Giulia Mangione (b.1987) is an Oslo-based visual artist who works with photography, film and writing. She earned a first MA in Comparative Literary Studies from Goldsmiths University of London, and a second MFA in Fine Arts from the Art Academy in Bergen. She also studied Advanced Visual Storytelling at the Danish School of Media and Journalism in Denmark. Her first book Halfway Mountain, published by Journal in 2018, was selected for the Prix du Livre at Les Rencontres d'Arles and nominated for the MACK First Book Award. Mangione’s work has been exhibited at the International Center of Photography, New York; Musée de l’Élysée, Lausanne; Fotoforum, Bolzano; Fotogalleriet, Oslo; and Bergen Kunsthall, Bergen. She is currently part of the 6th round of the Norwegian Journal of Photography.
Instagram: @giulia_mangione
Website: www.giuliamangione.com
Susanne Fagerlund (b. 1969) graduated with an MFA in Fine Arts from Gothenburg’s Valand Academy in 2021. She is currently following a post-master course at the Royal Institute of Art in Stockholm, Sweden. As a lens-based artist, Fagerlund explores the extended complexities and boundaries of the medium. Her installations oscillate between photography, video and digital technologies – with the subject of human and nonhuman relationships an underlying current throughout. Since 2021, Fagerlund’s works have featured in several group and solo exhibitions in Sweden. In collaboration with Hasselblad Center, a forthcoming venture will mark the 100th anniversary of Gothenburg's Natural History Museum; using AI to process the museum’s photographic archive, the project establishes a speculative future where images of new plants and species are formed.
Instagram: susannefagerlund
Website: susannefagerlund.com
Sebastián has used different disciplines such as photography, writing, sound and video to explore a variety of topics related to fiction, poetic strategies and landscape.
He also has published two books of literary fiction. The first, Tartamudo, published in Colombia, addresses the issue of stuttering from a choppy and fractionated writing. The second, The Secret Sound of the Stars, published in Mexico, is a children's book that tells the story of a kid who doesn´t sound at all.
On the other hand, Sebastián has been a professor of photography and art processes in Colombia and México.
He lives and works in Madrid, Spain.
Marc-Antoine Garnier (b. 1989) is a French photographer and visual artist, who graduated from the Ecole Supérieure d’art et Design Le Havre-Rouen. In recent years, he has presented his works in numerous exhibitions. His pieces have been collected by the FRAC Normandie-Rouen, as well as several art libraries in France. Garnier’s research finds particular appreciation in Japan, where he exhibited at the Nishieda Foundation as part of the Nuit Blanche de Kyoto in 2017, and at the Tezukayama Gallery in 2016.
website: marcantoinegarnier.com
Instagram: @marc_antoine.garnier
Tanja Engelberts (b. 1987) lives and works in The Hague, the Netherlands. In recent years, Engelberts has worked on several projects related to the fossil fuel industry, focusing on the ways in which energy production shapes our landscapes. In 2021, she concluded a two-year residency at Amsterdam’s Rijksakademie. She has participated in further residency programmes at The Banff Center for Arts and Creativity (CA), The Ucross Foundation (USA), IK Foundation (NL) and Örö Residence (FI). Exhibited and published internationally, Engelberts’ works are also included in the collections of De Nederlandsche Bank (NL), De Brauw (NL) and Clifford Chance (UK). She is represented by Caroline O’Breen Gallery, Amsterdam.
Ioanna Sakellaraki (b.1989) is a Greek visual artist and researcher. Her work investigates the relationship between collective cultural memory and fiction. Drawing emphasis on the photographic object, process and encounter, she explores the boundaries of a primitive, yet futuristic vision of places and people. She was recently awarded a Doctoral Scholarship for undertaking her PhD in Art after graduating from an MA Photography from the Royal College of Art. She is the recipient of The Royal Photographic Society Bursary Award 2018 and was named Student Photographer of the Year by Sony World Photography Awards 2020. In 2019, she was awarded with the Reminders Photography Stronghold Grant in Tokyo and the International Photography Grant Creative Prize. Nominations include: the Inge Morath Award by Magnum Foundation in USA, the Prix HSBC, the Prix Levallois and the Prix Voies Off in France. Her work has been exhibited internationally in art festivals and galleries with a recent solo show at the European Month of Photography in Berlin. Her projects have been featured in magazines such as The New Yorker and journals including The Guardian and Deutsche Welle. Her first monograph ‘The Truth is in the Soil’ is published by GOST Books.
