[{"data":1,"prerenderedAt":16975},["ShallowReactive",2],{"artists-project-page":3,"network-page":24,"stories-page":135,"events-page":837,"artistic-residency-page":2038},{"id":4,"main_copy":5,"updatedAt":21,"createdAt":22,"globalType":23},1,{"title":6,"text":7},"Artist Projects",{"root":8},{"type":9,"format":10,"indent":11,"version":4,"children":12,"direction":20},"root","",0,[13],{"type":14,"format":10,"indent":11,"version":4,"children":15,"direction":20,"textStyle":10,"textFormat":11},"paragraph",[16],{"mode":17,"text":18,"type":19,"style":10,"detail":11,"format":11,"version":4},"normal","Explore projects from artists within the FUTURES network.","text",null,"2026-09-22T11:36:03.922Z","2026-09-03T09:00:26.375Z","artists-project-page",{"id":4,"main_copy":25,"members_copy":40,"past_members_copy":61,"profiles_copy":70,"residency_artists_copy":79,"edu_alumni_copy":108,"updatedAt":132,"createdAt":133,"globalType":134},{"title":26,"text":27},"FUTURES Network",{"root":28},{"type":9,"format":10,"indent":11,"version":4,"children":29,"direction":20},[30,34,36],{"type":14,"format":10,"indent":11,"version":4,"children":31,"direction":20,"textStyle":10,"textFormat":11},[32],{"mode":17,"text":33,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES is built through collaboration. Our network brings together photography institutions, festivals, museums, galleries, educational organisations and cultural partners from across Europe and beyond, creating a shared platform for supporting artists and strengthening the contemporary photography ecosystem.",{"type":14,"format":10,"indent":11,"version":4,"children":35,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":37,"direction":20,"textStyle":10,"textFormat":11},[38],{"mode":17,"text":39,"type":19,"style":10,"detail":11,"format":11,"version":4},"Through long-term partnerships, shared knowledge, commissions, residencies, educational programmes and public initiatives, the FUTURES Network connects organisations with different perspectives and areas of expertise. Together, they create opportunities for artists while contributing to a more connected, accessible and sustainable field of contemporary photography.",{"title":41,"text":42},"FUTURES Members",{"root":43},{"type":9,"format":10,"indent":11,"version":4,"children":44,"direction":20},[45,49,51,55,57],{"type":14,"format":10,"indent":11,"version":4,"children":46,"direction":20,"textStyle":10,"textFormat":11},[47],{"mode":17,"text":48,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Members are the institutions and organisations at the core of the network.",{"type":14,"format":10,"indent":11,"version":4,"children":50,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":52,"direction":20,"textStyle":10,"textFormat":11},[53],{"mode":17,"text":54,"type":19,"style":10,"detail":11,"format":11,"version":4},"Based in different European countries, our members actively contribute to the development of FUTURES by identifying and supporting emerging artists, sharing knowledge and resources, exchanging ideas, initiating collaborations and creating opportunities for artists across the network.",{"type":14,"format":10,"indent":11,"version":4,"children":56,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":58,"direction":20,"textStyle":10,"textFormat":11},[59],{"mode":17,"text":60,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their diverse perspectives and expertise shape FUTURES as a collaborative European platform and help build lasting connections between artists, institutions and audiences.",{"title":62,"text":63},"Past Members",{"root":64},{"type":9,"format":10,"indent":11,"version":4,"children":65,"direction":20},[66],{"type":14,"format":10,"indent":11,"version":4,"children":67,"direction":20,"textStyle":10,"textFormat":11},[68],{"mode":17,"text":69,"type":19,"style":10,"detail":11,"format":11,"version":4},"Over the years, different organisations have contributed to the development and growth of FUTURES. Our past members remain an important part of the platform's history and of the wider community that has helped shape FUTURES into what it is today.",{"title":71,"text":72},"Artists",{"root":73},{"type":9,"format":10,"indent":11,"version":4,"children":74,"direction":20},[75],{"type":14,"format":10,"indent":11,"version":4,"children":76,"direction":20,"textStyle":10,"textFormat":11},[77],{"mode":17,"text":78,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Artists are emerging artists selected and nominated by our network of member institutions across Europe. Each year, museums, festivals, publishers and other leading photography organisations introduce a new generation of artists whose practices are contributing to the development of contemporary photography.",{"title":80,"text":81},"Residents",{"root":82},{"type":9,"format":10,"indent":11,"version":4,"children":83,"direction":20},[84,102,104],{"type":14,"format":10,"indent":11,"version":4,"children":85,"direction":20,"textStyle":10,"textFormat":11},[86,88,100],{"mode":17,"text":87,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists who have taken part in ",{"id":89,"type":90,"fields":91,"format":10,"indent":11,"version":95,"children":96,"direction":20},"6a9936d09fe03937b87bca53","link",{"url":92,"newTab":93,"linkType":94},"https://www.futures-photography.com/residencies",true,"custom",3,[97],{"mode":17,"text":98,"type":19,"style":10,"detail":11,"format":99,"version":4},"residency programmes",8,{"mode":17,"text":101,"type":19,"style":10,"detail":11,"format":11,"version":4}," developed or hosted by FUTURES.",{"type":14,"format":10,"indent":11,"version":4,"children":103,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":105,"direction":20,"textStyle":10,"textFormat":11},[106],{"mode":17,"text":107,"type":19,"style":10,"detail":11,"format":11,"version":4},"Through periods dedicated to production, research, experimentation and exchange, these artists use the residency as a space to develop new ideas, deepen existing practices and create connections with different contexts, communities and professionals. Their profiles offer a closer look at the practices and research emerging from the FUTURES residency programmes.",{"title":109,"text":110},"FUTURES Masterclass Alumni",{"root":111},{"type":9,"format":10,"indent":11,"version":4,"children":112,"direction":20},[113,126,128],{"type":14,"format":10,"indent":11,"version":4,"children":114,"direction":20,"textStyle":10,"textFormat":11},[115,117,124],{"mode":17,"text":116,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists and image-makers who have participated in the ",{"id":118,"type":90,"fields":119,"format":10,"indent":11,"version":95,"children":121,"direction":20},"6ab3ed72ba9d3323ff5d8ad4",{"url":120,"newTab":93,"linkType":94},"https://futures-photography.com/futures-masterclass",[122],{"mode":17,"text":123,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass",{"mode":17,"text":125,"type":19,"style":10,"detail":11,"format":11,"version":4}," programme.",{"type":14,"format":10,"indent":11,"version":4,"children":127,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":129,"direction":20,"textStyle":10,"textFormat":11},[130],{"mode":17,"text":131,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working closely with established artists, curators and specialists, participants develop their practices through mentoring, experimentation and critical exchange. The alumni network extends these encounters beyond the classroom, connecting participants with the wider FUTURES community and with one another.","2026-09-23T15:18:55.694Z","2026-08-20T08:17:47.915Z","network-page",{"id":4,"main_copy":136,"featured_gallery":145,"featured_tags":832,"updatedAt":834,"createdAt":835,"globalType":836},{"title":137,"text":138},"Ideas shaping photography",{"root":139},{"type":9,"format":10,"indent":11,"version":4,"children":140,"direction":20},[141],{"type":14,"format":10,"indent":11,"version":4,"children":142,"direction":20,"textStyle":10,"textFormat":11},[143],{"mode":17,"text":144,"type":19,"style":10,"detail":11,"format":11,"version":4},"Interviews, essays and conversations from FUTURES artists, curators and contributors, alongside voices from across the wider photography community, exploring the ideas, practices and questions shaping contemporary photography and visual culture.",[146,420,671],{"relationTo":147,"value":148},"articles",{"id":149,"is_residency_story":93,"kind_of_residency_story":150,"title":151,"slug":152,"archived":153,"created_on":154,"updated_on":155,"published_on":156,"thumbnail":157,"author":187,"date_of_publication":188,"teaser":189,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":192,"video":10,"corresponding_event":20,"artist_name":194,"reference_artist":195,"residency_location":250,"year":251,"layout_type":252,"content":253,"updatedAt":418,"createdAt":419},532,"artistic","The grand performance of manhood: Mirielle Rohr in conversation with Lotte Houwink ten Cate ","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate",false,"Mon Apr 13 2026 08:38:11 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:41:45 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:47:07 GMT+0000 (Coordinated Universal Time)",{"id":158,"alt":20,"originalUrl":159,"uploaded_by":20,"updatedAt":160,"createdAt":160,"url":161,"thumbnailURL":20,"filename":162,"mimeType":163,"filesize":164,"width":165,"height":166,"focalX":167,"focalY":167,"sizes":168},13846,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa437d6c2a2b2ba571db_2.jpg","2026-06-19T14:04:56.042Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb.webp","image/webp",273230,4162,4800,50,{"thumb":169,"medium":175,"large":181},{"url":170,"width":171,"height":172,"mimeType":163,"filesize":173,"filename":174},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-300x346.webp",300,346,4552,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-300x346.webp",{"url":176,"width":177,"height":178,"mimeType":163,"filesize":179,"filename":180},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-1200x1384.webp",1200,1384,29436,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-1200x1384.webp",{"url":182,"width":183,"height":184,"mimeType":163,"filesize":185,"filename":186},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-2400x2768.webp",2400,2768,102350,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-2400x2768.webp","Lotte Houwink ten Cate ","2026-04-12T22:00:00.000Z","Berlin-born Mirielle Rohr is a visual artist and photographer currently based in Paris. Her future-oriented work merges analogue photography, AI, ceramics and sculpture to examine the online representation and aesthetics of gender and its relation to power, misogyny and consumption. In her latest project Red Pill - The manosphere, Rohr explores online spaces targeting men, from incel-forums and PickUp communities to looksmaxxing. ","Stories","Interview",[193],"Feminism","Mirielle Rohr",{"id":196,"profile_types":197,"is_member":153,"name":194,"slug":199,"archived":153,"created_on":200,"updated_on":201,"published_on":202,"biography":203,"e_mail":214,"profile_image":215,"website":10,"instagram":10,"first_name":216,"last_name":217,"kind_of_profile":218,"tags_profession":219,"tags_identity":221,"tags_location":223,"tags_practice":227,"tags_topics":230,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":234,"member_additional":235,"corresponding_art_projects":236,"corresponding_selected_year":237,"reference_residency":149,"date_of_residency":238,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":239,"curation_reference":240,"past_member":20,"approved_courses":241,"tutor_courses":242,"guest_expert_courses":244,"updatedAt":246,"createdAt":247,"email":214,"collection":248,"sessions":249},1400,[198],"profile","mirielle-rohr","Tue Mar 17 2026 14:52:35 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 08:02:19 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 08:05:50 GMT+0000 (Coordinated Universal Time)",{"root":204},{"type":9,"format":10,"indent":11,"version":4,"children":205},[206,210],{"type":14,"version":4,"children":207},[208],{"text":209,"type":19,"version":4},"Mirielle Rohr (b. Berlin) is a visual artist and photographer based between Paris and Berlin. She graduated from ECAL’s Master in Photography (Lausanne) in 2025. Through analogue photography, ceramics, sculpture, and AI-generated imagery, she examines the aesthetics and emotional economies of digital culture, how bodies, desire, and identity are mediated, performed, and consumed. Her works often combines tactile processes with synthetic image-making to produce psychologically charged narratives.",{"type":14,"version":4,"children":211},[212],{"text":213,"type":19,"version":4},"‍Her work has been published in the British Journal of Photography, Der Greif, Schema Magazine, SLEEK, and Fisheye Magazine, among many more. She was a finalist for the Picto Fashion Photography Award (2024) and presented her work at Paris Photo (Carte Blanche Étudiante, 2025) last year. In March 2026 she will exhibit at PhotoVogue Festival, is shortlisted for Un/Fund & Residency.","miriellerohr@gmail.com",14188,"Mirielle","Rohr","Artist",[220],11,[222],2,[224,225,226],29,28,20,[228,99,229],9,12,[231,232,233],5,13,41,[],[],[],[],"01/05/2026",[],[],[],{"docs":243,"hasNextPage":153},[],{"docs":245,"hasNextPage":153},[],"2026-10-06T14:42:00.039Z","2026-06-19T14:33:06.070Z","profiles-and-members",[],"Amsterdam","2026","full",[254,275,324,334,355,382,391],{"id":255,"text":256,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d0",{"root":257},{"type":9,"format":10,"indent":11,"version":4,"children":258},[259,263,265,269,271],{"type":14,"format":10,"indent":11,"version":4,"children":260,"direction":20,"textStyle":10,"textFormat":11},[261],{"mode":17,"text":262,"type":19,"style":10,"detail":11,"format":11,"version":4},"Much feminist attention has been paid to the fact that one is not born a woman, but rather, becomes one. The same holds true for men. Rohr is part of an emerging wave of artists who turn their eye to the performance of masculinity, adding nuance and complexity to the heated cultural debate around toxic masculinity.",{"type":14,"format":10,"indent":11,"version":4,"children":264,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":266,"direction":20,"textStyle":10,"textFormat":11},[267],{"mode":17,"text":268,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘My work used to exclusively focus on women and girls’, Rohr explains. ‘There was so much happening around femininity online. In my project Money Making Child for example, I showed how girl influencers are being pushed to adhere to ideals of adult femininity. Now we are more aware of boys and men who are equally tough on themselves, pushing themselves to ever more extreme aesthetic norms. The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.",{"type":14,"format":10,"indent":11,"version":4,"children":270,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":272,"direction":20,"textStyle":10,"textFormat":11},[273],{"mode":17,"text":274,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘Last summer I began to think about the manosphere. I was reading the German feminist author Tara-Louise Wittwer, who writes about the red-pill ideology that undergirds the manosphere. Once you have ‘consumed’ the red pill, you have awakened to the truth that feminism is unnatural.’ ",{"id":276,"blockName":20,"images":277,"blockType":323},"6a354cd08c91db2725ffb6d3",[278,301],{"id":279,"image":280},"6a354cd08c91db2725ffb6d1",{"id":281,"alt":20,"originalUrl":282,"uploaded_by":20,"updatedAt":283,"createdAt":283,"url":284,"thumbnailURL":20,"filename":285,"mimeType":163,"filesize":286,"width":287,"height":288,"focalX":167,"focalY":167,"sizes":289},13816,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e2c132c8494c2bfbe_3.jpg","2026-06-19T13:53:14.826Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp",82976,1667,2500,{"thumb":290,"medium":295,"large":300},{"url":291,"width":171,"height":292,"mimeType":163,"filesize":293,"filename":294},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",450,7276,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",{"url":296,"width":177,"height":297,"mimeType":163,"filesize":298,"filename":299},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",1800,53350,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":302,"image":303},"6a354cd08c91db2725ffb6d2",{"id":304,"alt":20,"originalUrl":305,"uploaded_by":20,"updatedAt":306,"createdAt":306,"url":307,"thumbnailURL":20,"filename":308,"mimeType":163,"filesize":309,"width":310,"height":288,"focalX":167,"focalY":167,"sizes":311},13817,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e7316e039f9e2346a_4.jpg","2026-06-19T13:53:15.491Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp",91166,1643,{"thumb":312,"medium":317,"large":322},{"url":313,"width":171,"height":314,"mimeType":163,"filesize":315,"filename":316},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",456,5556,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",{"url":318,"width":177,"height":319,"mimeType":163,"filesize":320,"filename":321},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",1826,57362,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"images",{"id":325,"quote":326,"blockName":20,"blockType":333},"6ab27a557fbdea578644433a",{"root":327},{"type":9,"format":10,"indent":11,"version":4,"children":328,"direction":20},[329],{"type":14,"format":10,"indent":11,"version":4,"children":330,"direction":20,"textStyle":10,"textFormat":11},[331],{"mode":17,"text":332,"type":19,"style":10,"detail":11,"format":11,"version":4},"`The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.","quote",{"id":335,"text":336,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d4",{"root":337},{"type":9,"format":10,"indent":11,"version":4,"children":338},[339,343,345,349,351],{"type":14,"format":10,"indent":11,"version":4,"children":340,"direction":20,"textStyle":10,"textFormat":11},[341],{"mode":17,"text":342,"type":19,"style":10,"detail":11,"format":11,"version":4},"What fascinates Rohr about the manosphere is that it involves different generations. While adult influencers promote toxic masculinity, their audience consists of the Alpha generation: boys as young as 12. They look at violent trends like penis extensions and looksmaxxing, which means breaking jaws in order for them to look more like adult men, as a way of accumulating power. ‘It is very difficult to look at all of it, Rohr says.This has been a very hard subject to work on, I am completely immersed in it.’ But it clearly fascinates her, she is keen on seeing what’s to come. ",{"type":14,"format":10,"indent":11,"version":4,"children":344,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":346,"direction":20,"textStyle":10,"textFormat":11},[347],{"mode":17,"text":348,"type":19,"style":10,"detail":11,"format":11,"version":4},"The AI-generated imagery in Red Pill - The manosphere exclusively feature men. In the manosphere women are remarkably absent, men seek the validation of other men, they rate and confirm one another’s hotness, even though the community is ostensibly deeply heterosexual. ",{"type":14,"format":10,"indent":11,"version":4,"children":350,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":352,"direction":20,"textStyle":10,"textFormat":11},[353],{"mode":17,"text":354,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘I first started to use AI when making Money Making Child. AI and social media work with a similar system of repetition and reenforcement. They also have a similar synthetic, artificially ‘perfect’ look. I collect a dataset of images relating to the topic. I mix screenshots from these trends, and combine them with a different aesthetic. Then I write the prompt. You get a lot of options, there is a part that you can control in AI, but also a part that cannot be controlled. That is the exciting and also the dangerous aspect of working with AI. With photography I am very in control. With AI it is unclear where we end up.’ ",{"id":356,"image":357,"blockName":20,"blockType":381},"6a354cd08c91db2725ffb6d5",{"id":358,"alt":20,"originalUrl":359,"uploaded_by":20,"updatedAt":360,"createdAt":360,"url":361,"thumbnailURL":20,"filename":362,"mimeType":163,"filesize":363,"width":364,"height":166,"focalX":167,"focalY":167,"sizes":365},13818,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaab0da12f7d37e4f11f1_1.jpg","2026-06-19T13:53:17.288Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp",333556,4128,{"thumb":366,"medium":371,"large":376},{"url":367,"width":171,"height":368,"mimeType":163,"filesize":369,"filename":370},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",349,7744,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",{"url":372,"width":177,"height":373,"mimeType":163,"filesize":374,"filename":375},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",1395,58212,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",{"url":377,"width":183,"height":378,"mimeType":163,"filesize":379,"filename":380},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp",2791,163136,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp","image",{"id":383,"quote":384,"blockName":20,"blockType":333},"6ab27aa67fbdea578644433b",{"root":385},{"type":9,"format":10,"indent":11,"version":4,"children":386,"direction":20},[387],{"type":14,"format":10,"indent":11,"version":4,"children":388,"direction":20,"textStyle":10,"textFormat":11},[389],{"mode":17,"text":390,"type":19,"style":10,"detail":11,"format":11,"version":4},"'With photography I am very in control. With AI it is unclear where we end up.’",{"id":392,"text":393,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d6",{"root":394},{"type":9,"format":10,"indent":11,"version":4,"children":395},[396,400,402,406,408,412,414],{"type":14,"format":10,"indent":11,"version":4,"children":397,"direction":20,"textStyle":10,"textFormat":11},[398],{"mode":17,"text":399,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr shows me an image of a man with enhanced, purple, smashed cheeks. By printing a collage of images collected from TikTok of the “bonesmashing”-trend on aluminum, hammering the aluminum from the back, and by adding screws, the man literally is turned into a ‘body under construction’. Another image looks like a Batman play figure, dripping in synthetic red, a nod to the Red Pill. Rohr is also creating a big print on aluminum, featuring many screenshots of the very violent trend of looksmaxxing, thus reflecting the fantasies and optimizing nature of manosphere ideals. ",{"type":14,"format":10,"indent":11,"version":4,"children":401,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":403,"direction":20,"textStyle":10,"textFormat":11},[404],{"mode":17,"text":405,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr wants to continue working with photography and AI, and she hasn’t completely made up her mind yet, in terms of how strict she want to be with AI. ‘I want to be progressive, it’s here, let’s use it. But at the same time, I worry about my photos, that I have worked on for years, being used as a dataset to reproduce my style. What I find most scary about AI is images that seem real. But using AI because it has strange characteristics can be fun. I often get the question why I use AI, instead of taking photos. But for me that question doesn’t make any sense. It’s like asking “Why do I drink coffee instead of tea?\" When people were painting and photography emerged, people also said that photography was easy. AI is not that easy to use. It’s very difficult to take a good picture, similarly, it’s not easy to generate a good image using AI. It’s not the easier escape.’",{"type":14,"format":10,"indent":11,"version":4,"children":407,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":409,"direction":20,"textStyle":10,"textFormat":11},[410],{"mode":17,"text":411,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr also makes artwork with deepfakes, a technology renowned for its misogynistic usage. The video “What would you like me to say?” was inspired by the recent public debate in Germany following the allegations of deepfake abuse and digital violence against TV presenter Christian Ullmen by his own partner, TV presenter Collien Fernandes. Rohr gave her image, video and voice to AI, with the prompt “What would a man from the manosphere want \"me\" to say?” The face carries her emotion, hesitation, and resistance, while her speech no longer belongs to herself. By using AI one feeds AI, but Rohrs work suggests a power grab, in using AI to make something very different, to turn the medium on its head. Rohr’s work uses AI in order to expose it. ",{"type":14,"format":10,"indent":11,"version":4,"children":413,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":415,"direction":20,"textStyle":10,"textFormat":11},[416],{"mode":17,"text":417,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr continues to work on femininity, and is making a plexiglass sculpture about the clean girl trend, an equivalent for women, explains Rohr. That is all about ‘being quiet, perfect and pure. It’s very, very conservative and has racist and fascist undertones’. ‘It would be interesting to exhibit them alongside one another’. ","2026-10-14T15:39:40.873Z","2026-06-19T14:04:56.195Z",{"relationTo":147,"value":421},{"id":422,"is_residency_story":93,"kind_of_residency_story":423,"title":424,"slug":425,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":426,"author":443,"date_of_publication":444,"teaser":445,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":446,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":448,"residency_location":250,"year":251,"layout_type":496,"content":497,"updatedAt":669,"createdAt":670},553,"research","The privilege of questioning - Papa De (DeLovie Kwagala) in Conversation with Nanoah Struik","the-privilege-of-questioning---papa-de-deloviekwagala-in-conversation-with-nanoah.struik",{"id":427,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":429,"createdAt":430,"url":431,"thumbnailURL":20,"filename":432,"mimeType":163,"filesize":433,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":436},16014,"Iliana Michali_Papa De Residency","2026-09-21T13:30:53.915Z","2026-09-21T13:30:52.513Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00027 - dimensioni grandi.webp",133604,853,1280,{"thumb":437,"medium":441,"large":442},{"url":438,"width":171,"height":292,"mimeType":163,"filesize":439,"filename":440},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi-300x450.webp",26044,"Iliana Michali_Papa De Residency_00027 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Nanoah Struik","2026-09-09T09:46:55.000Z","DeLovie Kwagala AKA Papa De, is the first openly non-binary, queer photographer and social activist from Kampala, Uganda. They’re an award-winning multi-antidisciplinary artivist. Self-taught and now based in Berlin, their work explores identity, belonging, and gender + sexuality, insisting on images that refuse to sexualize, fetishize, or stigmatize their participants. During their FUTURES x Pride Photo residency in Amsterdam, Papa De developed ME(MORIES), a new body of work that revisits a family archive dating back to the 1970s through the gomesi, the traditional dress of Ugandan women from the Buganda Kingdom. In this conversation, we spoke with the artist about rebellion, constant becomings, and the privilege of asking questions.",[447],"Identity",{"id":449,"profile_types":450,"is_member":153,"name":451,"slug":452,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":453,"e_mail":468,"profile_image":469,"website":20,"instagram":20,"first_name":451,"last_name":10,"kind_of_profile":218,"tags_profession":470,"tags_identity":472,"tags_location":473,"tags_practice":476,"tags_topics":478,"born_in":20,"street_address":20,"city":20,"country":20,"corresponding_member":482,"member_additional":483,"corresponding_art_projects":484,"corresponding_selected_year":485,"reference_residency":422,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":486,"curation_reference":487,"past_member":20,"approved_courses":488,"tutor_courses":489,"guest_expert_courses":491,"updatedAt":493,"createdAt":494,"email":468,"collection":248,"sessions":495},1462,[198],"Papa De","papa-de",{"root":454},{"type":9,"format":10,"indent":11,"version":4,"children":455,"direction":20},[456,460,464],{"type":14,"format":10,"indent":11,"version":4,"children":457,"direction":20,"textStyle":10,"textFormat":11},[458],{"mode":17,"text":459,"type":19,"style":10,"detail":11,"format":11,"version":4},"DeLovie Kwagala (aka Papa De) is the first openly non-binary queer photographer from Uganda. An award winning visual artist and film maker, their art is a defiant stance against the colonial gaze, aiming to dismantle stereotypes around beauty, gender identity, and the fetishisation or victimisation of Black and queer bodies. Through self-taught, multi-disciplinary visual storytelling, Kwagala documents and archives African queer youth, exploring themes of identity, belonging, migration, displacement, and climate justice.",{"type":14,"format":10,"indent":11,"version":4,"children":461,"direction":20,"textStyle":10,"textFormat":11},[462],{"type":463,"version":4},"linebreak",{"type":14,"format":10,"indent":11,"version":4,"children":465,"direction":20,"textStyle":10,"textFormat":11},[466],{"mode":17,"text":467,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their mission is to preserve dignity, reclaim marginalised African queer histories, and provoke questioning of patriarchal and colonial narratives. Projects like The Quingdom ~ In Transition and Love(r)ships celebrate queer joy, intimacy, and resistance, asserting that \"to be visibly queer is a political statement in itself.