Lara Varat has been studying Cinematography at the Academy of Dramatic Arts at the University of Zagreb since 2019. She participated in several art workshops and other educational programs focused on queer topics. She has experience working on film sets, in smaller (e.g. Eclectica) and larger (e.g. Netflix) productions. Her photographic works have been featured in the series of exhibitions titled "In the process" (2019-2020, 2021) at the F8 Gallery in Zagreb. She participated in building a collaborative light and sound installation in the exhibition Coexistence II: Spaces of Light (Gallery Nova, Zagreb, 2021).
lara.varat@gmail.com
Karppanen has received recognition including New Photo Journalist Award and Jouko Lehtola Foundation’s Young Hero Grant in 2017. His first monograph 'Finnish Pastoral' was published in 2018; the same year he participated in We Feed The World, a global photographic exhibition in London, featuring names such as Martin Parr, Susanna Meiselas and Graciela Iturbide.
In 2019 Karppanen had his first museum solo show in the Aine Art Museum. Furthermore his works have been exhibited in Museum of Contemporary Art Kiasma, KunstHausWien and Mänttä Art Festival among others. His latest exhibition in Gallery Halmetoja in August 2023 received critical acclaim. Karppanen's works can be found in various collections including The Finnish State Art Commission, The Finnish Museum of Photography and Jenny and Antti Wihuri Foundation.Originally from Northern Finland, Karppanen now lives and works in Helsinki, Finland.
Her work has been shown internationally and was featured in multiple printed and online publications. She was one of the artists selected to be part of Bloomberg New Contemporaries 2019 and was nominated for the Foam Paul Huf Award in 2021.
Her work A Blurry Aftertaste is part of the Government Art Collection and it was published as a book form as part of Paper Journal Annual 2019. In the last few years Eleonora has exhibited in galleries and museums such as L21 Gallery in Palma de Mallorca, South London Gallery and Borough Road Gallery in London, Leeds Art Gallery in Leeds, MAR Ravenna, National Museum of Gdansk, and festivals such as Circulations Festival in Paris and Format Festival in Derby.
She works editorially with The New York Times, The Telegraph, The Financial Times, Port Magazine, among others.
Agostini uses photography, video, performance and sculpture to tell stories that raise questions about the construction of personal identities and behaviours. Her work is strongly connected with the experience of our surroundings and she is interested in exploring how the relationships that we form inform who we are.
Through the study of preconceived structures, whether physical or psychological, Agostini aims to investigate the difficulties of how human experience is constructed and she is interested in finding a possible fracture within our socially constructed rules and the spaces we inhabit. Her work often starts from personal experiences andit is the result of a long process of internalization of memories and experiences that she re-elaborate and recontextualize to give it order and gain control over them. She is interested in the psychological action of reenactment used as a tool to investigate and gain insight into one’s life: re-enacting and re-imagining old memories and past experiences become a way to unfold and observe our personal histories.
Agostini refers to the every-day as a space full of potential and possibilities for quests, incorporating ordinary objects and activities within her images to express and navigate its different layers and meanings.
Kata Geibl (1989, Budapest) is a photographer living and working in The Hague. Her work is mainly focused on global issues, capitalism, the Anthropocene, and the ambiguities of the photographic medium.
She is currently working on her new series titled There is Nothing New Under the Sun. The series deals with the rampant individualism that underpins our contemporary social, political, and economic system, and in particular, the environmental impact that it has. By juxtaposing the melting glaciers of Dachstein, animals under human control, almost Greek god-like athletes a narrative of our new age unfolds through the images.
Her previous work entitled Sisyphus received international attention, was exhibited at UNSEEN Amsterdam which was followed by her first solo show in Budapest. She received the emerging talent Paris Photo Carte Blanche Award for the series and in the same year she was nominated for Palm* Photo Prize.
In 2019, she received the József Pécsi Photography Scholarship and was a talent for Futures Platform nominated by Capa Center Budapest.
In 2020 she is a Grand Prix Finalist at Fotofestiwal Lodz, won the PHmuseum Vogue Italia Prize and is shortlisted for Palm* Photo Prize.
More: www.katageibl.com
Guillermo Vidal (b. 1989) is a Portuguese photographer whose perspective was shaped by the transition between Caracas, where he was born, and Murtosa, a coastal town where he grew up. This experience of displacement fuels his interest in social invisibility and in the ways human beings inhabit fragile or transitional contexts.
His work focuses on long-term projects, combining the rigour of documentary practice with a restrained, poetic, and reflective visual language. Through close attention to gestures, rituals, and silences, Vidal examines how political and economic structures shape everyday life, exploring resilience and faith as ways of relating to the world. His practice privileges time, listening, and an ethical commitment to the people he photographs.
