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Her future-oriented work merges analogue photography, AI, ceramics and sculpture to examine the online representation and aesthetics of gender and its relation to power, misogyny and consumption. In her latest project Red Pill - The manosphere, Rohr explores online spaces targeting men, from incel-forums and PickUp communities to looksmaxxing. 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Berlin) is a visual artist and photographer based between Paris and Berlin. She graduated from ECAL’s Master in Photography (Lausanne) in 2025. Through analogue photography, ceramics, sculpture, and AI-generated imagery, she examines the aesthetics and emotional economies of digital culture, how bodies, desire, and identity are mediated, performed, and consumed. Her works often combines tactile processes with synthetic image-making to produce psychologically charged narratives.",{"type":14,"version":4,"children":211},[212],{"text":213,"type":19,"version":4},"‍Her work has been published in the British Journal of Photography, Der Greif, Schema Magazine, SLEEK, and Fisheye Magazine, among many more. She was a finalist for the Picto Fashion Photography Award (2024) and presented her work at Paris Photo (Carte Blanche Étudiante, 2025) last year. In March 2026 she will exhibit at PhotoVogue Festival, is shortlisted for Un/Fund & Residency.","miriellerohr@gmail.com",14188,"Mirielle","Rohr","Artist",[220],11,[222],2,[224,225,226],29,28,20,[228,99,229],9,12,[231,232,233],5,13,41,[],[],[],[],"01/05/2026",[],[],[],{"docs":243,"hasNextPage":153},[],{"docs":245,"hasNextPage":153},[],"2026-10-06T14:42:00.039Z","2026-06-19T14:33:06.070Z","profiles-and-members",[],"Amsterdam","2026","editorial",[254,269,279,328,337,352,361,388,397],{"id":255,"text":256,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d0",{"root":257},{"type":9,"format":10,"indent":11,"version":4,"children":258},[259,263,265],{"type":14,"format":10,"indent":11,"version":4,"children":260,"direction":20,"textStyle":10,"textFormat":11},[261],{"mode":17,"text":262,"type":19,"style":10,"detail":11,"format":11,"version":4},"Much feminist attention has been paid to the fact that one is not born a woman, but rather, becomes one. The same holds true for men. Rohr is part of an emerging wave of artists who turn their eye to the performance of masculinity, adding nuance and complexity to the heated cultural debate around toxic masculinity.",{"type":14,"format":10,"indent":11,"version":4,"children":264,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":266,"direction":20,"textStyle":10,"textFormat":11},[267],{"mode":17,"text":268,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘My work used to exclusively focus on women and girls’, Rohr explains. ‘There was so much happening around femininity online. In my project Money Making Child for example, I showed how girl influencers are being pushed to adhere to ideals of adult femininity. Now we are more aware of boys and men who are equally tough on themselves, pushing themselves to ever more extreme aesthetic norms. The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.",{"id":270,"quote":271,"blockName":20,"blockType":278},"6ada1986b8a6e56f48e05458",{"root":272},{"type":9,"format":10,"indent":11,"version":4,"children":273,"direction":20},[274],{"type":14,"format":10,"indent":11,"version":4,"children":275,"direction":20,"textStyle":10,"textFormat":11},[276],{"mode":17,"text":277,"type":19,"style":10,"detail":11,"format":11,"version":4},"Last summer I began to think about the manosphere. I was reading the German feminist author Tara-Louise Wittwer, who writes about the red-pill ideology that undergirds the manosphere. Once you have ‘consumed’ the red pill, you have awakened to the truth that feminism is unnatural.’","quote",{"id":280,"blockName":20,"images":281,"blockType":327},"6a354cd08c91db2725ffb6d3",[282,305],{"id":283,"image":284},"6a354cd08c91db2725ffb6d1",{"id":285,"alt":20,"originalUrl":286,"uploaded_by":20,"updatedAt":287,"createdAt":287,"url":288,"thumbnailURL":20,"filename":289,"mimeType":163,"filesize":290,"width":291,"height":292,"focalX":167,"focalY":167,"sizes":293},13816,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e2c132c8494c2bfbe_3.jpg","2026-06-19T13:53:14.826Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp",82976,1667,2500,{"thumb":294,"medium":299,"large":304},{"url":295,"width":171,"height":296,"mimeType":163,"filesize":297,"filename":298},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",450,7276,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",{"url":300,"width":177,"height":301,"mimeType":163,"filesize":302,"filename":303},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",1800,53350,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":306,"image":307},"6a354cd08c91db2725ffb6d2",{"id":308,"alt":20,"originalUrl":309,"uploaded_by":20,"updatedAt":310,"createdAt":310,"url":311,"thumbnailURL":20,"filename":312,"mimeType":163,"filesize":313,"width":314,"height":292,"focalX":167,"focalY":167,"sizes":315},13817,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e7316e039f9e2346a_4.jpg","2026-06-19T13:53:15.491Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp",91166,1643,{"thumb":316,"medium":321,"large":326},{"url":317,"width":171,"height":318,"mimeType":163,"filesize":319,"filename":320},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",456,5556,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",{"url":322,"width":177,"height":323,"mimeType":163,"filesize":324,"filename":325},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",1826,57362,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"images",{"id":329,"quote":330,"blockName":20,"blockType":278},"6ab27a557fbdea578644433a",{"root":331},{"type":9,"format":10,"indent":11,"version":4,"children":332,"direction":20},[333],{"type":14,"format":10,"indent":11,"version":4,"children":334,"direction":20,"textStyle":10,"textFormat":11},[335],{"mode":17,"text":336,"type":19,"style":10,"detail":11,"format":11,"version":4},"`The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.",{"id":338,"text":339,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d4",{"root":340},{"type":9,"format":10,"indent":11,"version":4,"children":341},[342,346,348],{"type":14,"format":10,"indent":11,"version":4,"children":343,"direction":20,"textStyle":10,"textFormat":11},[344],{"mode":17,"text":345,"type":19,"style":10,"detail":11,"format":11,"version":4},"What fascinates Rohr about the manosphere is that it involves different generations. While adult influencers promote toxic masculinity, their audience consists of the Alpha generation: boys as young as 12. They look at violent trends like penis extensions and looksmaxxing, which means breaking jaws in order for them to look more like adult men, as a way of accumulating power. ‘It is very difficult to look at all of it, Rohr says.This has been a very hard subject to work on, I am completely immersed in it.’ But it clearly fascinates her, she is keen on seeing what’s to come. ",{"type":14,"format":10,"indent":11,"version":4,"children":347,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":349,"direction":20,"textStyle":10,"textFormat":11},[350],{"mode":17,"text":351,"type":19,"style":10,"detail":11,"format":11,"version":4},"The AI-generated imagery in Red Pill - The manosphere exclusively feature men. In the manosphere women are remarkably absent, men seek the validation of other men, they rate and confirm one another’s hotness, even though the community is ostensibly deeply heterosexual. ",{"id":353,"quote":354,"blockName":20,"blockType":278},"6ada199ab8a6e56f48e05459",{"root":355},{"type":9,"format":10,"indent":11,"version":4,"children":356,"direction":20},[357],{"type":14,"format":10,"indent":11,"version":4,"children":358,"direction":20,"textStyle":10,"textFormat":11},[359],{"mode":17,"text":360,"type":19,"style":10,"detail":11,"format":11,"version":4},"I first started to use AI when making Money Making Child. AI and social media work with a similar system of repetition and reenforcement. They also have a similar synthetic, artificially ‘perfect’ look. I collect a dataset of images relating to the topic. I mix screenshots from these trends, and combine them with a different aesthetic. Then I write the prompt. You get a lot of options, there is a part that you can control in AI, but also a part that cannot be controlled. That is the exciting and also the dangerous aspect of working with AI. With photography I am very in control. With AI it is unclear where we end up.",{"id":362,"image":363,"blockName":20,"blockType":387},"6a354cd08c91db2725ffb6d5",{"id":364,"alt":20,"originalUrl":365,"uploaded_by":20,"updatedAt":366,"createdAt":366,"url":367,"thumbnailURL":20,"filename":368,"mimeType":163,"filesize":369,"width":370,"height":166,"focalX":167,"focalY":167,"sizes":371},13818,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaab0da12f7d37e4f11f1_1.jpg","2026-06-19T13:53:17.288Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp",333556,4128,{"thumb":372,"medium":377,"large":382},{"url":373,"width":171,"height":374,"mimeType":163,"filesize":375,"filename":376},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",349,7744,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",{"url":378,"width":177,"height":379,"mimeType":163,"filesize":380,"filename":381},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",1395,58212,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",{"url":383,"width":183,"height":384,"mimeType":163,"filesize":385,"filename":386},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp",2791,163136,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp","image",{"id":389,"quote":390,"blockName":20,"blockType":278},"6ab27aa67fbdea578644433b",{"root":391},{"type":9,"format":10,"indent":11,"version":4,"children":392,"direction":20},[393],{"type":14,"format":10,"indent":11,"version":4,"children":394,"direction":20,"textStyle":10,"textFormat":11},[395],{"mode":17,"text":396,"type":19,"style":10,"detail":11,"format":11,"version":4},"With photography I am very in control. With AI it is unclear where we end up.",{"id":398,"text":399,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d6",{"root":400},{"type":9,"format":10,"indent":11,"version":4,"children":401},[402,406,408,412,414,418,420],{"type":14,"format":10,"indent":11,"version":4,"children":403,"direction":20,"textStyle":10,"textFormat":11},[404],{"mode":17,"text":405,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr shows me an image of a man with enhanced, purple, smashed cheeks. By printing a collage of images collected from TikTok of the “bonesmashing”-trend on aluminum, hammering the aluminum from the back, and by adding screws, the man literally is turned into a ‘body under construction’. Another image looks like a Batman play figure, dripping in synthetic red, a nod to the Red Pill. Rohr is also creating a big print on aluminum, featuring many screenshots of the very violent trend of looksmaxxing, thus reflecting the fantasies and optimizing nature of manosphere ideals. ",{"type":14,"format":10,"indent":11,"version":4,"children":407,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":409,"direction":20,"textStyle":10,"textFormat":11},[410],{"mode":17,"text":411,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr wants to continue working with photography and AI, and she hasn’t completely made up her mind yet, in terms of how strict she want to be with AI. ‘I want to be progressive, it’s here, let’s use it. But at the same time, I worry about my photos, that I have worked on for years, being used as a dataset to reproduce my style. What I find most scary about AI is images that seem real. But using AI because it has strange characteristics can be fun. I often get the question why I use AI, instead of taking photos. But for me that question doesn’t make any sense. It’s like asking “Why do I drink coffee instead of tea?