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The

Artist

Cristóbal Ascencio

Nominated in
2025
By
Fundació Foto Colectania
Lives and Works in
Madrid
Cristóbal Ascencio (Guadalajara, 1988) is a photographer and visual artist whose work explores the relationship between images and memory. With studies in Audiovisual Media (CAAV Jalisco) and Contemporary Photography (EFTI Madrid), his practice goes beyondtraditional photography into virtual reality, data manipulation, and photogrammetry. He hasexhibited individually at the Mexican Cultural Institute in Spain (2025), Fundación Marso(2025) and Getxo Photo Festival (2022), and collectively at Foam Amsterdam, AthensPhotography Festival, Casa del Lago UNAM, and Deutsche Börse Photography Foundation. Selected for FOAM Talent 2024-25, he won the First Prize FotoCanal Photography Book ofthe Community of Madrid (2024) and published Las flores mueren dos veces with Editorial Dispara (2025). His work is present in collections such as Art Vontobel and Fundación ENAIRE. His work has been published in FOAM Magazine, Exit, Aesthetica, and the British Journal of Photography
Projects
2021

LAS FLORES MUEREN DOS VECES

Las Flores mueren dos veces explores a parent-child relationship filled with loss, silence, death, and reconciliation. My father died when I was 15, but I wasn't told it was suicide until I turned 30. That's when I began revisiting the images, places, and memories left behind. Margarito, a gardener by profession, wrote a farewell letter in which he wrote about plants and said, "Forgive me and communicate with me." After receiving this information, I started revisiting my family archive and my father's last garden using digital strategies to alter images. By manipulating the structural data of family photographs, I deconstruct images and narratives a glitch or digital error as a tool, creating new images that serve as metaphors for "corrupted memories." Simultaneously, a three-dimensional representation of the garden through photogrammetry addresses memory's plasticity, represented in plants my father grew that remain alive today. I seek to shape his absence through images and establish a dialogue between our worlds. My approach centers on how technological interventions alter an image's primal meaning, expanding the media to new ways of consumption. This personal story unfolds in three chapters: code-altered analog photos, digital plants made following my father's instructions, and an immersive VR garden. This project is my answer to the last words my father wrote and an invitation to think about all the relationships that we once formed and that continue to develop after death.
Cristóbal Ascencio
was nominated by
Fundació Foto Colectania
in
2025
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The five artists selected for FUTURES are Claudia Amatruda (Foggia, 1995), Matteo Buonomo (Milan, 1991), Benedetta Casagrande (Milan, 1993), Alessio Pellicoro (Taranto, 1994) and Martina Zanin (San Daniele del Friuli, 1994). This selection consolidates the nature of this program as an observatory of the medium, developing a broad perspective of its practices today in the Italian context and examining the ways in which the digital and new aesthetics are changing its fruition. It includes refined operations that present both research with a return to its function as a document, as well as experiments that question the medium's ideas of form, truth, and identity. The aim is to show how photography is a medium in perpetual transformation and expansion, which brings together experiences of a documentary nature on social and cultural themes, and others that emphasize formal and conceptual research.

Amatruda reflects on the transformations of his own body due to a rare degenerative disease. Looking at Donna Haraway's theories on the union between cyborgs and humans, she transforms her body into a theatre of reception for external elements, highlighting possible contaminations and metamorphoses through self-portraiture.

Bonomo's work focuses on long-term projects focusing on the social context trying to read the dynamics of loneliness and sharing that run through contemporary society. His photographic stories are enriched by textual and investigative insights.

Casagrande uses the medium of photography to be in relationship with the surrounding environment and its elements. She analyses ecological coexistence with the non-human living world and explores the ways in which we relate to them: intraspecific coexistence and the possibility of constructing new forms of kinship and intimacy between species in a context of unprecedented loss of variety of living organisms.

The elements that characterize Pellicoro's research are the ambiguous relationship with reality, the role of immobility and movement, the post photographic inclination and the testimonial approach. A result that, on the one hand, is due to the subjects filmed; on the other, to the interest in representing unconscious drives or autobiographical issues.

Zanin's research is intertwined with his personal experiences and draws on references from literature and psychoanalysis to interrogate the notions of absence, memory, aggression, repetition, patriarchy, and heritage. She invites the viewer to reflect on the ambiguity of power dynamics, focusing on the fine line between protection and control and turning her attention to vulnerable positions.

List of curators 

Giangavino Pazzola – Curator of contemporary and research programs at CAMERA

Walter Guadagnini – Director at CAMERA

Nominators

Arianna Catania | Director of Gibellina Photoroad / Open Air & Site-specific Festival

Matteo Balduzzi | Curator of MUFOCO – Museum of Contemporary Photography of Milano-Cinisello Balsamo

Marco Delogu | Photographer and President of Azienda Speciale Palaexpo - Rome

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