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The

Artist

Izabela Szczutkowska

Nominated in
2026
By
PhotoIreland
Lives and Works in
Cork, Ireland
Izabela Szczutkowska is a Polish visual artist based in West Cork, Ireland. Working with photography, collage, darkroom-based processes, and installation, her practice revolves around the ontological question of photography, drawing on autobiographical themes such as identity and the concept of home. Interested in testing the limits of photographic freedom, her open-ended, process-led research is driven more by inquiry than definitive answers. Alongside her practice, Szczutkowska collaborates with the Irish music scene, producing band portraits, music videos, and album artwork. She holds an MA in Art, Research Collaboration from IADT and a BA (Hons) in Photography from TU Dublin. Earlier studies include Photographic Studies and TV & Film Production at St. John’s College, Cork. Szczutkowska’s work has been exhibited in group shows across Ireland, including the RHA, Dublin, Lavit Gallery, Cork, Photo Museum Ireland, The Lab Gallery, and an upcoming exhibition at Kevin Kavanagh, Dublin.
Projects
2019

Siar

Siar is an ongoing body of work, consisting of a series of photographs arranged as an installation of prints and an upcoming artist’s book. Taking its title from the Irish word for “west,” Siar considers the idea of choice. Not the consequences of choice, but the very moment of making it: a continuous culmination of an uncertain agency. Through a process-led exploration of two main motifs–a body and a stone–she examines intersections between what can be understood as lived: internal and external; dependent and independent. Elements that are contained in itself, yet shaped by time and environment, neither fixed nor whole. Rooted in analogue practice, the images are primarily produced using negative film, though also incorporate digital photographs taken out of impulse or necessity. For photomontage works, Izabela developed an intuitive methodology where she tears out parts of photographic prints by hand. This gesture stands for a movement that can be equally as responsive as accidental. The traces of torn paper suggest scarring, an indication of what it has been. Unfolding as a non-linear narrative, photographs are displayed as spatial, side-specific arrangements of prints in different sizes, defined by proximity, lines, and textures. By shifting the focus from destination to transition, the inquiry becomes less about where we are going and more about how we are to continue. This work offers no answers. It seeks the conditions in which exchange can occur between points of view, standpoints, and different languages.
Izabela Szczutkowska
was nominated by
PhotoIreland
in
2026
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The artists navigate a variety of concerns and topics, from the personal to the universal, asking pertinent and at times uncomfortable but urgent questions, bringing contemporary issues to the fore.

Originally from Egypt, Eslam Abd El Salam is an artist based in Belfast, Northern Ireland, whose gentle but powerful work focuses on walking as a pedagogical practice. Through an intuitive visual language, Eslam's practice centres around motion and nature, while raising conversations around belonging.

Exploring similar topics around belonging and identity, Polish artist Izabela Szczutkowska, practicing and residing in Ireland, works with darkroom processes and collage. Using the recurring motifs of a body and a stone, combining analogue photography and collage, the work explores states of becoming shaped by time, environment, and uncertainty.

Asking pertinent questions, Wales artist Jack Moyse presents us with the lived disabled experience, providing insight into those marginalised in the UK. All the while, he proposes photography as a liberatory tool, using his practice to confront the oppressive systems and intrusive bureaucracy.

Irish artist Thérèse Anna Rafter investigates how Western visual culture represents the living world, particularly through institutional and museum contexts. Her work draws on institutional displays and photographic traditions to examine how relationships between humans, animals, and land are defined and upheld.

Varvara Uhlik is a Ukranian artists based in London. Uhlik amalgamates archival materials with contemporary imagery, highlighting the fragility of memory and tension with the digital. In her projects, Uhlik explores themes around Slavic and post-Soviet visuals and identities.

The artists this year represent the wealth of diversity and traditions in contemporary realities across Europe, strengthening and shaping new forms of creative expression.

Members of the jury:

Eamonn Doyle, Artist (Ireland)

Siân Addicott, Director, Ffotogallery (Wales)

Vivienne Gamble, Director, Stills Centre for Photography (Edinburgh)

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