The image is the crop of a scene extrapolated from wider scenario. On the mountain landscape, I temporarily installed this grid for climbing plants, changes the reading of the overall view. The sculptural operation imposes itself on reading and changes the language.
After the taken photo, the scene dies and regenerates itself in infinite interpretations, for to that sign (the grid) inserted in the context in a forced way. I analyze only the element and separate it from the original image, drawing the grid on tracing paper in the same proportion for a direct comparison.
The absence determines the presence in a continuous exchange of balances. The image disappears where the sign is born.