\" Kwagala’s work, featured in TIME, The Guardian, and Vogue, strives to evoke relatability and inspire unlearning, ensuring their community is seen not as victims, but as glorious outliers: resilient, beautiful, and unapologetically present.","de@deloviekwagala.org",16010,[220,471],19,[95],[474,475],141,4,[477],14,[232,479,480,224,481],42,26,39,[],[],[],[],[],[],[],{"docs":490,"hasNextPage":153},[],{"docs":492,"hasNextPage":153},[],"2026-10-06T14:41:24.887Z","2026-09-21T13:20:11.914Z",[],"editorial",[498,512,537,556,573,589,606,617,638,649,660],{"id":499,"text":500,"blockName":20,"blockType":19},"6ab12ffaee738752c69d3f91",{"root":501},{"type":9,"format":10,"indent":11,"version":4,"children":502,"direction":20},[503,506,508],{"type":14,"format":10,"indent":11,"version":4,"children":504,"direction":20,"textStyle":10,"textFormat":222},[505],{"mode":17,"text":445,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":507,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":509,"direction":20,"textStyle":10,"textFormat":222},[510],{"mode":17,"text":511,"type":19,"style":10,"detail":11,"format":222,"version":4},"For this interview, Papa De spoke with Nanoah Struik (they/them), a Dutch-Nigerian writer, speaker, queer activist and award-winning podcast maker. Across their work, Struik engages with queerness, gender identity and diversity, gender equality, and the possibilities of challenging binary systems.",{"id":513,"image":514,"blockName":20,"blockType":381},"6ab13004ee738752c69d3f92",{"id":515,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":516,"createdAt":517,"url":518,"thumbnailURL":20,"filename":519,"mimeType":163,"filesize":520,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":521},16011,"2026-09-21T13:25:55.320Z","2026-09-21T13:25:53.764Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056.webp","Iliana Michali_Papa De Residency_00056.webp",266488,{"thumb":522,"medium":527,"large":532},{"url":523,"width":171,"height":524,"mimeType":163,"filesize":525,"filename":526},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-300x200.webp",200,9004,"Iliana Michali_Papa De Residency_00056-300x200.webp",{"url":528,"width":177,"height":529,"mimeType":163,"filesize":530,"filename":531},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-1200x800.webp",800,76764,"Iliana Michali_Papa De Residency_00056-1200x800.webp",{"url":533,"width":183,"height":534,"mimeType":163,"filesize":535,"filename":536},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-2400x1600.webp",1600,236192,"Iliana Michali_Papa De Residency_00056-2400x1600.webp",{"id":538,"blockName":20,"blockType":539,"qa":540},"6ab13071ee738752c69d3f95","qa",{"question":541,"answer":542},"Nanoah Struik: In your residency you’ve worked on a new project. Where does a new body of work usually start for you: with an image you can already see in your head, a material you want to touch, or a question you can't stop asking? ",{"root":543},{"type":9,"format":10,"indent":11,"version":4,"children":544,"direction":20},[545,550,552],{"type":14,"format":546,"indent":11,"version":4,"children":547,"direction":20,"textStyle":10,"textFormat":11},"start",[548],{"mode":17,"text":549,"type":19,"style":10,"detail":11,"format":11,"version":4},"Papa De: It usually starts with an idea, then I visualise what I want the idea to look like, then see how that idea gets reinterpreted through the reality of making it. But with the residency, I actually had no idea what would come out. A lot of it was intuitive. I already had the archival  images from my family, but no idea how I wanted to present them, and that kept shifting throughout the month. That's the beauty of a residency: you have space to give it your all, to play with what works and what doesn't, until you land somewhere you're happy with. ",{"type":14,"format":546,"indent":11,"version":4,"children":551,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":553,"direction":20,"textStyle":10,"textFormat":11},[554],{"mode":17,"text":555,"type":19,"style":10,"detail":11,"format":11,"version":4},"Normally I work with imagery, I photograph other people. This time was different: I didn’t have that at all. It had to be introspective: I have these images, what do they mean for me? What's my position in telling these stories? There's a difference when the images aren't ones I made myself because my only connection to them was that they came from my grandmother, my curiosity about the dress's [gomesi] history, and the culture itself. Which is also where there's a disconnect: it's a culture that invalidates me, that tells me I don't fit the mold of what it means to be a Ugandan not-woman, nor man. ",{"id":557,"blockName":20,"blockType":539,"qa":558},"6ab13087ee738752c69d3f96",{"question":559,"answer":560},"NS: As you said, you usually are the one behind the camera, photographing dozens of other people's faces and stories in Uganda's queer community, but in your new work ME(MORIES) you insert your own body into a family archive that predates you. What is it like to become the archive yourself? ",{"root":561},{"type":9,"format":10,"indent":11,"version":4,"children":562,"direction":20},[563,567,569],{"type":14,"format":546,"indent":11,"version":4,"children":564,"direction":20,"textStyle":10,"textFormat":11},[565],{"mode":17,"text":566,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Honestly, the process was bittersweet. In the days before the opening, there was a cover image of a woman in the dress [gomesi] on a screen outside the residency door. I would see it every time I would pass by it, but at some point I didn't want to see it anymore. It hit me: I'm here representing a culture that doesn't give a fuck about me. But also: most of these women have never even left the country, and somehow they end up on a screen in Amsterdam, in this very cultural attire. Amsterdam of all places: I learned that a lot of the fabric for these dresses are printed and distributed in the Netherlands. It made me question my positionality in this narrative. ",{"type":14,"format":546,"indent":11,"version":4,"children":568,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":570,"direction":20,"textStyle":10,"textFormat":11},[571],{"mode":17,"text":572,"type":19,"style":10,"detail":11,"format":11,"version":4},"But it was also a rebellion: inserting myself into the archive: you cannot erase me. I'm as much part of this culture and tradition as anyone. My queerness, and being neither woman nor man, doesn't take that away. It's not meant to alienate me from culture or tradition. At the same time, I didn't want to impose myself too much. So I masked their likenesses, respecting that their journey was different from mine, while still honoring that my history, as a queer person, is erased, and I find a way to write myself into the story anyway. ",{"id":574,"image":575,"blockName":20,"blockType":381},"6ab130a6ee738752c69d3f97",{"id":576,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":577,"createdAt":578,"url":579,"thumbnailURL":20,"filename":580,"mimeType":163,"filesize":581,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":582},16012,"2026-09-21T13:28:01.524Z","2026-09-21T13:28:00.554Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00005 - dimensioni grandi.webp",66396,{"thumb":583,"medium":587,"large":588},{"url":584,"width":171,"height":292,"mimeType":163,"filesize":585,"filename":586},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi-300x450.webp",12326,"Iliana Michali_Papa De Residency_00005 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":590,"blockName":20,"blockType":539,"qa":591},"6ab13101ee738752c69d3f98",{"question":592,"answer":593},"NS: You’ve worked across street photography, staged portraiture, and now archival collage and installation. How do you know which form a story needs to take: when does something want to be a photograph, and when does it want to become an object? ",{"root":594},{"type":9,"format":10,"indent":11,"version":4,"children":595,"direction":20},[596,600,602],{"type":14,"format":546,"indent":11,"version":4,"children":597,"direction":20,"textStyle":10,"textFormat":11},[598],{"mode":17,"text":599,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Myself, I’m a constant becoming so I also don’t want to limit any shapes or forms that might want to reveal themselves through the process. The residency work kept evolving, which let me stop controlling it and just be intuitive. It was the first time I mixed disciplines. My first solo show in Berlin was the catalyst, indirectly: that's where I first used sculpture. I felt: there's more to explore there. ",{"type":14,"format":546,"indent":11,"version":4,"children":601,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":603,"direction":20,"textStyle":10,"textFormat":11},[604],{"mode":17,"text":605,"type":19,"style":10,"detail":11,"format":11,"version":4},"During the residency I really pushed outside my comfort zone. I was a blank canvas, and I let the work paint on me. ",{"id":607,"blockName":20,"blockType":539,"qa":608},"6ab13117ee738752c69d3f99",{"question":609,"answer":610},"NS: Belonging, memory and the body under scrutiny return again and again in your work. Are you circling the same questions from new angles each time, or does each project change what you believe about them? ",{"root":611},{"type":9,"format":10,"indent":11,"version":4,"children":612,"direction":20},[613],{"type":14,"format":10,"indent":11,"version":4,"children":614,"direction":20,"textStyle":10,"textFormat":11},[615],{"mode":17,"text":616,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: I keep going back to the same questions and getting different answers from myself each time: we're not the same people we were yesterday, and as the world shifts, systemically and economically, what these topics mean shifts too. Even in interpersonal relationships I've been told I repeat the same questions over and over again. Not because I expect a different outcome, I just believe in the art of inquiry and how time influences responses. That's how my brain works as a neurodivergent person, and that flows into how my work works too. ",{"id":618,"image":619,"blockName":20,"blockType":381},"6ab13123ee738752c69d3f9a",{"id":620,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":621,"createdAt":622,"url":623,"thumbnailURL":20,"filename":624,"mimeType":163,"filesize":625,"width":435,"height":626,"focalX":167,"focalY":167,"sizes":627},16013,"2026-09-21T13:29:55.444Z","2026-09-21T13:29:54.305Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00001 - dimensioni grandi.webp",387306,854,{"thumb":628,"medium":632,"large":637},{"url":629,"width":171,"height":524,"mimeType":163,"filesize":630,"filename":631},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi-300x200.webp",18438,"Iliana Michali_Papa De Residency_00001 - dimensioni grandi-300x200.webp",{"url":633,"width":177,"height":634,"mimeType":163,"filesize":635,"filename":636},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi-1200x801.webp",801,320542,"Iliana Michali_Papa De Residency_00001 - dimensioni grandi-1200x801.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":639,"blockName":20,"blockType":539,"qa":640},"6ab13158ee738752c69d3f9b",{"question":641,"answer":642},"NS: Next to being an archivist and a storyteller, you’re also an artivist. Activism often wants to be understood quickly and clearly, yet art often resists that. How do you navigate the tension between wanting a message to land and wanting a piece to stay open to interpretation? ",{"root":643},{"type":9,"format":10,"indent":11,"version":4,"children":644,"direction":20},[645],{"type":14,"format":10,"indent":11,"version":4,"children":646,"direction":20,"textStyle":10,"textFormat":11},[647],{"mode":17,"text":648,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: However articulate you think you are, however much you believe something is true, perspective shifts things. I’ve learned to be less rigid about what I believe, to make room for other people’s perspectives. Different perspectives can be at the same time. There's room for nuance without erasing the other. That's also how you don't take away someone's free will: you let people examine things themselves, especially on topics they may never have thought about.",{"id":650,"blockName":20,"blockType":539,"qa":651},"6ab13164ee738752c69d3f9c",{"question":652,"answer":653},"NS: In a conversation with an archivist, I think we’re quick to look back. But what’s something you’re only just beginning to look forward to, artistically? ",{"root":654},{"type":9,"format":10,"indent":11,"version":4,"children":655,"direction":20},[656],{"type":14,"format":10,"indent":11,"version":4,"children":657,"direction":20,"textStyle":10,"textFormat":11},[658],{"mode":17,"text":659,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: The freedom to question and the privilege of being in a space where you can. To be able to just sit with things and have different outlooks, instead of just accepting what you've been told. Our forefathers never really questioned things the way we do now. Your great-great-grandmother followed the same script: nothing to question. Growing up in African tradition, you're told you can't do something, or you must do something, and you’re not allowed to ask questions. But here I am: questioning. We are the generation of asking why. And as a parent myself, I want my son to be able to question too.",{"id":661,"text":662,"blockName":20,"blockType":19},"6ab13176ee738752c69d3f9d",{"root":663},{"type":9,"format":10,"indent":11,"version":4,"children":664,"direction":20},[665],{"type":14,"format":10,"indent":11,"version":4,"children":666,"direction":20,"textStyle":10,"textFormat":11},[667],{"mode":17,"text":668,"type":19,"style":10,"detail":11,"format":11,"version":4},"Photos Credit: Iliana Michali","2026-10-19T13:44:19.675Z","2026-09-21T13:30:57.933Z",{"relationTo":147,"value":672},{"id":673,"is_residency_story":153,"kind_of_residency_story":150,"title":674,"slug":675,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":676,"author":698,"date_of_publication":699,"teaser":700,"featured":20,"futures_select":20,"news_kind":701,"news_subkind":702,"category":703,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":20,"residency_location":20,"year":20,"layout_type":252,"content":705,"updatedAt":830,"createdAt":831},548,"HYBRIDS: Forging New Realities as Counter Narrative","hybrids-forging-new-realities-as-counter-narrative",{"id":677,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":679,"createdAt":680,"url":681,"thumbnailURL":20,"filename":682,"mimeType":163,"filesize":683,"width":684,"height":684,"focalX":167,"focalY":167,"sizes":685},15977,"HYBRID publication","2026-09-17T14:57:18.992Z","2026-09-17T14:57:17.744Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square.webp","_DSC0045 square.webp",1076334,4334,{"thumb":686,"medium":690,"large":694},{"url":687,"width":171,"height":171,"mimeType":163,"filesize":688,"filename":689},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-300x300.webp",13452,"_DSC0045 square-300x300.webp",{"url":691,"width":177,"height":177,"mimeType":163,"filesize":692,"filename":693},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-1200x1200.webp",186314,"_DSC0045 square-1200x1200.webp",{"url":695,"width":183,"height":183,"mimeType":163,"filesize":696,"filename":697},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-2400x2400.webp",519824,"_DSC0045 square-2400x2400.webp","FUTURES Team","2024-10-30T12:00:00.000Z","HYBRIDS: Forging New Realities as Counter-Narrative” aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts.","Publications","Happening",[704],"Technology",[706,715,724,748,800,815],{"id":707,"text":708,"blockName":20,"blockType":19},"6ab3f82c861fa165df91203d",{"root":709},{"type":9,"format":10,"indent":11,"version":4,"children":710,"direction":20},[711],{"type":14,"format":10,"indent":11,"version":4,"children":712,"direction":20,"textStyle":10,"textFormat":11},[713],{"mode":17,"text":714,"type":19,"style":10,"detail":11,"format":11,"version":4},"HYBRIDS: Forging New Realities as Counter-Narrative aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts. ",{"id":716,"text":717,"blockName":20,"blockType":19},"6aabfebbb6d6d6312340d413",{"root":718},{"type":9,"format":10,"indent":11,"version":4,"children":719,"direction":20},[720],{"type":14,"format":10,"indent":11,"version":4,"children":721,"direction":20,"textStyle":10,"textFormat":11},[722],{"mode":17,"text":723,"type":19,"style":10,"detail":11,"format":11,"version":4},"We asked ourselves this: how is the act of narration evolving with the waves of counter-narratives that have flooded our knowledge systems, and what kinds of narratives might we need where we are heading? The book, edited by Salvatore Vitale and Saba Askary presents a collection of essays, interviews and visual responses to four points of departure: “The Speed of Narratives”, “An Evolution of Reality”, “Giving, Taking and Stealing the Right to Narrate” and “A Textured Future”. With texts and works by Morehshin Allahyari, Valentina Tanni, Max Pinckers, Tj Demos, Hoda Afshar, Alan Butler, Jean-Vincent Simonet and Nina Mangalanayagam among others.",{"id":725,"image":726,"blockName":20,"blockType":381},"6aabffd965551b605549ec7a",{"id":727,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":728,"createdAt":729,"url":730,"thumbnailURL":20,"filename":731,"mimeType":163,"filesize":732,"width":733,"height":734,"focalX":167,"focalY":167,"sizes":735},15978,"2026-09-17T14:58:02.363Z","2026-09-17T14:58:01.222Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096.webp","_DSC0096.webp",1505094,4608,3072,{"thumb":736,"medium":740,"large":744},{"url":737,"width":171,"height":524,"mimeType":163,"filesize":738,"filename":739},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-300x200.webp",15048,"_DSC0096-300x200.webp",{"url":741,"width":177,"height":529,"mimeType":163,"filesize":742,"filename":743},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-1200x800.webp",234652,"_DSC0096-1200x800.webp",{"url":745,"width":183,"height":534,"mimeType":163,"filesize":746,"filename":747},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-2400x1600.webp",704960,"_DSC0096-2400x1600.webp",{"id":749,"blockName":20,"images":750,"blockType":323},"6aac000665551b605549ec7b",[751,773],{"id":752,"image":753},"6aac000965551b605549ec7c",{"id":754,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":755,"createdAt":756,"url":757,"thumbnailURL":20,"filename":758,"mimeType":163,"filesize":759,"width":733,"height":734,"focalX":167,"focalY":167,"sizes":760},16024,"2026-09-23T16:07:14.909Z","2026-09-23T16:07:13.840Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112.webp","_DSC0112.webp",559522,{"thumb":761,"medium":765,"large":769},{"url":762,"width":171,"height":524,"mimeType":163,"filesize":763,"filename":764},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-300x200.webp",12060,"_DSC0112-300x200.webp",{"url":766,"width":177,"height":529,"mimeType":163,"filesize":767,"filename":768},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-1200x800.webp",84596,"_DSC0112-1200x800.webp",{"url":770,"width":183,"height":534,"mimeType":163,"filesize":771,"filename":772},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-2400x1600.webp",215454,"_DSC0112-2400x1600.webp",{"id":774,"image":775},"6aac002065551b605549ec7d",{"id":776,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":777,"createdAt":778,"url":779,"thumbnailURL":20,"filename":780,"mimeType":163,"filesize":781,"width":782,"height":783,"focalX":167,"focalY":167,"sizes":784},15980,"2026-09-17T14:58:58.587Z","2026-09-17T14:58:57.441Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104.webp","_DSC0104.webp",989392,4026,2961,{"thumb":785,"medium":790,"large":795},{"url":786,"width":171,"height":787,"mimeType":163,"filesize":788,"filename":789},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-300x221.webp",221,14952,"_DSC0104-300x221.webp",{"url":791,"width":177,"height":792,"mimeType":163,"filesize":793,"filename":794},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-1200x883.webp",883,200430,"_DSC0104-1200x883.webp",{"url":796,"width":183,"height":797,"mimeType":163,"filesize":798,"filename":799},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-2400x1765.webp",1765,540144,"_DSC0104-2400x1765.webp",{"id":801,"text":802,"blockName":20,"blockType":19},"6ab3f860861fa165df91203e",{"root":803},{"type":9,"format":10,"indent":11,"version":4,"children":804,"direction":20},[805,809,811],{"type":14,"format":10,"indent":11,"version":4,"children":806,"direction":20,"textStyle":10,"textFormat":11},[807],{"mode":17,"text":808,"type":19,"style":10,"detail":11,"format":11,"version":4},"Edited by Salvatore Vitale and Saba Askary.",{"type":14,"format":10,"indent":11,"version":4,"children":810,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":812,"direction":20,"textStyle":10,"textFormat":11},[813],{"mode":17,"text":814,"type":19,"style":10,"detail":11,"format":11,"version":4},"With texts and works by Morehshin Allahyari, Valentina Tanni, Max Pinckers, Tj Demos, Hoda Afshar, Alan Butler, Jean-Vincent Simonet and Nina Mangalanayagam among others.",{"id":816,"text":817,"blockName":20,"blockType":19},"6aabfecab6d6d6312340d414",{"root":818},{"type":9,"format":10,"indent":11,"version":4,"children":819,"direction":20},[820],{"type":14,"format":10,"indent":11,"version":4,"children":821,"direction":20,"textStyle":10,"textFormat":11},[822,824,825,827,828],{"mode":17,"text":823,"type":19,"style":10,"detail":11,"format":11,"version":4},"150 pages",{"type":463,"version":4},{"mode":17,"text":826,"type":19,"style":10,"detail":11,"format":11,"version":4},"Soft cover with plastic sleeve, 20x27 cm",{"type":463,"version":4},{"mode":17,"text":829,"type":19,"style":10,"detail":11,"format":11,"version":4},"ISBN: 978-9-09-035599-3","2026-10-14T15:39:43.040Z","2026-09-17T14:53:18.686Z",[833,701,190],"Newsroom","2026-09-24T17:45:06.734Z","2026-09-16T09:33:29.914Z","stories-page",{"id":4,"main_copy":838,"featured_gallery":847,"updatedAt":2035,"createdAt":2036,"globalType":2037},{"title":839,"text":840},"Events",{"root":841},{"type":9,"format":10,"indent":11,"version":4,"children":842,"direction":20},[843],{"type":14,"format":10,"indent":11,"version":4,"children":844,"direction":20,"textStyle":10,"textFormat":11},[845],{"mode":17,"text":846,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES brings artists, curators, institutions and audiences together through exhibitions, conversations, workshops, screenings and other encounters that foster exchange around photography and contemporary visual culture.",[848,1748,1883],{"relationTo":849,"value":850},"events",{"id":851,"name":852,"slug":853,"archived":153,"created_on":20,"updated_on":20,"published_on":854,"event_thumbnail":855,"begin_date":879,"end_date":880,"location":881,"magnum_event":20,"host_event":20,"event_text":882,"link_to_tickets":20,"link_for_more_info":20,"related_member":1745,"online_event":153,"open_for_application":20,"meta_description":20,"updatedAt":1746,"createdAt":1747},150,"FUTURES presents The Ecology of Movement","futures-presents-the-ecology-of-movement","2026-10-11T22:00:00.000Z",{"id":856,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":857,"createdAt":858,"url":859,"thumbnailURL":20,"filename":860,"mimeType":163,"filesize":861,"width":862,"height":863,"focalX":167,"focalY":167,"sizes":864},16916,"2026-10-14T15:32:00.089Z","2026-10-14T15:31:59.053Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait.webp","Website_Cover_Portrait.webp",313470,3000,4000,{"thumb":865,"medium":870,"large":874},{"url":866,"width":171,"height":867,"mimeType":163,"filesize":868,"filename":869},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-300x400.webp",400,6452,"Website_Cover_Portrait-300x400.webp",{"url":871,"width":177,"height":534,"mimeType":163,"filesize":872,"filename":873},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-1200x1600.webp",59608,"Website_Cover_Portrait-1200x1600.webp",{"url":875,"width":183,"height":876,"mimeType":163,"filesize":877,"filename":878},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-2400x3200.webp",3200,203610,"Website_Cover_Portrait-2400x3200.webp","2026-11-08T23:00:00.000Z","2026-11-14T23:00:00.000Z","Atelier 13 Sévigné, Le Marais, Paris",{"root":883},{"type":9,"format":10,"indent":11,"version":4,"children":884,"direction":20},[885,891,893,899,901,903,905,910,935,937,939,941,945,947,953,955,959,963,965,972,974,976,980,984,986,990,992,996,998,1002,1004,1008,1010,1012,1016,1018,1022,1024,1028,1030,1031,1033,1037,1041,1043,1052,1076,1078,1082,1084,1155,1175,1177,1181,1183,1239,1259,1261,1265,1267,1321,1344,1346,1350,1352,1407,1427,1429,1433,1435,1436,1438,1443,1445,1449,1453,1477,1479,1483,1485,1489,1494,1496,1521,1523,1527,1531,1533,1537,1539,1541,1545,1549,1551,1555,1557,1561,1563,1565,1569,1573,1575,1579,1581,1585,1587,1589,1593,1597,1599,1603,1605,1609,1611,1615,1617,1619,1623,1627,1629,1633,1635,1639,1641,1645,1647,1649,1657,1661,1663,1671,1673,1677,1679,1681,1685,1689,1691,1695,1697,1701,1703,1707,1709,1713,1715,1719,1721,1725,1729,1731,1735,1739,1741],{"tag":886,"type":887,"format":10,"indent":11,"version":4,"children":888,"direction":20},"h2","heading",[889],{"mode":17,"text":890,"type":19,"style":10,"detail":11,"format":4,"version":4},"An exhibition and public programme exploring photography and environmental responsibility",{"type":14,"format":10,"indent":11,"version":4,"children":892,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":894,"direction":20,"textStyle":10,"textFormat":4},[895,897,898],{"mode":17,"text":896,"type":19,"style":10,"detail":11,"format":4,"version":4},"9–15 November 2026",{"type":463,"version":4},{"mode":17,"text":881,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":900,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":902,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":904,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":907,"direction":20},"h6",[908],{"mode":17,"text":909,"type":19,"style":10,"detail":11,"format":4,"version":4},"PROGRAMME AT A GLANCE",{"id":911,"type":912,"value":913,"fields":20,"format":10,"version":95,"relationTo":934},"6ad1c9a7d8c9944ba9db64b2","upload",{"id":914,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":915,"createdAt":916,"url":917,"thumbnailURL":20,"filename":918,"mimeType":163,"filesize":919,"width":920,"height":921,"focalX":167,"focalY":167,"sizes":922},17005,"2026-10-16T06:52:23.030Z","2026-10-16T06:52:22.002Z","https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02.webp","TEOM_Program_02.webp",112488,1275,1650,{"thumb":923,"medium":928,"large":933},{"url":924,"width":171,"height":925,"mimeType":163,"filesize":926,"filename":927},"https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02-300x388.webp",388,16180,"TEOM_Program_02-300x388.webp",{"url":929,"width":177,"height":930,"mimeType":163,"filesize":931,"filename":932},"https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02-1200x1553.webp",1553,108138,"TEOM_Program_02-1200x1553.