Lucrezia's work focuses on two main themes: individual and collective perception and mnemonic practices in archival research. Materiality, its three-dimensional presence and tactile sensations are essential for the elaboration of her photographic research, which takes shape in the moment of installation and fruition. The initial focus on an inner perception has developed over the years into a reflection on the perception of archival material and the layers of memory, leading to a phenomenological investigation of the photographic act.
Ignacio Navas (b. 1989, Tudela, Spain) is a photographer based in Madrid. After studying a Fine Arts Degree at Complutense University of Madrid he specialized in photography at Blank Paper School. Along with other photographers, he currently runs El Local, an independent space for photography in Madrid. In his work, Navas presents us daily life narratives that dig into the complexities and contradictions of western society. His approach researches how political, economic and social structures are made present and shape our everyday affaires. In his latest projects he explores new interactive paths for the medium by creating photography-based interactive experiences and non-fictional videogames.
Website: http://www.ignacionavas.com
In 2022 she was shortlisted at Sony World Photography Awards, Open Competition: Portraiture. In 2023 she was shortlisted at Sony National & Regional Awards. She had collective exhibitions in: Romania, France and The United States. Maria is interested in documentary photography, remote places, youth, notion of home and the relation between humans and environment.
Karppanen has received recognition including New Photo Journalist Award and Jouko Lehtola Foundation’s Young Hero Grant in 2017. His first monograph 'Finnish Pastoral' was published in 2018; the same year he participated in We Feed The World, a global photographic exhibition in London, featuring names such as Martin Parr, Susanna Meiselas and Graciela Iturbide.
In 2019 Karppanen had his first museum solo show in the Aine Art Museum. Furthermore his works have been exhibited in Museum of Contemporary Art Kiasma, KunstHausWien and Mänttä Art Festival among others. His latest exhibition in Gallery Halmetoja in August 2023 received critical acclaim. Karppanen's works can be found in various collections including The Finnish State Art Commission, The Finnish Museum of Photography and Jenny and Antti Wihuri Foundation.Originally from Northern Finland, Karppanen now lives and works in Helsinki, Finland.
Images are, for Nicole Rafiki, a thinking force. She produces imaginaries in a disparity of media, photography one of them. The normativity of thought comes from a multiplicity of machines of knowledge production, including but not limited to education, exhibition spaces, and the media. A social practice means interacting and constantly challenging the presupposed universal self such an information sphere produces. In a global economy and flow of disjunctive hierarchies and modes of being, culture moves in a disruptive way through the migration of people across borders, geographies, and time. Rafiki points to such complex and conflictual past, presentness, and future. The image, the imagined, the imaginary move from a world defined mainly by concrete purposes to structure negotiations and possibilities.
Having worked as a photo editor, curator, and lecturer for many years, Katya picked up acamera after moving from Russia to Portugal. Photography has become a tool forBogachevskaia to express her feelings about forced emigration and the war unleashed byher native country, Russia, in Ukraine. Through her work, she reflects on the intense impactof this devastating war, searches for her own identity, copes with the loss of her home,experiences fear for her children, and navigates the process of integrating into a newenvironment.
Observing her children and the world around her - primarily nature, Katya createsmetaphorical images infused with subtle, hidden meanings.
Katya is the founder of the Academy of Documentary and Art Photography Fotografika, ofthe independent photobook publishing house Fotografika Publishing, and editor ofPhotojournal of Republic Media.
Visual artist, performer, author of installations and video art. PhD fellow at the Jan Matejko Academy of Fine Arts in Cracow. Resident at the International Studio and Curatorial Program in New York City in 2023. MFA graduate of the Studio of Spatial Activities of prof. Mirosław Bałka at the Academy of Fine Arts in Warsaw (2020). Also studied at the Gerrit Rietveld Academie (2010-11) in Amsterdam and during an internship at the Studio of Performance at FaVU VUT in Brno led by Julie Béna and Jakub Jansa (2021). Received the Europe Beyond Access award granted by Zachęta National Gallery of Art in Warsaw and British Council in 2021 and the Grand Prix at the 10th Biennale of Young Art Rybie Oko (Baltic Gallery of Contemporary Art in Słupsk, 2022). Presented her works and performances at, among others, Museum of Modern Art in Warsaw (2023), Kunsthalle Bratislava (2022), Galeria Miejska Arsenał in Poznań (2022), Zachęta National Gallery of Art in Warsaw (2021), Sto Lat Gallery in New York (2021).