Tomasz Kawecki (1993) is a photographer living and working between Cracow and the Warsaw (Poland). He is studying at the Institute of Creative Photography in Opava (Czech Republic), and studied in the Faculty of Architecture at Cracow University of Technology.
Tomasz's work comes from his inner space. Using elements of performance and installation, he mixes fiction with reality, which results in quasi-documentary outcome. In his works, he uses universal symbols that are archetypes in the collective thinking of society. Out of the chthonic of nature, out of its chaos, he intuitively selects fragments from which he creates images. The leitmotif of Tomasz’s works is the dualism present in nature and man.
Tomasz's works has been exhibited and published internationally. Among others, he is a winner of LensCulture ArtPhotography Awards (US), Cracow Photomonth ShowOFF section (PL), Grand Prix IMAnext “Dream” (JPN) and Reframing History Photo Vogue Italia.
Irene Fenara (b.1990) is an Italian artist. Her research focuses on the way of seeing and practicing observation on images. She reflects on linguistic devices and she use optical and electronic instruments of various kinds, from Polaroid to surveillance cameras, often in an improper manner and transgressing their basic function. It becomes an instrument for observing the world, in the search for a slight poetic sense. The act of vision is the central element of her work that declines in her latest research on optical devices, often used as instruments of control, bringing attention to the always reversible overturning between who observes and who is observed. Her work has been exhibited in art galleries and public institutions, such as Fondazione Prada Osservatorio (2016), Fondazione Fotografia Modena (2017), P420 (2017), MAMbo - Museo d'Arte Moderna di Bologna (2018), Palazzo delle Esposizioni (2018), Fondazione Francesco Fabbri (2018) e Kunst Merano Arte (2019). She is one of the fifth finalists in ING Unseen Talent Award 2019.
https://www.irenefenara.com/
Martina Dendi (Livorno, 1994) lives and works in Milan. She graduated in photography at the Libera Accademia di Belle Arti (LABA) in Florence and, in 2017, she attended the Stephen F. Austin State University (SFASU) in Texas. In 2018, Dendi attended the course of New Technologies at the Accademia di Belle Arti di Brera in Milan, where she graduated in 2021 with a specialization in Photography. In 2019, she studied for a semester at Moholy-Nagy Művészeti Egyetem, in Budapest.
In 2017, Dendi publishes her first photo book Caducità who has been also exhibited as solo show at the Tethys Gallery in Florence, and as part of a group show at Seipersei gallery in Siena. She exhibits the photographic project Assenza at the Stephen F. Austin State University (SFASU) in Texas. In 2020 she exhibits Hungarian Style at CAREOF (Milan). In 2021 her work has been selected among the finalists of the Combat Award 2021.
Her works start from an anthropological approach of interest on grotesque and ironic side of life. She is often actress and subject of her images, exploring the therapeutic process of self-definition and awareness of her presence in the world.
martinadendi21@hotmail.it https://edu.myphotoportal.com/dendi/
Yao Yuan (b. 1988) is a non-binary artist born in Sichuan, China. Their practice navigates between photography, design and moving image. Using documentation and staging, their photographic work expresses an intrinsic curiosity for intersectionality and spirituality. Their investigations explore the power of storytelling and dramaturgy, to rethink the binary framework of dominant norms, particularly those that relate to gender and sexuality. In recent years, the focus of Yuan’s work has touched upon topics of non-normative narratives surrounding motherhood, queer intimacy and representation.
Andrei Budescu has been fascinated by cameras and photography since he was a young boy. Over the last 10 years he has been experimenting with different photographic processes (Polaroid, Wet Plate Collodion) and different cameras (4x5, 5x7, 8x10 cameras). Andrei uses different cameras for his processes and recently he started refurbishing a mammoth camera for his Wet Plate Collodion Process which will be added to his collection.