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"media",{"type":14,"format":10,"indent":11,"version":4,"children":936,"direction":20,"textStyle":10,"textFormat":4},[],{"type":938,"version":4},"horizontalrule",{"type":14,"format":10,"indent":11,"version":4,"children":940,"direction":20,"textStyle":10,"textFormat":4},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":942,"direction":20},[943],{"mode":17,"text":944,"type":19,"style":10,"detail":11,"format":4,"version":4},"ABOUT THE PROJECT",{"type":14,"format":10,"indent":11,"version":4,"children":946,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":948,"direction":20,"textStyle":10,"textFormat":222},[949,951],{"mode":17,"text":950,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Ecology of Movement",{"mode":17,"text":952,"type":19,"style":10,"detail":11,"format":11,"version":4}," explores the relationship between photography, environmental responsibility and cultural production, asking how ecological awareness might shape the ways images are made, exhibited and experienced.",{"type":14,"format":10,"indent":11,"version":4,"children":954,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":956,"direction":20,"textStyle":10,"textFormat":11},[957],{"mode":17,"text":958,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Julia Rajacic, the exhibition brings together five photographers who incorporate ecological constraints into their practices. Through different approaches to materials, processes, technologies and environments, their work explores how limitations can become a source of experimentation and creative possibility.",{"type":14,"format":10,"indent":11,"version":4,"children":960,"direction":20,"textStyle":10,"textFormat":11},[961],{"mode":17,"text":962,"type":19,"style":10,"detail":11,"format":11,"version":4},"The public programme extends these questions through talks, workshops, performances, presentations and discussions. Bringing together artists, curators and institutions, it considers ecological responsibility across photographic practice, visual culture and cultural production.",{"type":14,"format":10,"indent":11,"version":4,"children":964,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":966,"direction":20,"textStyle":10,"textFormat":11},[967,969,970],{"mode":17,"text":968,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rather than proposing a single model for responsible cultural production, ",{"mode":17,"text":950,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":971,"type":19,"style":10,"detail":11,"format":11,"version":4}," creates space to question existing practices, exchange perspectives and consider how different approaches might inform one another.",{"type":14,"format":10,"indent":11,"version":4,"children":973,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":975,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":977,"direction":20},[978],{"mode":17,"text":979,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE ECOLOGY OF MOVEMENT EXHIBITION",{"type":14,"format":10,"indent":11,"version":4,"children":981,"direction":20,"textStyle":10,"textFormat":11},[982],{"mode":17,"text":983,"type":19,"style":10,"detail":11,"format":11,"version":4},"When ecological limits become a creative force",{"type":14,"format":10,"indent":11,"version":4,"children":985,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":987,"direction":20,"textStyle":10,"textFormat":11},[988],{"mode":17,"text":989,"type":19,"style":10,"detail":11,"format":11,"version":4},"How might ecological constraints shape the way photography is produced? And what possibilities emerge when limits become part of the creative process?",{"type":14,"format":10,"indent":11,"version":4,"children":991,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":993,"direction":20,"textStyle":10,"textFormat":11},[994],{"mode":17,"text":995,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Julia Rajacic, the exhibition brings together five photographers whose practices engage with ecological limits through material experimentation, site-specific approaches and alternative ways of working.",{"type":14,"format":10,"indent":11,"version":4,"children":997,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":999,"direction":20,"textStyle":10,"textFormat":11},[1000],{"mode":17,"text":1001,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their work spans plant-based photographic processes, images made from polluted flora, self-built photographic equipment, collaborations with scientific research and projects exploring biodiversity and the relationships between humans and other species.",{"type":14,"format":10,"indent":11,"version":4,"children":1003,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1005,"direction":20,"textStyle":10,"textFormat":11},[1006],{"mode":17,"text":1007,"type":19,"style":10,"detail":11,"format":11,"version":4},"Together, these practices address photography’s ecological paradox: its capacity to make environmental crises visible while remaining part of the systems that contribute to them.",{"type":14,"format":10,"indent":11,"version":4,"children":1009,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1011,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1013,"direction":20},[1014],{"mode":17,"text":1015,"type":19,"style":10,"detail":11,"format":4,"version":4},"An eco-designed exhibition",{"type":14,"format":10,"indent":11,"version":4,"children":1017,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1019,"direction":20,"textStyle":10,"textFormat":11},[1020],{"mode":17,"text":1021,"type":19,"style":10,"detail":11,"format":11,"version":4},"The project also considers its own environmental impact. Guided by the curator’s commitment to eco-design, the exhibition prioritises reducing its footprint across travel, shipping, exhibition staging, material choices and catering.",{"type":14,"format":10,"indent":11,"version":4,"children":1023,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1025,"direction":20,"textStyle":10,"textFormat":11},[1026],{"mode":17,"text":1027,"type":19,"style":10,"detail":11,"format":11,"version":4},"Presented during the bicentenary of photography and ten years after the ratification and entry into force of the Paris Agreement, the project connects a reflection on the medium’s history with the environmental conditions shaping its future.",{"type":14,"format":10,"indent":11,"version":4,"children":1029,"direction":20,"textStyle":10,"textFormat":11},[],{"type":938,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1032,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1034,"direction":20},[1035],{"mode":17,"text":1036,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE ARTISTS",{"type":14,"format":10,"indent":11,"version":4,"children":1038,"direction":20,"textStyle":10,"textFormat":11},[1039],{"mode":17,"text":1040,"type":19,"style":10,"detail":11,"format":11,"version":4},"Five photographers approach ecological constraints through distinct practices and methods.",{"type":14,"format":10,"indent":11,"version":4,"children":1042,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1044,"direction":20},[1045],{"id":1046,"type":90,"fields":1047,"format":10,"indent":11,"version":95,"children":1049,"direction":20},"6ad09472d8c9944ba9db64ac",{"url":1048,"linkType":94},"https://a-baumgartner.com/://",[1050],{"mode":17,"text":1051,"type":19,"style":10,"detail":11,"format":11,"version":4},"Alexandra Baumgartner",{"id":1053,"type":912,"value":1054,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa503a617045aa261bc08",{"id":1055,"alt":1056,"originalUrl":20,"uploaded_by":20,"updatedAt":1057,"createdAt":1058,"url":1059,"thumbnailURL":20,"filename":1060,"mimeType":163,"filesize":1061,"width":1062,"height":1063,"focalX":167,"focalY":167,"sizes":1064},16928,"Artwork by Alexandra Baumgartner","2026-10-14T15:51:30.893Z","2026-10-14T15:51:29.854Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp","FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp",68390,1429,2000,{"thumb":1065,"medium":1070,"large":1075},{"url":1066,"width":171,"height":1067,"mimeType":163,"filesize":1068,"filename":1069},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",420,4634,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",{"url":1071,"width":177,"height":1072,"mimeType":163,"filesize":1073,"filename":1074},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",1679,41472,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1077,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1079,"direction":20,"textStyle":10,"textFormat":11},[1080],{"mode":17,"text":1081,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working across photography, sound and installation, Baumgartner explores biodiversity, agriculture and the relationships between people and plants. Her work includes seed keepers and agronomic activists whose practices contribute to the preservation of biodiversity.",{"type":14,"format":10,"indent":11,"version":4,"children":1083,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1085,"direction":20},[1086],{"id":1087,"type":90,"fields":1088,"format":10,"indent":11,"version":95,"children":1153,"direction":20},"6acfaf08a617045aa261bc17",{"doc":1089,"linkType":1152},{"label":1090,"value":1091,"relationTo":248},"Benedetta Casagrande",{"id":1092,"profile_types":1093,"is_member":153,"name":1090,"slug":1094,"archived":153,"created_on":1095,"updated_on":1096,"published_on":1096,"biography":1097,"e_mail":1113,"profile_image":1114,"website":1115,"instagram":1116,"first_name":1117,"last_name":1118,"kind_of_profile":218,"tags_profession":1119,"tags_identity":1120,"tags_location":1121,"tags_practice":1122,"tags_topics":1126,"born_in":1130,"street_address":10,"city":1131,"country":1132,"corresponding_member":1133,"member_additional":1135,"corresponding_art_projects":1136,"corresponding_selected_year":1138,"reference_residency":1140,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1141,"curation_reference":1142,"past_member":20,"approved_courses":1143,"tutor_courses":1144,"guest_expert_courses":1146,"updatedAt":1148,"createdAt":1149,"email":1150,"collection":248,"sessions":1151},742,[198],"benedetta-casagrande","Mon Feb 03 2025 17:22:15 GMT+0000 (Coordinated Universal Time)","Thu Jan 15 2026 09:36:49 GMT+0000 (Coordinated Universal Time)",{"root":1098},{"type":9,"format":10,"indent":11,"version":4,"children":1099,"direction":1112},[1100,1104,1108],{"type":14,"version":4,"children":1101},[1102],{"text":1103,"type":19,"version":4},"Benedetta Casagrande (she/her) is an artist and educator working across photography, writing and sculpture, with a focus on regenerative practices and co-authorship with more-than-human agents. Starting from an interest in political ecology and critical studies, she develops a biocentric practice where photography is used to look-at and sit-within interspecies relationships and more-than-human life in times of extinctions, working through ecological grief, forming multi-species alliances and nurturing relationships based on principles of kinship, reciprocity and shared health. Working with darkroom chemistry made with locally foraged plants, scavenged iron and waste products, reclaiming silver from spent chemistry and applying a circular economy between the darkroom and the land through appropriate waste disposal processes, that allow for chemical waste to be composted and used as fertiliser, she approaches the practice of photography as a process of contaminations and encounters, trying to learn how to better live and die together.",{"type":14,"version":4,"children":1105},[1106],{"text":1107,"type":19,"version":4},"Benedetta graduated with a BA in Photography from the University of Brighton (2016) and with an MA in Art History and Museum Curating with Photography from the University of Sussex (2019). In the past years she has regularly engaged with the teachings and knowledge on ecological practices shared by The Sustainable Darkroom and Curioso Lab. Currently, she is part of the cohort of the postgraduate programme Alternative Ecologies with the Institute for Postnatural Studies (2026-2027).",{"type":14,"version":4,"children":1109},[1110],{"text":1111,"type":19,"version":4},"She is the winner of the Luigi Ghirri Award (2024) and the FE+SK Book Award (2024), and received a special mention from the jury at the 13th edition of the Francesco Fabbri Prize. Her first book, All Things Laid Dormant (Skinnerboox, 2024), is a finalist in the Arles Authors Book Award and the Singapore International Photography Festival Book Award, and has received the special mention of the Marco Bastianelli Photobook Award (2025). Her work has been exhibited in national and international institutions, including Photo Ireland (Dublin, 2019), 副本 INSTANCE (Shanghai, 2021), Fotografia Europea (Reggio Emilia, 2024), Photo Brussels (2024), PhMuseum Days (2024), the Italian Institute of Culture Stockholm (2025), Prague Photo Festival (2025), L’Imagerie Centre d’Arte (2025), Triennale (Milan, 2025) and Almanac (Turin, 2026).","ltr","benedettacasagrande@proton.me",12444,"https://benedettacasagrande.info/","https://www.instagram.com/benedetta_casagrande/","Benedetta","Casagrande",[99,220,229,231],[],[471,481],[1123,477,1124,1125],15,6,18,[1127,1128,1129,224],30,31,24,"1993","Milan","Italy",[1134],1455,[],[1137],54,[1139],16,545,[],[],[],{"docs":1145,"hasNextPage":153},[],{"docs":1147,"hasNextPage":153},[],"2026-10-09T09:43:27.959Z","2026-03-26T15:08:43.214Z","benedettacasagrande@gmail.com",[],"internal",[1154],{"mode":17,"text":1090,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1156,"type":912,"value":1157,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa486a617045aa261bc07",{"id":1158,"alt":1159,"originalUrl":20,"uploaded_by":1092,"updatedAt":1160,"createdAt":1161,"url":1162,"thumbnailURL":20,"filename":1163,"mimeType":163,"filesize":1164,"width":1165,"height":1166,"focalX":167,"focalY":167,"sizes":1167},16926,"Artwork by Benedetta Casagrande","2026-10-14T15:49:52.623Z","2026-10-14T15:49:25.126Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer.webp","Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer.webp",153154,911,1220,{"thumb":1168,"medium":1173,"large":1174},{"url":1169,"width":171,"height":1170,"mimeType":163,"filesize":1171,"filename":1172},"https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer-300x402.webp",402,24858,"Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer-300x402.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1176,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1178,"direction":20,"textStyle":10,"textFormat":11},[1179],{"mode":17,"text":1180,"type":19,"style":10,"detail":11,"format":11,"version":4},"Casagrande explores interspecies relationships through photography, writing and sculpture. For the exhibition, she presents silver gelatin prints developed using foraged plant matter, alongside ceramic sculptures incorporating reclaimed silver from spent darkroom chemistry.",{"type":14,"format":10,"indent":11,"version":4,"children":1182,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1184,"direction":20},[1185],{"id":1186,"type":90,"fields":1187,"format":10,"indent":11,"version":95,"children":1237,"direction":20},"6acfa90fa617045aa261bc0f",{"doc":1188,"linkType":1152},{"label":1189,"value":1190,"relationTo":248},"Diana Lelonek",{"id":529,"profile_types":1191,"is_member":153,"name":1189,"slug":1192,"archived":153,"created_on":1193,"updated_on":1194,"published_on":1194,"biography":1195,"e_mail":1210,"profile_image":1211,"website":10,"instagram":10,"first_name":1212,"last_name":1213,"kind_of_profile":218,"tags_profession":1214,"tags_identity":1215,"tags_location":1217,"tags_practice":1218,"tags_topics":1219,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":1220,"member_additional":1222,"corresponding_art_projects":1223,"corresponding_selected_year":1225,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1227,"curation_reference":1228,"past_member":20,"approved_courses":1229,"tutor_courses":1230,"guest_expert_courses":1232,"updatedAt":1234,"createdAt":1235,"email":1210,"collection":248,"sessions":1236},[198],"diana-lelonek","Mon Oct 14 2024 13:29:58 GMT+0000 (Coordinated Universal Time)","Fri Oct 03 2025 12:11:10 GMT+0000 (Coordinated Universal Time)",{"root":1196},{"type":9,"format":10,"indent":11,"version":4,"children":1197},[1198,1202,1206],{"type":14,"version":4,"children":1199},[1200],{"text":1201,"type":19,"version":4},"Diana Lelonek (b. 1988) graduated from the Faculty of Multimedia Communication at the University of Arts in Poznań. Her practice is based on photography combined with other media. She is interested in activities related to BioArt.",{"type":14,"version":4,"children":1203},[1204],{"text":1205,"type":19,"version":4},"Lelonek won several international competitions, among others: Show Off during the Kraków Photomonth Festival and ReGeneration 3 at the Musée de l’Elysée in Switzerland. Her works appear, among others, in the collection of the Museum of Photography in Lausanne, Center of the Contemporary Art in Warsaw etc",{"type":14,"version":4,"children":1207},[1208],{"text":1209,"type":19,"version":4},"‍","dianalelonek@gmail.com",3128,"Diana","Lelonek",[220],[222,1216],7,[1125,480],[99],[1127,224],[1221],1458,[],[1224],139,[1226],44,[],[],[],{"docs":1231,"hasNextPage":153},[],{"docs":1233,"hasNextPage":153},[],"2026-10-16T14:57:18.771Z","2026-03-26T15:09:59.081Z",[],[1238],{"mode":17,"text":1189,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1240,"type":912,"value":1241,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa5bca617045aa261bc09",{"id":1242,"alt":1243,"originalUrl":20,"uploaded_by":529,"updatedAt":1244,"createdAt":1245,"url":1246,"thumbnailURL":20,"filename":1247,"mimeType":163,"filesize":1248,"width":1249,"height":1250,"focalX":167,"focalY":167,"sizes":1251},16929,"Artwork by Diana Leonel","2026-10-14T15:54:35.859Z","2026-10-14T15:54:34.860Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Screenshot%202026-07-23%20at%2012.20.27.webp","Screenshot 2026-07-23 at 12.20.27.webp",140382,966,1237,{"thumb":1252,"medium":1257,"large":1258},{"url":1253,"width":171,"height":1254,"mimeType":163,"filesize":1255,"filename":1256},"https://futures-backend-unstated-int.vercel.app/api/media/file/Screenshot%202026-07-23%20at%2012.20.27-300x384.webp",384,21522,"Screenshot 2026-07-23 at 12.20.27-300x384.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1260,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1262,"direction":20,"textStyle":10,"textFormat":11},[1263],{"mode":17,"text":1264,"type":19,"style":10,"detail":11,"format":11,"version":4},"Lelonek examines relationships between humans and other species, responding to overproduction and environmental change. Her work includes cyanotypes made through extended solar exposures and unfixed anthotypes created using pigments gathered from plants growing in an urban nature reserve.",{"type":14,"format":10,"indent":11,"version":4,"children":1266,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1268,"direction":20},[1269],{"id":1270,"type":90,"fields":1271,"format":10,"indent":11,"version":95,"children":1319,"direction":20},"6acfa91ba617045aa261bc10",{"doc":1272,"linkType":1152},{"label":1273,"value":1274,"relationTo":248},"Santiago Martinez Benedetti",{"id":1275,"profile_types":1276,"is_member":153,"name":1273,"slug":1277,"archived":153,"created_on":1278,"updated_on":1279,"published_on":1280,"biography":1281,"e_mail":1288,"profile_image":1289,"website":1290,"instagram":1291,"first_name":1292,"last_name":1293,"kind_of_profile":218,"tags_profession":1294,"tags_identity":1296,"tags_location":1297,"tags_practice":1299,"tags_topics":1300,"born_in":1302,"street_address":20,"city":1303,"country":20,"corresponding_member":1304,"member_additional":1306,"corresponding_art_projects":1307,"corresponding_selected_year":1308,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1309,"curation_reference":1310,"past_member":20,"approved_courses":1311,"tutor_courses":1312,"guest_expert_courses":1314,"updatedAt":1316,"createdAt":1317,"email":1288,"collection":248,"sessions":1318},1412,[198],"santiago-martinez-benedetti","Sun Feb 01 2026 15:02:59 GMT+0000 (Coordinated Universal Time)","Wed Mar 04 2026 14:18:11 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:04:00 GMT+0000 (Coordinated Universal Time)",{"root":1282},{"type":9,"format":10,"indent":11,"version":4,"children":1283},[1284],{"type":14,"version":4,"children":1285},[1286],{"text":1287,"type":19,"version":4},"I was born in Cali, Colombia, and moved to Switzerland at the age of four. My early interest in photography emerged through BMX culture, shaped by a raw, spontaneous, and DIY mindset.  This curiosity led me to study photography at ECAL, in Lausanne where I got a Bachelor in Photography in 2020.\r\n\r\nSince then, I have worked across different fields of photography, balancing applied practice with the development of a personal artistic body of work. In 2024, following a residency as part of the Verzasca Foto Festival, I initiated the project Torbola 31, which marked a turning point in my artistic practice. The project combines the DIY, instinctive heritage of my beginnings with a more structured and conceptual approach. It was awarded the Swiss Design Awards in 2025.\r\n\r\nAlongside my artistic work, I founded Siestaaa Papers, my own publishing house dedicated to collaborations with other artists and designers.","hello@santiagomartinez.ch",14261,"https://santiagomartinez.ch/","instagram.com/santiagezmartino/","Santiago","Martinez Benedetti",[99,220,1295],10,[228,477],[226,1298],27,[1216,1123],[1301],34,"1996","Lausanne",[1305],1456,[],[],[474],[],[],[],{"docs":1313,"hasNextPage":153},[],{"docs":1315,"hasNextPage":153},[],"2026-10-06T14:41:45.508Z","2026-06-19T14:39:29.398Z",[],[1320],{"mode":17,"text":1273,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1322,"type":912,"value":1323,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa660a617045aa261bc0b",{"id":1324,"alt":1325,"originalUrl":20,"uploaded_by":1275,"updatedAt":1326,"createdAt":1327,"url":1328,"thumbnailURL":20,"filename":1329,"mimeType":163,"filesize":1330,"width":1331,"height":288,"focalX":167,"focalY":167,"sizes":1332},16931,"Artwork by Santiago Martinez Benedetti","2026-10-14T15:57:20.588Z","2026-10-14T15:57:19.586Z","https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56.webp","year2_56.webp",202586,1771,{"thumb":1333,"medium":1338,"large":1343},{"url":1334,"width":171,"height":1335,"mimeType":163,"filesize":1336,"filename":1337},"https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56-300x423.webp",423,7452,"year2_56-300x423.webp",{"url":1339,"width":177,"height":1340,"mimeType":163,"filesize":1341,"filename":1342},"https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56-1200x1694.webp",1694,97214,"year2_56-1200x1694.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1345,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1347,"direction":20,"textStyle":10,"textFormat":11},[1348],{"mode":17,"text":1349,"type":19,"style":10,"detail":11,"format":11,"version":4},"Martinez Benedetti investigates the material and technical possibilities of photography. His work includes black-and-white prints made using a self-built camera transported by bicycle across alpine trails, with physical strain and technical limitations becoming part of the process.",{"type":14,"format":10,"indent":11,"version":4,"children":1351,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1353,"direction":20},[1354],{"id":1355,"type":90,"fields":1356,"format":10,"indent":11,"version":95,"children":1405,"direction":20},"6acfa928a617045aa261bc11",{"doc":1357,"linkType":1152},{"label":1358,"value":1359,"relationTo":248},"Laure Winants",{"id":1360,"profile_types":1361,"is_member":153,"name":1358,"slug":1362,"archived":153,"created_on":1363,"updated_on":1364,"published_on":1364,"biography":1365,"e_mail":1376,"profile_image":1377,"website":10,"instagram":10,"first_name":1378,"last_name":1379,"kind_of_profile":218,"tags_profession":1380,"tags_identity":1381,"tags_location":1382,"tags_practice":1384,"tags_topics":1385,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":1386,"member_additional":1388,"corresponding_art_projects":1389,"corresponding_selected_year":1391,"reference_residency":1393,"date_of_residency":1394,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1395,"curation_reference":1396,"past_member":20,"approved_courses":1397,"tutor_courses":1398,"guest_expert_courses":1400,"updatedAt":1402,"createdAt":1403,"email":1376,"collection":248,"sessions":1404},989,[198],"laure-winants","Mon Oct 14 2024 13:30:30 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:46:24 GMT+0000 (Coordinated Universal Time)",{"root":1366},{"type":9,"format":10,"indent":11,"version":4,"children":1367},[1368,1372],{"type":14,"version":4,"children":1369},[1370],{"text":1371,"type":19,"version":4},"Laure Winants is a researcher and field-based visual artist (BE, FR). Winants set up her artist’s studio in the heart of the Arctic ice pack. Embarked on a four-month polar expedition, she joined a team of multidisciplinary researchers to understand the evolution of this vast territory, where man is only a tiny part of life. Immersed in this white desert, she uses techniques developed specifically to capture the optical and luminous phenomena unique to the region. Using environmental sensors, the interaction of matter itself has become the creator of the work, putting human intervention to one side. Laure Winants makes this data tangible and emotionally perceptible, highlighting the interdependence of ecosystems and creating encounters in more-than-human temporalities. In this way, the artist creates a dialogue between art, the natural sciences, and technology.",{"type":14,"version":4,"children":1373},[1374],{"text":1375,"type":19,"version":4},"Laure has exhibited her work internationally in Berlin (DE), Reykjavik (IS), Brussels (BE), Paris (FR), and soon in Stockholm (SE), Luxembourg (LU), and Osaka (JP). Her work has entered the collection of several foundations, such as the Fondation des Arts du Luxembourg and the Palais de Liège (BE).","laurewinants@gmail.com",12585,"Laure","Winants",[220,1295],[222],[226,1383,225],51,[1216,99],[1127,1129],[1387],1306,[],[1390],782,[1392],38,529,"01/05/2025",[],[],[],{"docs":1399,"hasNextPage":153},[],{"docs":1401,"hasNextPage":153},[],"2026-10-14T19:06:59.916Z","2026-03-26T15:15:50.784Z",[],[1406],{"mode":17,"text":1358,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1408,"type":912,"value":1409,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa691a617045aa261bc0c",{"id":1410,"alt":1411,"originalUrl":20,"uploaded_by":1360,"updatedAt":1412,"createdAt":1413,"url":1414,"thumbnailURL":20,"filename":1415,"mimeType":163,"filesize":1416,"width":1417,"height":1418,"focalX":167,"focalY":167,"sizes":1419},16932,"Artwork by Laure Winants","2026-10-14T15:58:09.613Z","2026-10-14T15:58:08.305Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Laure%20Winants.%20Time%20Caspule%20series.webp","Laure Winants. Time Caspule series.webp",11852,848,1204,{"thumb":1420,"medium":1425,"large":1426},{"url":1421,"width":171,"height":1422,"mimeType":163,"filesize":1423,"filename":1424},"https://futures-backend-unstated-int.vercel.app/api/media/file/Laure%20Winants.%20Time%20Caspule%20series-300x426.webp",426,2848,"Laure Winants. Time Caspule series-300x426.