The basically tautological character of Holy Olga flows from the simple fact that its means are simultaneously its ends. It is the sun which never sets over the empire of modern passivity. It covers the entire surface of the world and bathes endlessly in its own glory.
Holy Olga is not a collection of images, but a social relation among people, mediated by images.
Holy Olga is never what hides the truth - it is truth that hides the fact that there is none.
Holy Olga is true.