Through a specilative monologue, the architect reveals the complex mechanism of her repressed emotions. Doubts about her own work are mixed here with an eclectic defence of her career. An insight into the inner self of the now deceased "starchitect" takes place inside her nearly completed building, which seems to have become a labyrinth of her own making. She tries in vain to find her way out of it, and at the same time cannot detach herself from it. This internal emotional contradiction correlates with the issue of urban development and the privatisation of public space for the purpose of maximising profit, at the cost of negative impacts on the environment and the quality of life of the public.
