In the last five years he has been working extensively in the valley of Kashmir, India, at first documenting the political conflict between the population and the Indian administration, and later trying to explore a more personal and oneiric approach to the issue. In 2020 Camillo was one of the selected artist for the FOAM Talent.Among the prizes received are Shortlist at PH Museum Grant, Best Rising Talent at Gomma Grant, Alexia Foundation Student Grant, LensCulture B&W, Shortlist Unseen Dummy Award, Fotoleggendo Award.
Camillo’s photographs has been featured in numerous exhibitions in Europe, USA, Asia, Oceania and published in Time, Der Spiegel, Polka, National Geographic, Internazionale, BuzzFeed, Mashable, Vanity Fair and many other international publications.
Patricia Morosan studied photography at the Ostkreuzschule in Berlin. In her visual poetic work, she negotiates the duality of intimacy and identity. Represented by Galerie Franzkowiak in Berlin, her work has been exhibited internationally, among which at Les Rencontres de la Photographie d‘Arles Voies Off, Fotohaus Paris-Berlin; Les Boutographies, Pavillion Populaire Montpellier; at the Museum of Contemporary Art (MNAC), Bucharest; Haus am Kleistpark, Berlin; ICR Gallery Lisabon; Kommunale Gallery Berlin; Metamatic TAF, TV Control Center (KET), Athens; Atelier Varan, Paris; at 12-14 contemporary/FotoWien, Vienna; the Noorderlicht International Festival, Netherlands and at the Foto Forum, Bolzano. 2019 she won the Jury Award from Les Boutographies, Montpellier; and the Courage Prize of the Association of Women Journalists in Germany. She was nominated for the Art Prize of the Haus am Kleistpark in Berlin (2019), for the Wellcome Photography Award (2020), the Documentary Prize Wüstenrot (2020), Gomma Grant (2021), BUP Award (2022). She received various grants from: Initial Stipend from the Academy of Arts Berlin (2021) and various grant from the Berlin Senate for Culture and Europe. Her work is part of public collections, as the MNAC collection in Bucharest and the Ville of Montpellier, France and in several private collections in Europe.www.patriciamorosan.com
Altay Tuz (b. 1993) lives and works in Hamburg. He graduated from the Photography Department of Istanbul’s Mimar Sinan Fine Arts University, and is currently pursuing graduate studies at the Hochschule für Bildende Künste Hamburg. Tuz’s work focuses on tensions between public and private spaces; he probes at notions of borders, lines, barriers and walls, analysing the reflection of this visual grammar on the public architectural texture – and its connection to social class distinction. His works have been exhibited in Turkey, France, Hungary, Bulgaria, Germany and Greece.
Website: www.altaytuz.com
Jošt Dolinšek (1997, Ljubljana, SI) is a lens-based visual artist. His practice is predominantly stemming from photographic medium and is expanded into moving imagery, installation and sculpture.Dolinšek mostly works on long-term projects, exploring the existential experience of environment and time and our relationship towards both. His work is centred upon the questions on uncertainty — of perspective, duration and change. Form and materiality pose as one of the crucial elements of his works, and are often strongly related to the process and the inquiry behind them.In 2023, he graduated from a MFA Photography programme at HDK-Valand in Gothenburg (SE) and in 2020, he earned a BA in Psychology at the University of Ljubljana (SI). Among others, he has exhibited his works in Fotografie Forum Frankfurt (DE), Museum of Modern Art in Ljubljana (SI) and Röda Sten Konsthall in Gothenburg (SE). He lives and works in Gothenburg, Sweden.
Tine Bek (born in 1988) is a Danish visual artist who works with video, photography and sculpture. She studied History before graduating from Fatamorgana – The Danish School of art Photography and Glasgow School of Art, where she holds a Master degree in Fine Art Photography.
Bek has exhibited in Denmark, UK, Norway, Lithuania, Germany and USA among others, and has participated in various international residencies including; Palazzo Monti, Numeroventi, Casa Balandra to name a few.
Bek is represented in Madrid by Dust and Soul and in New York by Picture Room. In 2022 her first book; The Vulgarity of Being Three-Dimensional was published with Disko Bay. The book has been awarded with the Hasselblad Foundation's Photo BookGrant 2021.