Since 2008 she is based in Spain where she works as a freelance photojournalist, combining her personal projects with the teaching of photography. She has published in BuzzFeed News, El Pais, XL Semanal, L'Obs, Equal Times, 5W magazine, Interviú, El Periódico de Cataluña, 7k magazine, Gazeta Wyborcza and Polityka among others.
Her projects address discrimination and societal dysfunctions in western society. She also works on youth radicalization and the raise of right-wing movements in Europe. Lately she has started to investigate the construction of national identity in post-Soviet regions in the aftermath of the collapse of the Soviet Union.
She has won different awards, such as the Third Prize in POY Latam 2015 (Mexico); she has been awarded with the Grant Programa Crisálidas Signo Editores Grant 2019 (Spain), with a Helge Humelvoll Scholarship (USA 2017) and with the “Photojournalism Grant 2015” (GrisArt International School of Photography, Barcelona), among others.
Finalist of the Grand Press Photo 2019 and 2012 in Poland and of the 19th FotoPres la Ciaxa (2013); she was also nominated in 2018 and 2017 Edition of Photography Magazine Grant (London). She has participated in festivals such as PhotOn 2019 and 2018 (Spain), Imaginaria 2019 (Spain), UCL Festival of Culture in London (2017), FOTONOVIEMBRE Tenerife (2015) and the VIII Biennal de Xavier Miserachs (2014) among others.
Lorenzo uses the photography as a way of expression; he refines his technique during a long collaboration in the backstages for several fashion brands, a collaboration that still exists.
The skills acquired will allow Lorenzo to express himself creatively.
Through the use of a camera he captures images that evoke emotions and thoughts; he is not a lover of photographic manipulation through programs, in fact he creates installations to recreate what he thought and felt while visiting those places.
Tomasz Kawecki (1993) is a photographer living and working between Cracow and the Warsaw (Poland). He is studying at the Institute of Creative Photography in Opava (Czech Republic), and studied in the Faculty of Architecture at Cracow University of Technology.
Tomasz's work comes from his inner space. Using elements of performance and installation, he mixes fiction with reality, which results in quasi-documentary outcome. In his works, he uses universal symbols that are archetypes in the collective thinking of society. Out of the chthonic of nature, out of its chaos, he intuitively selects fragments from which he creates images. The leitmotif of Tomasz’s works is the dualism present in nature and man.
Tomasz's works has been exhibited and published internationally. Among others, he is a winner of LensCulture ArtPhotography Awards (US), Cracow Photomonth ShowOFF section (PL), Grand Prix IMAnext “Dream” (JPN) and Reframing History Photo Vogue Italia.
The project 'The lost paracosmist' is an animated short film by multimedia artist Josephina van de Water. Using digital photography, printed celluloid film, paint, digital scans, video montage, cardboard and extreme patience, she brings a fictitious world to life in fascinating detail. The film was made in the traditional, time-consuming way that requires particular dedication, with each frame individually handcoloured as was done in the first colour movies.
The imaginary island of Paperland is inhabited by a colourful collection of talking animals. Josephina van de Water wrote and narrated the dialogue, giving each animal its own voice, tone and place in her universe. The chronicle guides us through a logical, yet fictitious, tale, in which we learn about Paperland’s geography, history, language, culture and religion.
As in every good fable, imagination is closely accompanied by reflection. While The lost paracosmist focuses on the irresistible charms of storytelling, it also warns the audience to beware of stories. They have the power to contort our perception of the world and disturb our relationship with reality.