\" When people were painting and photography emerged, people also said that photography was easy. AI is not that easy to use. It’s very difficult to take a good picture, similarly, it’s not easy to generate a good image using AI. It’s not the easier escape.’",{"type":14,"format":10,"indent":11,"version":4,"children":413,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":415,"direction":20,"textStyle":10,"textFormat":11},[416],{"mode":17,"text":417,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr also makes artwork with deepfakes, a technology renowned for its misogynistic usage. The video “What would you like me to say?” was inspired by the recent public debate in Germany following the allegations of deepfake abuse and digital violence against TV presenter Christian Ullmen by his own partner, TV presenter Collien Fernandes. Rohr gave her image, video and voice to AI, with the prompt “What would a man from the manosphere want \"me\" to say?” The face carries her emotion, hesitation, and resistance, while her speech no longer belongs to herself. By using AI one feeds AI, but Rohrs work suggests a power grab, in using AI to make something very different, to turn the medium on its head. Rohr’s work uses AI in order to expose it. ",{"type":14,"format":10,"indent":11,"version":4,"children":419,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":421,"direction":20,"textStyle":10,"textFormat":11},[422],{"mode":17,"text":423,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr continues to work on femininity, and is making a plexiglass sculpture about the clean girl trend, an equivalent for women, explains Rohr. That is all about ‘being quiet, perfect and pure. It’s very, very conservative and has racist and fascist undertones’. ‘It would be interesting to exhibit them alongside one another’. ","2026-10-22T14:11:57.343Z","2026-06-19T14:04:56.195Z",{"relationTo":147,"value":427},{"id":428,"is_residency_story":93,"kind_of_residency_story":429,"title":430,"slug":431,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":432,"author":449,"date_of_publication":450,"teaser":451,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":452,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":454,"residency_location":250,"year":251,"layout_type":252,"content":502,"updatedAt":674,"createdAt":675},553,"research","The privilege of questioning - Papa De (DeLovie Kwagala) in Conversation with Nanoah Struik","the-privilege-of-questioning---papa-de-deloviekwagala-in-conversation-with-nanoah.struik",{"id":433,"alt":434,"originalUrl":20,"uploaded_by":20,"updatedAt":435,"createdAt":436,"url":437,"thumbnailURL":20,"filename":438,"mimeType":163,"filesize":439,"width":440,"height":441,"focalX":167,"focalY":167,"sizes":442},16014,"Iliana Michali_Papa De Residency","2026-09-21T13:30:53.915Z","2026-09-21T13:30:52.513Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00027 - dimensioni grandi.webp",133604,853,1280,{"thumb":443,"medium":447,"large":448},{"url":444,"width":171,"height":296,"mimeType":163,"filesize":445,"filename":446},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi-300x450.webp",26044,"Iliana Michali_Papa De Residency_00027 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Nanoah Struik","2026-09-09T09:46:55.000Z","DeLovie Kwagala AKA Papa De, is the first openly non-binary, queer photographer and social activist from Kampala, Uganda. They’re an award-winning multi-antidisciplinary artivist. Self-taught and now based in Berlin, their work explores identity, belonging, and gender + sexuality, insisting on images that refuse to sexualize, fetishize, or stigmatize their participants. During their FUTURES x Pride Photo residency in Amsterdam, Papa De developed ME(MORIES), a new body of work that revisits a family archive dating back to the 1970s through the gomesi, the traditional dress of Ugandan women from the Buganda Kingdom. In this conversation, we spoke with the artist about rebellion, constant becomings, and the privilege of asking questions.",[453],"Identity",{"id":455,"profile_types":456,"is_member":153,"name":457,"slug":458,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":459,"e_mail":474,"profile_image":475,"website":20,"instagram":20,"first_name":457,"last_name":10,"kind_of_profile":218,"tags_profession":476,"tags_identity":478,"tags_location":479,"tags_practice":482,"tags_topics":484,"born_in":20,"street_address":20,"city":20,"country":20,"corresponding_member":488,"member_additional":489,"corresponding_art_projects":490,"corresponding_selected_year":491,"reference_residency":428,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":492,"curation_reference":493,"past_member":20,"approved_courses":494,"tutor_courses":495,"guest_expert_courses":497,"updatedAt":499,"createdAt":500,"email":474,"collection":248,"sessions":501},1462,[198],"Papa De","papa-de",{"root":460},{"type":9,"format":10,"indent":11,"version":4,"children":461,"direction":20},[462,466,470],{"type":14,"format":10,"indent":11,"version":4,"children":463,"direction":20,"textStyle":10,"textFormat":11},[464],{"mode":17,"text":465,"type":19,"style":10,"detail":11,"format":11,"version":4},"DeLovie Kwagala (aka Papa De) is the first openly non-binary queer photographer from Uganda. An award winning visual artist and film maker, their art is a defiant stance against the colonial gaze, aiming to dismantle stereotypes around beauty, gender identity, and the fetishisation or victimisation of Black and queer bodies. Through self-taught, multi-disciplinary visual storytelling, Kwagala documents and archives African queer youth, exploring themes of identity, belonging, migration, displacement, and climate justice.",{"type":14,"format":10,"indent":11,"version":4,"children":467,"direction":20,"textStyle":10,"textFormat":11},[468],{"type":469,"version":4},"linebreak",{"type":14,"format":10,"indent":11,"version":4,"children":471,"direction":20,"textStyle":10,"textFormat":11},[472],{"mode":17,"text":473,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their mission is to preserve dignity, reclaim marginalised African queer histories, and provoke questioning of patriarchal and colonial narratives. Projects like The Quingdom ~ In Transition and Love(r)ships celebrate queer joy, intimacy, and resistance, asserting that \"to be visibly queer is a political statement in itself.\" Kwagala’s work, featured in TIME, The Guardian, and Vogue, strives to evoke relatability and inspire unlearning, ensuring their community is seen not as victims, but as glorious outliers: resilient, beautiful, and unapologetically present.","de@deloviekwagala.org",16010,[220,477],19,[95],[480,481],141,4,[483],14,[232,485,486,224,487],42,26,39,[],[],[],[],[],[],[],{"docs":496,"hasNextPage":153},[],{"docs":498,"hasNextPage":153},[],"2026-10-06T14:41:24.887Z","2026-09-21T13:20:11.914Z",[],[503,517,542,561,578,594,611,622,643,654,665],{"id":504,"text":505,"blockName":20,"blockType":19},"6ab12ffaee738752c69d3f91",{"root":506},{"type":9,"format":10,"indent":11,"version":4,"children":507,"direction":20},[508,511,513],{"type":14,"format":10,"indent":11,"version":4,"children":509,"direction":20,"textStyle":10,"textFormat":222},[510],{"mode":17,"text":451,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":512,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":514,"direction":20,"textStyle":10,"textFormat":222},[515],{"mode":17,"text":516,"type":19,"style":10,"detail":11,"format":222,"version":4},"For this interview, Papa De spoke with Nanoah Struik (they/them), a Dutch-Nigerian writer, speaker, queer activist and award-winning podcast maker. Across their work, Struik engages with queerness, gender identity and diversity, gender equality, and the possibilities of challenging binary systems.",{"id":518,"image":519,"blockName":20,"blockType":387},"6ab13004ee738752c69d3f92",{"id":520,"alt":434,"originalUrl":20,"uploaded_by":20,"updatedAt":521,"createdAt":522,"url":523,"thumbnailURL":20,"filename":524,"mimeType":163,"filesize":525,"width":292,"height":291,"focalX":167,"focalY":167,"sizes":526},16011,"2026-09-21T13:25:55.320Z","2026-09-21T13:25:53.764Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056.webp","Iliana Michali_Papa De Residency_00056.webp",266488,{"thumb":527,"medium":532,"large":537},{"url":528,"width":171,"height":529,"mimeType":163,"filesize":530,"filename":531},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-300x200.webp",200,9004,"Iliana Michali_Papa De Residency_00056-300x200.webp",{"url":533,"width":177,"height":534,"mimeType":163,"filesize":535,"filename":536},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-1200x800.webp",800,76764,"Iliana Michali_Papa De Residency_00056-1200x800.webp",{"url":538,"width":183,"height":539,"mimeType":163,"filesize":540,"filename":541},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-2400x1600.webp",1600,236192,"Iliana Michali_Papa De Residency_00056-2400x1600.webp",{"id":543,"blockName":20,"blockType":544,"qa":545},"6ab13071ee738752c69d3f95","qa",{"question":546,"answer":547},"Nanoah Struik: In your residency you’ve worked on a new project. Where does a new body of work usually start for you: with an image you can already see in your head, a material you want to touch, or a question you can't stop asking? ",{"root":548},{"type":9,"format":10,"indent":11,"version":4,"children":549,"direction":20},[550,555,557],{"type":14,"format":551,"indent":11,"version":4,"children":552,"direction":20,"textStyle":10,"textFormat":11},"start",[553],{"mode":17,"text":554,"type":19,"style":10,"detail":11,"format":11,"version":4},"Papa De: It usually starts with an idea, then I visualise what I want the idea to look like, then see how that idea gets reinterpreted through the reality of making it. But with the residency, I actually had no idea what would come out. A lot of it was intuitive. I already had the archival  images from my family, but no idea how I wanted to present them, and that kept shifting throughout the month. That's the beauty of a residency: you have space to give it your all, to play with what works and what doesn't, until you land somewhere you're happy with. ",{"type":14,"format":551,"indent":11,"version":4,"children":556,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":551,"indent":11,"version":4,"children":558,"direction":20,"textStyle":10,"textFormat":11},[559],{"mode":17,"text":560,"type":19,"style":10,"detail":11,"format":11,"version":4},"Normally I work with imagery, I photograph other people. This time was different: I didn’t have that at all. It had to be introspective: I have these images, what do they mean for me? What's my position in telling these stories? There's a difference when the images aren't ones I made myself because my only connection to them was that they came from my grandmother, my curiosity about the dress's [gomesi] history, and the culture itself. Which is also where there's a disconnect: it's a culture that invalidates me, that tells me I don't fit the mold of what it means to be a Ugandan not-woman, nor man. ",{"id":562,"blockName":20,"blockType":544,"qa":563},"6ab13087ee738752c69d3f96",{"question":564,"answer":565},"NS: As you said, you usually are the one behind the camera, photographing dozens of other people's faces and stories in Uganda's queer community, but in your new work ME(MORIES) you insert your own body into a family archive that predates you. What is it like to become the archive yourself? ",{"root":566},{"type":9,"format":10,"indent":11,"version":4,"children":567,"direction":20},[568,572,574],{"type":14,"format":551,"indent":11,"version":4,"children":569,"direction":20,"textStyle":10,"textFormat":11},[570],{"mode":17,"text":571,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Honestly, the process was bittersweet. In the days before the opening, there was a cover image of a woman in the dress [gomesi] on a screen outside the residency door. I would see it every time I would pass by it, but at some point I didn't want to see it anymore. It hit me: I'm here representing a culture that doesn't give a fuck about me. But also: most of these women have never even left the country, and somehow they end up on a screen in Amsterdam, in this very cultural attire. Amsterdam of all places: I learned that a lot of the fabric for these dresses are printed and distributed in the Netherlands. It made me question my positionality in this narrative. ",{"type":14,"format":551,"indent":11,"version":4,"children":573,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":551,"indent":11,"version":4,"children":575,"direction":20,"textStyle":10,"textFormat":11},[576],{"mode":17,"text":577,"type":19,"style":10,"detail":11,"format":11,"version":4},"But it was also a rebellion: inserting myself into the archive: you cannot erase me. I'm as much part of this culture and tradition as anyone. My queerness, and being neither woman nor man, doesn't take that away. It's not meant to alienate me from culture or tradition. At the same time, I didn't want to impose myself too much. So I masked their likenesses, respecting that their journey was different from mine, while still honoring that my