Edit Project

Fourteen leaves and a cup of water

Michelle Piergoelam

March 3, 2024, Brownsberg – Suriname. 36 degrees Celsius. It was unusually dry for the season. Sunbeams broke through the canopy as we walked through the thickly wooded field. The forest was silent as I absorbed the surroundings — the viper's bugloss, the coffee plants and the elephant leaves — they all intertwined in a chaotic symphony of green. The shaman cut off pieces of bark and examined the flora as we continued on our path. It had overgrown the land where plantations once existed. _______ The enslaved possessed extensive knowledge of flora. Gained through their own experience and detailed memories of the African forests and savanna. By using this knowledge as a means of empowerment, some managed to poison their oppressors. They knew the medicinal properties of certain leaves and which plants were edible and which were not. It is this deep-rooted knowledge that enabled them to escape the harsh conditions on the plantation and survive in the dense rainforest of Suriname.
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The Artist
Michelle Piergoelam
Nominated in
2023
By
Michelle Piergoelam
Lives and Works in
Rotterdam
Michelle Piergoelam (b. 1997) is a photographer who studied at the Royal Academy of Art in The Hague, the Netherlands. She creates visual stories based on dreams, memories, cultural myths and traditions. Despite her Surinamese background, Piergoelam knew little about this country; a curiosity to learn more prompted her to seek out new narratives. With her images, the artist stimulates the imagination and narrative culture – to keep their transmission alive. Her practice applies varied photographic techniques while using elements of the night; details become the subject when light strikes over them, and the smallest gestures speak loud and clear. In 2020, Piergoelam’s The Untangled Tales project was nominated for both Blurring the Lines and the Kassel Dummy Award, and was awarded second prize at the Zilveren Camera Prize for Storytelling.
More projects by this artist

The untangled tales

Er tin tin, sigri tin tin…

Once upon a time, long ago…tales were told that everyone could hear, but not everyone could understand. Numerous tales tell the story of Anansi – a mythical spider who dealt with a tiger that made his life miserable. Although the spider was physically weaker, it was often able to defeat the tiger with cleverness and cunning. Is it really just a myth? These stories, passed along from Africa to Suriname, and told between generations, enabled enslaved people to share their thoughts without slaveholders knowing what was actually meant.  

In the same vein, angisas worn by women were not only beautiful textiles: their intricate folds contained hidden stories and wisdoms that could only be read by those who’d learnt to.

Through memories and imagination, The untangled tales visualises stories of the Anansi storytellers and the Angisa-folders, and the ways in which these traditions allow us to glimpse at years of slavery.

Songs in a strange land

The rivers of Suriname, on the rivers of Suriname

Sailed the enslaved with their ships
They rowed and saw the sun set below the horizon, the moon’s reflections ripple on the water

The rivers of Suriname, on the rivers of Suriname

They transported trade goods into town,
Surrounded by the scent of coffee and tobacco, they made their way through the current

The rivers of Suriname, on the rivers of Suriname

They sang a melodic sequence of call and response
Their songs of resilience and sorrow broke the silence of the night

On these rivers of Suriname

Dawn brought them hope for better lives
And their songs still echo on the rhythm of the water

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