The endearing cardboard animals in their warm, glowing colours, and the gentle, motherly voice of the narrator, are reminiscent of children’s programmes. However, the topics covered in this allegory are anything but childish: territorial disputes, political and religious authority and mechanisms of exclusion and esteem all make an appearance, allowing inequality and frustration to creep into this seemingly safe cosmos.
- Text by Geert Goiris (.tiff)
Her practice often deals with elusive subject matters; a search for the unknown, a psychological state, the act of communication and interpretation. She is interested in creating a loose, expressive form of documentation that leaves room for subjective interpretations, embracing the suggestive and metaphorical potential of photographs.
She gained her BA (Hons) in Photography at the University of Brighton, and has recently completed her MA in Photography at the University of West England.
She was one of the recipients of the Magenta Foundation Flash Forward award 2017, selected as a Commended winner of the Genesis Imaging Postgraduate Award 2018, shortlisted for the Brighton Photo Fringe Open Solo 18, awarded third prize in the British Journal of Photography’s International Photography Award 2019, shortlisted for the Images Vevey Book Award, and most recently selected as one of the Jury’s Choice in the Prix Virginia 2020. Her work has been exhibited nationally & internationally, including as a solo presentation at Format Festival 2019 as part of their thematic Forever/Now, at Pingyao International Photography Festival, China, in Profound Movement group exhibit at Houston Centre for Photography, and most recently as a solo exhibit at Landskrona Foto 2020.
He graduated from the Film and Theatre Faculty of the “Babes-Bolyai” University, Cluj-Napoca, majoring in Cinematography, Photography and Media. He published his first photo album called “Beyond light and shadows” in 2017, an album comprising miscellaneous pieces of his work up to that time. Just like Nietzsche he believes that life without music would be a mistake. Films, books and cats are just some of the activities he likes to indulge in. His daughter Ida was born in 2018 bringing about a totally different perception of life and the way he looks at the stars.
His work has been recognized by several public and private institutions, such as the Salomon R. Guggenheim (USA) or the Sasakawa Foundation (Japan-Scandinavia). He has exhibited in numerous countries like: Spain, Portugal, Italy, France, Germany, UK, Slovakia, Norway, Russia or Singapore.
His practice is focused on new approaches to the idea of contemporaryy landscape, he has develop different bodies of work such us Metropolis (2018-2019), De Magnete (2016-2018), Environments (2014-2016), Velocidad de las Ventanas (2015) or Almost Black (2011-2015).
Gorospe combines his work as an artist with the study and understanding of the image from a theoretical point of view.
He collaborates in different projects as a curator and photo-editor.
Kevin Osepa is a photographer born and raised on the island of Curaçao. His work revolves around his identity and the identity of Afro-Caribbean youth in a post-colonial world. The visuals he creates and the stories he tells are highly influenced by his youth. While the themes he explores are autobiographical, his work can also serve as a quasi-anthropological study. Using different experimental techniques, he creates colourful visual stories that explore themes such as religion, African diaspora, and family.
Since graduating his work has been featured in numerous exhibitions, including Steenbergen Stipendium, Volkskrant Beeldende Kunst prijs, Unseen photography festival, FOAM Editions - as well as publications such as the Trouw newspaper, Volkskrant Magazine and Unseen Magazine. He was also nominated for multiple awards - in 2018, he became the youngest person ever to be nominated for the prestigious Volkrant fine art prize.
Altay Tuz (b. 1993) lives and works in Hamburg. He graduated from the Photography Department of Istanbul’s Mimar Sinan Fine Arts University, and is currently pursuing graduate studies at the Hochschule für Bildende Künste Hamburg. Tuz’s work focuses on tensions between public and private spaces; he probes at notions of borders, lines, barriers and walls, analysing the reflection of this visual grammar on the public architectural texture – and its connection to social class distinction. His works have been exhibited in Turkey, France, Hungary, Bulgaria, Germany and Greece.