history, as a queer person, is erased, and I find a way to write myself into the story anyway. ",{"id":579,"image":580,"blockName":20,"blockType":387},"6ab130a6ee738752c69d3f97",{"id":581,"alt":434,"originalUrl":20,"uploaded_by":20,"updatedAt":582,"createdAt":583,"url":584,"thumbnailURL":20,"filename":585,"mimeType":163,"filesize":586,"width":440,"height":441,"focalX":167,"focalY":167,"sizes":587},16012,"2026-09-21T13:28:01.524Z","2026-09-21T13:28:00.554Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00005 - dimensioni grandi.webp",66396,{"thumb":588,"medium":592,"large":593},{"url":589,"width":171,"height":296,"mimeType":163,"filesize":590,"filename":591},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi-300x450.webp",12326,"Iliana Michali_Papa De Residency_00005 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":595,"blockName":20,"blockType":544,"qa":596},"6ab13101ee738752c69d3f98",{"question":597,"answer":598},"NS: You’ve worked across street photography, staged portraiture, and now archival collage and installation. How do you know which form a story needs to take: when does something want to be a photograph, and when does it want to become an object? ",{"root":599},{"type":9,"format":10,"indent":11,"version":4,"children":600,"direction":20},[601,605,607],{"type":14,"format":551,"indent":11,"version":4,"children":602,"direction":20,"textStyle":10,"textFormat":11},[603],{"mode":17,"text":604,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Myself, I’m a constant becoming so I also don’t want to limit any shapes or forms that might want to reveal themselves through the process. The residency work kept evolving, which let me stop controlling it and just be intuitive. It was the first time I mixed disciplines. My first solo show in Berlin was the catalyst, indirectly: that's where I first used sculpture. I felt: there's more to explore there. ",{"type":14,"format":551,"indent":11,"version":4,"children":606,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":551,"indent":11,"version":4,"children":608,"direction":20,"textStyle":10,"textFormat":11},[609],{"mode":17,"text":610,"type":19,"style":10,"detail":11,"format":11,"version":4},"During the residency I really pushed outside my comfort zone. I was a blank canvas, and I let the work paint on me. ",{"id":612,"blockName":20,"blockType":544,"qa":613},"6ab13117ee738752c69d3f99",{"question":614,"answer":615},"NS: Belonging, memory and the body under scrutiny return again and again in your work. Are you circling the same questions from new angles each time, or does each project change what you believe about them? ",{"root":616},{"type":9,"format":10,"indent":11,"version":4,"children":617,"direction":20},[618],{"type":14,"format":10,"indent":11,"version":4,"children":619,"direction":20,"textStyle":10,"textFormat":11},[620],{"mode":17,"text":621,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: I keep going back to the same questions and getting different answers from myself each time: we're not the same people we were yesterday, and as the world shifts, systemically and economically, what these topics mean shifts too. Even in interpersonal relationships I've been told I repeat the same questions over and over again. Not because I expect a different outcome, I just believe in the art of inquiry and how time influences responses. 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And what possibilities emerge when limits become part of the creative process?",{"type":14,"format":10,"indent":11,"version":4,"children":997,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":999,"direction":20,"textStyle":10,"textFormat":11},[1000],{"mode":17,"text":1001,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Julia Rajacic, the exhibition brings together five photographers whose practices engage with ecological limits through material experimentation, site-specific approaches and alternative ways of working.",{"type":14,"format":10,"indent":11,"version":4,"children":1003,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1005,"direction":20,"textStyle":10,"textFormat":11},[1006],{"mode":17,"text":1007,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their work spans plant-based photographic processes, images made from polluted flora, self-built photographic equipment, collaborations with scientific research and projects exploring biodiversity and the relationships between humans and other species.",{"type":14,"format":10,"indent":11,"version":4,"children":1009,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1011,"direction":20,"textStyle":10,"textFormat":11},[1012],{"mode":17,"text":1013,"type":19,"style":10,"detail":11,"format":11,"version":4},"Together, these practices address photography’s ecological paradox: its capacity to make environmental crises visible while remaining part of the systems that contribute to them.",{"type":14,"format":10,"indent":11,"version":4,"children":1015,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1017,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1019,"direction":20},[1020],{"mode":17,"text":1021,"type":19,"style":10,"detail":11,"format":4,"version":4},"An eco-designed exhibition",{"type":14,"format":10,"indent":11,"version":4,"children":1023,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1025,"direction":20,"textStyle":10,"textFormat":11},[1026],{"mode":17,"text":1027,"type":19,"style":10,"detail":11,"format":11,"version":4},"The project also considers its own environmental impact. Guided by the curator’s commitment to eco-design, the exhibition prioritises reducing its footprint across travel, shipping, exhibition staging, material choices and catering.",{"type":14,"format":10,"indent":11,"version":4,"children":1029,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1031,"direction":20,"textStyle":10,"textFormat":11},[1032],{"mode":17,"text":1033,"type":19,"style":10,"detail":11,"format":11,"version":4},"Presented during the bicentenary of photography and ten years after the ratification and entry into force of the Paris Agreement, the project connects a reflection on the medium’s history with the environmental conditions shaping its future.",{"type":14,"format":10,"indent":11,"version":4,"children":1035,"direction":20,"textStyle":10,"textFormat":11},[],{"type":944,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1038,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1040,"direction":20},[1041],{"mode":17,"text":1042,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE ARTISTS",{"type":14,"format":10,"indent":11,"version":4,"children":1044,"direction":20,"textStyle":10,"textFormat":11},[1045],{"mode":17,"text":1046,"type":19,"style":10,"detail":11,"format":11,"version":4},"Five photographers approach ecological constraints through distinct practices and methods.",{"type":14,"format":10,"indent":11,"version":4,"children":1048,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1050,"direction":20},[1051],{"id":1052,"type":90,"fields":1053,"format":10,"indent":11,"version":95,"children":1055,"direction":20},"6ad09472d8c9944ba9db64ac",{"url":1054,"linkType":94},"https://a-baumgartner.com/://",[1056],{"mode":17,"text":1057,"type":19,"style":10,"detail":11,"format":11,"version":4},"Alexandra Baumgartner",{"id":1059,"type":918,"value":1060,"fields":20,"format":10,"version":95,"relationTo":940},"6acfa503a617045aa261bc08",{"id":1061,"alt":1062,"originalUrl":20,"uploaded_by":20,"updatedAt":1063,"createdAt":1064,"url":1065,"thumbnailURL":20,"filename":1066,"mimeType":163,"filesize":1067,"width":1068,"height":1069,"focalX":167,"focalY":167,"sizes":1070},16928,"Artwork by Alexandra Baumgartner","2026-10-14T15:51:30.893Z","2026-10-14T15:51:29.854Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp","FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp",68390,1429,2000,{"thumb":1071,"medium":1076,"large":1081},{"url":1072,"width":171,"height":1073,"mimeType":163,"filesize":1074,"filename":1075},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",420,4634,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",{"url":1077,"width":177,"height":1078,"mimeType":163,"filesize":1079,"filename":1080},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",1679,41472,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1083,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1085,"direction":20,"textStyle":10,"textFormat":11},[1086],{"mode":17,"text":1087,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working across photography, sound and installation, Baumgartner explores biodiversity, agriculture and the relationships between people and plants. Her work includes seed keepers and agronomic activists whose practices contribute to the preservation of biodiversity.",{"type":14,"format":10,"indent":11,"version":4,"children":1089,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1091,"direction":20},[1092],{"id":1093,"type":90,"fields":1094,"format":10,"indent":11,"version":95,"children":1159,"direction":20},"6acfaf08a617045aa261bc17",{"doc":1095,"linkType":1158},{"label":1096,"value":1097,"relationTo":248},"Benedetta Casagrande",{"id":1098,"profile_types":1099,"is_member":153,"name":1096,"slug":1100,"archived":153,"created_on":1101,"updated_on":1102,"published_on":1102,"biography":1103,"e_mail":1119,"profile_image":1120,"website":1121,"instagram":1122,"first_name":1123,"last_name":1124,"kind_of_profile":218,"tags_profession":1125,"tags_identity":1126,"tags_location":1127,"tags_practice":1128,"tags_topics":1132,"born_in":1136,"street_address":10,"city":1137,"country":1138,"corresponding_member":1139,"member_additional":1141,"corresponding_art_projects":1142,"corresponding_selected_year":1144,"reference_residency":1146,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1147,"curation_reference":1148,"past_member":20,"approved_courses":1149,"tutor_courses":1150,"guest_expert_courses":1152,"updatedAt":1154,"createdAt":1155,"email":1156,"collection":248,"sessions":1157},742,[198],"benedetta-casagrande","Mon Feb 03 2025 17:22:15 GMT+0000 (Coordinated Universal Time)","Thu Jan 15 2026 09:36:49 GMT+0000 (Coordinated Universal Time)",{"root":1104},{"type":9,"format":10,"indent":11,"version":4,"children":1105,"direction":1118},[1106,1110,1114],{"type":14,"version":4,"children":1107},[1108],{"text":1109,"type":19,"version":4},"Benedetta Casagrande (she/her) is an artist and educator working across photography, writing and sculpture, with a focus on regenerative practices and co-authorship with more-than-human agents. Starting from an interest in political ecology and critical studies, she develops a biocentric practice where photography is used to look-at and sit-within interspecies relationships and more-than-human life in times of extinctions, working through ecological grief, forming multi-species alliances and nurturing relationships based on principles of kinship, reciprocity and shared health. Working with darkroom chemistry made with locally foraged plants, scavenged iron and waste products, reclaiming silver from spent chemistry and applying a circular economy between the darkroom and the land through appropriate waste disposal processes, that allow for chemical waste to be composted and used as fertiliser, she approaches the practice of photography as a process of contaminations and encounters, trying to learn how to better live and die together.",{"type":14,"version":4,"children":1111},[1112],{"text":1113,"type":19,"version":4},"Benedetta graduated with a BA in Photography from the University of Brighton (2016) and with an MA in Art History and Museum Curating with Photography from the University of Sussex (2019). In the past years she has regularly engaged with the teachings and knowledge on ecological practices shared by The Sustainable Darkroom and Curioso Lab. Currently, she is part of the cohort of the postgraduate programme Alternative Ecologies with the Institute for Postnatural Studies (2026-2027).",{"type":14,"version":4,"children":1115},[1116],{"text":1117,"type":19,"version":4},"She is the winner of the Luigi Ghirri Award (2024) and the FE+SK Book Award (2024), and received a special mention from the jury at the 13th edition of the Francesco Fabbri Prize. Her first book, All Things Laid Dormant (Skinnerboox, 2024), is a finalist in the Arles Authors Book Award and the Singapore International Photography Festival Book Award, and has received the special mention of the Marco Bastianelli Photobook Award (2025). Her work has been exhibited in national and international institutions, including Photo Ireland (Dublin, 2019), 副本 INSTANCE (Shanghai, 2021), Fotografia Europea (Reggio Emilia, 2024), Photo Brussels (2024), PhMuseum Days (2024), the Italian Institute of Culture Stockholm (2025), Prague Photo Festival (2025), L’Imagerie Centre d’Arte (2025), Triennale (Milan, 2025) and Almanac (Turin, 2026).","ltr","benedettacasagrande@proton.me",12444,"https://benedettacasagrande.info/","https://www.instagram.com/benedetta_casagrande/","Benedetta","Casagrande",[99,220,229,231],[],[477,487],[1129,483,1130,1131],15,6,18,[1133,1134,1135,224],30,31,24,"1993","Milan","Italy",[1140],1455,[],[1143],54,[1145],16,545,[],[],[],{"docs":1151,"hasNextPage":153},[],{"docs":1153,"hasNextPage":153},[],"2026-10-09T09:43:27.959Z","2026-03-26T15:08:43.214Z","benedettacasagrande@gmail.com",[],"internal",[1160],{"mode":17,"text":1096,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1162,"type":918,"value":1163,"fields":20,"format":10,"version":95,"relationTo":940},"6acfa486a617045aa261bc07",{"id":1164,"alt":1165,"originalUrl":20,"uploaded_by":1098,"updatedAt":1166,"createdAt":1167,"url":1168,"thumbnailURL":20,"filename":1169,"mimeType":163,"filesize":1170,"width":1171,"height":1172,"focalX":167,"focalY":167,"sizes":1173},16926,"Artwork by Benedetta Casagrande","2026-10-14T15:49:52.623Z","2026-10-14T15:49:25.126Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer.webp","Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer.webp",153154,911,1220,{"thumb":1174,"medium":1179,"large":1180},{"url":1175,"width":171,"height":1176,"mimeType":163,"filesize":1177,"filename":1178},"https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer-300x402.webp",402,24858,"Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer-300x402.