Bek lived in Glasgow from 2013-18 where she co founded the gallery 16 Nicholson street alongside a series of self published books highlighting the works of emerging artists internationally. Hereby shaping a conceptual hybrid, transgressing conversations about identity and universality, existentialism and particularism. Today Bek is based in Copenhagen.
He is interested in the image and imbrication of this medium with other disciplines such as sculpture and installation. As well as visual media, music and the creation of scenography and environments. Trying to convey an experience, an event or a state of mind is his main excuse when developing a project.
He investigates the relationship between the individual and his environment, about the spaces we inhabit and about contemporary forms of domestic life and the state of the objects that inhabit an era of wild mediatic reproduction. His work process is based on finding, combining and remixing poor materials, found objects and waste, signs that encourage him to experiment with new ways of interpreting what surrounds us.
More: https://christianlagata.com/
In my ongoing series I photograph myself in dialogue with my late sister’s dresses. Through performative acts and self-portraiture I address the complex process of grief and healing after my sister passed away seven years ago. As a part of this self-recovery, I am leaning to my family’s legacy of rug-making; the cutting of clothes of the deceased to weft. In my family what could not be used was remodelled, deconstructed and reconstructed, as a form of pragmatic exorcism. And by cutting, sewing and weaving I am working through the dresses, taking back authority of my fate.
Essential in my work is the juxtaposition of a living body and the materiality of textiles. The images portray a play between seeing and touch, the form and the tactility. Using my body and the dresses of my sister I examine the relationship of memories and materialities. Can objects harbor emotions? And can one access these enclosed emotions by intervening with their materiality? In the past years these works have become a tool of finding my identity in the world. The combination of the female nude and the aggressive act of cutting have grown to represent liberation from far more than just grief.
Her work was exhibited internationally in personal and collective shows and since 2019 she teaches at the Master IUAV in Photography.
In 2018 she was awarded with the Giovane Fotografia Italiana Award at Fotografia Europea (Reggio Emilia) and Lesley A. Martin awarded her dummy ‘Are They Rocks or Clouds?’ with the Cortona On The Move Dummy Award. Thanks to these awards and the collaboration with Hans Gremmen and Taco Hidde Bakker in 2019 the photobook was published by Fw:Books. The photobook was awarded with the 2020 Bastianelli Award for the best italian photobook.
In 2019 she was commissioned by MUFOCO and the Italian Ministry of Culture of a project about italian architectural heritage and later, by the National Mountain Museum, of a new project based on their archives.
Caneve’s work is now part of private and public collections.
She is co-founder of CALAMITA/À, a multidisciplinary platform exploring the attractive nature of catastrophes in society and in the environment.
Ksenia Kuleshova is a photojournalist and visual artist. She has been featured in the British Journal of Photography as one of thirty-one women to watch (2018), as one of twenty rising women photojournalists by Artsy (2019), and as one of The 30: New and Emerging Photographers to Watch (2022). Her work has appeared in the New York Times, National Geographic, Wall Street Journal, DIE ZEIT, and De Standaard. Ksenia’s first book “Ordinary People” was published by The New Press (New York) in December 2023.
In 2013, she published her debut book "Fitting Rooms," which examines the role of women in her generation. Between 2009 and 2016, Karolina was based in India, where she produced her second book "When We Lie Down, Grasses Grow From Us," exploring the migratory experience (published by GOST Books in 2019). She is an editor of several Strike Newspapers published by the Archive of Public Protest.
In recent years, she has initiated and completed several participatory projects involving refugees, creating spaces for collaboration and self-expression.
Karolina is currently working on her Ph.D. dissertation (K. Kieślowski Film School), which centers around the subjective narratives of historical migrations. She is a member of Sputnik Photos and the A-P-P
"My interest lies in the role of narrative as a reference point in representing contemporary social issues. I work between editorial assignments and long-term projects, taking pride in immersing myself within the place and people that I photograph, working with communities over an extended period of time."
Past works have documented the socio-political effects of the Ukrainian revolution; explored notions of escapism along The English Riviera; living in hiding with Albanian families persecuted in the age old traditions of blood feuds, as well as celebratory traditions in Greece. Previously exhibited works have been included in The Taylor Wessing Portrait Prize, PhotoIreland Festival, Paris Photo, Magenta Flash Forward and The Renaissance Photography Prize and clients include The FT Weekend Magazine, The New York Times, TIME and National Geographic.
