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Meet the artists nominated by FOMU in 2022

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Futures Photography
May 20, 2022
We are happy to announce another group of artists to join Futures this year. The eight artists were nominated through by FOMU: Arian Christiaens, Gulsah Bayrak,  Barbara Debeuckelaere, Lars Duchateau, Rami Hara, Alice Pallot, Ligia Poplawska and Seppe Vancraywinkel.

They will join the platform’s activities to present their work to international professionals and to network, amongst other opportunities that will be developed for them, including exhibitions, publishing opportunities, portfolio reviews, and more.

Discover more about them:

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Work by Rami Hara
Work by Ligia Poplawska
Work by Arian Christiaens
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Rami Hara

Rami’s work is visually striking. The objects of his portraits are statuesque, almost sculptural and hold a quiet dignity, these aforementioned fabrics (the Veil, the Durag ) are elevatedfrom their utilitarian role into markers of adornment. A hijab becomes a royal veil, a durag transforms into the crown of a young, anonymous king, A portrait becomes a painting.

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Ligia Poplawska

Ligia Popławska (b. 1994, Poland) is a photographer and art historian currently based in Antwerp, Belgium. Her work focuses on the topics of environmental change and sensory ecology. With a deep interest in neuroscience, she researches the parallels between senses, memory and emotional states, in the changing conditions of the (Post) Anthropocene.

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Arian Christiaens

Arian Christiaens (°1981) has been working as a photographer, artist and photography teacher. Her work is centered around investigations of her family relations and the constructed nature of their identities.

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Gulsah Ayla Bayrak

Gulsah Ayla Bayrak (born 1997), is an interdisciplinary artist from Belgium, working on the larger themes of identity and belonging, in a complex world of interactions between her the different fragments that she embodies: Her Turkish roots and her political identity as a citizen of modern Europe, juxtaposed for the ramifications of feminist theory when thinking about the body and the self and the cultural and political consequences of queerness in an era of increasing polarization, but also of multiple polarities.

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Lars Duchateau

Duchateau is an artist who mainly works with photography. By applying a wide variety of contemporary strategies. His photos are an investigation into representations of (seemingly) concrete ages. By studying sign processes,  signification and communication, he makes work that generates diverse meanings, associations and meanings collide. Space becomes time and language becomes image.

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Work by Gulsah Bayrak
Work by Lars Duchateau
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Work by Alice Pallot
Work by Barbara Debeuckelaere
Work by Seppe Vancraywinkel
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Alice Pallot

Alice Pallot is a French photographer who lives and works in Brussels. She graduated with honors from the photography section of ENSAV La Cambre (BA and MA) In July 2018 and participated in the Erasmus program at Ecal in Switzerland.In the same year, she won the Roger de Conynck prize for her series L’Ile Himero, also exhibited at The Voies Off Festival in the context of Les Rencontres de la photographie d’Arles.In 2019, Alice Pallot self-edited a book untitled Land which was included in Belgian Photobook at the Fotomuseum in Antwerp, Le Bal in Paris and at the Wiels Art Book Fair in Brussels.

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Barbara Debeuckelaere

Barbara Debeuckelaere (BE) is a visual artist and photographer. She is a master in Visual Arts, Photography (KASK Ghent, 2021), a master in International Politics and European Law (VUBrussel, 1992) and a master in Economy (KULeuven, 1991). She started her career in Dutch Guyana (Suriname) as a junior professor at the University of Paramaribo. After that she worked as a journalist, for newspapers De Standaard and De Morgen and from 2002 on she was recruited by the VRT-newsroom. First she worked for radio (Voor de Dag, Radionieuws) and from 2007 on for television (Terzake).

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Seppe Vancraywinkel

Seppe Vancraywinkel (1998) grew up on the countryside in Hoegaarden, Belgium. He has always been surrounded by his close friends and they were always on the go, they still are. Since 2016 Vancraywinkel felt the need to capture these moments analog in black- and-white.

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