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1182,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1184,"direction":20,"textStyle":10,"textFormat":11},[1185],{"mode":17,"text":1186,"type":19,"style":10,"detail":11,"format":11,"version":4},"Casagrande explores interspecies relationships through photography, writing and sculpture. For the exhibition, she presents silver gelatin prints developed using foraged plant matter, alongside ceramic sculptures incorporating reclaimed silver from spent darkroom chemistry.",{"type":14,"format":10,"indent":11,"version":4,"children":1188,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1190,"direction":20},[1191],{"id":1192,"type":90,"fields":1193,"format":10,"indent":11,"version":95,"children":1243,"direction":20},"6acfa90fa617045aa261bc0f",{"doc":1194,"linkType":1158},{"label":1195,"value":1196,"relationTo":248},"Diana Lelonek",{"id":534,"profile_types":1197,"is_member":153,"name":1195,"slug":1198,"archived":153,"created_on":1199,"updated_on":1200,"published_on":1200,"biography":1201,"e_mail":1216,"profile_image":1217,"website":10,"instagram":10,"first_name":1218,"last_name":1219,"kind_of_profile":218,"tags_profession":1220,"tags_identity":1221,"tags_location":1223,"tags_practice":1224,"tags_topics":1225,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":1226,"member_additional":1228,"corresponding_art_projects":1229,"corresponding_selected_year":1231,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1233,"curation_reference":1234,"past_member":20,"approved_courses":1235,"tutor_courses":1236,"guest_expert_courses":1238,"updatedAt":1240,"createdAt":1241,"email":1216,"collection":248,"sessions":1242},[198],"diana-lelonek","Mon Oct 14 2024 13:29:58 GMT+0000 (Coordinated Universal Time)","Fri Oct 03 2025 12:11:10 GMT+0000 (Coordinated Universal Time)",{"root":1202},{"type":9,"format":10,"indent":11,"version":4,"children":1203},[1204,1208,1212],{"type":14,"version":4,"children":1205},[1206],{"text":1207,"type":19,"version":4},"Diana Lelonek (b. 1988) graduated from the Faculty of Multimedia Communication at the University of Arts in Poznań. Her practice is based on photography combined with other media. She is interested in activities related to BioArt.",{"type":14,"version":4,"children":1209},[1210],{"text":1211,"type":19,"version":4},"Lelonek won several international competitions, among others: Show Off during the Kraków Photomonth Festival and ReGeneration 3 at the Musée de l’Elysée in Switzerland. 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Her work includes cyanotypes made through extended solar exposures and unfixed anthotypes created using pigments gathered from plants growing in an urban nature reserve.",{"type":14,"format":10,"indent":11,"version":4,"children":1272,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":912,"type":893,"format":10,"indent":11,"version":4,"children":1274,"direction":20},[1275],{"id":1276,"type":90,"fields":1277,"format":10,"indent":11,"version":95,"children":1325,"direction":20},"6acfa91ba617045aa261bc10",{"doc":1278,"linkType":1158},{"label":1279,"value":1280,"relationTo":248},"Santiago Martinez Benedetti",{"id":1281,"profile_types":1282,"is_member":153,"name":1279,"slug":1283,"archived":153,"created_on":1284,"updated_on":1285,"published_on":1286,"biography":1287,"e_mail":1294,"profile_image":1295,"website":1296,"instagram":1297,"first_name":1298,"last_name":1299,"kind_of_profile":218,"tags_profession":1300,"tags_identity":1302,"tags_location":1303,"tags_practice":1305,"tags_topics":1306,"born_in":1308,"street_address":20,"city":1309,"country":20,"corresponding_member":1310,"member_additional":1312,"corresponding_art_projects":1313,"corresponding_selected_year":1314,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1315,"curation_reference":1316,"past_member":20,"approved_courses":1317,"tutor_courses":1318,"guest_expert_courses":1320,"updatedAt":1322,"createdAt":1323,"email":1294,"collection":248,"sessions":1324},1412,[198],"santiago-martinez-benedetti","Sun Feb 01 2026 15:02:59 GMT+0000 (Coordinated Universal Time)","Wed Mar 04 2026 14:18:11 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:04:00 GMT+0000 (Coordinated Universal Time)",{"root":1288},{"type":9,"format":10,"indent":11,"version":4,"children":1289},[1290],{"type":14,"version":4,"children":1291},[1292],{"text":1293,"type":19,"version":4},"I was born in Cali, Colombia, and moved to Switzerland at the age of four. My early interest in photography emerged through BMX culture, shaped by a raw, spontaneous, and DIY mindset.  This curiosity led me to study photography at ECAL, in Lausanne where I got a Bachelor in Photography in 2020.\r\n\r\nSince then, I have worked across different fields of photography, balancing applied practice with the development of a personal artistic body of work. In 2024, following a residency as part of the Verzasca Foto Festival, I initiated the project Torbola 31, which marked a turning point in my artistic practice. The project combines the DIY, instinctive heritage of my beginnings with a more structured and conceptual approach. 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",[2053,2307,2412,2477,2542,2751],{"id":2054,"title":123,"slug":2055,"faq_section":2056},"6aa8059c59da811fecc18003","futures-masterclass",[2057,2067,2077,2087,2119,2147,2157,2167,2177,2187,2197,2207,2217,2227,2237,2247,2257,2267,2277,2287,2297],{"id":2058,"title":2059,"content":2060},"6aa805a359da811fecc18005","What is FUTURES Masterclass?",{"root":2061},{"type":9,"format":10,"indent":11,"version":4,"children":2062,"direction":20},[2063],{"type":14,"format":10,"indent":11,"version":4,"children":2064,"direction":20,"textStyle":10,"textFormat":11},[2065],{"mode":17,"text":2066,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass is an online educational programme offering 12-week masterclasses designed to support photographers, artists and visual practitioners in developing different aspects of their contemporary practice. Combining expert-led teaching, critical discussion and peer exchange, the programme responds to the evolving needs of artists working in today’s rapidly changing visual landscape.",{"id":2068,"title":2069,"content":2070},"6aa805ae59da811fecc18007","Who is FUTURES Masterclass for?",{"root":2071},{"type":9,"format":10,"indent":11,"version":4,"children":2072,"direction":20},[2073],{"type":14,"format":10,"indent":11,"version":4,"children":2074,"direction":20,"textStyle":10,"textFormat":11},[2075],{"mode":17,"text":2076,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass is designed for photographers, artists, curators and visual practitioners interested in expanding their practice. The programme welcomes participants at different stages of their careers, from emerging practitioners seeking to build strong foundations to mid-career and established artists looking to deepen their knowledge and explore new approaches.",{"id":2078,"title":2079,"content":2080},"6aa805be59da811fecc18009","What makes FUTURES Masterclass different from other photography and contemporary art education programmes?",{"root":2081},{"type":9,"format":10,"indent":11,"version":4,"children":2082,"direction":20},[2083],{"type":14,"format":10,"indent":11,"version":4,"children":2084,"direction":20,"textStyle":10,"textFormat":11},[2085],{"mode":17,"text":2086,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass combines practical learning with critical inquiry, drawing on years of conversations, surveys and collaborations with artists across Europe. Rather than focusing solely on technical skills, the programme addresses the broader realities of contemporary artistic practice, including professional development, emerging image technologies and experimental publishing, while fostering an international learning community.",{"id":2088,"title":2089,"content":2090},"6aa95dd3fbd92347d9f08070","What masterclasses are available through FUTURES Masterclass?",{"root":2091},{"type":9,"format":10,"indent":11,"version":4,"children":2092,"direction":20},[2093,2097,2115],{"type":14,"format":10,"indent":11,"version":4,"children":2094,"direction":20,"textStyle":10,"textFormat":11},[2095],{"mode":17,"text":2096,"type":19,"style":10,"detail":11,"format":11,"version":4},"The first edition of FUTURES Masterclass includes three online masterclasses:",{"tag":2098,"type":2099,"start":4,"format":10,"indent":11,"version":4,"children":2100,"listType":2114,"direction":20},"ul","list",[2101,2106,2110],{"type":2102,"value":4,"format":10,"indent":11,"version":4,"children":2103,"direction":20},"listitem",[2104],{"mode":17,"text":2105,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Artist Practice Lab",{"type":2102,"value":222,"format":10,"indent":11,"version":4,"children":2107,"direction":20},[2108],{"mode":17,"text":2109,"type":19,"style":10,"detail":11,"format":11,"version":4},"New Image Lab",{"type":2102,"value":95,"format":10,"indent":11,"version":4,"children":2111,"direction":20},[2112],{"mode":17,"text":2113,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Photobook Lab","bullet",{"type":14,"format":10,"indent":11,"version":4,"children":2116,"direction":20,"textStyle":10,"textFormat":11},[2117],{"mode":17,"text":2118,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each course explores a different aspect of contemporary artistic practice while encouraging critical thinking, experimentation and peer learning.",{"id":2120,"title":2121,"content":2122},"6aa95e08fbd92347d9f08071","Who are the tutors leading the FUTURES Masterclass-courses?",{"root":2123},{"type":9,"format":10,"indent":11,"version":4,"children":2124,"direction":20},[2125,2129,2143],{"type":14,"format":10,"indent":11,"version":4,"children":2126,"direction":20,"textStyle":10,"textFormat":11},[2127],{"mode":17,"text":2128,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Masterclass courses are led by internationally recognised practitioners:",{"tag":2098,"type":2099,"start":4,"format":10,"indent":11,"version":4,"children":2130,"listType":2114,"direction":20},[2131,2135,2139],{"type":2102,"value":4,"format":10,"indent":11,"version":4,"children":2132,"direction":20},[2133],{"mode":17,"text":2134,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rebecca Simons – The Artist Practice Lab",{"type":2102,"value":222,"format":10,"indent":11,"version":4,"children":2136,"direction":20},[2137],{"mode":17,"text":2138,"type":19,"style":10,"detail":11,"format":11,"version":4}," Simone C. Niquille – New Image Lab",{"type":2102,"value":95,"format":10,"indent":11,"version":4,"children":2140,"direction":20},[2141],{"mode":17,"text":2142,"type":19,"style":10,"detail":11,"format":11,"version":4},"Valentina Abenavoli – The Photobook Lab",{"type":14,"format":10,"indent":11,"version":4,"children":2144,"direction":20,"textStyle":10,"textFormat":11},[2145],{"mode":17,"text":2146,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each