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1428,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1430,"direction":20,"textStyle":10,"textFormat":11},[1431],{"mode":17,"text":1432,"type":19,"style":10,"detail":11,"format":11,"version":4},"Winants works at the intersection of art and scientific research, investigating fragile ecosystems and environmental processes. Her practice explores phenomena such as air bubbles trapped in polar ice through photographic methods responsive to light and material conditions.",{"type":14,"format":10,"indent":11,"version":4,"children":1434,"direction":20,"textStyle":10,"textFormat":11},[],{"type":938,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1437,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1440,"direction":20},"h3",[1441],{"mode":17,"text":1442,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE CURATOR",{"type":14,"format":10,"indent":11,"version":4,"children":1444,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1446,"direction":20},[1447],{"mode":17,"text":1448,"type":19,"style":10,"detail":11,"format":4,"version":4},"Julia Rajacic",{"type":14,"format":10,"indent":11,"version":4,"children":1450,"direction":20,"textStyle":10,"textFormat":11},[1451],{"mode":17,"text":1452,"type":19,"style":10,"detail":11,"format":11,"version":4},"Independent curator and founder of Jardino",{"id":1454,"type":912,"value":1455,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa705a617045aa261bc0d",{"id":1456,"alt":1457,"originalUrl":20,"uploaded_by":20,"updatedAt":1458,"createdAt":1459,"url":1460,"thumbnailURL":20,"filename":1461,"mimeType":163,"filesize":1462,"width":1463,"height":1464,"focalX":167,"focalY":167,"sizes":1465},16933,"Portrait of Julia Rajacic","2026-10-14T16:00:05.054Z","2026-10-14T16:00:03.881Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi.webp","Portrait Futures 150dpi.webp",166238,2043,1907,{"thumb":1466,"medium":1471,"large":1476},{"url":1467,"width":171,"height":1468,"mimeType":163,"filesize":1469,"filename":1470},"https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi-300x280.webp",280,5132,"Portrait Futures 150dpi-300x280.webp",{"url":1472,"width":177,"height":1473,"mimeType":163,"filesize":1474,"filename":1475},"https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi-1200x1120.webp",1120,68982,"Portrait Futures 150dpi-1200x1120.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1478,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1480,"direction":20,"textStyle":10,"textFormat":11},[1481],{"mode":17,"text":1482,"type":19,"style":10,"detail":11,"format":11,"version":4},"Julia Rajacic works at the intersection of art, ecology and community-based practices, exploring how culture can open new sensory, ethical and imaginative pathways towards ecological transition.",{"type":14,"format":10,"indent":11,"version":4,"children":1484,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1486,"direction":20,"textStyle":10,"textFormat":11},[1487],{"mode":17,"text":1488,"type":19,"style":10,"detail":11,"format":11,"version":4},"Her commitment to eco-design informs her curatorial practice, with attention to environmental impact across the different stages of exhibition-making, from travel and shipping to material selection and staging.",{"type":14,"format":10,"indent":11,"version":4,"children":1490,"direction":20,"textStyle":10,"textFormat":11},[1491,1492],{"type":463,"version":4},{"mode":17,"text":1493,"type":19,"style":10,"detail":11,"format":11,"version":4},"For The Ecology of Movement, Rajacic brings together five photographic practices that approach ecological limits as a generative force, considering how environmental responsibility can become integral to artistic practice rather than an external constraint.",{"type":14,"format":10,"indent":11,"version":4,"children":1495,"direction":20,"textStyle":10,"textFormat":11},[],{"id":1497,"type":912,"value":1498,"fields":20,"format":10,"version":95,"relationTo":934},"6acfbbdba617045aa261bc18",{"id":1499,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":1500,"createdAt":1501,"url":1502,"thumbnailURL":20,"filename":1503,"mimeType":163,"filesize":1504,"width":862,"height":1505,"focalX":167,"focalY":167,"sizes":1506},16934,"2026-10-14T17:28:59.106Z","2026-10-14T17:28:58.057Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape.webp","Website_Cover_Landscape.webp",175628,2250,{"thumb":1507,"medium":1512,"large":1517},{"url":1508,"width":171,"height":1509,"mimeType":163,"filesize":1510,"filename":1511},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-300x225.webp",225,4392,"Website_Cover_Landscape-300x225.webp",{"url":1513,"width":177,"height":1514,"mimeType":163,"filesize":1515,"filename":1516},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-1200x900.webp",900,38248,"Website_Cover_Landscape-1200x900.webp",{"url":1518,"width":183,"height":297,"mimeType":163,"filesize":1519,"filename":1520},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-2400x1800.webp",117060,"Website_Cover_Landscape-2400x1800.webp",{"type":14,"format":10,"indent":11,"version":4,"children":1522,"direction":20,"textStyle":10,"textFormat":4},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1524,"direction":20},[1525],{"mode":17,"text":1526,"type":19,"style":10,"detail":11,"format":4,"version":4},"PUBLIC PROGRAMME",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1528,"direction":20},[1529],{"mode":17,"text":1530,"type":19,"style":10,"detail":11,"format":4,"version":4},"Conversations, experimentation and collective exchange",{"type":14,"format":10,"indent":11,"version":4,"children":1532,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1534,"direction":20,"textStyle":10,"textFormat":11},[1535],{"mode":17,"text":1536,"type":19,"style":10,"detail":11,"format":11,"version":4},"Developed by FUTURES in collaboration with members of its network and invited partners, the public programme brings together artists, curators and institutions to consider ecology in relation to image-making, technology, territories, visual literacy and cultural production.",{"type":14,"format":10,"indent":11,"version":4,"children":1538,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1540,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1542,"direction":20},[1543],{"mode":17,"text":1544,"type":19,"style":10,"detail":11,"format":4,"version":4},"Climate Conscious: What Can Art Do About Climate Change?",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1546,"direction":20},[1547],{"mode":17,"text":1548,"type":19,"style":10,"detail":11,"format":4,"version":4},"Hosted by  FUTURES and FEDORA",{"type":14,"format":10,"indent":11,"version":4,"children":1550,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1552,"direction":20,"textStyle":10,"textFormat":11},[1553],{"mode":17,"text":1554,"type":19,"style":10,"detail":11,"format":11,"version":4},"Bringing photography, opera and dance into conversation, this event considers what art can contribute to discussions about climate change. It asks what art can do that science or politics cannot, what we expect from artists, and how European cultural networks might contribute.",{"type":14,"format":10,"indent":11,"version":4,"children":1556,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1558,"direction":20,"textStyle":10,"textFormat":4},[1559],{"mode":17,"text":1560,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 10:30–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1562,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1564,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1566,"direction":20},[1567],{"mode":17,"text":1568,"type":19,"style":10,"detail":11,"format":4,"version":4},"Opening Up Reality",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1570,"direction":20},[1571],{"mode":17,"text":1572,"type":19,"style":10,"detail":11,"format":4,"version":4},"Lecture by Zied Ben Romdhane | Hosted by FUTURES in collaboration with Magnum Photos",{"type":14,"format":10,"indent":11,"version":4,"children":1574,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1576,"direction":20,"textStyle":10,"textFormat":11},[1577],{"mode":17,"text":1578,"type":19,"style":10,"detail":11,"format":11,"version":4},"Magnum photographer Zied Ben Romdhane examines the role of documentary photography in understanding climate-related issues. The lecture considers how photography can reveal the effects of environmental change on lives, relationships and identities beyond what can be conveyed through measurable data.",{"type":14,"format":10,"indent":11,"version":4,"children":1580,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1582,"direction":20,"textStyle":10,"textFormat":4},[1583],{"mode":17,"text":1584,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 15:00–17:00",{"type":14,"format":10,"indent":11,"version":4,"children":1586,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1588,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1590,"direction":20},[1591],{"mode":17,"text":1592,"type":19,"style":10,"detail":11,"format":4,"version":4},"Opening gathering",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1594,"direction":20},[1595],{"mode":17,"text":1596,"type":19,"style":10,"detail":11,"format":4,"version":4},"Featuring the launch of the FUTURES Special Edition of Fotograf magazine",{"type":14,"format":10,"indent":11,"version":4,"children":1598,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1600,"direction":20,"textStyle":10,"textFormat":11},[1601],{"mode":17,"text":1602,"type":19,"style":10,"detail":11,"format":11,"version":4},"An opportunity to meet artists, curators, partners and members of the photography community. The gathering includes the launch of the FUTURES Special Edition Occupy Time, presented alongside Fotograf magazine’s 50th issue, Authenticity.",{"type":14,"format":10,"indent":11,"version":4,"children":1604,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1606,"direction":20,"textStyle":10,"textFormat":222},[1607],{"mode":17,"text":1608,"type":19,"style":10,"detail":11,"format":222,"version":4},"Community Get-Together, co-hosted with Der Greif.",{"type":14,"format":10,"indent":11,"version":4,"children":1610,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1612,"direction":20,"textStyle":10,"textFormat":4},[1613],{"mode":17,"text":1614,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 17:30–22:00",{"type":14,"format":10,"indent":11,"version":4,"children":1616,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1618,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1620,"direction":20},[1621],{"mode":17,"text":1622,"type":19,"style":10,"detail":11,"format":4,"version":4},"Curating Photography under Algorithmic Conditions",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1624,"direction":20},[1625],{"mode":17,"text":1626,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Haus der Photographie, Deichtorhallen Hamburg",{"type":14,"format":10,"indent":11,"version":4,"children":1628,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1630,"direction":20,"textStyle":10,"textFormat":11},[1631],{"mode":17,"text":1632,"type":19,"style":10,"detail":11,"format":11,"version":4},"Nadine Isabelle Henrich, Senior Curator at Haus der Photographie, Deichtorhallen Hamburg; Marco de Mutiis, Digital Curator at Fotomuseum Winterthur; Mona Schubert, Curator at FOTO ARSENAL WIEN; and artist and researcher Sheung Yiu discuss how photographic institutions are rethinking curatorial and learning formats in response to algorithmic visual cultures and attention economies.",{"type":14,"format":10,"indent":11,"version":4,"children":1634,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1636,"direction":20,"textStyle":10,"textFormat":11},[1637],{"mode":17,"text":1638,"type":19,"style":10,"detail":11,"format":11,"version":4},"The panel is followed by Sheung Yiu’s live desktop lecture performance, I Asked the Magical Machine.",{"type":14,"format":10,"indent":11,"version":4,"children":1640,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1642,"direction":20,"textStyle":10,"textFormat":4},[1643],{"mode":17,"text":1644,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 10:30–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1646,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1648,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1650,"direction":20},[1651,1653,1655],{"mode":17,"text":1652,"type":19,"style":10,"detail":11,"format":4,"version":4},"BOOK",{"mode":17,"text":1654,"type":19,"style":10,"detail":11,"format":95,"version":4},"TALKS",{"mode":17,"text":1656,"type":19,"style":10,"detail":11,"format":4,"version":4}," in Paris",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1658,"direction":20},[1659],{"mode":17,"text":1660,"type":19,"style":10,"detail":11,"format":4,"version":4},"With FOTODOK",{"type":14,"format":10,"indent":11,"version":4,"children":1662,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1664,"direction":20,"textStyle":10,"textFormat":11},[1665,1667,1669],{"mode":17,"text":1666,"type":19,"style":10,"detail":11,"format":11,"version":4},"FOTODOK brings a special Paris edition of its live talk show dedicated to the stories behind photobooks. Hosted by photographer and educator Giya Makondo-Wills, the event brings photographers, designers and publishers together to discuss how their books came to life. It accompanies FOTODOK’s exhibition ",{"mode":17,"text":1668,"type":19,"style":10,"detail":11,"format":222,"version":4},"A Wider Gaze",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},".",{"type":14,"format":10,"indent":11,"version":4,"children":1672,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1674,"direction":20,"textStyle":10,"textFormat":4},[1675],{"mode":17,"text":1676,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 16:00–17:30",{"type":14,"format":10,"indent":11,"version":4,"children":1678,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1680,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1682,"direction":20},[1683],{"mode":17,"text":1684,"type":19,"style":10,"detail":11,"format":4,"version":4},"SUSTENTAR: Photography and Regenerative Practices",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1686,"direction":20},[1687],{"mode":17,"text":1688,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Ci.CLO – Plataforma de Fotografia",{"type":14,"format":10,"indent":11,"version":4,"children":1690,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1692,"direction":20,"textStyle":10,"textFormat":11},[1693],{"mode":17,"text":1694,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ci.CLO presents SUSTENTAR, a programme of artistic laboratories connecting artists with territories, communities and scientists. Artistic director Virgílio Ferreira introduces projects by Joana Dionísio, Gonçalo C. Silva, Catarina Braga and Carlos Trancoso. Their presentations are followed by a conversation about regenerative approaches to the relationships between people, territories and living systems.",{"type":14,"format":10,"indent":11,"version":4,"children":1696,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1698,"direction":20,"textStyle":10,"textFormat":4},[1699],{"mode":17,"text":1700,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 18:00–20:00",{"type":14,"format":10,"indent":11,"version":4,"children":1702,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1704,"direction":20},[1705],{"mode":17,"text":1706,"type":19,"style":10,"detail":11,"format":4,"version":4},"The Ecology of Movement: Julia Rajacic in conversation with the artists",{"type":14,"format":10,"indent":11,"version":4,"children":1708,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1710,"direction":20,"textStyle":10,"textFormat":11},[1711],{"mode":17,"text":1712,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curator Julia Rajacic joins the five exhibiting artists to discuss what it means to work within ecological limits. The conversation explores the methods, choices and compromises behind their practices, and how constraints can become a source of new images, processes and forms of knowledge.",{"type":14,"format":10,"indent":11,"version":4,"children":1714,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1716,"direction":20,"textStyle":10,"textFormat":4},[1717],{"mode":17,"text":1718,"type":19,"style":10,"detail":11,"format":4,"version":4},"Saturday, 14 November | 11:00–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1720,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1722,"direction":20},[1723],{"mode":17,"text":1724,"type":19,"style":10,"detail":11,"format":4,"version":4},"Braiding Indigeneity: A Collective Editing Workshop",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1726,"direction":20},[1727],{"mode":17,"text":1728,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Der Greif",{"type":14,"format":10,"indent":11,"version":4,"children":1730,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1732,"direction":20,"textStyle":10,"textFormat":11},[1733],{"mode":17,"text":1734,"type":19,"style":10,"detail":11,"format":11,"version":4},"Part of Der Greif’s I Am, Because of You, Mother Earth, Issue 19, guest-edited by Zanele Muholi, this participatory workshop invites photographers and visual storytellers to reconsider how images shape understandings of identity, land and relational memory.",{"type":14,"format":10,"indent":11,"version":4,"children":1736,"direction":20,"textStyle":10,"textFormat":11},[1737],{"mode":17,"text":1738,"type":19,"style":10,"detail":11,"format":11,"version":4},"Moderated by Caroline von Courten and Ilaria Sponda, the workshop is open to spectators.",{"type":14,"format":10,"indent":11,"version":4,"children":1740,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1742,"direction":20,"textStyle":10,"textFormat":4},[1743],{"mode":17,"text":1744,"type":19,"style":10,"detail":11,"format":4,"version":4},"Saturday, 14 November | 17:00–20:00",[],"2026-10-16T06:52:39.682Z","2026-10-12T10:34:48.555Z",{"relationTo":849,"value":1749},{"id":1750,"name":1751,"slug":1752,"archived":20,"created_on":20,"updated_on":20,"published_on":1753,"event_thumbnail":1754,"begin_date":1780,"end_date":1781,"location":1782,"magnum_event":20,"host_event":20,"event_text":1783,"link_to_tickets":1876,"link_for_more_info":20,"related_member":1880,"online_event":20,"open_for_application":20,"meta_description":20,"updatedAt":1881,"createdAt":1882},148,"Open Studio with Sheung Yiu","workshop-and-open-studio-with-sheung-yiu","2026-07-10T12:00:00.000Z",{"id":1755,"alt":20,"originalUrl":20,"uploaded_by":1756,"updatedAt":1757,"createdAt":1758,"url":1759,"thumbnailURL":20,"filename":1760,"mimeType":163,"filesize":1761,"width":1762,"height":1763,"focalX":167,"focalY":167,"sizes":1764},16237,1209,"2026-10-05T10:06:39.834Z","2026-10-05T10:06:38.597Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023).webp","Fortune In My Thirties (2023).webp",829064,2993,3899,{"thumb":1765,"medium":1770,"large":1775},{"url":1766,"width":171,"height":1767,"mimeType":163,"filesize":1768,"filename":1769},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-300x391.webp",391,14608,"Fortune In My Thirties (2023)-300x391.webp",{"url":1771,"width":177,"height":1772,"mimeType":163,"filesize":1773,"filename":1774},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-1200x1563.webp",1563,187938,"Fortune In My Thirties (2023)-1200x1563.webp",{"url":1776,"width":183,"height":1777,"mimeType":163,"filesize":1778,"filename":1779},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-2400x3126.webp",3126,605238,"Fortune In My Thirties (2023)-2400x3126.webp","2026-10-28T17:30:00.000Z","2026-10-28T20:00:00.000Z","Amsterdam, Netherlands",{"root":1784},{"type":9,"format":10,"indent":11,"version":4,"children":1785,"direction":20},[1786,1803,1810,1812,1816,1820,1822,1826,1829,1833,1844,1848,1852,1856,1860,1869,1871],{"type":14,"format":546,"indent":11,"version":4,"children":1787,"direction":20,"textStyle":10,"textFormat":11},[1788,1790,1797,1799,1801],{"mode":17,"text":1789,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join us for Sheung Yiu's Open Studio, our latest resident at the ",{"id":1791,"type":90,"fields":1792,"format":10,"indent":11,"version":95,"children":1794,"direction":20},"6ac377196f1a1d08db172b1a",{"url":1793,"newTab":153,"linkType":94},"https://share.google/ktHHDmAMlS0IoxXmu",[1795],{"mode":17,"text":1796,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Hub",{"mode":17,"text":1798,"type":19,"style":10,"detail":11,"format":11,"version":4},". Sheung  will present his project \"",{"mode":17,"text":1800,"type":19,"style":10,"detail":11,"format":222,"version":4},"(Inter)Faces of Predictions",{"mode":17,"text":1802,"type":19,"style":10,"detail":11,"format":11,"version":4},"\" as part of the FUTURES Residency. ",{"type":14,"format":10,"indent":11,"version":4,"children":1804,"direction":20,"textStyle":10,"textFormat":11},[1805,1807,1809],{"mode":17,"text":1806,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme includes a Performative Desktop Lecture followed by an artist talk. In the lecture, Sheung juxtaposes schematics from Chinese face reading with contemporary facial recognition to unpack their historical trajectories and underlying logic. He presents archival materials to the webcam, obscuring and augmenting his features. This act highlights the face as an infinitely malleable interface onto which different systems forcefully impose meaning. Before and after the presentation, the space will screen the video essay ",{"mode":17,"text":1808,"type":19,"style":10,"detail":11,"format":222,"version":4},"It's a Face-eat-face World",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1811,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1813,"direction":20,"textStyle":10,"textFormat":4},[1814],{"mode":17,"text":1815,"type":19,"style":10,"detail":11,"format":4,"version":4},"About the artist:",{"type":14,"format":10,"indent":11,"version":4,"children":1817,"direction":20,"textStyle":10,"textFormat":11},[1818],{"mode":17,"text":1819,"type":19,"style":10,"detail":11,"format":11,"version":4},"Sheung Yiu (b. 1991, Hong Kong) is an image-centered artist and researcher based in Helsinki. His practice investigates emerging image-making technologies at the intersection of photography, large-scale computation, and visual culture. In his research-based practice, Yiu collaborates with multi-disciplinary experts to explore imaging practices emerging at the intersection of photography and large-scale computation. Through his dialogue with remote sensing scientists, he learned how to see the Earth from satellites. At the moment, he is looking at the history of face reading and facial recognition to understand how photographs become predictions in his project (Inter)Faces of Predictions. His works take the form of photography, video essays, desktop performance, exhibition installations, and artist books.",{"type":14,"format":10,"indent":11,"version":4,"children":1821,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1823,"direction":20,"textStyle":10,"textFormat":11},[1824],{"mode":17,"text":1825,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Contrary to the common wisdom, human tends to 'judge a book by its cover.' Across Eastern and Western cultures, society has developed ways to predict a person's character through facial features. In East Asian cultures, the esoteric practice of face-reading promises the power to see into one's future through facial analysis. Though face reading remains largely a folk belief, many continue to seek the occult power of predictions from face readers. In the West, the forgotten pseudo-science of physiognomy, combined with statistics and machine learning, re-enters our modern lives as facial recognition algorithms, where societal biases and individual prejudices continue perpetuating.” - Sheung Yiu",{"type":14,"format":546,"indent":11,"version":4,"children":1827,"direction":20,"textStyle":10,"textFormat":11},[1828],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":1830,"direction":20,"textStyle":10,"textFormat":4},[1831],{"mode":17,"text":1832,"type":19,"style":10,"detail":11,"format":4,"version":4},"Event details‍‍:",{"type":14,"format":546,"indent":11,"version":4,"children":1834,"direction":20,"textStyle":10,"textFormat":4},[1835,1836,1838,1840,1842,1843],{"type":463,"version":4},{"mode":17,"text":1837,"type":19,"style":10,"detail":11,"format":4,"version":4},"28",{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":11,"version":4}," ",{"mode":17,"text":1841,"type":19,"style":10,"detail":11,"format":4,"version":4},"October",{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":251,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":1845,"direction":20,"textStyle":10,"textFormat":11},[1846],{"mode":17,"text":1847,"type":19,"style":10,"detail":11,"format":11,"version":4},"Open Studio: 17:30 - 20:00 ",{"type":14,"format":546,"indent":11,"version":4,"children":1849,"direction":20,"textStyle":10,"textFormat":11},[1850],{"mode":17,"text":1851,"type":19,"style":10,"detail":11,"format":11,"version":4},"17:30 - 18:00 | Walk-in",{"type":14,"format":546,"indent":11,"version":4,"children":1853,"direction":20,"textStyle":10,"textFormat":11},[1854],{"mode":17,"text":1855,"type":19,"style":10,"detail":11,"format":11,"version":4},"18:00 - 18:30 | Performative Desktop Lecture",{"type":14,"format":546,"indent":11,"version":4,"children":1857,"direction":20,"textStyle":10,"textFormat":11},[1858],{"mode":17,"text":1859,"type":19,"style":10,"detail":11,"format":11,"version":4},"18:30 - 19:00 | artist talk",{"type":14,"format":546,"indent":11,"version":4,"children":1861,"direction":20,"textStyle":10,"textFormat":11},[1862,1863],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1864,"type":90,"fields":1865,"format":10,"indent":11,"version":95,"children":1866,"direction":20},"6ac382766f1a1d08db172b21",{"url":1793,"newTab":93,"linkType":94},[1867],{"mode":17,"text":1868,"type":19,"style":10,"detail":11,"format":4,"version":4},"FUTURES Hub, Isaac Titsinghkade 6, 1018 CA Amsterdam",{"type":14,"format":546,"indent":11,"version":4,"children":1870,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1872,"direction":20,"textStyle":10,"textFormat":11},[1873],{"id":1874,"type":90,"fields":1875,"format":10,"indent":11,"version":95,"children":1877,"direction":20},"6acce7e1e54a7e3023df5890",{"url":1876,"newTab":93,"linkType":94},"https://forms.gle/DzXwLiyFfknkyxhJ9",[1878],{"mode":17,"text":1879,"type":19,"style":10,"detail":11,"format":11,"version":4},"Please RSVP here",[],"2026-10-12T14:02:32.033Z","2026-10-05T10:56:15.714Z",{"relationTo":849,"value":1884},{"id":1885,"name":1886,"slug":1887,"archived":153,"created_on":20,"updated_on":20,"published_on":1888,"event_thumbnail":1889,"begin_date":1910,"end_date":1911,"location":1912,"magnum_event":20,"host_event":153,"event_text":1913,"link_to_tickets":20,"link_for_more_info":20,"related_member":1955,"online_event":20,"open_for_application":20,"meta_description":20,"updatedAt":2033,"createdAt":2034},147,"Metamorphosis opens at Capa Center","metamorphosis-openst-at-capa-center","2026-05-10T12:00:00.000Z",{"id":1890,"alt":20,"originalUrl":20,"uploaded_by":1891,"updatedAt":1892,"createdAt":1893,"url":1894,"thumbnailURL":20,"filename":1895,"mimeType":163,"filesize":1896,"width":1897,"height":177,"focalX":167,"focalY":167,"sizes":1898},16236,824,"2026-10-05T09:53:31.771Z","2026-10-05T09:53:30.823Z","https://futures-backend-unstated-int.vercel.app/api/media/file/012.webp","012.webp",243130,1500,{"thumb":1899,"medium":1904,"large":1909},{"url":1900,"width":171,"height":1901,"mimeType":163,"filesize":1902,"filename":1903},"https://futures-backend-unstated-int.vercel.app/api/media/file/012-300x240.webp",240,9612,"012-300x240.webp",{"url":1905,"width":177,"height":1906,"mimeType":163,"filesize":1907,"filename":1908},"https://futures-backend-unstated-int.vercel.app/api/media/file/012-1200x960.webp",960,156798,"012-1200x960.