




The artists nominated by
For 25 years, Fotofestiwal has served as a platform for artistic presentation, inspiration, and exchange. Alongside its curated program, the festival’s Open Program—based on an international open call—remains a vital component of its structure. In 2026 the first edition of the Fotofestiwal Grant was launched. It is dedicated to supporting the production and exhibition of a new project by an artist from Poland or living in Poland. Together, these two initiatives allow us to closely observe current developments in photography—emerging tendencies, formal experiments, and urgent thematic concerns. They also formed the basis for selecting artists to join the Futures platform. The selection process unfolded in two stages: first, the Fotofestiwal team created a shortlist based on submissions to the Open Program and the Fotofestiwal Grant. In the second stage, an expert panel composed of Julia Klewaniec (visual artist, curator, member of Picture Doc Foundation, and Futures Talent 2022), Grażyna Siedlecka (independent curator), and Marta Szymańska (Fotofestiwal curator) made the final nominations.
When searching artists for Futures Talents, we focus on artists living and creating in the region, of Polish origin, or based in Poland, who are at a pivotal moment in their careers—ready to benefit from and contribute to the international Futures community. We look for artists with a strong, distinctive visual language and a clear artistic vision. And all artists joining the platform in 2026 demonstrates a highly individual and recognizable approach to the medium.
Sasha Velichko, a Belarusian artist living and working in Poland, grounds her practice in the socio-political realities of her country of origin. Working across photography, analogue and digital archives, artificial intelligence, and textile, she constructs layered narratives that interrogate memory and power. She is also the recipient of the first Fotofestiwal Grant, with her exhibition scheduled for Fotofestiwal 2026.
Anna Kieblesz works at the intersection of media. Photography, performance, light, installation, and textiles are all tools for her experiments. The body in her works is both a subject and a material presence.
Irena Kalicka has long been active within the Polish photography scene, developing a consistent and unmistakable visual language rooted in grotesque aesthetics, self-made scenography, and performative elements.
Artur Pławski, a self-described late debut artist, constructs nuanced narratives around masculinity, marked by sensitivity and a distinctive perspective.
Mateusz Pecyna creates multi-layered, often multisensory installations that combine found footage, documents, AI-generated imagery, and objects, addressing contemporary questions surrounding image credibility and perception.
The members of the jury:
Julia Klewaniec - photographer, visual artists, curator, member of Picterdoc Foundation, FUTURES Talent 2022
Grażyna Siedlecka - independent curator, Poland
Marta Szymańska - curator of Fotofestiwal Lodz, Poland








Pecyna holds an MA in Photography and Multimedia from the Academy of Fine Arts in Łódź, Poland. He has presented work widely in solo and group exhibitions in Poland and internationally, across museums and festival contexts. He currently participates in the international Heritage Lens programme, focusing on how climate change and environmental catastrophe reorganise cultural heritage, public imaginaries and the conditions of living. He was awarded the Artistic Scholarship of the City of Łódź (2025).








