tutor brings extensive professional experience and is joined by guest contributors where relevant.",{"id":2148,"title":2149,"content":2150},"6aa95e60fbd92347d9f08072","How long does each FUTURES Masterclass courses last?",{"root":2151},{"type":9,"format":10,"indent":11,"version":4,"children":2152,"direction":20},[2153],{"type":14,"format":10,"indent":11,"version":4,"children":2154,"direction":20,"textStyle":10,"textFormat":11},[2155],{"mode":17,"text":2156,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each FUTURES Masterclass course runs over a period of 12 weeks. The programme is designed to give participants enough time to develop their work through a structured combination of group sessions, practical assignments, feedback and independent study.",{"id":2158,"title":2159,"content":2160},"6aa95f24fbd92347d9f08073","How is the FUTURES Masterclass programme delivered?",{"root":2161},{"type":9,"format":10,"indent":11,"version":4,"children":2162,"direction":20},[2163],{"type":14,"format":10,"indent":11,"version":4,"children":2164,"direction":20,"textStyle":10,"textFormat":11},[2165],{"mode":17,"text":2166,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass is delivered entirely online, enabling participants from different countries to learn together through lectures, workshops, discussions and collaborative exchange.",{"id":2168,"title":2169,"content":2170},"6aa95f42fbd92347d9f08074","What can participants expect from a FUTURES Masterclass course?",{"root":2171},{"type":9,"format":10,"indent":11,"version":4,"children":2172,"direction":20},[2173],{"type":14,"format":10,"indent":11,"version":4,"children":2174,"direction":20,"textStyle":10,"textFormat":11},[2175],{"mode":17,"text":2176,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each masterclass combines expert-led teaching with critical discussion, practical exercises and peer exchange. Participants are encouraged to develop their own work while engaging with contemporary ideas, expanding their knowledge and becoming part of an international community of artists and practitioners.",{"id":2178,"title":2179,"content":2180},"6aa95f8bfbd92347d9f08075","Is FUTURES Masterclass suitable for emerging, mid-career and established artists?",{"root":2181},{"type":9,"format":10,"indent":11,"version":4,"children":2182,"direction":20},[2183],{"type":14,"format":10,"indent":11,"version":4,"children":2184,"direction":20,"textStyle":10,"textFormat":11},[2185],{"mode":17,"text":2186,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES EDU is designed to support practitioners at different stages of their careers. While emerging artists can build strong foundations, more experienced practitioners have the opportunity to update their knowledge, challenge their thinking and further develop their practice.",{"id":2188,"title":2189,"content":2190},"6aa95fc2fbd92347d9f08076","Do I need to be part of the FUTURES platform to apply?",{"root":2191},{"type":9,"format":10,"indent":11,"version":4,"children":2192,"direction":20},[2193],{"type":14,"format":10,"indent":11,"version":4,"children":2194,"direction":20,"textStyle":10,"textFormat":11},[2195],{"mode":17,"text":2196,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. FUTURES Masterclass courses are open to everyone. You do not need to be part of the FUTURES platform to apply.",{"id":2198,"title":2199,"content":2200},"6aa95fddfbd92347d9f08077","Can international applicants join FUTURES Masterclass?",{"root":2201},{"type":9,"format":10,"indent":11,"version":4,"children":2202,"direction":20},[2203],{"type":14,"format":10,"indent":11,"version":4,"children":2204,"direction":20,"textStyle":10,"textFormat":11},[2205],{"mode":17,"text":2206,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. As an online programme, FUTURES Masterclass welcomes participants from around the world.",{"id":2208,"title":2209,"content":2210},"6aa95ffcfbd92347d9f08078","What language are the FUTURES Masterclass courses taught in?",{"root":2211},{"type":9,"format":10,"indent":11,"version":4,"children":2212,"direction":20},[2213],{"type":14,"format":10,"indent":11,"version":4,"children":2214,"direction":20,"textStyle":10,"textFormat":11},[2215],{"mode":17,"text":2216,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass courses are taught in English.",{"id":2218,"title":2219,"content":2220},"6aa9609efbd92347d9f08079","How many participants are accepted into each FUTURES Masterclass courses?",{"root":2221},{"type":9,"format":10,"indent":11,"version":4,"children":2222,"direction":20},[2223],{"type":14,"format":10,"indent":11,"version":4,"children":2224,"direction":20,"textStyle":10,"textFormat":11},[2225],{"mode":17,"text":2226,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each FUTURES Masterclass courses accepts a maximum of 15 participants. The limited group size ensures an intensive and collaborative learning environment, while allowing each participant to receive guidance, personalised feedback and meaningful opportunities for exchange with the tutor and the group.",{"id":2228,"title":2229,"content":2230},"6aa960fdfbd92347d9f0807a","What is included in the programme fee?",{"root":2231},{"type":9,"format":10,"indent":11,"version":4,"children":2232,"direction":20},[2233],{"type":14,"format":10,"indent":11,"version":4,"children":2234,"direction":20,"textStyle":10,"textFormat":11},[2235],{"mode":17,"text":2236,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme includes 12 weeks of online learning, combining lectures, workshops, critical discussions and peer exchange led by internationally recognised practitioners. Additionally, the results of the masterclass will be presented on FUTURES online channels and website. Each participant also enters the FUTURES network.",{"id":2238,"title":2239,"content":2240},"6aa96165fbd92347d9f0807b","Are scholarships available?",{"root":2241},{"type":9,"format":10,"indent":11,"version":4,"children":2242,"direction":20},[2243],{"type":14,"format":10,"indent":11,"version":4,"children":2244,"direction":20,"textStyle":10,"textFormat":11},[2245],{"mode":17,"text":2246,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. One full scholarship is available for each FUTURES Masterclass course.",{"id":2248,"title":2249,"content":2250},"6aa9619cfbd92347d9f0807c","When is the application deadline?",{"root":2251},{"type":9,"format":10,"indent":11,"version":4,"children":2252,"direction":20},[2253],{"type":14,"format":10,"indent":11,"version":4,"children":2254,"direction":20,"textStyle":10,"textFormat":11},[2255],{"mode":17,"text":2256,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications for the first edition of FUTURES Masterclass close on 31 July 2026.",{"id":2258,"title":2259,"content":2260},"6aa961bffbd92347d9f0807d","Can I apply for more than one FUTURES Masterclass course?",{"root":2261},{"type":9,"format":10,"indent":11,"version":4,"children":2262,"direction":20},[2263],{"type":14,"format":10,"indent":11,"version":4,"children":2264,"direction":20,"textStyle":10,"textFormat":11},[2265],{"mode":17,"text":2266,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes, you may apply for more than one FUTURES Masterclass course. However, admission is assessed separately for each programme, and selection for multiple masterclasses cannot be guaranteed.",{"id":2268,"title":2269,"content":2270},"6aa9620dfbd92347d9f0807e","Can I pay for FUTURES Masterclass in installments?",{"root":2271},{"type":9,"format":10,"indent":11,"version":4,"children":2272,"direction":20},[2273],{"type":14,"format":10,"indent":11,"version":4,"children":2274,"direction":20,"textStyle":10,"textFormat":11},[2275],{"mode":17,"text":2276,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes, payment in installments is possible. Full details about the available payment schedule and conditions will be provided upon confirmation of your place in the programme.",{"id":2278,"title":2279,"content":2280},"6aa96246fbd92347d9f0807f","What payment methods are accepted?",{"root":2281},{"type":9,"format":10,"indent":11,"version":4,"children":2282,"direction":20},[2283],{"type":14,"format":10,"indent":11,"version":4,"children":2284,"direction":20,"textStyle":10,"textFormat":11},[2285],{"mode":17,"text":2286,"type":19,"style":10,"detail":11,"format":11,"version":4},"Payment for FUTURES Masterclass is accepted by bank transfer. The necessary payment details and instructions will be provided upon confirmation of your place in the programme.",{"id":2288,"title":2289,"content":2290},"6aa96266fbd92347d9f08080","What is the weekly time commitment for FUTURES Masterclass?",{"root":2291},{"type":9,"format":10,"indent":11,"version":4,"children":2292,"direction":20},[2293],{"type":14,"format":10,"indent":11,"version":4,"children":2294,"direction":20,"textStyle":10,"textFormat":11},[2295],{"mode":17,"text":2296,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme runs over 12 weeks. Specific weekly time commitments will be communicated by the programme team. The 12 weeks are not consecutive. Average time commitment in class is between 6 and 9 hours per month.",{"id":2298,"title":2299,"content":2300},"6aa9627dfbd92347d9f08081","Will the FUTURES Masterclass sessions be recorded?",{"root":2301},{"type":9,"format":10,"indent":11,"version":4,"children":2302,"direction":20},[2303],{"type":14,"format":10,"indent":11,"version":4,"children":2304,"direction":20,"textStyle":10,"textFormat":11},[2305],{"mode":17,"text":2306,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes, the sessions are recorded for internal documentation and programme-related purposes only. Recordings will not be made publicly available or distributed outside the FUTURES Masterclass programme.",{"id":2308,"title":2309,"slug":2310,"faq_section":2311},"6aa8077e6d0fc0e2c128b600","New Image Lab FAQs","New-Image-Lab-FAQs",[2312,2322,2332,2342,2352,2362,2372,2382,2392,2402],{"id":2313,"title":2314,"content":2315},"6aa8077e6d0fc0e2c128b601","What is New Image Lab?",{"root":2316},{"type":9,"format":10,"indent":11,"version":4,"children":2317,"direction":20},[2318],{"type":14,"format":10,"indent":11,"version":4,"children":2319,"direction":20,"textStyle":10,"textFormat":11},[2320],{"mode":17,"text":2321,"type":19,"style":10,"detail":11,"format":11,"version":4},"New Image Lab is a 12-week online masterclass exploring emerging image technologies through critical inquiry and experimental practice. Rather than focusing solely on technical skills, the course examines how new technologies influence the production, meaning and circulation of images in contemporary visual culture.",{"id":2323,"title":2324,"content":2325},"6aa8077e6d0fc0e2c128b602","Who is New Image Lab for?",{"root":2326},{"type":9,"format":10,"indent":11,"version":4,"children":2327,"direction":20},[2328],{"type":14,"format":10,"indent":11,"version":4,"children":2329,"direction":20,"textStyle":10,"textFormat":11},[2330],{"mode":17,"text":2331,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course is designed for artists, photographers and visual practitioners who are experimenting with emerging image technologies and interested in exploring new ways of thinking about image-making through experimentation and critical reflection.",{"id":2333,"title":2334,"content":2335},"6aa8077e6d0fc0e2c128b603","Do I need experience with AI or emerging image technologies?",{"root":2336},{"type":9,"format":10,"indent":11,"version":4,"children":2337,"direction":20},[2338],{"type":14,"format":10,"indent":11,"version":4,"children":2339,"direction":20,"textStyle":10,"textFormat":11},[2340],{"mode":17,"text":2341,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. Prior experience with specific technologies is not required. The course welcomes participants who are curious to explore new ways of producing, thinking about and reflecting on photography and contemporary image-making.",{"id":2343,"title":2344,"content":2345},"6aa963d5fbd92347d9f08082","Is New Image Lab a technical course?",{"root":2346},{"type":9,"format":10,"indent":11,"version":4,"children":2347,"direction":20},[2348],{"type":14,"format":10,"indent":11,"version":4,"children":2349,"direction":20,"textStyle":10,"textFormat":11},[2350],{"mode":17,"text":2351,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. While participants engage with emerging image technologies, the course places equal emphasis on critical inquiry. It encourages participants to consider the ethical, cultural, political and technical implications of contemporary image production.",{"id":2353,"title":2354,"content":2355},"6aa963e6fbd92347d9f08083","What