Mateusz Pecyna

Mateusz Pecyna is a Polish visual artist working with installation, moving image, objects and sound. His practice explores how technological systems and environmental stress reshape contemporary culture, especially through regimes of visibility, interfaces and synthetic forms of nature. Rather than treating technology as a neutral tool, he approaches it as a cultural agent: something that produces aesthetics, behaviours and power relations. Combining research with speculative narration, he builds layered situations that test the boundaries between documentary evidence and constructed scenarios. Pecyna holds an MA in Photography and Multimedia from the Academy of Fine Arts in Łódź, Poland. He has presented work widely in solo and group exhibitions in Poland and internationally, across museums and festival contexts. He currently participates in the international Heritage Lens programme, focusing on how climate change and environmental catastrophe reorganise cultural heritage, public imaginaries and the conditions of living. He was awarded the Artistic Scholarship of the City of Łódź (2025).

Weronika Bela (born 1988, Baerum) and Ivar Hagren (born 1986, Stockholm) are an artist duo based in Stockholm. In their project based practice, they work with the historical conditions of analog photography, its materiality and phenomena. They work with subtle visual worlds and develop associative stories in still images and video essays. They both have a master's degree in fine arts from Konstfack. Hagren/Bela were Iaspis studio fellows in 2022 and received the Hasselblad Foundation's nature photography scholarship in 2024.

Joanna Chia-yu Lin explores memory and place through an interdisciplinary approach, incorporating photography, painting, textiles, and installations to trace connections between belonging, home, and the unspoken spaces where emotions and realities meet. Born in 1995 in Chiayi, Taiwan, and based in Oslo, Norway, Joanna holds an MFA in Medium and Materials-Based Art from the Oslo National Academy of the Arts and a BFA in Fine Arts from National Taiwan Normal University. Her works have been shown in several venues in Norway, including Kunstplass, Tenthaus, the Photo Festival Oslo Negativ, Drammens Museum, and Northing Space. Upcoming exhibitions include Fotografiens Hus (Oslo), Yao’s Alternative Space, and Glitch (Taichung, Taiwan). She is a member of Tenthaus Collective, The Norwegian Association of Painters and The Association of Norwegian Visual Artists. Her works are in the collections of Västra Götalandsregionen, Sweden, and Art Bank Taiwan at the National Taiwan Museum of Fine Arts.

ANNA PEREPECHAI (1989, Poltava, UA) is a visual artist and photographer who has been living and working in Germany and Ukraine since 2014. From a migrant perspective, she investigates how colonial and imperial violence inscribes itself into landscapes, bodies, and, everyday objects, particularly in the context of formerly Sovietized societies. Central themes of her work include witnessing, memory, and states of temporal and emotional incompleteness. Her practice combines documentary and subjective approaches, cameraless and lens-based photography, writing, and archival materials.

Clare Lyons (b.1993) is an artist and photographer working between Belfast and Dublin. Considering the photograph as an object is integral to Clare’s practice. Her work often employs methods borrowed from sculpture and printmaking to draw attention to this, blurring the lines of what photography is or can be. Clare’s practice has been largely autobiographical, focusing on deeply personal themes and stories of healing and catharsis in the face of trauma and mental illness. Recent works represent a transitory phase for Clare as her practice shifts and changes, no longer confined to being the subject of her own work. Clare was one of five Irish Talents selected by PhotoIreland for the FUTURES European Photography Platform in 2021, and in 2022 represented Ireland at 'Visage(s) d'Europe' curated by Collectif Fetart in Paris. Clare presented her debut solo exhibition 'To Jack' at The Limerick Museum in October 2024.

Viacheslav Poliakov is a visual artist, photographer, graphic designer. He was born in 1986 in Kherson, Ukraine. Obtained a master’s degree in art education from Kherson State University. Now based in Lviv, Ukraine. His art practice exists on the intersection of documentary photography and design. He's interested in objects and spaces made by people, the historic background behind the urban landscape. Viacheslav is a finalist of Foam Talents, Vienna Photobook Festival, Circulations, Krakow Photomonth Showoff, Fotofestival Lodz Grand Prix, Prix Levallois. His works were published in the Foam Magazine, The British Journal of Photography, GUP magazine, Lensculture, The Washington Post.

Elena Corbu is a visual artist in love with simplicity. Choosing to be a photographer in the creative industry opened the door to many unique experiences. Elena chooses her projects out of a genuine connection with the people she works with. The sensorial approach she attributes to each photographic project keeps her creativity alive, and the challenges that come with it take her further to the heights of imagination. The abstract and the concrete are separated by such a fine line that viewers are invited into her inner world when they come into contact with her works. Her images have been published in a range of magazines, whilst her work has featured in various group and solo exhibitions, most recently in Bucharest, Cluj, London & Paris. Through her photography, she aims to create a space for dialogue that encourages viewers to reflect on their own narratives and the shared human experience.

Cosmin Gârleșteanu was born in August 1984, in Bucharest. He studied at the Academy for Economic Studies – The Accounting Faculty, but his passion for music drove him to a different kind of job, in radio. Nowadays he works as a video editor in television. Photography has always been among his passions, due to the feeling of freedom it gives him, before anything else.

Irish artist, Miriam O’Connor lives and works in Cork. She holds a BA in photography from Dublin Institute of Technology, and completed a Research Masters at the Institute of Art, Design & Technology, Dun Laoghaire in 2011. Drawing inspiration from the language, sights and sounds of the everyday, O’Connor’s practice frequently engages with matters which reflect her everyday surroundings, as well as her day-to-day experiences of being a photographer. Her projects have explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of images and the complex nature of photographic representation.Her work has been exhibited and distributed extensively, with features in magazines and publications including; Camera Austria, Source Photographic Review, The New York Times and The Guardian. Recent solo shows include Sternview Gallery, Cork, Galleri Image, Denmark, The Third Space Gallery, Belfast and during ‘THERE THERE’ festival, Cork curated by Stag & Deer. In 2012, she received the Alliance Française Photography Award, which included a residency at the Centre Culturel Irlandais, Paris. She was the recipient of the Emerging Irish Artist Residency Award [EIARA] in 2015 which included a month-long residency at Burren College of Art, Co. Clare. Publications include, ‘Attention Seekers’ (2012) ‘The Legacy Project’ (2013) and ‘Tomorrow is Sunday’ (2017). She was one of the selected artists for Greetings from Ireland (2015) and New Irish Works I & II (2013, 2016). In conjunction with Galleri Image, Denmark, she recently produced new work for FRESH EYES - International artists rethink Aarhus, which was exhibited during Aarhus Capital of Culture, 2017.

Sheung Yiu (HK/FI) is a Hong-Kong-born, image-centered artist and researcher, based in Helsinki. His artwork explores the act of seeing through algorithmic image systems and sense-making through networks of images. His research interests concern the increasing complexity of algorithmic image systems in contemporary digital culture. He looks at photography through the lens of new media, scales, and network thinking; He ponders how the posthuman cyborg vision and the technology that produces it transform ways of seeing and knowledge-making. Adopting multi-disciplinary collaboration as a mode of research, his works examine the poetics and politics of algorithmic image systems, such as computer vision, computer graphics, and remote sensing, to understand how to see something where there is nothing, how to digitize light, and how vision becomes predictions. His work takes the form of photography, videos, photo-objects, exhibition installations, and bookmaking.‍