The
Artist
Emma Tholot
Lives and Works in
Arles
Emma Tholot is a visual artist and photographer. Her multifaceted practice combines photography, video, textile, wax, and metal, exploring how images, materials, and objects connect intimacy with collective staging. Her work draws on daily and ancestral rituals as well as a family heritage, intertwining the memory of heterotopic spaces, the materiality of desire, and systems of belief. From costumes to ex-voto, through references to theater, carnival, circus and their archetypal figures, everything points toward the baroque idea of a display of affects that puts into crisis the established order. Through stratification, veiling, and photographic transfers, her work presents images in a fragile, ghostly state, suspended between appearance and disappearance. Born in Saint-Étienne in 1994, she graduated from the École nationale supérieure des Arts Décoratifs, Paris (2020), the Accademia di Belle Arti di Roma (2018), and the École d’art d’Annecy (2016).
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Emma Tholot
was nominated by
Centre photographique Rouen Normandie
in
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Krauze-Slucka holds a Master’s degree in Fine Arts from the Visual Communication Department of the Latvian Academy of Arts. She was awarded the Grand Prix of the Nordic and Baltic Young Artist Award in 2020 and has been twice nominated for the prestigious Purvītis Prize.
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Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
Vitale is the Artistic Director of EXPOSED Torino Foto Festival and FUTURES Photography, both international platforms dedicated to contemporary photography. He also serves as a Professor at Lucerne University of Applied Sciences and Arts, where he leads the Transmedia Storytelling Programme. Previously, he was the co-founder and editor-in-chief of YET magazine, an international photography publication.
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Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
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Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
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I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.
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