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"2026-10-06T18:00:00.000Z","2027-01-17T18:00:00.000Z","Budapest",{"root":1914},{"type":9,"format":10,"indent":11,"version":4,"children":1915,"direction":20},[1916,1920,1922,1926,1928,1932,1934,1938,1942,1946],{"type":14,"format":10,"indent":11,"version":4,"children":1917,"direction":20,"textStyle":10,"textFormat":11},[1918],{"mode":17,"text":1919,"type":19,"style":10,"detail":11,"format":11,"version":4},"Personal, social and environmental, this group exhibition traces transformation through diverse visual languages that reflect the tensions shaping our time.",{"type":14,"format":10,"indent":11,"version":4,"children":1921,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1923,"direction":20,"textStyle":10,"textFormat":11},[1924],{"mode":17,"text":1925,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Emese Mucsi, the Metamorphosis exhibition at Capa Center will feature FUTURES selected artists Claudia Amatruda, Máté Bartha, Marcus Gustafsson, Vitalii Halanzha, Zoe Hamill, Emilia Martin, Anna Orłowska, Constantin Schlachter and Balázs Turós.",{"type":14,"format":10,"indent":11,"version":4,"children":1927,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1929,"direction":20,"textStyle":10,"textFormat":11},[1930],{"mode":17,"text":1931,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Where is metamorphosis taking place today, around you or further afield, where are you observing it, where are you imagining it? What metamorphic stories would you like to share? Besides the more general approaches, what are the transformational processes that characterise photography as a medium (from the development of analogue photography to the use and impact of artificial intelligence)? - Metamorphosis Curatorial Team",{"type":14,"format":10,"indent":11,"version":4,"children":1933,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1935,"direction":20,"textStyle":10,"textFormat":11},[1936],{"mode":17,"text":1937,"type":19,"style":10,"detail":11,"format":11,"version":4},"Events Details:",{"type":14,"format":10,"indent":11,"version":4,"children":1939,"direction":20,"textStyle":10,"textFormat":4},[1940],{"mode":17,"text":1941,"type":19,"style":10,"detail":11,"format":4,"version":4},"Robert Capa Contemporary Photography Center, Budapest",{"type":14,"format":10,"indent":11,"version":4,"children":1943,"direction":20,"textStyle":10,"textFormat":11},[1944],{"mode":17,"text":1945,"type":19,"style":10,"detail":11,"format":11,"version":4},"On view from 6 October 2026 – 17 January 2027",{"type":14,"format":10,"indent":11,"version":4,"children":1947,"direction":20,"textStyle":10,"textFormat":11},[1948],{"id":1949,"type":90,"fields":1950,"format":10,"indent":11,"version":95,"children":1952,"direction":20},"6ac3744d6f1a1d08db172b07",{"url":1951,"newTab":93,"linkType":94},"https://capacenter.hu/en/exhibitions/44th-hungarian-press-photo-exhibition-2/",[1953],{"mode":17,"text":1954,"type":19,"style":10,"detail":11,"format":11,"version":4},"More info here",[1956],{"id":1957,"profile_types":1958,"is_member":93,"name":1960,"slug":1961,"archived":153,"created_on":1962,"updated_on":1963,"published_on":1280,"biography":1964,"e_mail":1971,"profile_image":1972,"website":1973,"instagram":1974,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":1975,"tags_identity":1976,"tags_location":1977,"tags_practice":1978,"tags_topics":1979,"born_in":20,"street_address":10,"city":1912,"country":1980,"corresponding_member":1981,"member_additional":1982,"corresponding_art_projects":1983,"corresponding_selected_year":1984,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":1986,"curation_reference":2024,"past_member":153,"approved_courses":2025,"tutor_courses":2026,"guest_expert_courses":2028,"updatedAt":2030,"createdAt":2031,"email":1971,"collection":248,"sessions":2032},1319,[1959],"member","Robert Capa Contemporary Photography Center ","capa-center","Wed Oct 09 2024 14:13:27 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 13:40:45 GMT+0000 (Coordinated Universal Time)",{"root":1965},{"type":9,"format":10,"indent":11,"version":4,"children":1966},[1967],{"type":14,"version":4,"children":1968},[1969],{"text":1970,"type":19,"version":4},"A new and modern visual arts institute, the Robert Capa Contemporary Photography Center was opened in Budapest in December 2013. Among the tasks of the new visual institute are the organization of national and international exhibitions; the foundation of a prestigious photography award; the presentation of national and international photographers and photography workshops.\r\nActivities of the institution also include foreign study tours, public discussions, lectures, thematic film screenings, and performances, along with events of other art disciplines. Established in the centennial year of Robert Capa’s birth, the Center supports its operational, functional, and program costs from state subsidies, grants, and its own income.","info@capacenter.hu",15911,"https://capacenter.hu/","https://www.instagram.com/capacenter/",[],[],[],[],[],"Hungary",[],[],[],[],"2018-01-01T00:00:00.000Z",[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,1514,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],752,714,670,1294,1229,730,973,1295,791,806,695,807,733,732,1092,741,941,872,830,731,1091,1093,1118,1124,1298,1226,1296,1113,705,1170,1184,823,1356,1428,1343,1357,1432,[],[],{"docs":2027,"hasNextPage":153},[],{"docs":2029,"hasNextPage":153},[],"2026-10-05T15:40:42.482Z","2026-03-26T15:21:18.912Z",[],"2026-10-07T08:49:59.703Z","2026-10-05T09:56:53.738Z","2026-10-15T06:39:44.647Z","2026-09-19T14:03:21.295Z","events-page",{"id":4,"main_page_gallery":2039,"intro_text":2103,"more_info":2104,"tabs_gallery":2109,"program_sections":2274,"apply_link":10,"artistic_residency":2340,"research_residency":16310,"spaces_and_tools":16884,"updatedAt":16972,"createdAt":16973,"globalType":16974},[2040,2059,2083],{"id":2041,"image":2042},"6ab42f32757bd97e1850e9a2",{"id":2043,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2044,"createdAt":2045,"url":2046,"thumbnailURL":20,"filename":2047,"mimeType":163,"filesize":2048,"width":1063,"height":862,"focalX":167,"focalY":167,"sizes":2049},16033,"2026-09-24T17:31:59.587Z","2026-09-23T20:00:05.144Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures%20Hub%202209%20-%202213.webp","Futures Hub 2209 - 2213.webp",1088440,{"thumb":2050,"medium":2054,"large":2058},{"url":2051,"width":171,"height":292,"mimeType":163,"filesize":2052,"filename":2053},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures%20Hub%202209%20-%202213-300x450.webp",16956,"Futures Hub 2209 - 2213-300x450.webp",{"url":2055,"width":177,"height":297,"mimeType":163,"filesize":2056,"filename":2057},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures%20Hub%202209%20-%202213-1200x1800.webp",305510,"Futures Hub 2209 - 2213-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2060,"image":2061},"6aa2bbcf2b02117eb707cdaf",{"id":2062,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2063,"createdAt":2064,"url":2065,"thumbnailURL":20,"filename":2066,"mimeType":163,"filesize":2067,"width":2068,"height":2069,"focalX":167,"focalY":167,"sizes":2070},16030,"2026-09-23T19:57:03.190Z","2026-09-23T19:57:01.722Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-19.webp","26_FUTURES_NW_RESIDENCY-19.webp",767930,3775,2517,{"thumb":2071,"medium":2075,"large":2079},{"url":2072,"width":171,"height":524,"mimeType":163,"filesize":2073,"filename":2074},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-19-300x200.webp",16484,"26_FUTURES_NW_RESIDENCY-19-300x200.webp",{"url":2076,"width":177,"height":529,"mimeType":163,"filesize":2077,"filename":2078},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-19-1200x800.webp",136678,"26_FUTURES_NW_RESIDENCY-19-1200x800.webp",{"url":2080,"width":183,"height":534,"mimeType":163,"filesize":2081,"filename":2082},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-19-2400x1600.webp",389312,"26_FUTURES_NW_RESIDENCY-19-2400x1600.webp",{"id":2084,"image":2085},"6aa2bbc72b02117eb707cdad",{"id":2086,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2087,"createdAt":2088,"url":2089,"thumbnailURL":20,"filename":2090,"mimeType":163,"filesize":2091,"width":1897,"height":2092,"focalX":167,"focalY":167,"sizes":2093},16031,"2026-09-23T19:57:36.317Z","2026-09-23T19:57:34.906Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-06.webp","26_FUTURES_NW_RESIDENCY-06.webp",87348,1000,{"thumb":2094,"medium":2098,"large":2102},{"url":2095,"width":171,"height":524,"mimeType":163,"filesize":2096,"filename":2097},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-06-300x200.webp",10302,"26_FUTURES_NW_RESIDENCY-06-300x200.webp",{"url":2099,"width":177,"height":529,"mimeType":163,"filesize":2100,"filename":2101},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-06-1200x800.webp",63298,"26_FUTURES_NW_RESIDENCY-06-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"FUTURES residency programmes support artistic practice, research, and professional development within the field of photography and image-making.",{"root":2105},{"type":9,"format":10,"indent":11,"version":4,"children":2106,"direction":20},[2107],{"type":14,"format":10,"indent":11,"version":4,"children":2108,"direction":20,"textStyle":10,"textFormat":11},[],[2110,2186,2255],{"id":2111,"image":2112},"6aa2c194d0b6067f18d28091",{"id":2113,"alt":2114,"originalUrl":20,"uploaded_by":2115,"updatedAt":2165,"createdAt":2165,"url":2166,"thumbnailURL":20,"filename":2167,"mimeType":163,"filesize":2168,"width":2169,"height":2170,"focalX":167,"focalY":167,"sizes":2171},15943,"FUTURES-EVENTS-1.jpg",{"id":2116,"profile_types":2117,"is_member":93,"name":2120,"slug":2121,"archived":93,"created_on":20,"updated_on":20,"published_on":20,"biography":2122,"e_mail":2129,"profile_image":2130,"website":10,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":2131,"tags_identity":2133,"tags_location":2134,"tags_practice":2135,"tags_topics":2136,"born_in":20,"street_address":20,"city":2137,"country":2138,"corresponding_member":2139,"member_additional":2140,"corresponding_art_projects":2141,"corresponding_selected_year":2148,"reference_residency":20,"date_of_residency":20,"date_since":2149,"date_ended":2150,"linkedin":10,"corresponding_artist":2151,"curation_reference":2154,"past_member":20,"approved_courses":2156,"tutor_courses":2157,"guest_expert_courses":2159,"updatedAt":2161,"createdAt":2162,"email":2163,"collection":248,"sessions":2164},1326,[1959,2118,2119],"tutor","student","Carlo Schlatter Member Test","carlo-schlatter-member-test",{"root":2123},{"type":9,"format":10,"indent":11,"version":4,"children":2124,"direction":1112},[2125],{"type":14,"version":4,"children":2126},[2127],{"text":2128,"type":19,"version":4},"Member. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur…","miamail@test.com",15934,[2132,477,222],17,[],[],[],[],"My City","My Country",[],[],[2142,2143,2144,2145,2146,2147],1016,1015,1014,1013,896,1048,[],"2020-03-16T00:00:00.000Z","2099-04-20T00:00:00.000Z",[2152,2153],1337,1483,[2155],99,[222],{"docs":2158,"hasNextPage":153},[231],{"docs":2160,"hasNextPage":153},[],"2026-10-16T14:55:02.192Z","2026-03-26T16:57:32.886Z","schlatterca@gmail.com",[],"2026-09-08T08:04:12.215Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-1.webp","FUTURES-EVENTS-1.webp",1009210,4053,2697,{"thumb":2172,"medium":2176,"large":2181},{"url":2173,"width":171,"height":524,"mimeType":163,"filesize":2174,"filename":2175},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-1-300x200.webp",12382,"FUTURES-EVENTS-1-300x200.webp",{"url":2177,"width":177,"height":2178,"mimeType":163,"filesize":2179,"filename":2180},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-1-1200x799.webp",799,83304,"FUTURES-EVENTS-1-1200x799.webp",{"url":2182,"width":183,"height":2183,"mimeType":163,"filesize":2184,"filename":2185},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-1-2400x1597.webp",1597,246346,"FUTURES-EVENTS-1-2400x1597.webp",{"id":2187,"image":2188},"6aa2c1bcd0b6067f18d28093",{"id":2189,"alt":2190,"originalUrl":20,"uploaded_by":2191,"updatedAt":2234,"createdAt":2235,"url":2236,"thumbnailURL":20,"filename":2237,"mimeType":163,"filesize":2238,"width":2239,"height":2240,"focalX":167,"focalY":167,"sizes":2241},15944,"FUTURES-EVENTS-2.jpg",{"id":2192,"profile_types":2193,"is_member":153,"name":2194,"slug":2195,"archived":93,"created_on":20,"updated_on":20,"published_on":20,"biography":2196,"e_mail":2207,"profile_image":2208,"website":2209,"instagram":10,"first_name":2210,"last_name":2211,"kind_of_profile":218,"tags_profession":2212,"tags_identity":2213,"tags_location":2214,"tags_practice":2215,"tags_topics":2216,"born_in":2137,"street_address":2217,"city":2218,"country":2219,"corresponding_member":2220,"member_additional":2221,"corresponding_art_projects":2222,"corresponding_selected_year":2223,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":2224,"curation_reference":2225,"past_member":20,"approved_courses":2226,"tutor_courses":2227,"guest_expert_courses":2229,"updatedAt":2231,"createdAt":2232,"email":2207,"collection":248,"sessions":2233},821,[198,2119],"Carlo Schlatter Test 1","carlo-schlatter-test",{"root":2197},{"type":9,"format":10,"indent":11,"version":4,"children":2198,"direction":1112},[2199,2203],{"type":14,"format":10,"version":4,"children":2200},[2201],{"text":2202,"type":19,"version":4},"Lorem test ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum test.",{"type":14,"format":10,"version":4,"children":2204},[2205],{"text":2206,"type":19,"version":4},"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur.","carloandrea.s.95@hotmail.it",13786,"https://unstated.co","Carlo","Schlatter",[229,228],[4],[481],[2132],[1129],"Swiss","Zürich","Switzerland",[],[],[2145,2143,2146,2142],[1750],[],[],[475],{"docs":2228,"hasNextPage":153},[],{"docs":2230,"hasNextPage":153},[],"2026-10-16T14:57:12.981Z","2026-03-26T15:12:27.929Z",[],"2026-10-09T09:50:39.816Z","2026-09-08T08:04:23.164Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-2.webp","FUTURES-EVENTS-2.webp",1166092,4256,2832,{"thumb":2242,"medium":2246,"large":2251},{"url":2243,"width":171,"height":524,"mimeType":163,"filesize":2244,"filename":2245},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-2-300x200.webp",14630,"FUTURES-EVENTS-2-300x200.webp",{"url":2247,"width":177,"height":2248,"mimeType":163,"filesize":2249,"filename":2250},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-2-1200x798.webp",798,128170,"FUTURES-EVENTS-2-1200x798.webp",{"url":2252,"width":183,"height":2183,"mimeType":163,"filesize":2253,"filename":2254},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-2-2400x1597.webp",445368,"FUTURES-EVENTS-2-2400x1597.webp",{"id":2256,"image":2257},"6ab42fde757bd97e1850e9a4",{"id":2258,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2259,"createdAt":2260,"url":2261,"thumbnailURL":20,"filename":2262,"mimeType":163,"filesize":2263,"width":435,"height":1906,"focalX":167,"focalY":167,"sizes":2264},16034,"2026-09-23T20:01:27.663Z","2026-09-23T20:01:26.493Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-20%20-%20dimensioni%20grandi.webp","26_FUTURES_NW_RESIDENCY-20 - dimensioni grandi.webp",57442,{"thumb":2265,"medium":2269,"large":2273},{"url":2266,"width":171,"height":1509,"mimeType":163,"filesize":2267,"filename":2268},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-20%20-%20dimensioni%20grandi-300x225.webp",8544,"26_FUTURES_NW_RESIDENCY-20 - dimensioni grandi-300x225.webp",{"url":2270,"width":177,"height":1514,"mimeType":163,"filesize":2271,"filename":2272},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-20%20-%20dimensioni%20grandi-1200x900.webp",51840,"26_FUTURES_NW_RESIDENCY-20 - dimensioni grandi-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[2275,2296,2318],{"id":2276,"title":20,"text":2277},"6ab394896f41c45eaddacb9a",{"root":2278},{"type":9,"format":10,"indent":11,"version":4,"children":2279,"direction":20},[2280,2284,2286,2290,2292],{"type":14,"format":10,"indent":11,"version":4,"children":2281,"direction":20,"textStyle":10,"textFormat":11},[2282],{"mode":17,"text":2283,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each residency responds to a different way of working. Some practitioners seek a structured programme built around artistic research, exchange, guidance, and engagement with partner organisations. Others need dedicated time and space to pursue independent research, develop an ongoing project, or immerse themselves in a specific context.",{"type":14,"format":10,"indent":11,"version":4,"children":2285,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2287,"direction":20,"textStyle":10,"textFormat":11},[2288],{"mode":17,"text":2289,"type":19,"style":10,"detail":11,"format":11,"version":4},"While each residency has its own format, duration, and working framework, all are grounded in FUTURES' commitment to supporting contemporary image-making through critical inquiry, experimentation, collaboration, and international exchange. Together, they create opportunities for practitioners to develop their work within a connected European network of artists, organisations, and cultural contexts.",{"type":14,"format":10,"indent":11,"version":4,"children":2291,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2293,"direction":20,"textStyle":10,"textFormat":11},[2294],{"mode":17,"text":2295,"type":19,"style":10,"detail":11,"format":11,"version":4},"Explore our residency programmes to find the opportunity that best aligns with your practice, interests, and current stage of development.",{"id":2297,"title":2298,"text":2299},"6ab3945d6f41c45eaddacb96","FUTURES Artistic Residency",{"root":2300},{"type":9,"format":10,"indent":11,"version":4,"children":2301,"direction":20},[2302,2306,2308,2312,2314],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":2303,"direction":20},[2304],{"mode":17,"text":2305,"type":19,"style":10,"detail":11,"format":11,"version":4},"A curated residency programme for artistic development, research and public engagement",{"type":14,"format":10,"indent":11,"version":4,"children":2307,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2309,"direction":20,"textStyle":10,"textFormat":11},[2310],{"mode":17,"text":2311,"type":19,"style":10,"detail":11,"format":11,"version":4},"Developed by FUTURES and hosted in collaboration with partner organisations across Europe, the Artistic Residency supports artists in developing a new or ongoing project within a shared research framework. ",{"type":14,"format":10,"indent":11,"version":4,"children":2313,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2315,"direction":20,"textStyle":10,"textFormat":11},[2316],{"mode":17,"text":2317,"type":19,"style":10,"detail":11,"format":11,"version":4},"With artistic process at its core, the programme creates the conditions for artistic research, experimentation, dialogue, and critical reflection. The programme enables artists to develop their projects within distinct cultural contexts through expert guidance, public engagement, and exchange with partner organisations, local communities, and fellow practitioners for the continued development of a project.",{"id":2319,"title":2320,"text":2321},"6ab3946f6f41c45eaddacb98","FUTURES Research Residency",{"root":2322},{"type":9,"format":10,"indent":11,"version":4,"children":2323,"direction":20},[2324,2328,2330,2334,2336],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":2325,"direction":20},[2326],{"mode":17,"text":2327,"type":19,"style":10,"detail":11,"format":11,"version":4},"A self-directed residency open to photographers, artists, writers, researchers and curators, both within and beyond the FUTURES network",{"type":14,"format":10,"indent":11,"version":4,"children":2329,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2331,"direction":20,"textStyle":10,"textFormat":11},[2332],{"mode":17,"text":2333,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Research Residency responds to a need for dedicated, process-oriented time, combined with the opportunity to engage with Amsterdam's cultural landscape and connect to FUTURES' international network of more than 20 photography institutions across Europe. It offers space to think, research, and develop work, with opportunities for new perspectives, encounters, and connections to inform their practice.",{"type":14,"format":10,"indent":11,"version":4,"children":2335,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2337,"direction":20,"textStyle":10,"textFormat":11},[2338],{"mode":17,"text":2339,"type":19,"style":10,"detail":11,"format":11,"version":4},"Based at the FUTURES Hub in Amsterdam, the programme offers a private working and living space and a self-directed framework without the pressure of a fixed outcome or presentation, giving residents the conditions to develop their practice on their own terms.",{"cover_gallery":2341,"intro_title":10,"intro_full_text":2409,"main_intro_text":10,"main_description":2416,"gallery":2435,"research_framework":2479,"how_it_works":2498,"what_we_offer":2526,"sharing_the_process":2567,"big_gallery":2617,"residency_locations":2707,"residency_locations_text":2968,"residency_period_text":2975,"cost":2976,"application":2977,"application_form_link":20,"currently_curated_by":3006,"current_artist":3007,"current_location":3320,"current_location_text":20,"resident_artist_description":3370,"past_artists":3377},[2342,2366,2384],{"id":2343,"image":2344},"6a9fc0777e9974ade7982cb9",{"id":2345,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2346,"createdAt":2347,"url":2348,"thumbnailURL":20,"filename":2349,"mimeType":163,"filesize":2350,"width":2351,"height":2352,"focalX":167,"focalY":167,"sizes":2353},16035,"2026-09-23T20:02:10.031Z","2026-09-23T20:02:08.966Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-18.webp","26_FUTURES_NW_RESIDENCY-18.webp",276188,3878,2580,{"thumb":2354,"medium":2358,"large":2362},{"url":2355,"width":171,"height":524,"mimeType":163,"filesize":2356,"filename":2357},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-18-300x200.webp",6100,"26_FUTURES_NW_RESIDENCY-18-300x200.webp",{"url":2359,"width":177,"height":2248,"mimeType":163,"filesize":2360,"filename":2361},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-18-1200x798.webp",43642,"26_FUTURES_NW_RESIDENCY-18-1200x798.webp",{"url":2363,"width":183,"height":2183,"mimeType":163,"filesize":2364,"filename":2365},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-18-2400x1597.webp",116358,"26_FUTURES_NW_RESIDENCY-18-2400x1597.webp",{"id":2367,"image":2368},"6a9fc0c17e9974ade7982cbb",{"id":2369,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2370,"createdAt":2371,"url":2372,"thumbnailURL":20,"filename":2373,"mimeType":163,"filesize":2374,"width":2375,"height":435,"focalX":167,"focalY":167,"sizes":2376},16049,"2026-09-23T20:19:41.459Z","2026-09-23T20:19:40.544Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-10%20-%20dimensioni%20grandi-2.webp","26_FUTURES_NW_RESIDENCY-10 - dimensioni grandi-2.webp",60724,852,{"thumb":2377,"medium":2382,"large":2383},{"url":2378,"width":171,"height":2379,"mimeType":163,"filesize":2380,"filename":2381},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-10%20-%20dimensioni%20grandi-2-300x451.webp",451,13970,"26_FUTURES_NW_RESIDENCY-10 - dimensioni grandi-2-300x451.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2385,"image":2386},"6ab43046757bd97e1850e9a5",{"id":2387,"alt":2388,"originalUrl":20,"uploaded_by":20,"updatedAt":2389,"createdAt":2390,"url":2391,"thumbnailURL":20,"filename":2392,"mimeType":163,"filesize":2393,"width":2394,"height":2395,"focalX":167,"focalY":167,"sizes":2396},16056,"Mirielle Rohr Open Studio","2026-09-24T14:26:51.967Z","2026-09-24T14:26:50.465Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Open%20Studio%20Mirielle%20Rohr-7.webp","Open Studio Mirielle Rohr-7.webp",343678,2438,3251,{"thumb":2397,"medium":2401,"large":2405},{"url":2398,"width":171,"height":867,"mimeType":163,"filesize":2399,"filename":2400},"https://futures-backend-unstated-int.vercel.app/api/media/file/Open%20Studio%20Mirielle%20Rohr-7-300x400.webp",6844,"Open Studio Mirielle Rohr-7-300x400.webp",{"url":2402,"width":177,"height":534,"mimeType":163,"filesize":2403,"filename":2404},"https://futures-backend-unstated-int.vercel.app/api/media/file/Open%20Studio%20Mirielle%20Rohr-7-1200x1600.webp",47754,"Open Studio Mirielle Rohr-7-1200x1600.webp",{"url":2406,"width":183,"height":876,"mimeType":163,"filesize":2407,"filename":2408},"https://futures-backend-unstated-int.vercel.app/api/media/file/Open%20Studio%20Mirielle%20Rohr-7-2400x3200.webp",277010,"Open Studio Mirielle Rohr-7-2400x3200.webp",{"root":2410},{"type":9,"format":10,"indent":11,"version":4,"children":2411,"direction":20},[2412],{"type":14,"format":10,"indent":11,"version":4,"children":2413,"direction":20,"textStyle":10,"textFormat":11},[2414],{"mode":17,"text":2415,"type":19,"style":10,"detail":11,"format":11,"version":4},"A residency programme supporting artistic development through research, experimentation, and public engagement",{"root":2417},{"type":9,"format":10,"indent":11,"version":4,"children":2418,"direction":20},[2419,2423,2425,2429,2431],{"type":14,"format":10,"indent":11,"version":4,"children":2420,"direction":20,"textStyle":10,"textFormat":11},[2421],{"mode":17,"text":2422,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Artistic Residency Programme creates the conditions for artists to deepen their practice through artistic research, experimentation, dialogue, and engagement with contemporary themes. Developed by FUTURES and delivered in collaboration with partner organisations across Europe, the programme provides artists with dedicated time, guidance, and support to advance their practice within a structured residency framework. ",{"type":14,"format":10,"indent":11,"version":4,"children":2424,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2426,"direction":20,"textStyle":10,"textFormat":11},[2427],{"mode":17,"text":2428,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each residency takes place within a distinct cultural context, creating opportunities to engage with new environments, communities, and perspectives. Through artistic research, dialogue, and public engagement, residents are encouraged to deepen their inquiry, expand their practice, and explore new approaches to image-making and artistic practice.",{"type":14,"format":10,"indent":11,"version":4,"children":2430,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2432,"direction":20,"textStyle":10,"textFormat":11},[2433],{"mode":17,"text":2434,"type":19,"style":10,"detail":11,"format":11,"version":4},"While each residency is rooted in a different local context, all are delivered through a shared FUTURES framework that supports artistic research, professional exchange, and public engagement across a connected European network of partner organisations.",[2436,2460],{"id":2437,"image":2438},"6a71e49e36bae66ff0919978",{"id":2439,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2440,"createdAt":2441,"url":2442,"thumbnailURL":20,"filename":2443,"mimeType":163,"filesize":2444,"width":2445,"height":2446,"focalX":167,"focalY":167,"sizes":2447},16037,"2026-09-23T20:03:18.289Z","2026-09-23T20:03:16.514Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-17.webp","26_FUTURES_NW_RESIDENCY-17.webp",1623344,4122,2743,{"thumb":2448,"medium":2452,"large":2456},{"url":2449,"width":171,"height":524,"mimeType":163,"filesize":2450,"filename":2451},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-17-300x200.webp",11718,"26_FUTURES_NW_RESIDENCY-17-300x200.webp",{"url":2453,"width":177,"height":2178,"mimeType":163,"filesize":2454,"filename":2455},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-17-1200x799.webp",93148,"26_FUTURES_NW_RESIDENCY-17-1200x799.webp",{"url":2457,"width":183,"height":2183,"mimeType":163,"filesize":2458,"filename":2459},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-17-2400x1597.webp",362050,"26_FUTURES_NW_RESIDENCY-17-2400x1597.webp",{"id":2461,"image":2462},"6a71eb7136bae66ff0919979",{"id":2463,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2464,"createdAt":2465,"url":2466,"thumbnailURL":20,"filename":2467,"mimeType":163,"filesize":2468,"width":435,"height":434,"focalX":167,"focalY":167,"sizes":2469},16042,"2026-09-23T20:09:07.680Z","2026-09-23T20:09:06.745Z","https://futures-backend-unstated-int.vercel.app/api/media/file/viusal%20diary2%20(1)%20-%20dimensioni%20grandi.webp","viusal diary2 (1) - dimensioni grandi.webp",77430,{"thumb":2470,"medium":2474,"large":2478},{"url":2471,"width":171,"height":524,"mimeType":163,"filesize":2472,"filename":2473},"https://futures-backend-unstated-int.vercel.app/api/media/file/viusal%20diary2%20(1)%20-%20dimensioni%20grandi-300x200.webp",9574,"viusal diary2 (1) - dimensioni grandi-300x200.webp",{"url":2475,"width":177,"height":529,"mimeType":163,"filesize":2476,"filename":2477},"https://futures-backend-unstated-int.vercel.app/api/media/file/viusal%20diary2%20(1)%20-%20dimensioni%20grandi-1200x800.webp",67804,"viusal diary2 (1) - dimensioni grandi-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[2480],{"id":2481,"title":2482,"text":2483},"6ab63e3a6d67d261bceba43e","Nature, Technology and the Environment",{"root":2484},{"type":9,"format":10,"indent":11,"version":4,"children":2485,"direction":20},[2486,2488,2492,2494],{"type":14,"format":10,"indent":11,"version":4,"children":2487,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2489,"direction":20,"textStyle":10,"textFormat":11},[2490],{"mode":17,"text":2491,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Artistic Residency