The artists nominated by
The selection stems from the need to restore a plural and layered vision of contemporary photography in Italy, understood not only as a visual language but also as a critical device capable of questioning the present. At a time in history when images are overproduced and overconsumed, these artists share the ability to slow down the gaze, construct complex narratives, and redefine the relationship between document and imagination.
Filippo Barbero's practice is part of a tradition of investigating subjectivity using photography as a device for knowledge. His attention to detail in bodies and the environment highlights a constant emotional tension where the everyday becomes political and the smallest gesture acquires collective resonance.
Davide Degano offers a radical reflection on the representation of Italian identity: his photographs deconstruct the environmental, social, and cultural heritage—as well as the colonial legacy—and, through the filter of the younger generations, convey the complexity of the evolution of the boot-shaped country.
Giulia Gatti's work explores the theme of femininity in the communities inhabiting the Isthmus of Tehuantepec in Mexico, a place known through stereotypical depictions in travel literature from the last century. The narrative of everyday life as a symbolic experience shows an alliance between human and non-human bodies, spaces, and customs, thus deconstructing the invention of tradition.
Sofia Gastaldo's sociological view of customs and traditions in urban centers goes beyond the logic of traditional documentary, transforming the image into a space for collaboration and conscious staging. Her subjects emerge from the darkness, while the strong visual impact of color contrasts reveals the sculptural character of bodies and objects in the definition of forms.
Federica Sasso's visual research addresses a narrative dimension that intertwines documentary photography with algorithmic recognition programs, video, and installation. Her investigation of social dynamics in the technological age enhances the quality of photography as a tool for research, critical revelation, and public activation.
Together, these artists construct a landscape in which photography is no longer just representation, but process, research, relationship, and responsibility. Their selection does not respond to generational or geographical criteria, but to a common tension towards linguistic innovation and ethical commitment.
List of curators:
Giangavino Pazzola – Curator of contemporary and research programs at CAMERA
François Hebel – Director at CAMERA
Nominators:
Daniele De Luigi – curator Fondazione AGO Modena
Giuseppe Oliverio – director PHMuseum Bologna
Giulia Gatti was born in Fabriano in 1995. A lifelong dancer, she moved to Rome, where she collaborated with several dance companies. In 2017 she began her research in photography, studying for a year at the New Institute of Design (NID) in Perugia, where she graduated. In 2019 she won the first prize Portfolio sul Po of the FIAF national circuit Portfolio Italia 2019. She currently continues her journey through South America — between Peru, Bolivia, Argentina, Patagonia, and Mexico — dedicating herself to projects that combine dance, photography, and writing. In 2020 her project “Su mia madre tira vento” received the Marco Pesaresi Award for Contemporary Photography.
She currently lives and works in Saint-Denis, in the Paris region. After an initial experience in cinema as an assistant in Veneto, she turned to photography and began developing documentary projects. She is studying Sociology at the University of Padua and in 2023 attended the reportage course at the Scuola Jack London. Her research focuses on the reevaluation of Italy’s North-East and its connections with global phenomena. Her projects and focused interventions allow her to engage with parallel issues: on a social level, conventions, myths, and processes of valorization or erasure; on a personal level, the relationship with space, her own role, and interest and passion as practices capable of generating connections. She is part of the Nouvel Œil mentorship program by Gaze Magazine at the Maison Européenne de la Photographie (MEP) for the 2025–2026 edition.
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