animal–land relations are constructed and maintained. Characterised by a measured tension between restraint and sensitivity, her work is articulated through a rigorous analogue approach to material, form, and production. By foregrounding processes of framing, preservation, and visibility, Rafter challenges anthropocentric ways of seeing and considers how knowledge of nonhuman life is produced and encountered. Rafter holds a BA in Photography and completed an MA in Visual Arts in 2024. She is currently undertaking a research Master’s at Sint Lucas School of Arts, Antwerp, Belgium.
Izabela Szczutkowska
Izabela Szczutkowska is a Polish visual artist based in West Cork, Ireland. Working with photography, collage, darkroom-based processes, and installation, her practice revolves around the ontological question of photography, drawing on autobiographical themes such as identity and the concept of home. Interested in testing the limits of photographic freedom, her open-ended, process-led research is driven more by inquiry than definitive answers. Alongside her practice, Szczutkowska collaborates with the Irish music scene, producing band portraits, music videos, and album artwork. She holds an MA in Art, Research Collaboration from IADT and a BA (Hons) in Photography from TU Dublin. Earlier studies include Photographic Studies and TV & Film Production at St. John’s College, Cork. Szczutkowska’s work has been exhibited in group shows across Ireland, including the RHA, Dublin, Lavit Gallery, Cork, Photo Museum Ireland, The Lab Gallery, and an upcoming exhibition at Kevin Kavanagh, Dublin.
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