Programme is guided by a research framework exploring the intersections of nature, technology, and the environment, themes that are increasingly urgent within contemporary society.",{"type":14,"format":10,"indent":11,"version":4,"children":2493,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2495,"direction":20,"textStyle":10,"textFormat":11},[2496],{"mode":17,"text":2497,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists are encouraged to engage critically with questions of ecological relationships, technological transformation, environmental responsibility, and the ways these forces shape contemporary life. The residency provides a framework for investigating, reflecting on, and expanding these ideas through artistic research and experimentation.",[2499],{"id":2500,"title":10,"text":2501},"6ab63e426d67d261bceba440",{"root":2502},{"type":9,"format":10,"indent":11,"version":4,"children":2503,"direction":20},[2504,2508,2510,2514,2516,2520,2522],{"type":14,"format":10,"indent":11,"version":4,"children":2505,"direction":20,"textStyle":10,"textFormat":11},[2506],{"mode":17,"text":2507,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency places particular emphasis on process and development, supporting artists as they research, test new approaches, and advance their projects throughout the residency. Public engagement forms an integral part of the programme, with each residency culminating in a public-facing event that creates opportunities for dialogue and exchange with diverse audiences.",{"type":14,"format":10,"indent":11,"version":4,"children":2509,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2511,"direction":20,"textStyle":10,"textFormat":11},[2512],{"mode":17,"text":2513,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists are selected through an annual open call available to FUTURES artists. Applications are reviewed by an international jury and assessed based on the quality of the artist's practice, the strength of the proposed residency project, and its relevance to the current research framework.",{"type":14,"format":10,"indent":11,"version":4,"children":2515,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2517,"direction":20,"textStyle":10,"textFormat":11},[2518],{"mode":17,"text":2519,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency programme takes place across multiple locations in collaboration with FUTURES partner organisations. Together, the residency locations form a connected European programme, enabling artistic research and exchange to develop across different cultural contexts while remaining grounded in a shared FUTURES framework.",{"type":14,"format":10,"indent":11,"version":4,"children":2521,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2523,"direction":20,"textStyle":10,"textFormat":11},[2524],{"mode":17,"text":2525,"type":19,"style":10,"detail":11,"format":11,"version":4},"Alongside independent artistic development, the programme includes guidance, public engagement, and opportunities for exchange with local communities, cultural organisations, and professional networks.",[2527,2537,2547,2557],{"id":2528,"title":2529,"text":2530},"6a69f6667b553481f51474cb","Expert Guidance",{"root":2531},{"type":9,"format":10,"indent":11,"version":4,"children":2532,"direction":20},[2533],{"type":14,"format":10,"indent":11,"version":4,"children":2534,"direction":20,"textStyle":10,"textFormat":11},[2535],{"mode":17,"text":2536,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents have opportunities to engage with professionals whose expertise is relevant to their project, offering guidance, feedback, and perspective throughout the residency.",{"id":2538,"title":2539,"text":2540},"6a69f6727b553481f51474cc","Public Engagement",{"root":2541},{"type":9,"format":10,"indent":11,"version":4,"children":2542,"direction":20},[2543],{"type":14,"format":10,"indent":11,"version":4,"children":2544,"direction":20,"textStyle":10,"textFormat":11},[2545],{"mode":17,"text":2546,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each residency concludes with a public-facing event, creating opportunities to share work and engage with local audiences.",{"id":2548,"title":2549,"text":2550},"6a69f6817b553481f51474cd","International Visibility",{"root":2551},{"type":9,"format":10,"indent":11,"version":4,"children":2552,"direction":20},[2553],{"type":14,"format":10,"indent":11,"version":4,"children":2554,"direction":20,"textStyle":10,"textFormat":11},[2555],{"mode":17,"text":2556,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists and their projects are promoted through FUTURES communication channels, extending the visibility of the residency internationally.",{"id":2558,"title":2559,"text":2560},"6a69f6a97b553481f51474cf","Contextual Grounding",{"root":2561},{"type":9,"format":10,"indent":11,"version":4,"children":2562,"direction":20},[2563],{"type":14,"format":10,"indent":11,"version":4,"children":2564,"direction":20,"textStyle":10,"textFormat":11},[2565],{"mode":17,"text":2566,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents gain access to local artistic communities, cultural organisations, and professional networks through FUTURES and its partner organisations.",[2568,2577,2587,2597,2607],{"id":2569,"title":10,"text":2570},"6a71a8e85abad82e25457784",{"root":2571},{"type":9,"format":10,"indent":11,"version":4,"children":2572,"direction":20},[2573],{"type":14,"format":10,"indent":11,"version":4,"children":2574,"direction":20,"textStyle":10,"textFormat":11},[2575],{"mode":17,"text":2576,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artistic research is at the heart of the FUTURES Artistic Residency Programme. Throughout the residency, artists are invited to document and share the development of their research and creative process through a series of formats that foster dialogue, reflection, and exchange with local and international audiences",{"id":2578,"title":2579,"text":2580},"6a71a8fb5abad82e25457785","Visual Diary",{"root":2581},{"type":9,"format":10,"indent":11,"version":4,"children":2582,"direction":20},[2583],{"type":14,"format":10,"indent":11,"version":4,"children":2584,"direction":20,"textStyle":10,"textFormat":11},[2585],{"mode":17,"text":2586,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents maintain a visual diary that documents the evolution of their research, experimentation, and creative process throughout the residency.",{"id":2588,"title":2589,"text":2590},"6a71a9055abad82e25457786","Video Portrait",{"root":2591},{"type":9,"format":10,"indent":11,"version":4,"children":2592,"direction":20},[2593],{"type":14,"format":10,"indent":11,"version":4,"children":2594,"direction":20,"textStyle":10,"textFormat":11},[2595],{"mode":17,"text":2596,"type":19,"style":10,"detail":11,"format":11,"version":4},"A short video portrait produced by FUTURES offers insight into the artist’s practice, research, and evolving project, providing audiences with a closer understanding of their artistic process.",{"id":2598,"title":2599,"text":2600},"6a71a90e5abad82e25457787","Public-Facing Event",{"root":2601},{"type":9,"format":10,"indent":11,"version":4,"children":2602,"direction":20},[2603],{"type":14,"format":10,"indent":11,"version":4,"children":2604,"direction":20,"textStyle":10,"textFormat":11},[2605],{"mode":17,"text":2606,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each resident participates in a public-facing event, such as an exhibition, workshop, open studio, screening, or artist talk, developed in collaboration with the host organisation. The event provides an opportunity to share and discuss artistic research in progress within the context of the residency.",{"id":2608,"title":2609,"text":2610},"6a71a9165abad82e25457788","Written Interview",{"root":2611},{"type":9,"format":10,"indent":11,"version":4,"children":2612,"direction":20},[2613],{"type":14,"format":10,"indent":11,"version":4,"children":2614,"direction":20,"textStyle":10,"textFormat":11},[2615],{"mode":17,"text":2616,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents take part in a reflective interview exploring their artistic research, creative process, and residency experience. Published on the FUTURES website, these interviews contribute to an evolving archive of artistic research across the residency programme.",[2618,2640,2685],{"id":2619,"image":2620},"6a71f399ea7d16203f8b21df",{"id":2621,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2622,"createdAt":2623,"url":2624,"thumbnailURL":20,"filename":2625,"mimeType":163,"filesize":2626,"width":435,"height":2627,"focalX":167,"focalY":167,"sizes":2628},16048,"2026-09-23T20:18:31.962Z","2026-09-23T20:18:30.747Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Copy%20of%20LaBo%20Jenga%20House-15%20-%20dimensioni%20grandi.webp","Copy of LaBo Jenga House-15 - dimensioni grandi.webp",51586,815,{"thumb":2629,"medium":2634,"large":2639},{"url":2630,"width":171,"height":2631,"mimeType":163,"filesize":2632,"filename":2633},"https://futures-backend-unstated-int.vercel.app/api/media/file/Copy%20of%20LaBo%20Jenga%20House-15%20-%20dimensioni%20grandi-300x191.webp",191,6602,"Copy of LaBo Jenga House-15 - dimensioni grandi-300x191.webp",{"url":2635,"width":177,"height":2636,"mimeType":163,"filesize":2637,"filename":2638},"https://futures-backend-unstated-int.vercel.app/api/media/file/Copy%20of%20LaBo%20Jenga%20House-15%20-%20dimensioni%20grandi-1200x764.webp",764,45300,"Copy of LaBo Jenga House-15 - dimensioni grandi-1200x764.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2641,"image":2642},"6a71f3bfea7d16203f8b21e1",{"id":2643,"alt":2644,"originalUrl":20,"uploaded_by":2645,"updatedAt":2670,"createdAt":2671,"url":2672,"thumbnailURL":20,"filename":2673,"mimeType":163,"filesize":2674,"width":435,"height":434,"focalX":167,"focalY":167,"sizes":2675},15946,"LaBo Jenga House-41.jpeg",{"id":2116,"profile_types":2646,"is_member":93,"name":2120,"slug":2121,"archived":93,"created_on":20,"updated_on":20,"published_on":20,"biography":2647,"e_mail":2129,"profile_image":2130,"website":10,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":2653,"tags_identity":2654,"tags_location":2655,"tags_practice":2656,"tags_topics":2657,"born_in":20,"street_address":20,"city":2137,"country":2138,"corresponding_member":2658,"member_additional":2659,"corresponding_art_projects":2660,"corresponding_selected_year":2661,"reference_residency":20,"date_of_residency":20,"date_since":2149,"date_ended":2150,"linkedin":10,"corresponding_artist":2662,"curation_reference":2663,"past_member":20,"approved_courses":2664,"tutor_courses":2665,"guest_expert_courses":2667,"updatedAt":2161,"createdAt":2162,"email":2163,"collection":248,"sessions":2669},[1959,2118,2119],{"root":2648},{"type":9,"format":10,"indent":11,"version":4,"children":2649,"direction":1112},[2650],{"type":14,"version":4,"children":2651},[2652],{"text":2128,"type":19,"version":4},[2132,477,222],[],[],[],[],[],[],[2142,2143,2144,2145,2146,2147],[],[2152,2153],[2155],[222],{"docs":2666,"hasNextPage":153},[231],{"docs":2668,"hasNextPage":153},[],[],"2026-09-08T08:57:37.183Z","2026-09-08T08:57:37.182Z","https://futures-backend-unstated-int.vercel.app/api/media/file/LaBo%20Jenga%20House-41.webp","LaBo Jenga House-41.webp",43780,{"thumb":2676,"medium":2680,"large":2684},{"url":2677,"width":171,"height":524,"mimeType":163,"filesize":2678,"filename":2679},"https://futures-backend-unstated-int.vercel.app/api/media/file/LaBo%20Jenga%20House-41-300x200.webp",6212,"LaBo Jenga House-41-300x200.webp",{"url":2681,"width":177,"height":529,"mimeType":163,"filesize":2682,"filename":2683},"https://futures-backend-unstated-int.vercel.app/api/media/file/LaBo%20Jenga%20House-41-1200x800.webp",38918,"LaBo Jenga House-41-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2686,"image":2687},"6ab43121757bd97e1850e9a6",{"id":2688,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2689,"createdAt":2690,"url":2691,"thumbnailURL":20,"filename":2692,"mimeType":163,"filesize":2693,"width":862,"height":1063,"focalX":167,"focalY":167,"sizes":2694},16039,"2026-09-23T20:06:07.406Z","2026-09-23T20:06:06.308Z","https://futures-backend-unstated-int.vercel.app/api/media/file/002_DSCF4385%20(1).webp","002_DSCF4385 (1).webp",454174,{"thumb":2695,"medium":2699,"large":2703},{"url":2696,"width":171,"height":524,"mimeType":163,"filesize":2697,"filename":2698},"https://futures-backend-unstated-int.vercel.app/api/media/file/002_DSCF4385%20(1)-300x200.webp",10850,"002_DSCF4385 (1)-300x200.webp",{"url":2700,"width":177,"height":529,"mimeType":163,"filesize":2701,"filename":2702},"https://futures-backend-unstated-int.vercel.app/api/media/file/002_DSCF4385%20(1)-1200x800.webp",99862,"002_DSCF4385 (1)-1200x800.webp",{"url":2704,"width":183,"height":534,"mimeType":163,"filesize":2705,"filename":2706},"https://futures-backend-unstated-int.vercel.app/api/media/file/002_DSCF4385%20(1)-2400x1600.webp",297410,"002_DSCF4385 (1)-2400x1600.webp",[2708,2876,2927],{"id":4,"title":250,"city":1782,"content":2709,"gallery":2717,"updatedAt":2874,"createdAt":2875},{"root":2710},{"type":9,"format":10,"indent":11,"version":4,"children":2711,"direction":20},[2712],{"type":14,"format":2713,"indent":11,"version":4,"children":2714,"direction":20,"textStyle":10,"textFormat":11},"left",[2715],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},"Located at the FUTURES Hub in Amsterdam, the residency offers a private live-work environment that combines accommodation, workspace, and access to public facilities. Situated within the FUTURES headquarters, the Hub provides residents with a base from which to engage with Amsterdam's photography and contemporary art scene while developing their work within an international network.",[2718,2740,2762,2783,2806,2827,2849],{"id":2719,"image":2720},"6a71e2c9ca20c5ef5792cbe4",{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":2727},15866,"2026-08-04T13:01:39.214Z","2026-08-04T13:01:39.213Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-2.webp","Futures-Residency-Amsterdam-2.webp",253626,{"thumb":2728,"medium":2732,"large":2736},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-2-300x200.webp",8598,"Futures-Residency-Amsterdam-2-300x200.webp",{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-2-1200x800.webp",83994,"Futures-Residency-Amsterdam-2-1200x800.webp",{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-2-2400x1600.webp",233376,"Futures-Residency-Amsterdam-2-2400x1600.webp",{"id":2741,"image":2742},"6a71e2fcca20c5ef5792cbe5",{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":2749},15860,"2026-08-04T13:01:02.894Z","2026-08-04T13:01:02.893Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-3.webp","Futures-Residency-Amsterdam-3.webp",157464,{"thumb":2750,"medium":2754,"large":2758},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-3-300x200.webp",6222,"Futures-Residency-Amsterdam-3-300x200.webp",{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-3-1200x800.webp",43858,"Futures-Residency-Amsterdam-3-1200x800.webp",{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-3-2400x1600.webp",135304,"Futures-Residency-Amsterdam-3-2400x1600.webp",{"id":2763,"image":2764},"6a71e308ca20c5ef5792cbe6",{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":2770},15861,"2026-08-04T13:01:08.660Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-4.webp","Futures-Residency-Amsterdam-4.webp",134764,{"thumb":2771,"medium":2775,"large":2779},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-4-300x200.webp",5778,"Futures-Residency-Amsterdam-4-300x200.webp",{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-4-1200x800.webp",43088,"Futures-Residency-Amsterdam-4-1200x800.webp",{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-4-2400x1600.webp",123220,"Futures-Residency-Amsterdam-4-2400x1600.webp",{"id":2784,"image":2785},"6a71e314ca20c5ef5792cbe7",{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":2792},15862,"2026-08-04T13:01:14.533Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-5.webp","Futures-Residency-Amsterdam-5.webp",189352,1592,{"thumb":2793,"medium":2797,"large":2801},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-5-300x191.webp",6540,"Futures-Residency-Amsterdam-5-300x191.webp",{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-5-1200x764.webp",50418,"Futures-Residency-Amsterdam-5-1200x764.webp",{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-5-2400x1528.webp",1528,167100,"Futures-Residency-Amsterdam-5-2400x1528.webp",{"id":2807,"image":2808},"6a71e31eca20c5ef5792cbe8",{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":2814},15863,"2026-08-04T13:01:20.447Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-6.webp","Futures-Residency-Amsterdam-6.webp",176036,{"thumb":2815,"medium":2819,"large":2823},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-6-300x200.webp",5986,"Futures-Residency-Amsterdam-6-300x200.webp",{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-6-1200x800.webp",47596,"Futures-Residency-Amsterdam-6-1200x800.webp",{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-6-2400x1600.webp",153926,"Futures-Residency-Amsterdam-6-2400x1600.webp",{"id":2828,"image":2829},"6a71e327ca20c5ef5792cbe9",{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":2836},15864,"2026-08-04T13:01:26.690Z","2026-08-04T13:01:26.689Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-7.webp","Futures-Residency-Amsterdam-7.webp",265622,{"thumb":2837,"medium":2841,"large":2845},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-7-300x200.webp",7528,"Futures-Residency-Amsterdam-7-300x200.webp",{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-7-1200x800.webp",81730,"Futures-Residency-Amsterdam-7-1200x800.webp",{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-7-2400x1600.webp",243148,"Futures-Residency-Amsterdam-7-2400x1600.webp",{"id":2850,"image":2851},"6a71e330ca20c5ef5792cbea",{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":2858},15865,"2026-08-04T13:01:33.172Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-8.webp","Futures-Residency-Amsterdam-8.webp",300726,1655,{"thumb":2859,"medium":2864,"large":2869},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-8-300x199.webp",199,10414,"Futures-Residency-Amsterdam-8-300x199.webp",{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-8-1200x794.webp",794,94800,"Futures-Residency-Amsterdam-8-1200x794.webp",{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},"https://futures-backend-unstated-int.vercel.app/api/media/file/Futures-Residency-Amsterdam-8-2400x1589.webp",1589,278328,"Futures-Residency-Amsterdam-8-2400x1589.webp","2026-08-04T13:07:43.090Z","2026-07-29T11:53:35.930Z",{"id":222,"title":2877,"city":2878,"content":2879,"gallery":2886,"updatedAt":2925,"createdAt":2926},"Riga","Riga, Latvia",{"root":2880},{"type":9,"format":10,"indent":11,"version":4,"children":2881,"direction":20},[2882],{"type":14,"format":10,"indent":11,"version":4,"children":2883,"direction":20,"textStyle":10,"textFormat":11},[2884],{"mode":17,"text":2885,"type":19,"style":10,"detail":11,"format":11,"version":4},"ISSP, Riga: The resident will be housed at the ISSP Riga Residency apartment in the city centre, shared with other two artists. The accommodation offers comfortable conditions for living and working - a separate bedroom with a working space, spacious shared living room and a fully equipped kitchen. The resident will have access to ISSP office facilities including use of printer, scanner, ISSP photography library and studio lights",[2887,2906],{"id":2888,"image":2889},"6a69ec3579453e74b4749d31",{"id":2890,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2891,"createdAt":2892,"url":2893,"thumbnailURL":20,"filename":2894,"mimeType":163,"filesize":2895,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":2898},15849,"2026-07-29T12:01:42.128Z","2026-07-29T12:01:42.127Z","https://futures-backend-unstated-int.vercel.app/api/media/file/68752734cf5523aaf33a865d_residency_latvia_1.webp","68752734cf5523aaf33a865d_residency_latvia_1.webp",26398,459,662,{"thumb":2899,"medium":2904,"large":2905},{"url":2900,"width":171,"height":2901,"mimeType":163,"filesize":2902,"filename":2903},"https://futures-backend-unstated-int.vercel.app/api/media/file/68752734cf5523aaf33a865d_residency_latvia_1-300x433.webp",433,14390,"68752734cf5523aaf33a865d_residency_latvia_1-300x433.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2907,"image":2908},"6a69edd6680d0d62082ab096",{"id":2909,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2910,"createdAt":2911,"url":2912,"thumbnailURL":20,"filename":2913,"mimeType":163,"filesize":2914,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":2917},15851,"2026-07-29T12:06:13.689Z","2026-07-29T12:06:13.688Z","https://futures-backend-unstated-int.vercel.app/api/media/file/residency_latvia_2.webp","residency_latvia_2.webp",19022,540,387,{"thumb":2918,"medium":2923,"large":2924},{"url":2919,"width":171,"height":2920,"mimeType":163,"filesize":2921,"filename":2922},"https://futures-backend-unstated-int.vercel.app/api/media/file/residency_latvia_2-300x215.webp",215,8356,"residency_latvia_2-300x215.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"2026-07-29T12:11:09.034Z","2026-07-29T12:03:15.787Z",{"id":95,"title":1912,"city":2928,"content":2929,"gallery":2936,"updatedAt":2967,"createdAt":2967},"Budapest, Hungary",{"root":2930},{"type":9,"format":10,"indent":11,"version":4,"children":2931,"direction":20},[2932],{"type":14,"format":10,"indent":11,"version":4,"children":2933,"direction":20,"textStyle":10,"textFormat":11},[2934],{"mode":17,"text":2935,"type":19,"style":10,"detail":11,"format":11,"version":4},"Capa Center, Budapest: The Capa Center residency program offers all entering participants a fully furnished private room within a communal apartment located on the Art Quarter Budapest premises, a studio space catering to the project’s requirements within its 400 m2 shared studio in the coolest postindustrial area of Budapest. Capa Center provides varied services to integrate the residents into the local art scene and contribute in establishing professional connections that best support their work and career. In addition, the residency will offer the possibility to organise a presentation at the Capa Centre in downtown Budapest, and use the Capa Centre's office facilities, including the printer and scanner.",[2937,2952],{"id":2938,"image":2939},"6a69edea680d0d62082ab098",{"id":2940,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2941,"createdAt":2941,"url":2942,"thumbnailURL":20,"filename":2943,"mimeType":163,"filesize":2944,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":2945},15854,"2026-07-29T12:10:17.889Z","https://futures-backend-unstated-int.vercel.app/api/media/file/budapest-1.webp","budapest-1.webp",13460,{"thumb":2946,"medium":2950,"large":2951},{"url":2947,"width":171,"height":2901,"mimeType":163,"filesize":2948,"filename":2949},"https://futures-backend-unstated-int.vercel.app/api/media/file/budapest-1-300x433.webp",7562,"budapest-1-300x433.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2953,"image":2954},"6a69edee680d0d62082ab09a",{"id":2955,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2956,"createdAt":2956,"url":2957,"thumbnailURL":20,"filename":2958,"mimeType":163,"filesize":2959,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":2960},15853,"2026-07-29T12:10:17.426Z","https://futures-backend-unstated-int.vercel.app/api/media/file/budapest-2.webp","budapest-2.webp",69542,{"thumb":2961,"medium":2965,"large":2966},{"url":2962,"width":171,"height":2920,"mimeType":163,"filesize":2963,"filename":2964},"https://futures-backend-unstated-int.vercel.app/api/media/file/budapest-2-300x215.webp",21846,"budapest-2-300x215.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"2026-07-29T12:11:30.132Z",{"root":2969},{"type":9,"format":10,"indent":11,"version":4,"children":2970,"direction":20},[2971],{"type":14,"format":2713,"indent":11,"version":4,"children":2972,"direction":20,"textStyle":10,"textFormat":11},[2973],{"mode":17,"text":2974,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Artistic Residency Programme currently takes place across three locations.",[],[],[2978,2996],{"id":2979,"title":2980,"text":2981},"6a71a289c25e12d7baf238da","How To Apply",{"root":2982},{"type":9,"format":10,"indent":11,"version":4,"children":2983,"direction":20},[2984,2986,2990,2992],{"type":14,"format":10,"indent":11,"version":4,"children":2985,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2987,"direction":20,"textStyle":10,"textFormat":11},[2988],{"mode":17,"text":2989,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Artistic Residency Programme is currently open exclusively to artists who are part of the FUTURES platform.",{"type":14,"format":10,"indent":11,"version":4,"children":2991,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":2993,"direction":20,"textStyle":10,"textFormat":11},[2994],{"mode":17,"text":2995,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each year, FUTURES launches an open call inviting eligible artists to apply for residency opportunities. Applications are reviewed by an international jury, which selects residents based on the quality of their artistic practice, the strength of their proposed project, and its relevance to the annual residency theme.",{"id":2997,"title":2998,"text":2999},"6a71a29ac25e12d7baf238db","Additional requirements",{"root":3000},{"type":9,"format":10,"indent":11,"version":4,"children":3001,"direction":20},[3002],{"type":14,"format":10,"indent":11,"version":4,"children":3003,"direction":20,"textStyle":10,"textFormat":11},[3004],{"mode":17,"text":3005,"type":19,"style":10,"detail":11,"format":11,"version":4},"Residents are responsible for arranging travel documents, health, travel, and liability insurance, and any visa requirements (support will be provided where needed). Residents must ensure they have appropriate coverage in place before arriving at the residency.","Sheung Yiu",{"id":1756,"profile_types":3008,"is_member":153,"name":3006,"slug":3009,"archived":153,"created_on":3010,"updated_on":3011,"published_on":3011,"biography":3012,"e_mail":3019,"profile_image":3020,"website":3037,"instagram":3038,"first_name":3039,"last_name":3040,"kind_of_profile":218,"tags_profession":3041,"tags_identity":3055,"tags_location":3060,"tags_practice":3082,"tags_topics":3104,"born_in":3113,"street_address":20,"city":3114,"country":20,"corresponding_member":3115,"member_additional":3178,"corresponding_art_projects":3179,"corresponding_selected_year":3257,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":3310,"curation_reference":3311,"past_member":20,"approved_courses":3312,"tutor_courses":3313,"guest_expert_courses":3315,"updatedAt":3317,"createdAt":3318,"email":3019,"collection":248,"sessions":3319},[198],"sheung-yiu","Mon Oct 14 2024 13:31:06 GMT+0000 (Coordinated Universal Time)","Fri Oct 03 2025 12:09:28 GMT+0000 (Coordinated Universal Time)",{"root":3013},{"type":9,"format":10,"indent":11,"version":4,"children":3014},[3015],{"type":14,"format":10,"version":4,"children":3016},[3017],{"text":3018,"type":19,"version":4},"Sheung Yiu (HK/FI) is a Hong-Kong-born, image-centered artist and researcher, based in Helsinki. His artwork explores the act of seeing through algorithmic image systems and sense-making through networks of images. His research interests concern the increasing complexity of algorithmic image systems in contemporary digital culture. He looks at photography through the lens of new media, scales, and network thinking. He ponders how the posthuman cyborg vision and the technology that produces it transform ways of seeing and knowledge-making. Adopting multi-disciplinary collaboration as a mode of research, his works examine the poetics and politics of algorithmic image systems, such as computer vision, computer graphics, and remote sensing, to understand how to see something where there is nothing, how to digitize light, and how vision becomes predictions. His work takes the form of photography, videos, photo-objects, exhibition installations, and bookmaking.