topics are explored during the New Image Lab masterclass?",{"root":2356},{"type":9,"format":10,"indent":11,"version":4,"children":2357,"direction":20},[2358],{"type":14,"format":10,"indent":11,"version":4,"children":2359,"direction":20,"textStyle":10,"textFormat":11},[2360],{"mode":17,"text":2361,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants explore emerging image technologies, experimental image production, visual culture, critical image literacy and the ethical, moral and technical questions surrounding contemporary photography.",{"id":2363,"title":2364,"content":2365},"6aa963f6fbd92347d9f08084","What kinds of projects can participants develop during the New Image Lab masterclass?",{"root":2366},{"type":9,"format":10,"indent":11,"version":4,"children":2367,"direction":20},[2368],{"type":14,"format":10,"indent":11,"version":4,"children":2369,"direction":20,"textStyle":10,"textFormat":11},[2370],{"mode":17,"text":2371,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is process-led and encourages participants to develop experimental projects that can evolve throughout the course. Projects may take different forms as participants respond to new ideas, technologies and discussions.",{"id":2373,"title":2374,"content":2375},"6aa96406fbd92347d9f08085","Will participants learn how to use specific software or tools during the New Image Lab masterclass?",{"root":2376},{"type":9,"format":10,"indent":11,"version":4,"children":2377,"direction":20},[2378],{"type":14,"format":10,"indent":11,"version":4,"children":2379,"direction":20,"textStyle":10,"textFormat":11},[2380],{"mode":17,"text":2381,"type":19,"style":10,"detail":11,"format":11,"version":4},"The masterclass is not designed as training in one specific software or technical tool. Its main focus is the conceptual and practical development of each participant’s project. However, technical guidance may be provided on a case-by-case basis, depending on the needs of the work being developed and the tools required to realise it.",{"id":2383,"title":2384,"content":2385},"6aa96413fbd92347d9f08086","What skills or knowledge will participants gain at the end of the New Image Lab masterclass?",{"root":2386},{"type":9,"format":10,"indent":11,"version":4,"children":2387,"direction":20},[2388],{"type":14,"format":10,"indent":11,"version":4,"children":2389,"direction":20,"textStyle":10,"textFormat":11},[2390],{"mode":17,"text":2391,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants develop a deeper understanding of emerging image technologies while strengthening their ability to critically evaluate how these technologies influence image-making, contemporary culture and artistic practice.",{"id":2393,"title":2394,"content":2395},"6aa96504fbd92347d9f08087","How does New Image Lab approach emerging image technologies?",{"root":2396},{"type":9,"format":10,"indent":11,"version":4,"children":2397,"direction":20},[2398],{"type":14,"format":10,"indent":11,"version":4,"children":2399,"direction":20,"textStyle":10,"textFormat":11},[2400],{"mode":17,"text":2401,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course combines technical experimentation with critical reflection, encouraging participants to question how technologies shape images, knowledge and visual culture rather than simply learning how to use new tools.",{"id":2403,"title":2404,"content":2405},"6aa9651efbd92347d9f08088","What can participants expect to leave the New Image Lab course with?",{"root":2406},{"type":9,"format":10,"indent":11,"version":4,"children":2407,"direction":20},[2408],{"type":14,"format":10,"indent":11,"version":4,"children":2409,"direction":20,"textStyle":10,"textFormat":11},[2410],{"mode":17,"text":2411,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants leave with an experimental body of work developed throughout the programme, alongside new perspectives on emerging image technologies and greater confidence engaging critically with contemporary image-making.",{"id":2413,"title":2414,"slug":2415,"faq_section":2416},"6aa96538fbd92347d9f08089","The Photobook Lab FAQs","The-Photobook-Lab-FAQs",[2417,2427,2437,2447,2457,2467],{"id":2418,"title":2419,"content":2420},"6aa96545fbd92347d9f0808a","What is The Photobook Lab?",{"root":2421},{"type":9,"format":10,"indent":11,"version":4,"children":2422,"direction":20},[2423],{"type":14,"format":10,"indent":11,"version":4,"children":2424,"direction":20,"textStyle":10,"textFormat":11},[2425],{"mode":17,"text":2426,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Photobook Lab is a 12-week online masterclass exploring the photobook as an artistic medium. Led by Valentina Abenavoli, the course supports participants in developing a photobook from concept to dummy while experimenting with sequencing, editing, design and materiality.",{"id":2428,"title":2429,"content":2430},"6aa965fafbd92347d9f0808b","Who is The Photobook Lab for?",{"root":2431},{"type":9,"format":10,"indent":11,"version":4,"children":2432,"direction":20},[2433],{"type":14,"format":10,"indent":11,"version":4,"children":2434,"direction":20,"textStyle":10,"textFormat":11},[2435],{"mode":17,"text":2436,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course is designed for photographers, artists and visual practitioners interested in developing or expanding a photobook project through experimentation, critical dialogue and collaborative learning.",{"id":2438,"title":2439,"content":2440},"6aa9660afbd92347d9f0808c","What will participants develop during the course?",{"root":2441},{"type":9,"format":10,"indent":11,"version":4,"children":2442,"direction":20},[2443],{"type":14,"format":10,"indent":11,"version":4,"children":2444,"direction":20,"textStyle":10,"textFormat":11},[2445],{"mode":17,"text":2446,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants will work towards producing a photobook dummy while exploring sequencing, editing, narrative structure and the relationship between images, text and material form.",{"id":2448,"title":2449,"content":2450},"6aa966e0fbd92347d9f0808d","How does The Photobook Lab masterclass approach photobook making?",{"root":2451},{"type":9,"format":10,"indent":11,"version":4,"children":2452,"direction":20},[2453],{"type":14,"format":10,"indent":11,"version":4,"children":2454,"direction":20,"textStyle":10,"textFormat":11},[2455],{"mode":17,"text":2456,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course treats the photobook as more than a publishing format. It approaches the book as a creative space where editing, sequencing, design and materiality become integral parts of artistic practice.",{"id":2458,"title":2459,"content":2460},"6aa96703fbd92347d9f0808e","What skills and knowledge will participants gain during The Photobook Lab masterclass?",{"root":2461},{"type":9,"format":10,"indent":11,"version":4,"children":2462,"direction":20},[2463],{"type":14,"format":10,"indent":11,"version":4,"children":2464,"direction":20,"textStyle":10,"textFormat":11},[2465],{"mode":17,"text":2466,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants deepen their understanding of photobook making while developing practical and conceptual approaches to editing, sequencing and publishing.",{"id":2468,"title":2469,"content":2470},"6aa96705fbd92347d9f0808f","What can participants expect to leave The Photobook Lab masterclass course with?",{"root":2471},{"type":9,"format":10,"indent":11,"version":4,"children":2472,"direction":20},[2473],{"type":14,"format":10,"indent":11,"version":4,"children":2474,"direction":20,"textStyle":10,"textFormat":11},[2475],{"mode":17,"text":2476,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants complete the programme with a developed photobook dummy and a stronger understanding of the creative possibilities of the photobook as an artistic medium.",{"id":2478,"title":2479,"slug":2480,"faq_section":2481},"6aa9672dfbd92347d9f08090","Artist Practice Lab FAQs","Artist-Practice-Lab-FAQs",[2482,2492,2502,2512,2522,2532],{"id":2483,"title":2484,"content":2485},"6aa96740fbd92347d9f08091","What is Artist Practice Lab?",{"root":2486},{"type":9,"format":10,"indent":11,"version":4,"children":2487,"direction":20},[2488],{"type":14,"format":10,"indent":11,"version":4,"children":2489,"direction":20,"textStyle":10,"textFormat":11},[2490],{"mode":17,"text":2491,"type":19,"style":10,"detail":11,"format":11,"version":4},"TArtist Practice Lab is a 12-week online masterclass that focuses on the professional foundations of a sustainable artistic practice. Led by Rebecca Simons, the course helps artists develop the knowledge, confidence and practical tools needed to navigate contemporary creative careers.",{"id":2493,"title":2494,"content":2495},"6aa9674efbd92347d9f08092","Who is Artist Practice Lab for?",{"root":2496},{"type":9,"format":10,"indent":11,"version":4,"children":2497,"direction":20},[2498],{"type":14,"format":10,"indent":11,"version":4,"children":2499,"direction":20,"textStyle":10,"textFormat":11},[2500],{"mode":17,"text":2501,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course is designed for photographers, artists and visual practitioners seeking to strengthen the professional aspects of their practice, whether they are emerging, mid-career or established practitioners.",{"id":2503,"title":2504,"content":2505},"6aa96756fbd92347d9f08093","What topics are covered in Artist Practice Lab?",{"root":2506},{"type":9,"format":10,"indent":11,"version":4,"children":2507,"direction":20},[2508],{"type":14,"format":10,"indent":11,"version":4,"children":2509,"direction":20,"textStyle":10,"textFormat":11},[2510],{"mode":17,"text":2511,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artist Practice Lab explores the professional foundations of a sustainable artistic practice. Topics include defining and communicating an artistic practice, professional positioning, building a personal narrative, networking and relationship building, identifying and evaluating opportunities, grant writing and funding applications, pitching and presenting projects, entrepreneurship, professional communication, and developing strategies for navigating the contemporary art world. The programme also addresses the practical realities of working as an independent artist, including contracts, administration, financial and legal considerations, and other aspects of professional practice.",{"id":2513,"title":2514,"content":2515},"6aa96780fbd92347d9f08094","Is Artist Practice Lab only for emerging artists?",{"root":2516},{"type":9,"format":10,"indent":11,"version":4,"children":2517,"direction":20},[2518],{"type":14,"format":10,"indent":11,"version":4,"children":2519,"direction":20,"textStyle":10,"textFormat":11},[2520],{"mode":17,"text":2521,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. While the course provides valuable foundations for early-career practitioners, it also supports mid-career and established artists looking to strengthen or update different aspects of their professional practice.",{"id":2523,"title":2524,"content":2525},"6aa9678ffbd92347d9f08095","What practical skills can participants expect to develop in Artist Practice Lab?",{"root":2526},{"type":9,"format":10,"indent":11,"version":4,"children":2527,"direction":20},[2528],{"type":14,"format":10,"indent":11,"version":4,"children":2529,"direction":20,"textStyle":10,"textFormat":11},[2530],{"mode":17,"text":2531,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants develop skills related to professional positioning, communication, grant writing, networking, presenting projects and understanding the wider ecosystem that supports artistic practice.",{"id":2533,"title":2534,"content":2535},"6aa9679cfbd92347d9f08096","What can participants expect to leave the course with?",{"root":2536},{"type":9,"format":10,"indent":11,"version":4,"children":2537,"direction":20},[2538],{"type":14,"format":10,"indent":11,"version":4,"children":2539,"direction":20,"textStyle":10,"textFormat":11},[2540],{"mode":17,"text":2541,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants leave with greater confidence, practical tools and a clearer understanding of how to organise, communicate and sustain their artistic practice, alongside connections with an international community of peers.",{"id":2543,"title":2544,"slug":2545,"faq_section":2546},"6aa96b7ffbd92347d9f08097","FUTURES Research Residency FAQs","FUTURES-Research-Residency-FAQs",[2547,2563,2577,2591,2605,2619,2629,2643,2657,2671,2685,2699,2713,2723,2737],{"id":2548,"title":2549,"content":2550},"6aa96b86fbd92347d9f08098","What is the FUTURES Research