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This is Ballinasloe, a sandstone town on the River Suck in the easternmost corner of Galway in Ireland, seen through the eyes of a native, Ciarán Óg Arnold. Within the rabble, Arnold trails after the cast-offs, invisible men who spend their time in murky corners, choosing to do nothing but drift and drink. Ballinasloe is a mouth; in Irish, mouth of the ford, mouth of the crowds. “We claim to hate it here”, writes Arnold, “but the truth is that we choose to stay, hiding from reality, drowning in drink and wanting to be left alone as we await whatever fate is in store.”
Over the years, Ballinasloe has become a ghost town, its immobile economy holding back only the indifferent. Its empty clubs are the ordinary voids of an orthodox escapism, the unvarying nightly vocation that is also creeping annihilation. The town is haunted by the absence of those unseeable others, who have also departed – the suicide kids of Charles Bukowski’s poem, from which the book’s title is taken.
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FUTURES is a European Photography Platform that brings together the global photography community to support and nurture the professional development of emerging artists worldwide.

FUTURES curates exhibitions and programs, including talks, through our extensive network of top European curators and artists.

The FUTURES Residency Program provides selected emerging photographers with the time, space, and resources to develop new work, with a strong focus on the artistic process and research.

FUTURES annual publications feature in-depth articles, interviews and conversations with key players from the global community. Released alongside the annual exhibition, the publication showcases work by FUTURES artists alongside commissioned essays on some of the most compelling issues in contemporary photography.





