‍","sheung.yiu.photo@gmail.com",{"id":3021,"alt":20,"originalUrl":3022,"uploaded_by":1756,"updatedAt":3023,"createdAt":3024,"url":3025,"thumbnailURL":20,"filename":3026,"mimeType":163,"filesize":3027,"width":177,"height":1772,"focalX":167,"focalY":167,"sizes":3028},12746,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a2b4275bc4ce629f912007_66f51c3e03868a8712f3b8ed_65e050979af95bf0627c2910_YIU_Sheung_(Inter)Faces%252520of%252520Predictions_003.jpeg","2026-06-19T14:40:29.730Z","2026-03-10T10:44:04.812Z","https://futures-backend-unstated-int.vercel.app/api/media/file/sheung-yiu-profile-1.webp","sheung-yiu-profile-1.webp",167198,{"thumb":3029,"medium":3033,"large":3036},{"url":3030,"width":171,"height":1767,"mimeType":163,"filesize":3031,"filename":3032},"https://futures-backend-unstated-int.vercel.app/api/media/file/sheung-yiu-profile-1-300x391.webp",14772,"sheung-yiu-profile-1-300x391.webp",{"url":3034,"width":177,"height":1772,"mimeType":163,"filesize":3027,"filename":3035},"https://futures-backend-unstated-int.vercel.app/api/media/file/sheung-yiu-profile-1-1200x1563.webp","sheung-yiu-profile-1-1200x1563.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"www.sheungyiu.com","instagram.com/sheungyiuphoto","Sheung","Yiu",[3042,3047,3051],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},"Photographer","photographer","2026-03-10T15:03:10.027Z","2026-03-10T15:03:10.026Z",{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},"Visual Artist","visual-artist","2026-03-10T15:03:10.487Z",{"id":1295,"name":3052,"slug":3053,"updatedAt":3054,"createdAt":3054},"Researcher","researcher","2026-03-10T15:03:10.364Z",[3056],{"id":4,"name":3057,"slug":3058,"updatedAt":3059,"createdAt":3059},"Man","man","2026-06-09T13:26:09.220Z",[3061,3067,3072,3078],{"id":3062,"name":3063,"slug":3064,"updatedAt":3065,"createdAt":3066},76,"Finland","finland","2026-07-27T09:45:24.708Z","2026-07-27T09:45:24.707Z",{"id":4,"name":3068,"slug":3069,"updatedAt":3070,"createdAt":3071},"Northern Europe","northern-europe","2026-06-09T13:27:42.059Z","2026-06-09T13:26:38.677Z",{"id":3073,"name":3074,"slug":3075,"updatedAt":3076,"createdAt":3077},112,"Hong Kong","hong-kong","2026-09-14T08:06:13.809Z","2026-09-14T08:06:13.808Z",{"id":477,"name":3079,"slug":3080,"updatedAt":3081,"createdAt":3081},"Eastern Asia","eastern-asia","2026-06-23T13:03:55.905Z",[3083,3088,3092,3096,3100],{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},"Conceptual","conceptual","2026-06-23T12:38:57.947Z","2026-06-23T12:38:57.946Z",{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},"Mixed Media","mixed-media","2026-06-23T12:39:57.387Z",{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},"Multidisciplinary","multidisciplinary","2026-06-23T12:44:32.651Z",{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},"Video","video","2026-06-23T12:40:16.193Z",{"id":229,"name":3101,"slug":3102,"updatedAt":3103,"createdAt":3103},"Installation","installation","2026-06-23T12:42:02.140Z",[3105,3108],{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},"technology","2026-03-10T15:15:29.756Z",{"id":1301,"name":3109,"slug":3110,"updatedAt":3111,"createdAt":3112},"Post-photography","post-photography","2026-06-23T12:44:11.293Z","2026-06-23T12:44:11.292Z","1991","Helsinki",[3116],{"id":3117,"profile_types":3118,"is_member":93,"name":3119,"slug":3120,"archived":153,"created_on":3121,"updated_on":3122,"published_on":3123,"biography":3124,"e_mail":3131,"profile_image":3132,"website":3133,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":3134,"tags_identity":3135,"tags_location":3136,"tags_practice":3137,"tags_topics":3138,"born_in":20,"street_address":10,"city":3139,"country":3140,"corresponding_member":3141,"member_additional":3142,"corresponding_art_projects":3143,"corresponding_selected_year":3144,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":3146,"curation_reference":3168,"past_member":153,"approved_courses":3169,"tutor_courses":3170,"guest_expert_courses":3172,"updatedAt":3174,"createdAt":3175,"email":3176,"collection":248,"sessions":3177},1309,[1959],"Fotogalleriet","fotogalleriet","Wed Oct 09 2024 14:15:25 GMT+0000 (Coordinated Universal Time)","Thu May 07 2026 11:11:50 GMT+0000 (Coordinated Universal Time)","Tue May 26 2026 07:03:15 GMT+0000 (Coordinated Universal Time)",{"root":3125},{"type":9,"format":10,"indent":11,"version":4,"children":3126},[3127],{"type":14,"version":4,"children":3128},[3129],{"text":3130,"type":19,"version":4},"Fotogalleriet is a publicly funded foundation located in the center of Oslo and the oldest institution for photography as a critical art practice in the Nordic region. Founded in 1977 by a group of cultural workers for hothousing cutting-edge photographic practices, Fotogalleriet has since been dedicated to exhibiting local and international art practices, and analysing the rapidly expanding nature of a field unrestricted by technological and aesthetic shifts. Through its commitment to research and engagement with artists, Fotogalleriet is a leading institution within the field of image making. The Norwegian Royal Ministry of Culture provides Fotogalleriet’s principal operating support; additional operational funding comes from the Norwegian Photographic Fund (Nofofo), and in part, from the Oslo Municipality.","Post@fotogalleriet.no",15922,"https://fotogalleriet.no/",[],[],[],[],[],"Oslo","Norway",[],[],[],[],"2022-01-01T00:00:00.000Z",[3147,2178,3148,3149,3150,3151,3152,1756,3153,3154,3155,3156,3157,3158,3159,3160,3161,3162,3163,3164,3165,3166,3167],1277,1376,1109,918,889,1398,916,767,750,1286,931,1140,1355,997,1108,1416,1104,1005,1103,1050,1098,[],[],{"docs":3171,"hasNextPage":153},[],{"docs":3173,"hasNextPage":153},[],"2026-10-05T15:41:10.054Z","2026-03-26T15:21:10.183Z","post@fotogalleriet.no",[],[],[3180],{"id":231,"name_of_project":3181,"slug":3182,"archived":153,"created_on":3183,"updated_on":3184,"published_on":3185,"thumbnail_image":3186,"date":20,"artwork_description":3187,"artworks":3201,"corresponding_artist":3249,"tags_topics":3250,"tags_location":3251,"tags_practice":3253,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":3254,"createdAt":3255,"artworks_gallery":3256},"(Inter)Faces of Predictions, or How To Read a Face","inter-faces-of-predictions-or-how-to-read-a-face","Mon Oct 14 2024 13:39:05 GMT+0000 (Coordinated Universal Time)","Mon Nov 04 2024 08:19:58 GMT+0000 (Coordinated Universal Time)","Mon Nov 04 2024 08:27:36 GMT+0000 (Coordinated Universal Time)",1573,{"root":3188},{"type":9,"format":10,"indent":11,"version":4,"children":3189},[3190,3194,3198],{"type":14,"version":4,"children":3191},[3192],{"text":3193,"type":19,"version":4},"In the project, I put my face through various processes of creating predictions, namely Western physiognomy, face reading, face recognition, facial phenotyping, facial generation, and synthetic facial data. I mix the visual language of the occult in face reading with the 'scientific' in facial recognition in an attempt to blur the line between practices from the East and the West. The visual study reveals the similarities between two predictive regimes centered around the face: one remains folklore, while the other is extensively applied to almost every aspect of our daily life. The project challenges the automation bias of facial recognition (or what I call Western face reading). It unveils the deeper, often-unexamined meta-narratives underlying these practices.",{"type":14,"version":4,"children":3195},[3196],{"text":3197,"type":19,"version":4},"A face is more than just a face. It is an interface of predictions trapped between two analytical frameworks and cosmological views that are not as different as they originally seemed.",{"type":14,"version":4,"children":3199},[3200],{"text":1209,"type":19,"version":4},[3202,3205,3207,3210,3213,3216,3219,3222,3225,3228,3231,3234,3237,3240,3243,3246],{"id":3203,"image":3204},"6a3557c6e57d0fdcefaa8fe9",1572,{"id":3206,"image":3186},"6a3557c6e57d0fdcefaa8fea",{"id":3208,"image":3209},"6a3557c6e57d0fdcefaa8feb",1574,{"id":3211,"image":3212},"6a3557c6e57d0fdcefaa8fec",1575,{"id":3214,"image":3215},"6a3557c6e57d0fdcefaa8fed",1576,{"id":3217,"image":3218},"6a3557c6e57d0fdcefaa8fee",1577,{"id":3220,"image":3221},"6a3557c6e57d0fdcefaa8fef",1578,{"id":3223,"image":3224},"6a3557c6e57d0fdcefaa8ff0",1579,{"id":3226,"image":3227},"6a3557c6e57d0fdcefaa8ff1",1580,{"id":3229,"image":3230},"6a3557c6e57d0fdcefaa8ff2",1581,{"id":3232,"image":3233},"6a3557c6e57d0fdcefaa8ff3",1582,{"id":3235,"image":3236},"6a3557c6e57d0fdcefaa8ff4",1583,{"id":3238,"image":3239},"6a3557c6e57d0fdcefaa8ff5",1584,{"id":3241,"image":3242},"6a3557c6e57d0fdcefaa8ff6",1585,{"id":3244,"image":3245},"6a3557c6e57d0fdcefaa8ff7",1586,{"id":3247,"image":3248},"6a3557c6e57d0fdcefaa8ff8",1587,[1756],[1129,225],[3252],25,[],"2026-06-23T14:20:15.037Z","2026-03-10T15:33:32.671Z",[],[3258],{"id":1137,"curation_title":3259,"slug":3260,"archived":153,"created_on":3261,"updated_on":3262,"published_on":3263,"date":3264,"corresponding_member":3265,"introduction_text":3266,"curational_text":3271,"corresponding_artist":3306,"projects_selected":3307,"updatedAt":3308,"createdAt":3309},"Fotogalleriet 2024","fotogalleriet-2024","Thu Oct 10 2024 08:01:19 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 11:31:42 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 11:31:46 GMT+0000 (Coordinated Universal Time)","2024-01-01T00:00:00.000Z",[3117],{"root":3267},{"type":9,"format":10,"indent":11,"version":4,"children":3268},[3269],{"type":14,"version":4,"children":3270},[],{"root":3272},{"type":9,"format":10,"indent":11,"version":4,"children":3273},[3274,3278,3281,3285,3288,3292,3295,3299,3302],{"type":14,"version":4,"children":3275},[3276],{"text":3277,"type":19,"version":4},"Artist duo Bela:Hagren has extensively explored traditional photography in its multi-layered past, from the technologization of the medium for the sake of science to its more creative uses. Bela:Hagren often address the complexity of storytelling of photographic history, which can’t be reduced only to images, because it is embedded in the cultural context, circulation, and economic infrastructure of the given time. More recently, they have been working on a project about the monopoly of manufacturing paper in the Eastern bloc and the toxic residue left behind by photographic production.",{"type":14,"version":4,"children":3279},[3280],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3282},[3283],{"text":3284,"type":19,"version":4},"Joel Karppanen is a self-taught artist working with experimental photography to address class and labor issues and explore the deviousness of a hierarchical economy with issues of privilege, provenance, and access. In his most known work, Beyond Pitkäsilta (Metropolis) (2021–2023), he has worked with “donating” time, which is about putting himself to service or replace someone and giving them time so that they could have the same access or opportunities as himself for a limited period. In that specific work, he addresses how art is still for the few.",{"type":14,"version":4,"children":3286},[3287],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3289},[3290],{"text":3291,"type":19,"version":4},"Nayara Leite is an artist and an advocator for the LBGTQI+ community across both Norway and Brazil. In her project In Search of Rainbows (2022) Leite explores the different flags displayed in the north of Brazil. While a growing number of Brazilian flags favored under the then-president Jair Messias Bolsonaro led to notions of nationalism, persecution, and homophobia, the number of pride flags on display had almost vanished, symbolizing growing discrimination for non-normalized individuals.",{"type":14,"version":4,"children":3293},[3294],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3296},[3297],{"text":3298,"type":19,"version":4},"Sheung Yiu is a visual artist and a researcher focusing on how image sensitivity is increasing the complexity of algorithms but also bringing back old tropes of eugenics and phrenology, reactivating traumas of a colonial past based on provenance of geographies, genders, and other made-up exclusionary politics. (Inter)Faces of Predictions, or How To Read a Face (2023 - ongoing), is one such work where Yiu plays with these AI machines and their “learnings” to visualize their discriminative and presumptive politics.",{"type":14,"version":4,"children":3300},[3301],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3303},[3304],{"text":3305,"type":19,"version":4},"Yujie Zhou is an artist who works with expanded photography, publishing, textiles, and performativity to contest censorship. They have worked on legibility and illegibility as forms of protest through language. Panoptic Segmentation (2021-ongoing) parallels the 18th-century disciplinary system, the panopticon, invented to make bodies more docile in prison surveillance system, and a similar system adopted in computation to break down objects into stratified readable components.",[3150,3165,1756,3156,3147],[],"2026-08-17T13:40:49.239Z","2026-03-10T15:49:53.889Z",[],[],[],{"docs":3314,"hasNextPage":153},[],{"docs":3316,"hasNextPage":153},[],"2026-10-08T15:33:47.256Z","2026-03-26T15:19:36.879Z",[],{"id":4,"title":250,"city":1782,"content":3321,"gallery":3327,"updatedAt":2874,"createdAt":2875},{"root":3322},{"type":9,"format":10,"indent":11,"version":4,"children":3323,"direction":20},[3324],{"type":14,"format":2713,"indent":11,"version":4,"children":3325,"direction":20,"textStyle":10,"textFormat":11},[3326],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[3328,3334,3340,3346,3352,3358,3364],{"id":2719,"image":3329},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":3330},{"thumb":3331,"medium":3332,"large":3333},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":3335},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":3336},{"thumb":3337,"medium":3338,"large":3339},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":3341},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":3342},{"thumb":3343,"medium":3344,"large":3345},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":3347},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":3348},{"thumb":3349,"medium":3350,"large":3351},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":3353},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":3354},{"thumb":3355,"medium":3356,"large":3357},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":3359},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":3360},{"thumb":3361,"medium":3362,"large":3363},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":3365},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":3366},{"thumb":3367,"medium":3368,"large":3369},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"root":3371},{"type":9,"format":10,"indent":11,"version":4,"children":3372,"direction":20},[3373],{"type":14,"format":10,"indent":11,"version":4,"children":3374,"direction":20,"textStyle":10,"textFormat":11},[3375],{"mode":17,"text":3376,"type":19,"style":10,"detail":11,"format":11,"version":4},"Sheung Yiu (b. 1991, Hong Kong) is an image-centered artist and researcher based in Helsinki. He holds a Master of Arts in Visual Cultures, Curating and Contemporary Art from Aalto University, where he is currently pursuing doctoral research in photography. His practice investigates emerging image-making technologies at the intersection of photography, large-scale computation, and visual culture. In his research-based practice, Yiu collaborates with multi-disciplinary experts to explore imaging practices emerging at the intersection of photography and large-scale computation. Through his dialogue with remote sensing scientists, he learned how to see the Earth from satellites. At the moment, he is looking at the history of face reading and facial recognition to understand how photographs become predictions in his project (Inter)Faces of Predictions. His works take the form of photography, video essays, desktop performance, exhibition installations, and artist books.",[3378,4297,4994,6423,6750,7462,8163,8523,9257,10053,10873,11429,11927,13462,14044,14761,15669],{"id":3379,"artist":3380,"residency_location":4000,"year_of_residency":251,"article":4050},"6ab53658524b378872b3fede",{"id":1092,"profile_types":3381,"is_member":153,"name":1090,"slug":1094,"archived":153,"created_on":1095,"updated_on":1096,"published_on":1096,"biography":3382,"e_mail":1113,"profile_image":3394,"website":1115,"instagram":1116,"first_name":1117,"last_name":1118,"kind_of_profile":218,"tags_profession":3413,"tags_identity":3424,"tags_location":3425,"tags_practice":3434,"tags_topics":3445,"born_in":1130,"street_address":10,"city":1131,"country":1132,"corresponding_member":3459,"member_additional":3550,"corresponding_art_projects":3551,"corresponding_selected_year":3660,"reference_residency":3761,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":3992,"curation_reference":3993,"past_member":20,"approved_courses":3994,"tutor_courses":3995,"guest_expert_courses":3997,"updatedAt":1148,"createdAt":1149,"email":1150,"collection":248,"sessions":3999},[198],{"root":3383},{"type":9,"format":10,"indent":11,"version":4,"children":3384,"direction":1112},[3385,3388,3391],{"type":14,"version":4,"children":3386},[3387],{"text":1103,"type":19,"version":4},{"type":14,"version":4,"children":3389},[3390],{"text":1107,"type":19,"version":4},{"type":14,"version":4,"children":3392},[3393],{"text":1111,"type":19,"version":4},{"id":1114,"alt":20,"originalUrl":3395,"uploaded_by":1092,"updatedAt":3396,"createdAt":3397,"url":3398,"thumbnailURL":20,"filename":3399,"mimeType":163,"filesize":3400,"width":3401,"height":3402,"focalX":167,"focalY":167,"sizes":3403},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67b73e7ec89f6c103a369982_Casagrande_Ritratto.jpeg","2026-06-19T14:12:22.423Z","2026-03-10T10:27:00.262Z","https://futures-backend-unstated-int.vercel.app/api/media/file/benedetta-casagrande-profile-1.webp","benedetta-casagrande-profile-1.webp",279918,1772,2362,{"thumb":3404,"medium":3408,"large":3412},{"url":3405,"width":171,"height":867,"mimeType":163,"filesize":3406,"filename":3407},"https://futures-backend-unstated-int.vercel.app/api/media/file/benedetta-casagrande-profile-1-300x400.webp",9266,"benedetta-casagrande-profile-1-300x400.webp",{"url":3409,"width":177,"height":534,"mimeType":163,"filesize":3410,"filename":3411},"https://futures-backend-unstated-int.vercel.app/api/media/file/benedetta-casagrande-profile-1-1200x1600.webp",146328,"benedetta-casagrande-profile-1-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[3414,3415,3416,3420],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":229,"name":3417,"slug":3418,"updatedAt":3419,"createdAt":3419},"Writer","writer","2026-03-10T15:03:10.692Z",{"id":231,"name":3421,"slug":3422,"updatedAt":3423,"createdAt":3423},"Educator","educator","2026-03-10T15:03:09.661Z",[],[3426,3430],{"id":471,"name":3427,"slug":3428,"updatedAt":3429,"createdAt":3429},"Southern Europe","southern-europe","2026-06-23T13:08:12.389Z",{"id":481,"name":1132,"slug":3431,"updatedAt":3432,"createdAt":3433},"italy","2026-06-26T07:55:24.921Z","2026-06-26T07:55:24.919Z",[3435,3439,3440,3441],{"id":1123,"name":3436,"slug":3437,"updatedAt":3438,"createdAt":3438},"Black and White","black-and-white","2026-06-23T12:45:04.970Z",{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},{"id":1125,"name":3442,"slug":19,"updatedAt":3443,"createdAt":3444},"Text","2026-06-23T12:46:01.603Z","2026-06-23T12:46:01.602Z",[3446,3450,3454,3455],{"id":1127,"name":3447,"slug":3448,"updatedAt":3449,"createdAt":3449},"Anthropocene","anthropocene","2026-06-23T12:42:42.833Z",{"id":1128,"name":3451,"slug":3452,"updatedAt":3453,"createdAt":3453},"Kinship","kinship","2026-06-23T12:42:54.873Z",{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},{"id":224,"name":3456,"slug":3457,"updatedAt":3458,"createdAt":3458},"Climate crisis","climate-crisis","2026-06-23T12:42:28.918Z",[3460],{"id":1134,"profile_types":3461,"is_member":93,"name":3462,"slug":3463,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":3464,"e_mail":3483,"profile_image":3484,"website":3485,"instagram":20,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":3486,"tags_identity":3487,"tags_location":3488,"tags_practice":3489,"tags_topics":3490,"born_in":20,"street_address":20,"city":3491,"country":1132,"corresponding_member":3492,"member_additional":3493,"corresponding_art_projects":3494,"corresponding_selected_year":3495,"reference_residency":20,"date_of_residency":20,"date_since":3496,"date_ended":20,"linkedin":20,"corresponding_artist":3497,"curation_reference":3541,"past_member":20,"approved_courses":3542,"tutor_courses":3543,"guest_expert_courses":3545,"updatedAt":3547,"createdAt":3548,"email":3483,"collection":248,"sessions":3549},[1959],"CAMERA Centro Italiano per la Fotografia","camera-centro-italiano-per-la-fotografia",{"root":3465},{"type":9,"format":10,"indent":11,"version":4,"children":3466,"direction":20},[3467,3471,3475,3479],{"type":14,"format":10,"indent":11,"version":4,"children":3468,"direction":20,"textStyle":10,"textFormat":11},[3469],{"mode":17,"text":3470,"type":19,"style":10,"detail":11,"format":11,"version":4},"CAMERA is a private foundation, an exhibition venue for both Italian and international photography, a centre for image education, staging meetings, ateliers, and workshops. A research centre for the valorization of photographic heritage.",{"type":14,"format":10,"indent":11,"version":4,"children":3472,"direction":20,"textStyle":10,"textFormat":11},[3473],{"mode":17,"text":3474,"type":19,"style":10,"detail":11,"format":11,"version":4},"Located in the city centre, a stone’s throw away from the Mole Antonelliana, Museo Egizio, and many other museums and galleries, CAMERA is a unique hub dedicated to photography, capable of strengthening the link between Piedmont and Italy with the worldwide main centers, promoting photography through an open and creative dialogue with artists and institutions.",{"type":14,"format":10,"indent":11,"version":4,"children":3476,"direction":20,"textStyle":10,"textFormat":11},[3477],{"mode":17,"text":3478,"type":19,"style":10,"detail":11,"format":11,"version":4},"The goal of promoting photography is addressed to a broad and diversified audience. Through exhibitions and workshops, meetings and talks, CAMERA aims to become a place of meeting and exchange for citizens, with a diverse cultural offer for each target category: photo lovers, amateur photographers, professionals, and scholars.",{"type":14,"format":10,"indent":11,"version":4,"children":3480,"direction":20,"textStyle":10,"textFormat":11},[3481],{"mode":17,"text":3482,"type":19,"style":10,"detail":11,"format":11,"version":4},"CAMERA is a platform for study, display, producing, archiving, training, meeting, and debate all around photography: a place rooted in the territory yet with an international outlook.","camera@camera.to",15938,"https://camera.to/",[],[],[],[],[],"Turin",[],[],[],[],"2018-01-01T12:00:00.000Z",[3498,3499,3500,3501,3502,2627,3503,3504,3505,3506,3507,3508,3509,3510,3511,3512,3513,3514,3515,3516,3517,3518,3519,3520,3521,3522,3523,3524,3525,3526,920,3527,3528,1417,1092,3529,3530,3531,3532,3533,3534,3535,3536,3537,3538,3539,3540],775,1169,903,717,1029,759,1060,1130,678,945,1059,1291,814,863,1035,864,1051,905,1212,696,679,1071,1004,861,860,802,898,1070,857,1258,1107,1196,1011,1238,723,996,757,712,1363,1352,1369,1417,1362,[],[],{"docs":3544,"hasNextPage":153},[],{"docs":3546,"hasNextPage":153},[],"2026-10-05T15:40:18.705Z","2026-09-02T16:32:02.201Z",[],[],[3552],{"id":1137,"name_of_project":3553,"slug":3554,"archived":153,"created_on":3555,"updated_on":3556,"published_on":3557,"thumbnail_image":3558,"date":3559,"artwork_description":3560,"artworks":3567,"artworks_gallery":3610,"corresponding_artist":3654,"tags_topics":3655,"tags_location":3656,"tags_practice":3657,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":3658,"createdAt":3659},"All things laid dormant","all-things-laid-dormant","Thu Feb 20 2025 14:56:40 GMT+0000 (Coordinated Universal Time)","Wed Oct 07 2026 14:31:53 GMT+0000 (Coordinated Universal Time)","Wed Jan 14 2026 07:31:36 GMT+0000 (Coordinated Universal Time)",2087,"2024-05-06T00:00:00.000Z",{"root":3561},{"type":9,"format":10,"indent":11,"version":4,"children":3562,"direction":1112},[3563],{"type":14,"format":10,"indent":11,"version":4,"children":3564,"direction":1112},[3565],{"mode":17,"text":3566,"type":19,"style":10,"detail":11,"format":11,"version":4},"All things laid dormant questions our relationship to more-than-human life in times of extinction. Relying on the ambiguous qualities of the photographic medium that simultaneously hinders and facilitates interactions with the lived environment, Casagrande invites the viewers into a world suspended between presence and absence, proximity and distance, life and death, carving a space for ecological grief within a world in ruins. The body of work brings together photographs, texts and sculptures that speak not only of the loss of our fellow earth-roamers, but also of  photography’s own role in environmental ruination, particularly through the mining of silver for the analogue photographic industry. Reclaiming silver from used darkroom fixer and using it to coat handmade sculptures, Casagrande’s ceramic creatures emerge from the spoils of photographic waste.",[3568,3571,3574,3577,3580,3583,3586,3589,3592,3595,3598,3601,3604,3607],{"id":3569,"image":3570},"6ac657dd952d3a00056d7dc8",2088,{"id":3572,"image":3573},"6ac657dd952d3a00056d7dc9",2089,{"id":3575,"image":3576},"6ac657dd952d3a00056d7dca",2090,{"id":3578,"image":3579},"6ac657dd952d3a00056d7dcb",2091,{"id":3581,"image":3582},"6ac657dd952d3a00056d7dcc",2092,{"id":3584,"image":3585},"6ac657dd952d3a00056d7dcd",2093,{"id":3587,"image":3588},"6ac657dd952d3a00056d7dce",2094,{"id":3590,"image":3591},"6ac657dd952d3a00056d7dcf",2095,{"id":3593,"image":3594},"6ac657dd952d3a00056d7dd0",2096,{"id":3596,"image":3597},"6ac657dd952d3a00056d7dd1",2097,{"id":3599,"image":3600},"6ac657dd952d3a00056d7dd2",2098,{"id":3602,"image":3603},"6ac657dd952d3a00056d7dd3",2099,{"id":3605,"image":3606},"6ac657dd952d3a00056d7dd4",2100,{"id":3608,"image":3609},"6ac657dd952d3a00056d7dd5",2101,[3611,3618,3620,3627,3629,3636,3638,3645,3647],{"id":3612,"blockName":20,"images":3613,"blockType":323},"6ac657dd952d3a00056d7dd8",[3614,3616],{"id":3615,"image":3570},"6ac657dd952d3a00056d7dd6",{"id":3617,"image":3573},"6ac657dd952d3a00056d7dd7",{"id":3619,"image":3576,"blockName":20,"blockType":381},"6ac657dd952d3a00056d7dd9",{"id":3621,"blockName":20,"images":3622,"blockType":323},"6ac657dd952d3a00056d7ddc",[3623,3625],{"id":3624,"image":3579},"6ac657dd952d3a00056d7dda",{"id":3626,"image":3582},"6ac657dd952d3a00056d7ddb",{"id":3628,"image":3585,"blockName":20,"blockType":381},"6ac657dd952d3a00056d7ddd",{"id":3630,"blockName":20,"images":3631,"blockType":323},"6ac657dd952d3a00056d7de0",[3632,3634],{"id":3633,"image":3588},"6ac657dd952d3a00056d7dde",{"id":3635,"image":3591},"6ac657dd952d3a00056d7ddf",{"id":3637,"image":3594,"blockName":20,"blockType":381},"6ac657dd952d3a00056d7de1",{"id":3639,"blockName":20,"images":3640,"blockType":323},"6ac657dd952d3a00056d7de4",[3641,3643],{"id":3642,"image":3597},"6ac657dd952d3a00056d7de2",{"id":3644,"image":3600},"6ac657dd952d3a00056d7de3",{"id":3646,"image":3603,"blockName":20,"blockType":381},"6ac657dd952d3a00056d7de5",{"id":3648,"blockName":20,"images":3649,"blockType":323},"6ac657dd952d3a00056d7de8",[3650,3652],{"id":3651,"image":3606},"6ac657dd952d3a00056d7de6",{"id":3653,"image":3609},"6ac657dd952d3a00056d7de7",[1092],[477,1127,224,481,1128,1129],[3252],[],"2026-10-07T14:31:58.018Z","2026-03-10T15:34:19.068Z",[3661],{"id":1139,"curation_title":3662,"slug":3663,"archived":153,"created_on":3664,"updated_on":3665,"published_on":3665,"date":3666,"corresponding_member":3667,"introduction_text":3668,"curational_text":3683,"corresponding_artist":3747,"projects_selected":3751,"updatedAt":3759,"createdAt":3760},"CAMERA - Centro Italiano per la Fotografia 2025","camera---centro-italiano-per-la-fotografia-2025","Tue Jan 21 2025 09:26:04 GMT+0000 (Coordinated Universal Time)","Sat Jan 31 2026 10:51:34 GMT+0000 (Coordinated Universal Time)","2025-01-01T00:00:00.000Z",[1134],{"root":3669},{"type":9,"format":10,"indent":11,"version":4,"children":3670},[3671,3674,3677,3680],{"type":14,"version":4,"children":3672},[3673],{"text":3470,"type":19,"version":4},{"type":14,"version":4,"children":3675},[3676],{"text":3474,"type":19,"version":4},{"type":14,"version":4,"children":3678},[3679],{"text":3478,"type":19,"version":4},{"type":14,"version":4,"children":3681},[3682],{"text":3482,"type":19,"version":4},{"root":3684},{"type":9,"format":10,"indent":11,"version":4,"children":3685},[3686,3690,3693,3697,3701,3705,3709,3713,3716,3720,3724,3728,3731,3735,3739,3743],{"type":14,"version":4,"children":3687},[3688],{"text":3689,"type":19,"version":4},"The