He has won numerous prizes and competitions including “Giovane Fotografia Italiana #07” at Fotografia Europea Festival in Reggio Emilia (2019), Leica Talent 24x36, 2011/2012, Off Site Art promoted by ArtBridge, 2014, Contemporary Landscapes and Places in Transformation – Artist residency in Italy promoted by MiBACT and GAI, 2017.
He is among the photographers included in the volume History of Photography in Italy. From 1839 to present by G. D’Autilia, Einaudi, Torino 2012. He is the author of books and publications and has participated in various solo and collective exhibitions, most recently in the exhibition 1999 at the Museo MAXXI in Rome, 2017. He has taken part in artistic residencies and lectures in the University of Perugia and Teramo.
With a background in sociology, Alejandra is interested in individuals and how the communities to which we belong define or identifies us. This is a very popular issues today with so many social movements, political instabilities, a constant search for identity or even the questioning of women role in society, but the interesting thing of this artist is how she takes these issues into concrete cases, but the lecture of her work could be elevated to more global concepts. Her particular artistic approach and experience make this photographer an ideal choice for supporting her projection.
In 2015, he began his solo career with focus in “landscape and associated behavior”. His projects evolved from painting to more conceptual processes, expanding his language to photography, video and actions in the landscape.
As center of his concerns are the humankind relationships with territory, studying aspects such as: the gradual reduction of space for wildlife, “The Naked Trace“, the overpopulation, "Genesis 1.28", the artificial character of the borders "Minimal Republics", the liquid nature of the concept of nation: "Iceberg Nations" or the dichotomy between industrial agriculture and natural agriculture: "The garden of Fukuoka".
He has presence in important collections, specially within Spain, and is beginning to exhibit abroad like the two solo shows that will take place in late 2019: one at Lianzhou Museum of Photography, China, and the other at Encontros da Imagem, Braga, Portugal, as winner of 2018 “Emergentes” award.
Nolwenn Brod is a French artist based in Paris. She has studied humanities and social sciences, and trained in photography in London and at the Ecole des Gobelins in Paris. She is a member of the Vu Agency and represented by the eponymous gallery in Paris since 2016.
She develops her projects most often in the context of creative residencies in France and Europe where she mixes photography and video; and responds to commissions for the press and institutions. Her works are regularly exhibited in France and Europe and are included in the collections of the Bnf (French National Library), the Cnap, the Nicéphore Niépce Museum, the Museum of Brittany, the Villa Noailles, the Agnès b. collection, the Neuflize OBC Foundation, art libraries and private collections.
Her first book was published by Poursuite Editions in 2015, the second is in preparation.
Inuuteq Storch, born in 1989, Sisimiut, Greenland. Based in Copenhagen and Sisimiut.
I studied at Fatamorgana – The Danish School of Art Photography in 2010 and at the International Center of Photography in New York in 2016. After that, I published the following books: Porcelain Souls, Flesh and Mirrored – Portraits of Good Hope.
My work is based on identity searching, which means the subject is usually around being from Greenland.
I work with my photography and archives.
Vic Bakin (b. 1984) is a self-educated Ukrainian photographer. In Kyiv, the artist explores various local groups – queer and fashion scenes, rave and music culture, and even closed communities like student dormitories. In light of new and evolving local circumstances, Bakin’s focus has since shifted to the subject of Russia’s invasion of Ukraine. His diaristic personal projects use of analogue photography to probe at questions of identity; with Void, Bakin is currently working on his debut photobook.
Kvet Nguyen (Hoa Nguyen Thi) is slovak-vietnamese artist based in Bratislava. Cultural clash of two different realities is the basis for every thinking process and eventually the dominant subject in her works.
She completed her master’s degree in photography at the Academy of Fine Arts and Design in Bratislava within she attended interns in Plymouth College of Art in England and the Royal Academy of Art in Netherlands. Her works have been exhibited in slovakian and international context (Soda Gallery, Čepan Gallery, OFF Festival, Nitra Gallery, Karlín Studios in Prague, Galeria Promocyjna, Krakow and at the presentation of photo books in Poznań (2017), and at LIVRE PARIS (2019) in France.