Website: www.altaytuz.com
A belarusian photographer working with documentary and conceptual photography. Graduated from the Faculty of Journalism of the Belarusian State University шт Minsk. Graduate of the Academy of Documentary Photography and Photojournalism “Photographics”, St. Petersburg, Russia. Scholar of Gaude polonia fellowship supporting the Ministry of Culture of Poland. Participant of personal and group exhibitions in Belarus, Lithuania, Georgia? Russia, Poland. Publications: Bird in Flight, F-Stop Magazine, Takiedela.ru, republic.ru, Private, SEEN Magazine.
In my work I focus on the theme of the culture of remembrance; I worked on projects about the place of mass shootings near Minsk by the Soviet authorities in the 30s and 40s, and about the liquidators of the Chernobyl disaster as a reclaimed material of the tragedy and the consequences of building a new nuclear power plant with Russian loans. I use digital and analogue photography, as well as collages and archive photos. In early drafts talked about personal transformation. I lived in Minsk, work as a journalist for a Belarusian portal Reform.by, had to leave Belarus in 2021 and currently live in Poland. Here I continue my journalistic work and at the same time shoot a project about forced migration, using my family, which was split up in 1939, as an example. My project deals with private and general questions: about the particular "homelessness" of people from traumatic periods of history and attempts to get rid of this feeling, about the sensitivity of entire nations as a result of political decisions, about the problems of self-identity, about the search for home.
Nina Hansch is a photographer who works in classical photojournalism. Her documentary works are characterized by their nuances and a cinematic quality in her visual language. At the same time, she succeeds in emphasizing the socio-political relevance of her stories and in exploring their visual complexity.
"I am always curious about the facets and details of life and humanity. And often ask myself questions like: What are the decisions and circumstances that consequently made us who we are today?", explains the artist.
After having displayed her work for the first time at Plat(t)form 2015, held at the Fotomuseum in Winterthur (Switzerland), she was asked to display her work on the occasion of the Fotopub Festival in Novo Mesto (Slovenia) and at Circulation(s) in Paris. In 2015, she was shortlisted for the Francesco Fabbri Prize for her work Lay Out. Over the last year and a half, she has concentrated exclusively on her own personal research, focusing on the creation of new series and projects. Se has been selected for Fotografia Europea 2017. Since 2016 she has been represented by Viasaterna.
Helcel received an honorable mention in the European art thesis competition START POINT Prize 2020. He is a co-founder and active member of the theatre group Akolektiv Helmut.
Martyna Benedyka, born in 1991, is a Polish visual artist, vocalist and teacher working in a wide range of media including painting, film and digital photography, collage, installation, and sound art. She studied Art and Design at the Gray’s School of Art in Scotland, UK and graduated with a First Class BA (Hons) degree in Fine Art Painting in 2014. She has exhibited in the UK, Poland, Romania, Italy, Germany, Ireland, Switzerland, Canada and the USA. Her work has been chosen by the Federation of British Artists for the Futures - UK’s largest annual survey of emerging contemporary figurative art at the Mall Galleries, London, among others. She is the recipient of both Polish and British scholarships for her artistic achievements as well as the winner of international residencies and competitions - the latest being the Photo Romania Festival 2022 and De Structura cross-border project 2022-2023, Tallinn, Estonia. Her work is in private and public collections. She specializes in classical music and has performed in many group as well as solo concerts internationally since 2004.
https://martynabenedyka.com
Peggy van Mosselaar is a documentary and visual storyteller motivated by curiosity and human interest. Van Mosselaar creates photographic and video works based upon the stories and memories of the people she meets. The artist graduated from PhotoAcademy, Amsterdam and Foto Vakschool, Rotterdam. Peggy has exhibited at Loods 6, Amsterdam; Museum Hilversum, Hilversum; and SKVR, Rotterdam. In August-November 2022, she will present her work in FOTODOK’s group exhibition Part of Me… Shaping Mental Spaces.