His trajectory includes publications in PÚBLICO newspaper and an exhibition at Narrativa atelier in Lisbon, as part of the Narrativa Masterclass.
Currently based in Lisbon, he develops projects in the city where he lives as well as in SouthAsia, particularly in Nepal.
Uzochukwu has previously exhibited at Bozar (BE), Lagos Photo Festival (NG), Off Biennale Dakar (SN), Photo Vogue Festival (IT), and Unseen Amsterdam (NL). He currently studies philosophy in Berlin.
Chai Saeidi (b.1998, pronouns: they/them) is a visual and story-telling queer visibility artist and photographer. They are currently based in Oslo, Norway, with a background from Tehran, Iran. Their work explores themes such as gender, community and visibility. Queer individuals often create their own communities, resulting in non-traditional forms of intimacy and relationships. This is often shown in their work. Chai's analog photography draws from a documentary tradition, more often touched with a free artistic expression.
János R. Szabó (1992) was born and raised in Kömörő, a small village in the northeastern part of Hungary. This particular locale plays a major role in his inspiration as an artist.He completed her BA photography studies at the Moholy-Nagy University of Art and Design in 2018. He has been an active creator of the underground cultural segment of Budapest since 2018. Beyond his regular practice as a photographer he is in strong collaboration with the performance art scene of Budapest as performer and art director. He is invested in sociophoto and depiction of people, researching the patterns of human personalities, and the connection between memory and documentation.
Prins de Vos (1991, Raamsdonk) is a Dutch photographer living in Amsterdam. In 2013, Prins graduated with a Bachelor Design from the Academy of Popculture (Leeuwarden). Their work touches on themes such as intimacy, sexuality and gender. Prins' first photo book Enclose (2013) was launched in photography museum Foam, and included a poetic introduction, written by Dutch author Arthur Japin. In 2022, Prins published their second photo book BOYS DO CRY, about Levi, who is an artist, poet and trans man.
Daria is a lens-based artist currently living and working between Kyiv and Paris. Originally from Odesa, Ukraine, Daria came to France to pursue an M.A. in Photography & Video at École Nationale Supérieure des Arts Décoratifs of Paris, graduating in 2023.In her artistic practice, Daria explores the connections between past and present, focusing primarily on the youth and cultural, social and political contexts in which young people live.Her work was exhibited across Europe and the U.S., including La Villette (Paris), Open Eye Gallery (Liverpool), Hangar (Brussels), Mystetskiy Arsenal (Kyiv), The Gallery at Dobbin Mews (New York). Daria is a finalist of the 39th Hyères festival (2024), Palm* Phot Prize (2022) and a recipient of Beyond the silence grant by Magnum Photos & Odesa Photo Days (2024), as well as a grant for contemporary documentary photography from CNAP.
Main topics in her practice are: life in province, religion, connections between mythology and identity, her private relations with the world and her own country, with life and death. Her working method — continuous travels to small towns. She looks for something unique — people, communities, as well as place sand objects they produce. Elena says that provincial towns can be compared to separated islands, which are far enough from the mainland for evolution to goin a very unique way. She collects peculiarities of local cultures, since is sure they are on the edge of extinction, caused by globalization as well as just poverty.
Her project “Grandmothers on the Edge of Heaven” is a private family story, but also a reflection on the gap between generations. Which is multiplied in her case by the gap between two countries and two political systems: Soviet Union and modern Ukraine.
Georgiana Feidi, currently based in Cluj-Napoca, Romania, is a visual artist whoachieved her photo video MA's degree from the University of Art and Design in Cluj-Napoca in 2020. In her artistic approach, she uses both digital and analog tools, including post-processing and the hands-on exploration of darkroom and alternative photography techniques. In her artistic endeavors, Georgiana explores themes inspired by the mysteries of the universe, nature, personal insights and experiences. Her works reflect a journey into unexplored territories, creating visual narratives that transcend conventional boundaries of thought. Over the years, she has presented her work in solo exhibitions nationally, and participated in group shows across Romania and internationally, including cities like Dortmund, Melbourne, New York, and Rome. Her work has also been featured in various online publications both nationally and internationally.
Andrea Torres Balaguer’s work is influenced by dreams and surrealism, exploring the relationship between femininity and nature through the symbolism and dream transcription technique. Inspired by references to psychoanalysis theory and magic realism, her pictures experiment with the conscious-subconscious. Thinking about the scene-action concept, she creates pictures that suggest stories and invites the spectator to interpret them, searching to experiment with the boundaries between reality and fiction.
In 2016 she published her first photo book, eden, thanks to the Fiebre Dummy Award. Since 2010 she lives in Madrid, alternating her work as a photographer with her personal projects.