https://kvetnguyen.com/project/you-are-allowed-to-mix-apples-and-pears-here/
Alice Pallot is a French photographer who lives and works in Brussels. She graduated with honors from the photography section of ENSAV La Cambre (BA and MA) In July 2018 and participated in the Erasmus program at Ecal in Switzerland. In the same year, she won the Roger de Conynck prize for her series L’Ile Himero, also exhibited at The Voies Off Festival in the context of Les Rencontres de la photographie d’Arles.In 2019, Alice Pallot self-edited a book untitled Land which was included in Belgian Photobook at the Fotomuseum in Antwerp, Le Bal in Paris and at the Wiels Art Book Fair in Brussels. Her photographic series Oasis was included in the 4th edition of the PhotoBrussels Festival 2019 at Hangar Art Center. This body of work was also shown in collaboration with the Satellite Gallery at En Piste ! in Liège and in Dans quel monde rêvons-nous ? curated by the collectif Xeno at Bozar in Brussels. Alice Pallot’s work was included in several places in Brussels, such as Le Botanique, Gallery Été 78, Adaventura, Vertigo Gallery, La Réserve and La Vallée. She also exhibited in France; in Paris, at Immix Gallery, N’Oblige Gallery and in Dieppe at the Diep-Haven Festival.In 2020, she presented with the Gallery Satellite a new display of L’Île Himero - accompanied with a book edited by Page Works - at the Biennale de L’Image Possible in Liège. Laureate of the PhotoBrussels Festival 05, Alice Pallot presented a new series; Suillus, part of the exhibition «The World Within» at Hangar Art Center in 2021.In September 2021, she presented her Suillus series at the Unseen Photo Fair, Amsterdam, with Hangar Gallery. In january 2022, Suillus was presented in La Caserne and at Immix Galerie in Paris. Alice Pallot has been published in Libération, La Libre, Fisheye Magazine, Vice and others.
Alessandro Zoboli (b. 1990) graduated from the Istituto Italiano di Fotografia in 2014. Between 2015 and 2019 he worked in Alex Majoli’s studio as an assistant, refining his skills as a photographer, printer and retoucher. In 2019 he joined Cesura Agency as an official member. Over the past years he has worked on a number of different long-term projects exploring the relationship between North Africa and Europe. Zoboli has also documented the Covid-19 pandemic and housing crisis in Italy; travelling the country from North to South, he photographs the conditions of inequality that characterise western societies, highlighting the forgotten discomfort experienced by millions of families. His ongoing Shine On project explores the multifaceted and elusive face of today’s Britain: a liquid form, constantly changing and contradicting itself in search of a new identity.
Anna Ádám (b. in 1983) is a Hungarian interdisciplinary visual artist and performance maker whose work blurs the boundaries between image, object, and choreography. She graduated at ENSAPC Art School in France in 2016, and also studied styling (2010) and makeup (2018). In 2013 she was selected to the 59th Salon de Montrouge, which led her to several solo exhibitions (Budapest, Paris) and residencies (Yerevan and Berlin). In 2014, she co-founded the company Gray Box (grayboxprojects.com) at the intersection of contemporary dance, visual arts, and fashion.
Since 2015, in the frame of her personal practice (www.annaadam.net), Anna Ádám creates hybrid spaces where spectacle and exhibition merge: she "curates theater" and "choreographs exhibitions". She conceptualizes and uses the exhibition space as a theatre and the theater as an exhibition space: the plinth as stage, the installation as setting, the visitor as spectator, and vice versa. Her multidisciplinary and always site-specific projects - including photography, drawing, installation, clothing, performances, and choreographed works - echo the broader socio-political context from a feminist and queer perspective, and challenge the body as both a historically disciplined, shaped archive and a living public/private site, where power is constantly contested and negotiated.
As a photographer, by combining both personal and anonymous photos with different technics (collage, drawing, painting, sewing, embroidery…), she examines the ways vernacular photography influences memory, individual and collective identities, personal and historical narratives, privacy and public life. Her embroidered photographs, photo-objects, and photo-based clothings explore the performative, choreographic, and sculptural potential of photography.
Between 2013 and 2015, Anna Ádám worked as a performance artist in commissioned works (Palais de Tokyo, Musée Georges Pompidou...). Since 2014 she regularly presents her projects in both exhibition spaces and theaters (Museum of Modern Art Yerevan, National Museum of Immigration History Paris, Theater MU Budapest, Théâtre de la Maison d’Europe et d’Orient, Salon de Montrouge, Galérie YGREC, Dorothy’s Gallery…), and holds workshops in universities across Europe (Austria, Hungary, Serbia, France...).