Residency?",{"root":2551},{"type":9,"format":10,"indent":11,"version":4,"children":2552,"direction":20},[2553,2557,2561],{"type":14,"format":10,"indent":11,"version":4,"children":2554,"direction":20,"textStyle":10,"textFormat":11},[2555],{"mode":17,"text":2556,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency is a self-directed residency based at the FUTURES Hub in Amsterdam, designed to give practitioners dedicated time and space to pursue independent research within their practice.",{"type":14,"format":10,"indent":11,"version":4,"children":2558,"direction":20,"textStyle":10,"textFormat":11},[2559],{"mode":17,"text":2560,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency supports research as an open and evolving process. It can provide the conditions to develop an emerging project, pursue a line of enquiry, test ideas, conduct further investigation or allow a body of research to develop before it becomes a finished work.",{"type":14,"format":10,"indent":11,"version":4,"children":2562,"direction":20,"textStyle":10,"textFormat":11},[],{"id":2564,"title":2565,"content":2566},"6aa96b99fbd92347d9f08099","Who can apply for the FUTURES Research Residency?",{"root":2567},{"type":9,"format":10,"indent":11,"version":4,"children":2568,"direction":20},[2569,2573],{"type":14,"format":10,"indent":11,"version":4,"children":2570,"direction":20,"textStyle":10,"textFormat":11},[2571],{"mode":17,"text":2572,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency is open to artists, writers, researchers and curators working across the visual arts.",{"type":14,"format":10,"indent":11,"version":4,"children":2574,"direction":20,"textStyle":10,"textFormat":11},[2575],{"mode":17,"text":2576,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is intended for practitioners whose work involves research, enquiry or experimentation and who would benefit from dedicated time and space to develop their practice independently.",{"id":2578,"title":2579,"content":2580},"6aa96badfbd92347d9f0809a","What kind of research can be developed through the FUTURES Research Residency?",{"root":2581},{"type":9,"format":10,"indent":11,"version":4,"children":2582,"direction":20},[2583,2587],{"type":14,"format":10,"indent":11,"version":4,"children":2584,"direction":20,"textStyle":10,"textFormat":11},[2585],{"mode":17,"text":2586,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency does not prescribe a particular subject, medium or methodology. Research may relate to an existing artistic practice, an emerging project, a new area of enquiry or a question that requires further investigation.",{"type":14,"format":10,"indent":11,"version":4,"children":2588,"direction":20,"textStyle":10,"textFormat":11},[2589],{"mode":17,"text":2590,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applicants may use the residency to develop ideas, undertake research, test approaches, engage with relevant cultural resources or allow an existing body of work to evolve.",{"id":2592,"title":2593,"content":2594},"6aa96bc8fbd92347d9f0809b","Is the FUTURES Research Residency self-directed?",{"root":2595},{"type":9,"format":10,"indent":11,"version":4,"children":2596,"direction":20},[2597,2601],{"type":14,"format":10,"indent":11,"version":4,"children":2598,"direction":20,"textStyle":10,"textFormat":11},[2599],{"mode":17,"text":2600,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. The FUTURES Research Residency is deliberately self-directed, meaning that residents determine the focus, direction and methodology of their research.",{"type":14,"format":10,"indent":11,"version":4,"children":2602,"direction":20,"textStyle":10,"textFormat":11},[2603],{"mode":17,"text":2604,"type":19,"style":10,"detail":11,"format":11,"version":4},"There is no prescribed programme of activities or research methodology. The residency is structured to give practitioners the independence to decide how the period is most useful to their practice and research.",{"id":2606,"title":2607,"content":2608},"6aa96bdbfbd92347d9f0809c","Does the FUTURES Research Residency require a final project or exhibition",{"root":2609},{"type":9,"format":10,"indent":11,"version":4,"children":2610,"direction":20},[2611,2615],{"type":14,"format":10,"indent":11,"version":4,"children":2612,"direction":20,"textStyle":10,"textFormat":11},[2613],{"mode":17,"text":2614,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. The FUTURES Research Residency is not organised around a predetermined exhibition, production commission or required final outcome.",{"type":14,"format":10,"indent":11,"version":4,"children":2616,"direction":20,"textStyle":10,"textFormat":11},[2617],{"mode":17,"text":2618,"type":19,"style":10,"detail":11,"format":11,"version":4},"The emphasis is on the research process itself. Residents may develop work or ideas during the residency, but they are not expected to produce a specific outcome for presentation at the end of the residency.",{"id":2620,"title":2621,"content":2622},"6aa96beffbd92347d9f0809d","How long is the FUTURES Research Residency?",{"root":2623},{"type":9,"format":10,"indent":11,"version":4,"children":2624,"direction":20},[2625],{"type":14,"format":10,"indent":11,"version":4,"children":2626,"direction":20,"textStyle":10,"textFormat":11},[2627],{"mode":17,"text":2628,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency lasts one month. Where appropriate, the duration may be adapted to accommodate the needs of the artist and the proposed project.",{"id":2630,"title":2631,"content":2632},"6aa96c08fbd92347d9f0809e","Where is the FUTURES Research Residency based?",{"root":2633},{"type":9,"format":10,"indent":11,"version":4,"children":2634,"direction":20},[2635,2639],{"type":14,"format":10,"indent":11,"version":4,"children":2636,"direction":20,"textStyle":10,"textFormat":11},[2637],{"mode":17,"text":2638,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency is based at the FUTURES Hub in Amsterdam, the Netherlands.",{"type":14,"format":10,"indent":11,"version":4,"children":2640,"direction":20,"textStyle":10,"textFormat":11},[2641],{"mode":17,"text":2642,"type":19,"style":10,"detail":11,"format":11,"version":4},"Amsterdam forms an important part of the residency’s wider context, providing residents with access to a significant cultural environment and resources relevant to research across photography and the visual arts.",{"id":2644,"title":2645,"content":2646},"6aa96c19fbd92347d9f0809f","What does the FUTURES Research Residency provide?",{"root":2647},{"type":9,"format":10,"indent":11,"version":4,"children":2648,"direction":20},[2649,2653],{"type":14,"format":10,"indent":11,"version":4,"children":2650,"direction":20,"textStyle":10,"textFormat":11},[2651],{"mode":17,"text":2652,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency provides a private, fully equipped working and living space at the FUTURES Hub in Amsterdam, including gas, electricity, utilities and basic facilities, as well as use of the Hub’s shared facilities.",{"type":14,"format":10,"indent":11,"version":4,"children":2654,"direction":20,"textStyle":10,"textFormat":11},[2655],{"mode":17,"text":2656,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency also provides dedicated time for independent research, the opportunity to engage with Amsterdam’s cultural context, and connection to the wider FUTURES ecosystem.",{"id":2658,"title":2659,"content":2660},"6aa96c2bfbd92347d9f080a0","How does the FUTURES Research Residency connect to Amsterdam?",{"root":2661},{"type":9,"format":10,"indent":11,"version":4,"children":2662,"direction":20},[2663,2667],{"type":14,"format":10,"indent":11,"version":4,"children":2664,"direction":20,"textStyle":10,"textFormat":11},[2665],{"mode":17,"text":2666,"type":19,"style":10,"detail":11,"format":11,"version":4},"Amsterdam is more than the location of the FUTURES Research Residency. Its museums, archives, universities, cultural organisations, artist-led initiatives and wider visual arts community can form part of the context in which residents develop their research.",{"type":14,"format":10,"indent":11,"version":4,"children":2668,"direction":20,"textStyle":10,"textFormat":11},[2669],{"mode":17,"text":2670,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency gives practitioners the opportunity to pursue their own research while engaging with the cultural environment around them.",{"id":2672,"title":2673,"content":2674},"6aa96c3cfbd92347d9f080a1","How does the FUTURES Research Residency connect to the FUTURES network?",{"root":2675},{"type":9,"format":10,"indent":11,"version":4,"children":2676,"direction":20},[2677,2681],{"type":14,"format":10,"indent":11,"version":4,"children":2678,"direction":20,"textStyle":10,"textFormat":11},[2679],{"mode":17,"text":2680,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency is based within the FUTURES ecosystem and connects residents to an international network working across photography and the visual arts.",{"type":14,"format":10,"indent":11,"version":4,"children":2682,"direction":20,"textStyle":10,"textFormat":11},[2683],{"mode":17,"text":2684,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency provides an opportunity to develop independent research while situated within a wider European context of artists, curators, cultural organisations and photography institutions.",{"id":2686,"title":2687,"content":2688},"6aa96c4cfbd92347d9f080a2","Is the FUTURES Research Residency only for photographers?",{"root":2689},{"type":9,"format":10,"indent":11,"version":4,"children":2690,"direction":20},[2691,2695],{"type":14,"format":10,"indent":11,"version":4,"children":2692,"direction":20,"textStyle":10,"textFormat":11},[2693],{"mode":17,"text":2694,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. Although FUTURES is an international photography platform, the FUTURES Research Residency is open to a broader range of visual art practitioners.",{"type":14,"format":10,"indent":11,"version":4,"children":2696,"direction":20,"textStyle":10,"textFormat":11},[2697],{"mode":17,"text":2698,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists, writers, researchers and curators can apply, provided their practice or proposed research relates to the visual arts.",{"id":2700,"title":2701,"content":2702},"6aa96c5bfbd92347d9f080a3","Can writers and researchers apply for the FUTURES Research Residency?",{"root":2703},{"type":9,"format":10,"indent":11,"version":4,"children":2704,"direction":20},[2705,2709],{"type":14,"format":10,"indent":11,"version":4,"children":2706,"direction":20,"textStyle":10,"textFormat":11},[2707],{"mode":17,"text":2708,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. Writers and researchers working within the visual arts are eligible to apply for the FUTURES Research Residency.",{"type":14,"format":10,"indent":11,"version":4,"children":2710,"direction":20,"textStyle":10,"textFormat":11},[2711],{"mode":17,"text":2712,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is not limited to studio-based artistic practice and can support research, writing, critical enquiry and other forms of visual arts practice.",{"id":2714,"title":2715,"content":2716},"6aa96c6ffbd92347d9f080a4","What is the deadline to apply for the FUTURES Research Residency?",{"root":2717},{"type":9,"format":10,"indent":11,"version":4,"children":2718,"direction":20},[2719],{"type":14,"format":10,"indent":11,"version":4,"children":2720,"direction":20,"textStyle":10,"textFormat":11},[2721],{"mode":17,"text":2722,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency does not have a fixed  application deadline. Applications are accepted on a rolling basis and remain open until the available residency periods are booked.",{"id":2724,"title":2725,"content":2726},"6aa96c81fbd92347d9f080a5","What does the FUTURES Research Residency cost?",{"root":2727},{"type":9,"format":10,"indent":11,"version":4,"children":2728,"direction":20},[2729,2733],{"type":14,"format":10,"indent":11,"version":4,"children":2730,"direction":20,"textStyle":10,"textFormat":11},[2731],{"mode":17,"text":2732,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency fee is €2,500 including VAT for one month. This includes a private, fully equipped working and living space at the FUTURES Hub, gas, electricity, utilities and basic facilities, as well as use of shared facilities at the Hub. Residents can also request a letter of intent from FUTURES to support external funding, grant or sponsorship applications, and may receive optional light-touch support from the FUTURES