Born in 1991 in Willemstad, Curaçao
Lives and Works in Amsterdam, The Netherlands
Gilleam Trapenberg (1991, Willemstad, Curaçao) moved to the Netherlands at the age of nineteen and graduated from the Royal Academy of Art in The Hague in 2017. He participated in multiple group exhibitions, such as In The Presence of Absence at the Stedelijk Museum Amsterdam (2020). In 2017 he published his first photo book Big Papi and in 2018 he was one of the nominees for the Foam Paul Huf Award. He’s the fourth recipient of the Florentine Riem Vis grant (2020). His first solo exhibition at Foam, Amsterdam opened in 2021. Gilleam Trapenberg lives and works in Amsterdam. Through his work, Trapenberg reflects on the contradictions that are part of the social landscape in Curaçao, were the idea of a utopian paradise is diametrically opposed to the realities of post-colonialism and tourism. He explores stereotypes and tropes that have manifested themselves through social culture and the Western media.
Josef Janošík (b. 1995) is a photographer based in the Czech Republic. In his work, he searches for and relives his childhood memories – however corroded and unreliable they may be. Exploring the limits of human perception is important for him in general as well as the elusive uncertainty that lies behind them.
In my ongoing series I photograph myself in dialogue with my late sister’s dresses. Through performative acts and self-portraiture I address the complex process of grief and healing after my sister passed away seven years ago. As a part of this self-recovery, I am leaning to my family’s legacy of rug-making; the cutting of clothes of the deceased to weft. In my family what could not be used was remodelled, deconstructed and reconstructed, as a form of pragmatic exorcism. And by cutting, sewing and weaving I am working through the dresses, taking back authority of my fate.
Essential in my work is the juxtaposition of a living body and the materiality of textiles. The images portray a play between seeing and touch, the form and the tactility. Using my body and the dresses of my sister I examine the relationship of memories and materialities. Can objects harbor emotions? And can one access these enclosed emotions by intervening with their materiality? In the past years these works have become a tool of finding my identity in the world. The combination of the female nude and the aggressive act of cutting have grown to represent liberation from far more than just grief.
Over time he acquired his own language, nourished by his own experience and the realization of several master classes with different photographers such as Antonio Heredia, Manu Brabo, Antoine d'Agata and Crisitna García Rodero.
Currently, he is dedicated to the realization of long-term photographic works related to social and human taboos.
Louiza Vradi is a visual artist working with photography, video, new media and textile. She holds a BFA and MFA in visual arts, new media, sculpture, and art education from the Athens School of Fine Arts. Her work explores social documentary practices, addressing themes such as personal and collective memories, human movement, gender issues, intergenerational trauma, and our relationship with the land. She often examines the impact of sociopolitical contexts on individuals and rituals in contemporary society. In addition to her artistic practice, Louiza is an art educator trained in art therapy, working with individuals with mental and psycho-social disabilities, as well as those recovering from addiction. Since 2020, she has been a freelance visual journalist for Reuters, completing a Hostile Environment and First Aid Training (HEFAT) in 2023. Louiza is a member of Women Photograph and Greek Documentary Association. She was named one of 30 Under 30 Women Photographers for 2020 by Artpil and she has been awarded with the VII Academy Scholarship. Her work can be found in international media such as The Economist, The New York Times, Vogue, Le Monde, Reuters, The Guardian, Monocle, Penguin Books, BBC, Dazed, Paris Fashion Week, etc. She has showcased her artworks in museums and galleries such as The Benaki Museum, Onassis Stegi and The Breeder gallery, among others. In 2023 she was awarded by the Greek Documentary Association for her documentary film, later supported by the Greek Film Center. She is one of the Futures Photography talents selected by VOID for 2024 and an Onassis Air Fellow. She is a recipient of the Global Investigative Journalism Network and iMEdD Fellowship. She currently lives and works in Athens.
His main interest is the correspondence of the photographic medium and perception. He uses the camera as an extension of the human sight and tries to examine the concept of reality and knowledge. He mostly works in the studio environment and seeks to unfold his ideas in a progressive form.
His works were shown at exhibitions at home and abroad. He won the ON_AWARD grand prize of the OFF_Festival Bratislava Contemporary Photography Festival as a member of a group exhibition in 2014. He won the National Scholarship of Hungary in 2015–2016 and the Association of Hungarian Photographers: Photography Scholarship for 2017. He is a member of the Hungarian Photographers’ Association and Studio of Young Photographers. Biró is represented by Trapéz Gallery, Budapest.
http://www.birodavid.com
Today she lives and works as a photographer in Athens. Her work has been published in magazines from Greece and abroad, and presented in photography group exhibitions.