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The

Artist

Thérèse Anna Rafter

Nominated in
2026
By
PhotoIreland
Lives and Works in
Ireland
Thérèse Anna Rafter (b. 1989, Dublin, Ireland) is an artist and researcher working across photography and installation. Her practice investigates how the living world is mediated within Western visual culture, with particular attention to institutional modes of representation and display. Engaging critically with the legacies of natural history, museum practices, and photographic visual regimes, Rafter’s work explores the boundaries through which human–animal–land relations are constructed and maintained. Characterised by a measured tension between restraint and sensitivity, her work is articulated through a rigorous analogue approach to material, form, and production. By foregrounding processes of framing, preservation, and visibility, Rafter challenges anthropocentric ways of seeing and considers how knowledge of nonhuman life is produced and encountered. Rafter holds a BA in Photography and completed an MA in Visual Arts in 2024. She is currently undertaking a research Master’s at Sint Lucas School of Arts, Antwerp, Belgium.
Projects
2021

Tremor

Developed between Ireland and Belgium, Tremor investigates the intimate dynamics of falconry—an ancient practice shaping distinctive relationships between humans and birds of prey. Rafter’s focus extends beyond falconry itself, examining the cultural frameworks through which the natural world is collectively perceived. The project’s title is drawn from J.A. Baker’s The Peregrine (1967), in which he writes: “I came late to the love of birds. For years I saw them only as a tremor at the edge of vision.” Throughout these images, a visual strategy of abstraction is adopted—the work is deliberately situated nowhere. While subtle references to the Irish landscape emerge, the birds remain geographically untethered. This ambiguity foregrounds the unknowability of the natural world: the bird is rarely fully revealed, almost never entirely present on the page. The presence of the falconer is suggested only through discreet human traces— metal anklets, handmade hoods, telemetry trackers. Inverted images further destabilise orientation, shifting the experience from passive aesthetic observation to a more critical mode of looking. Temporality is central to the work, which functions as a kind of time capsule, inviting viewers into a world that is slowly disappearing. Language is deployed as a strategic tool: an index anchors the images, offering historical and critical insights and inviting the reader to assemble meaning through fragmentary clues. This layered presentation functions like a puzzle, resisting passive consumption and foregrounding the research dimension of the work.
Thérèse Anna Rafter
was nominated by
PhotoIreland
in
2026
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The artists navigate a variety of concerns and topics, from the personal to the universal, asking pertinent and at times uncomfortable but urgent questions, bringing contemporary issues to the fore.

Originally from Egypt, Eslam Abd El Salam is an artist based in Belfast, Northern Ireland, whose gentle but powerful work focuses on walking as a pedagogical practice. Through an intuitive visual language, Eslam's practice centres around motion and nature, while raising conversations around belonging.

Exploring similar topics around belonging and identity, Polish artist Izabela Szczutkowska, practicing and residing in Ireland, works with darkroom processes and collage. Using the recurring motifs of a body and a stone, combining analogue photography and collage, the work explores states of becoming shaped by time, environment, and uncertainty.

Asking pertinent questions, Wales artist Jack Moyse presents us with the lived disabled experience, providing insight into those marginalised in the UK. All the while, he proposes photography as a liberatory tool, using his practice to confront the oppressive systems and intrusive bureaucracy.

Irish artist Thérèse Anna Rafter investigates how Western visual culture represents the living world, particularly through institutional and museum contexts. Her work draws on institutional displays and photographic traditions to examine how relationships between humans, animals, and land are defined and upheld.

Varvara Uhlik is a Ukranian artists based in London. Uhlik amalgamates archival materials with contemporary imagery, highlighting the fragility of memory and tension with the digital. In her projects, Uhlik explores themes around Slavic and post-Soviet visuals and identities.

The artists this year represent the wealth of diversity and traditions in contemporary realities across Europe, strengthening and shaping new forms of creative expression.

Members of the jury:

Eamonn Doyle, Artist (Ireland)

Siân Addicott, Director, Ffotogallery (Wales)

Vivienne Gamble, Director, Stills Centre for Photography (Edinburgh)

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