team.",{"type":14,"format":10,"indent":11,"version":4,"children":2734,"direction":20,"textStyle":10,"textFormat":11},[2735],{"mode":17,"text":2736,"type":19,"style":10,"detail":11,"format":11,"version":4},"The fee does not cover travel to and from Amsterdam, daily living expenses, production costs, insurance, or additional technical equipment and specialised materials.",{"id":2738,"title":2739,"content":2740},"6aa96c94fbd92347d9f080a6","How do I apply for the FUTURES Research Residency?",{"root":2741},{"type":9,"format":10,"indent":11,"version":4,"children":2742,"direction":20},[2743,2747],{"type":14,"format":10,"indent":11,"version":4,"children":2744,"direction":20,"textStyle":10,"textFormat":11},[2745],{"mode":17,"text":2746,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications for the FUTURES Research Residency can be submitted here: [application link].",{"type":14,"format":10,"indent":11,"version":4,"children":2748,"direction":20,"textStyle":10,"textFormat":11},[2749],{"mode":17,"text":2750,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applicants should review the eligibility requirements and application information before submitting their materials.",{"id":2752,"title":2753,"slug":2754,"faq_section":2755},"6aaaaba0c58c608f9feea512","Artistic Residency FAQs","Artistic-Residency-FAQs",[2756,2770,2780,2790,2800,2816,2826,2836,2846,2856,2866,2876,2886,2896,2906,2916,2926,2936],{"id":2757,"title":2758,"content":2759},"6aaaac3ac58c608f9feea513","What is the FUTURES Artistic Residency?",{"root":2760},{"type":9,"format":10,"indent":11,"version":4,"children":2761,"direction":20},[2762],{"type":14,"format":10,"indent":11,"version":4,"children":2763,"direction":20,"textStyle":10,"textFormat":11},[2764,2766,2767,2768],{"mode":17,"text":2765,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Artistic Residency is an international residency programme for FUTURES artists, offering dedicated time and space to develop new work, conduct research and experiment with their practice. ",{"type":469,"version":4},{"type":469,"version":4},{"mode":17,"text":2769,"type":19,"style":10,"detail":11,"format":11,"version":4},"Taking place across different European locations and in collaboration with FUTURES partner organisations, the programme connects artists with local cultural contexts, professionals and communities while supporting exchange, reflection and artistic development.",{"id":2771,"title":2772,"content":2773},"6aaaac54c58c608f9feea514","Who can apply for the FUTURES Artistic Residency?",{"root":2774},{"type":9,"format":10,"indent":11,"version":4,"children":2775,"direction":20},[2776],{"type":14,"format":10,"indent":11,"version":4,"children":2777,"direction":20,"textStyle":10,"textFormat":11},[2778],{"mode":17,"text":2779,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency is open to FUTURES artists through an annual open call. Applications are reviewed by a jury. ",{"id":2781,"title":2782,"content":2783},"6aaaac74c58c608f9feea515","How are residents if the FUTURES Artistic Residency selected?",{"root":2784},{"type":9,"format":10,"indent":11,"version":4,"children":2785,"direction":20},[2786],{"type":14,"format":10,"indent":11,"version":4,"children":2787,"direction":20,"textStyle":10,"textFormat":11},[2788],{"mode":17,"text":2789,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications are assessed according to the quality of the artist’s practice, the strength of the proposed residency project, and its relevance to the programme’s current research framework. ",{"id":2791,"title":2792,"content":2793},"6aaaac86c58c608f9feea516","What is the current research focus of the FUTURES Artistic Residency?",{"root":2794},{"type":9,"format":10,"indent":11,"version":4,"children":2795,"direction":20},[2796],{"type":14,"format":10,"indent":11,"version":4,"children":2797,"direction":20,"textStyle":10,"textFormat":11},[2798],{"mode":17,"text":2799,"type":19,"style":10,"detail":11,"format":11,"version":4},"The current framework focuses on Nature, Technology and the Environment, encouraging artists to investigate ecological relationships, technological transformation, environmental responsibility, and their impact on contemporary life.",{"id":2801,"title":2802,"content":2803},"6aaaaca1c58c608f9feea517","Where do the FUTURES Artistic Residencies take place?",{"root":2804},{"type":9,"format":10,"indent":11,"version":4,"children":2805,"direction":20},[2806,2814],{"type":14,"format":10,"indent":11,"version":4,"children":2807,"direction":20,"textStyle":10,"textFormat":11},[2808,2810,2812],{"mode":17,"text":2809,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme currently takes place in Amsterdam (NL), Riga (LV) and Budapest (HU)",{"mode":17,"text":2811,"type":19,"style":10,"detail":11,"format":4,"version":4},",",{"mode":17,"text":2813,"type":19,"style":10,"detail":11,"format":11,"version":4}," in collaboration with FUTURES partner organisations.",{"type":14,"format":10,"indent":11,"version":4,"children":2815,"direction":20,"textStyle":10,"textFormat":11},[],{"id":2817,"title":2818,"content":2819},"6aaaaccbc58c608f9feea518","Can I choose the FUTURES Artistic Residency location?",{"root":2820},{"type":9,"format":10,"indent":11,"version":4,"children":2821,"direction":20},[2822],{"type":14,"format":10,"indent":11,"version":4,"children":2823,"direction":20,"textStyle":10,"textFormat":11},[2824],{"mode":17,"text":2825,"type":19,"style":10,"detail":11,"format":11,"version":4},"You can apply to the Open Call referring to the FUTURES Artistic Residency of your interest.",{"id":2827,"title":2828,"content":2829},"6aaaace6c58c608f9feea519","What does FUTURES Artistic Residency provide?",{"root":2830},{"type":9,"format":10,"indent":11,"version":4,"children":2831,"direction":20},[2832],{"type":14,"format":10,"indent":11,"version":4,"children":2833,"direction":20,"textStyle":10,"textFormat":11},[2834],{"mode":17,"text":2835,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents receive dedicated time and space for artistic development, access to relevant professional guidance, connections with local artistic and cultural networks, international visibility through FUTURES channels, and opportunities for public engagement.",{"id":2837,"title":2838,"content":2839},"6aaaad14c58c608f9feea51a","Does FUTURES Artistic Residency include an artist fee?",{"root":2840},{"type":9,"format":10,"indent":11,"version":4,"children":2841,"direction":20},[2842],{"type":14,"format":10,"indent":11,"version":4,"children":2843,"direction":20,"textStyle":10,"textFormat":11},[2844],{"mode":17,"text":2845,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. Selected artists receive an artist fee of €1,000.",{"id":2847,"title":2848,"content":2849},"6aaaad26c58c608f9feea51b","Are travel, accommodation and living costs for FUTURES Artistic Residency covered?",{"root":2850},{"type":9,"format":10,"indent":11,"version":4,"children":2851,"direction":20},[2852],{"type":14,"format":10,"indent":11,"version":4,"children":2853,"direction":20,"textStyle":10,"textFormat":11},[2854],{"mode":17,"text":2855,"type":19,"style":10,"detail":11,"format":11,"version":4},"Accommodation is provided in the form of a studio with an adjoining living space. Travel and living costs are the responsibility of the artist.",{"id":2857,"title":2858,"content":2859},"6aaaad36c58c608f9feea51c","What accommodation and working facilities are available at FUTURES Artistic Residency?",{"root":2860},{"type":9,"format":10,"indent":11,"version":4,"children":2861,"direction":20},[2862],{"type":14,"format":10,"indent":11,"version":4,"children":2863,"direction":20,"textStyle":10,"textFormat":11},[2864],{"mode":17,"text":2865,"type":19,"style":10,"detail":11,"format":11,"version":4},"This depends on the location. Amsterdam offers a private live-work environment at the FUTURES Hub; Riga provides accommodation at the ISSP residency apartment with access to working facilities; and Budapest provides a private room within a communal apartment as well as access to shared studio facilities through the Capa Center. ",{"id":2867,"title":2868,"content":2869},"6aaaad45c58c608f9feea51d","How long does the FUTURES Artistic Residency last?",{"root":2870},{"type":9,"format":10,"indent":11,"version":4,"children":2871,"direction":20},[2872],{"type":14,"format":10,"indent":11,"version":4,"children":2873,"direction":20,"textStyle":10,"textFormat":11},[2874],{"mode":17,"text":2875,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each residency lasts for a period of one month.",{"id":2877,"title":2878,"content":2879},"6aaaad55c58c608f9feea51e","What happens during the FUTURES Artistic Residency?",{"root":2880},{"type":9,"format":10,"indent":11,"version":4,"children":2881,"direction":20},[2882],{"type":14,"format":10,"indent":11,"version":4,"children":2883,"direction":20,"textStyle":10,"textFormat":11},[2884],{"mode":17,"text":2885,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is centred on artistic research and experimentation. Residents develop their projects independently while engaging with professionals, local communities, cultural organisations and the wider FUTURES network.",{"id":2887,"title":2888,"content":2889},"6aaaad64c58c608f9feea51f","Do I need to complete finished work during the FUTURES Artistic Residency?",{"root":2890},{"type":9,"format":10,"indent":11,"version":4,"children":2891,"direction":20},[2892],{"type":14,"format":10,"indent":11,"version":4,"children":2893,"direction":20,"textStyle":10,"textFormat":11},[2894],{"mode":17,"text":2895,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the end of the FUTURES Artistic Residency the resident will present the results of the residency during the Open Studio event.",{"id":2897,"title":2898,"content":2899},"6aaaad81c58c608f9feea520","Is there a public presentation at the end of the FUTURES Artistic Residency?",{"root":2900},{"type":9,"format":10,"indent":11,"version":4,"children":2901,"direction":20},[2902],{"type":14,"format":10,"indent":11,"version":4,"children":2903,"direction":20,"textStyle":10,"textFormat":11},[2904],{"mode":17,"text":2905,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes. Each FUTURES Artistic Residency culminates in a public event developed with FUTURES. Depending on the project, this might take the form of an exhibition, workshop, open studio, screening or artist talk.",{"id":2907,"title":2908,"content":2909},"6aaaad9cc58c608f9feea521","How is the FUTURES Artistic Residency process documented?",{"root":2910},{"type":9,"format":10,"indent":11,"version":4,"children":2911,"direction":20},[2912],{"type":14,"format":10,"indent":11,"version":4,"children":2913,"direction":20,"textStyle":10,"textFormat":11},[2914],{"mode":17,"text":2915,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents are invited to share their process through a visual diary, a video portrait, a public event, and a written interview published on the FUTURES website.",{"id":2917,"title":2918,"content":2919},"6aaaadacc58c608f9feea522","What is the deadline to apply for the FUTURES Artistic Residency?",{"root":2920},{"type":9,"format":10,"indent":11,"version":4,"children":2921,"direction":20},[2922],{"type":14,"format":10,"indent":11,"version":4,"children":2923,"direction":20,"textStyle":10,"textFormat":11},[2924],{"mode":17,"text":2925,"type":19,"style":10,"detail":11,"format":11,"version":4},"Open Calls to apply for the FUTURES Artistic Residency are launched regularly via our website and official communication channels. ",{"id":2927,"title":2928,"content":2929},"6aaaade3c58c608f9feea523","When does the open call for the FUTURES Artistic Residency take place?",{"root":2930},{"type":9,"format":10,"indent":11,"version":4,"children":2931,"direction":20},[2932],{"type":14,"format":10,"indent":11,"version":4,"children":2933,"direction":20,"textStyle":10,"textFormat":11},[2934],{"mode":17,"text":2935,"type":19,"style":10,"detail":11,"format":11,"version":4},"The open call generally takes place at the beginning of each year. Exact dates will be announced through our website and social media channels.",{"id":2937,"title":2938,"content":2939},"6aaaadecc58c608f9feea524","Can artists who are not part of FUTURES apply to the FUTURES Artistic Residency?",{"root":2940},{"type":9,"format":10,"indent":11,"version":4,"children":2941,"direction":20},[2942],{"type":14,"format":10,"indent":11,"version":4,"children":2943,"direction":20,"textStyle":10,"textFormat":11},[2944],{"mode":17,"text":2945,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. At the moment, FUTURES Artistic Residency is open only to FUTURES Artists.","2026-09-23T19:33:06.065Z","2026-09-14T14:35:38.525Z","faq-page",1792763609423]