five artists selected for FUTURES are Claudia Amatruda (Foggia, 1995), Matteo Buonomo (Milan, 1991), Benedetta Casagrande (Milan, 1993), Alessio Pellicoro (Taranto, 1994) and Martina Zanin (San Daniele del Friuli, 1994). This selection consolidates the nature of this program as an observatory of the medium, developing a broad perspective of its practices today in the Italian context and examining the ways in which the digital and new aesthetics are changing its fruition. It includes refined operations that present both research with a return to its function as a document, as well as experiments that question the medium's ideas of form, truth, and identity. The aim is to show how photography is a medium in perpetual transformation and expansion, which brings together experiences of a documentary nature on social and cultural themes, and others that emphasize formal and conceptual research.",{"type":14,"version":4,"children":3691},[3692],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3694},[3695],{"text":3696,"type":19,"version":4},"Amatruda reflects on the transformations of his own body due to a rare degenerative disease. Looking at Donna Haraway's theories on the union between cyborgs and humans, she transforms her body into a theatre of reception for external elements, highlighting possible contaminations and metamorphoses through self-portraiture.",{"type":14,"version":4,"children":3698},[3699],{"text":3700,"type":19,"version":4},"‍Bonomo's work focuses on long-term projects focusing on the social context trying to read the dynamics of loneliness and sharing that run through contemporary society. His photographic stories are enriched by textual and investigative insights.",{"type":14,"version":4,"children":3702},[3703],{"text":3704,"type":19,"version":4},"‍Casagrande uses the medium of photography to be in relationship with the surrounding environment and its elements. She analyses ecological coexistence with the non-human living world and explores the ways in which we relate to them: intraspecific coexistence and the possibility of constructing new forms of kinship and intimacy between species in a context of unprecedented loss of variety of living organisms.",{"type":14,"version":4,"children":3706},[3707],{"text":3708,"type":19,"version":4},"The elements that characterize Pellicoro's research are the ambiguous relationship with reality, the role of immobility and movement, the post photographic inclination and the testimonial approach. A result that, on the one hand, is due to the subjects filmed; on the other, to the interest in representing unconscious drives or autobiographical issues.",{"type":14,"version":4,"children":3710},[3711],{"text":3712,"type":19,"version":4},"‍Zanin's research is intertwined with his personal experiences and draws on references from literature and psychoanalysis to interrogate the notions of absence, memory, aggression, repetition, patriarchy, and heritage. She invites the viewer to reflect on the ambiguity of power dynamics, focusing on the fine line between protection and control and turning her attention to vulnerable positions.",{"type":14,"version":4,"children":3714},[3715],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3717},[3718],{"text":3719,"type":19,"version":4},"List of curators",{"type":14,"version":4,"children":3721},[3722],{"text":3723,"type":19,"version":4},"Giangavino Pazzola – Curator of contemporary and research programs at CAMERA",{"type":14,"version":4,"children":3725},[3726],{"text":3727,"type":19,"version":4},"Walter Guadagnini – Director at CAMERA",{"type":14,"version":4,"children":3729},[3730],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":3732},[3733],{"text":3734,"type":19,"version":4},"Nominators",{"type":14,"version":4,"children":3736},[3737],{"text":3738,"type":19,"version":4},"Arianna Catania | Director of Gibellina Photoroad / Open Air & Site-specific Festival",{"type":14,"version":4,"children":3740},[3741],{"text":3742,"type":19,"version":4},"Matteo Balduzzi | Curator of MUFOCO – Museum of Contemporary Photography of Milano-Cinisello Balsamo",{"type":14,"version":4,"children":3744},[3745],{"text":3746,"type":19,"version":4},"Marco Delogu | Photographer and President of Azienda Speciale Palaexpo - Rome",[373,3748,3749,3750],1407,1351,1415,[3752,314,3753,1137,3754,3755,3756,3757,3758],424,277,531,492,315,53,377,"2026-09-17T15:36:08.534Z","2026-03-10T15:31:38.025Z",{"id":1140,"is_residency_story":93,"kind_of_residency_story":150,"title":3762,"slug":3763,"archived":153,"created_on":20,"updated_on":20,"published_on":3764,"thumbnail":3765,"author":3766,"date_of_publication":3767,"teaser":3768,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":3769,"category":3770,"video":20,"corresponding_event":20,"artist_name":1090,"reference_artist":1092,"residency_location":250,"year":251,"layout_type":496,"content":3772,"updatedAt":3990,"createdAt":3991},"Benedetta Casagrande in Conversation with Taco Hidde Bakker","benedetta-casagrande-in-conversation-with-taco-hidde-bakker","21/07/2026",15955,"Taco Hidde Bakker","2026-07-21T12:00:00.000Z","Italian photographic artist Benedetta Casagrande, a FUTURES resident in Amsterdam in July 2026, belongs to a growing cohort of ecologically-minded photographers and artists who question the environmental impact of chemical photography, thereby experimenting with and developing lower-toxicity alternatives that involve a more reciprocal relationship to the ecosystems providing us with the means to photograph at all.","Residency",[3771],"Animals",[3773,3782,3791,3809,3822,3848,3851,3867,3888],{"id":3774,"text":3775,"blockName":20,"blockType":19},"6aabf09291b8275b1ce1473d",{"root":3776},{"type":9,"format":10,"indent":11,"version":4,"children":3777,"direction":20},[3778],{"type":14,"format":546,"indent":11,"version":4,"children":3779,"direction":20,"textStyle":10,"textFormat":222},[3780],{"mode":17,"text":3781,"type":19,"style":10,"detail":11,"format":222,"version":4},"Mid-nineteenth century photography inventor William Henry Fox Talbot talked about 'the pencil of nature' when describing the magical images he fixed on paper, as if photography was inviting natural phenomena to just impress themselves on light-sensitive plates, that by way of human's chemical inventiveness could be preserved and passed on down the generations. Casagrande taps into that pioneering energy of the likes of Talbot and Anna Atkins, while also being firmly rooted in the present, with its digital proliferation as well as ecological and climatical crises. Her work focuses on various non-human life forms, co-inhabitants of the urban environment, photographically magnifying them and picturing them by using plant-based developers. Different traces of the image-making process are left visible, as a gentle reminder that life means symbiosis—no being can do without other beings, whether internally or externally. There is no such thing as purity, according to Casagrande. This conversation is based on two meetings I've had with her in Amsterdam, one studio visit and a public Q&A during the Open Studio on 1 July 2026, in which the work on display functioned as a conversation starter and catalyst for the (re)generation of knowledge and ideas worth spreading. ",{"id":3783,"blockName":20,"images":3784,"blockType":323},"6aabf0aa91b8275b1ce1473f",[3785,3788],{"id":3786,"image":3787},"6aabf0ac91b8275b1ce14740",15958,{"id":3789,"image":3790},"6aabf0b491b8275b1ce14741",15957,{"id":3792,"blockName":20,"blockType":539,"qa":3793},"6aabf0c191b8275b1ce14742",{"question":3794,"answer":3795},"Taco Hidde Bakker (THB): On the surface your work seems to be about beings like caterpillars, moths or birds, while also leaving visible certain traces of the photographic and reproduction technologies you employ. The images betray sustained attention, to what has been observed as well as process, and on the surface have a pleasing aesthetic effect on me. Yet they also hint at unspoken depths. What are the motivations and interests underlying your artistic practice? ",{"root":3796},{"type":9,"format":10,"indent":11,"version":4,"children":3797,"direction":20},[3798,3805],{"type":14,"format":546,"indent":11,"version":4,"children":3799,"direction":20,"textStyle":10,"textFormat":4},[3800,3802,3803],{"mode":17,"text":3801,"type":19,"style":10,"detail":11,"format":4,"version":4},"Benedetta Casagrande (BG):",{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":3804,"type":19,"style":10,"detail":11,"format":11,"version":4},"I am a biophile, and today as a species we are experiencing a great degree of loss; not only the loss of life happening through extinctions, but a significant loss of knowledge and understanding of other species and of the Earth systems we are embedded in. I see the slow and prolonged observation of more-than-human life prompted by the photographic process as a way to restore lost knowledge and rebuild relationships. Species are co-constituted in inextricable ways: we share an ancient biological kinship with all living forms and whatever the future may hold for us, we are moving towards shared destinies. The joy and marvel in getting to know the multitudes of brilliantly intelligent ways life thrives on Earth, and the joy of knowing we are part of this family, is definitely a driving force in my creative practice. ",{"type":14,"format":546,"indent":11,"version":4,"children":3806,"direction":20,"textStyle":10,"textFormat":11},[3807],{"mode":17,"text":3808,"type":19,"style":10,"detail":11,"format":11,"version":4},"To me practicing art is akin to practicing life, and I am slowly attempting to build an art practice that intersects with and actively sustains practices that take care of the land and of the biosphere, working towards shared health, rooted in relationships based on principles of reciprocity. Practicing is very much a way for me to learn how to inhabit this world. From the teachings of Hannah Fletcher and The Sustainable Darkroom I learnt to think about 'impact' not only as something negative that must be reduced, but as behavior that could potentially affect the places we inhabit in ways that are positive, also through the spoils of art practices. I loved how our public conversation during the Open Studio at the Futures Hub ended on the note that art teaching could result in giving students the tools to learn how to tend to the land and grow a garden. ",{"id":3810,"blockName":20,"blockType":539,"qa":3811},"6aabf0d291b8275b1ce14743",{"question":3812,"answer":3813},"THB: The Sustainable Darkroom and other initiatives working on detoxifying (analog) photography are great. Inspired by their work you are developing your own plant-based methods. Could you describe some of the most important technical details of your special photographic processes, from photographing to developing and fixing? ",{"root":3814},{"type":9,"format":10,"indent":11,"version":4,"children":3815,"direction":20},[3816],{"type":14,"format":546,"indent":11,"version":4,"children":3817,"direction":20,"textStyle":10,"textFormat":4},[3818,3820],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},"BG:",{"mode":17,"text":3821,"type":19,"style":10,"detail":11,"format":11,"version":4}," At the moment I am in a learning-and-adjustment phase in which I am shifting my practice so to permanently integrate everything I learnt from the Sustainable Darkroom, from Curioso Lab, and from my own experience over the years. I would not say that I am developing my own methods per se, at least not in terms of recipes or research into new materials. But the whole process currently goes something like this: looking -> relating -> consent? -> photographing -> selecting -> printing at home with a lo-fi inkjet printer -> rephotographing on film -> scouting the territory to discover plant species and assess which ones could be appropriate allies to make developer with (are they abundant? how often do they occur? etc.) -> forage -> make developer & other chemistry -> print -> dry -> and if printed on a grid: assemble the parts (finally, the image appears in full!). And finally: degrade chemical waste (takes a few months, depending on the season) -> compost -> return to land. I usually buy silver gelatin paper second-hand (opened/expired/leftovers, etc).",{"id":3823,"blockName":20,"blockType":539,"qa":3824},"6aabf0eb91b8275b1ce14744",{"question":3825,"answer":3826},"THB: I love that you pay close attention to animals wherever you work (among others at the botanical gardens in Amsterdam during your residency there) and that you involve plants around in the process of imaging. There's no direct visible link between image and referent, but there is ecological embeddedness. It's interesting, too, that digital machinery is still in the loop. During my studio visit we've talked about the need for roots, and attachment to place (how to re-indigenize ourselves), but that nowadays it comes with a global mindset. What does it mean to be rooted or uprooted? Is uprootedness the condition for most urbanites? What are the consequences of being detached from ecological realities for one's practices, both in life and art? When artists address issues related to global heating, biodiversity loss, solastalgia and so on, I think the issue of rootedness/attachment to place (topophilia) is key. In what ways does your practice relate to tensions between, on one hand, the global/general and the local/specific on the other? ",{"root":3827},{"type":9,"format":10,"indent":11,"version":4,"children":3828,"direction":20},[3829,3838,3843],{"type":14,"format":546,"indent":11,"version":4,"children":3830,"direction":20,"textStyle":10,"textFormat":4},[3831,3832,3834,3836],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3833,"type":19,"style":10,"detail":11,"format":11,"version":4}," Whilst I do not necessarily use the same plants I photograph to make the developer, I wouldn’t say that there is no direct link between image and referent. I think the material link between body, sunlight and photosensitive surface is a direct link, with light being an active agent that threads together image and referent. The pencil of nature, right? This touching, direct material connection and simultaneous transformation of reality is maybe the main thing that made me fall in love with photography in the first place. But moving on to questions of the local and global, these are questions I have been thinking about a lot, but don't feel like I have actual answers to. Knowing the land, knowing its inhabitants, learning how to take care of them properly, building rooted relationships and deep knowledge... all of this takes time. It means years of observation, interaction, communication, commitment towards one plot of land, whether big or small, urban or rural, and all the living and nonliving things that live upon it and underneath it. It means going back to the same places and getting to know them intimately. My aim in time is to build an art practice that works in synergy with the territory and the passing of the seasons; certain processes take time and require long-term care (e.g. degrading the chemical waste, growing a garden, etc), and these practices are spontaneously rooted in place. It's interesting that you mentioned attachment to place, which reminded me of one of the opening chapters in Deborah Bird Rose's book ",{"mode":17,"text":3835,"type":19,"style":10,"detail":11,"format":222,"version":4},"Wild Dog Dreaming",{"mode":17,"text":3837,"type":19,"style":10,"detail":11,"format":11,"version":4},", about building ethical relationships with nonhuman others in our era of mass extinction. Conservation biologist Michael Soulé said that people save what they love, while Wallace Stegner said that we can love a place and still be a threat to it. Rose takes these two statements as her starting point to reflect on the need to ask new questions about love in an age of extinction. She asks important questions, such as: Who are we as a species? How do we fit into the Earth system? What kind of ethics do we need? How can we find a path toward new narratives that will guide us through an era of profound change? How can we reinvigorate love and action in ways that are generous, mindful, and life-affirming? In addressing these questions, Rose draws on the teachings of the Indigenous peoples of Northern Australia, particularly the Yarralin and Lingara communities, whose culture is rooted in a close interspecies kinship with plants and animals.",{"type":14,"format":10,"indent":11,"version":4,"children":3839,"direction":20,"textStyle":10,"textFormat":11},[3840,3841],{"type":463,"version":4},{"mode":17,"text":3842,"type":19,"style":10,"detail":11,"format":11,"version":4},"We are living through global crises which in many ways require local solutions, so there is this interesting relationship between the local and the global, and I believe many solutions are being carved out by collective action, both locally and across geographical borders. Also in the field of photography and image-making, Curioso Lab and the Sustainable Darkroom work in ways which are rooted yet they are both committed to collectivizing ecological practices across borders, sharing knowledge and know-how so that more and more people can participate and expand these movements, integrating sustainable thinking within their practice and everyday life. It is important for knowledge and ideas to travel and to learn from each other's localized experiences (this is very true also with social movements), and adapt and reshape them based on local specificities. ",{"type":14,"format":10,"indent":11,"version":4,"children":3844,"direction":20,"textStyle":10,"textFormat":11},[3845,3846],{"type":463,"version":4},{"mode":17,"text":3847,"type":19,"style":10,"detail":11,"format":11,"version":4},"Currently these tensions emerge within my practice through the narration—both visual and verbal—of situated encounters that oftentimes result from interspecies dramas happening against the backdrop of a world undergoing a severe loss of life. These encounters are totally mundane, spanning from joyful happenstance encounters with new species, like the caterpillars of the spindle ermine moth in Amsterdam, to relationships that are complicated by hardship and interspecies care, such as the rat pups my husband and I nursed into adulthood last year, after they lost their mother and were rejected by local wildlife rehabilitation centers for being considered 'pests'. I would like my project ‘Recollections’ to be able to hold it all, without leaving out one thing or another: the joy, the grief, the injustice, the love, the curiosity, the anger. ",{"id":3849,"image":3850,"blockName":20,"blockType":381},"6aabf10791b8275b1ce14745",15956,{"id":3852,"blockName":20,"blockType":539,"qa":3853},"6aabf11291b8275b1ce14746",{"question":3854,"answer":3855},"THB: You've told me about the 'sheer joy' you feel for the multitude of forms of intelligence to be found among life on Earth. Could you describe how that translates into your work? Does it inspire you to experiment with certain techniques or methods, or does it rather direct your focus to depict (or collaborate with) certain non-human lifeforms such as caterpillars, moths and birds? ",{"root":3856},{"type":9,"format":10,"indent":11,"version":4,"children":3857,"direction":20},[3858],{"type":14,"format":546,"indent":11,"version":4,"children":3859,"direction":20,"textStyle":10,"textFormat":4},[3860,3861,3863,3865],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3862,"type":19,"style":10,"detail":11,"format":11,"version":4}," There is something so joyfully world-expanding about moving beyond human affairs and allowing oneself to focus on and familiarize with the affairs and cultures of other species. They provide other ways of accessing the world. In a way, I think this is exactly what photography can do: it provides new points of access and extends the ways we look at and understand the world. I have found myself particularly enjoying changing the scale of things, particularly enlarging small critters and plants. And enlargement in size tends to go hand in hand with a dilation of time, too… with slowness. During the residency in Amsterdam I have been reading ",{"mode":17,"text":3864,"type":19,"style":10,"detail":11,"format":222,"version":4},"The River of Consciousness",{"mode":17,"text":3866,"type":19,"style":10,"detail":11,"format":11,"version":4}," by neuroscientist Oliver Sacks, and I stumbled on a great passage in which he talks about the relationship between speed and scale, thinking about \"slow motion as an enlargement, a microscopy of time, and speeded-up motion as foreshortening, a telescopy of time.\" In the slowed dilation of enlarged images of more-than-human bodies I feel myself pulled closer to the inaccessible 'secret' of the ways in which other species experience the world. The philosophical school of Object-Oriented Ontology (OOO), as formulated by Graham Harman, suggests that nothing can be accessed all at once in its entirety, and that there is no 'top' access mode to get at what a thing really is. In Timothy Morton's words, \"OOO offers us a marvelous world of shadows and hidden corners [...] in which things can't ever be completely irradiated by the ultraviolet light of thought.\" In OOO a human thinking about an apple and a worm tunneling into it both provide equally valid (and equally incomplete) data and information about the apple. How humbling is that?! Photography, like the other arts, does this for me, as well as poetry: it brings me closer to that terrifying vertigo happening when you realize the smallness and the limitedness of our experience of the world. But getting back to your question, it's hard for me at this stage to describe how my attention is being directed by the things I encounter in the world, and how they translate into my work, as it is very much a matter of being situated in place and taking the time to observe who is around, and give them my attention whether they be bugs, birds, bees or trees. It is the mundane space of our bodies and our environment that calls to me, I am never on the lookout for something particularly 'out of the ordinary', as life on Earth is already pretty exceptional and weird on its own. I guess that this is one of the things I hope radiates through my work: the weirdness and amazement of life and the de-centering of human exceptionalism.",{"id":3868,"blockName":20,"blockType":539,"qa":3869},"6aabf12491b8275b1ce14747",{"question":3870,"answer":3871},"‍THB: Above you already raised the question of 'how to co-constitute'? How would you describe co-constitution and what does it mean in the context of your work? I'm also curious how this relates to the role of contamination. You purposefully show your work in a 'contaminated' form by allowing darkroom and other production 'mistakes' to remain visible, which adds to the liveliness of the work, as if nature including chemical and other processes is indeed co-author to the work. ",{"root":3872},{"type":9,"format":10,"indent":11,"version":4,"children":3873,"direction":20},[3874,3883],{"type":14,"format":546,"indent":11,"version":4,"children":3875,"direction":20,"textStyle":10,"textFormat":4},[3876,3877,3879,3881],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3878,"type":19,"style":10,"detail":11,"format":11,"version":4}," There is one passage in ",{"mode":17,"text":3880,"type":19,"style":10,"detail":11,"format":222,"version":4},"When Species Meet",{"mode":17,"text":3882,"type":19,"style":10,"detail":11,"format":11,"version":4}," by Donna Haraway that I particularly love and hold close: “I love the fact that human genomes can be found in only about 10 percent of all the cells that occupy the mundane space I call my body; the other 90 percent of the cells are filled with genomes of bacteria, fungi, protists, and such, some of which play a symphony necessary to my being alive at all, and some of which are hitching a ride and doing the rest of me, of us, no harm. I am vastly outnumbered by my tiny companions; better put, I become an adult human being in company with these tiny messmates. To be one is always to become with many.” This is what it means to be co-constituted. It's not a matter of 'how'; being co-constituted with multitudes of other species and life forms is a biological imperative and an inevitable fact of life. For our bodies to be alive at all we are born 'contaminated', there is no original purity to return to. ",{"type":14,"format":10,"indent":11,"version":4,"children":3884,"direction":20,"textStyle":10,"textFormat":11},[3885,3886],{"type":463,"version":4},{"mode":17,"text":3887,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working with plant-based developers, the chemical instabilities and contaminations become evident in ways I cannot predict or control, as they vary depending on the different types of paper, on the plants who partook in the development, on the temperature changes within the darkroom, on how active or exhausted the developer is, on fluctuating development times. So there is an interest in giving up, or at least loosening, my individual agency and authority. In this sense the images produced are the result of a collective effort, between animate and inanimate things, and the environment they sit in. The image is then further 'degraded' and made 'digitally contaminated' by passing from the lo-fi inkjet printer before being turned into a silver-gelatin negative. All these different forms of materialities, from plants to ascorbic acid to silver to animal-based gelatin to paper fibers to the many singular electronic components of a digital home printer: these technologies embody specific material histories that converge and bring the image-object to us, today, right now, whether we are seeing it on the screen or as a print in an exhibition. I want all of these traces and material interdependencies to become visible on the photographic surface. I guess we can also safely say that by now we are co-constituted not only with other life forms, but with many inanimate agents too, which penetrate our porous skin and affect our biologies. In general, they impact and change our lively world at large. ",{"id":3889,"text":3890,"blockName":20,"blockType":19},"6aabf13491b8275b1ce14748",{"root":3891},{"type":9,"format":10,"indent":11,"version":4,"children":3892,"direction":20},[3893,3897,3905,3917,3925,3933,3941,3948,3954,3957,3961,3972,3983,3986],{"type":14,"format":546,"indent":11,"version":4,"children":3894,"direction":20,"textStyle":10,"textFormat":4},[3895],{"mode":17,"text":3896,"type":19,"style":10,"detail":11,"format":4,"version":4},"Tips for further reading and learning",{"type":14,"format":546,"indent":11,"version":4,"children":3898,"direction":20,"textStyle":10,"textFormat":11},[3899,3901,3903],{"mode":17,"text":3900,"type":19,"style":10,"detail":11,"format":11,"version":4},"Deborah Bird Rose, ",{"mode":17,"text":3902,"type":19,"style":10,"detail":11,"format":222,"version":4},"Wild Dog Dreaming ",{"mode":17,"text":3904,"type":19,"style":10,"detail":11,"format":11,"version":4},"(University of Virginia Press, 2011)",{"type":14,"format":546,"indent":11,"version":4,"children":3906,"direction":20,"textStyle":10,"textFormat":11},[3907,3909,3911,3913,3915],{"mode":17,"text":3908,"type":19,"style":10,"detail":11,"format":11,"version":4},"Robin Wall Kimmerer, ",{"mode":17,"text":3910,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Serviceberry",{"mode":17,"text":3912,"type":19,"style":10,"detail":11,"format":11,"version":4}," (Scribner, 2024) and ",{"mode":17,"text":3914,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Democracy of Species ",{"mode":17,"text":3916,"type":19,"style":10,"detail":11,"format":11,"version":4},"(Penguin, 2021)",{"type":14,"format":546,"indent":11,"version":4,"children":3918,"direction":20,"textStyle":10,"textFormat":11},[3919,3921,3923],{"mode":17,"text":3920,"type":19,"style":10,"detail":11,"format":11,"version":4},"Alexis Shotwell, ",{"mode":17,"text":3922,"type":19,"style":10,"detail":11,"format":222,"version":4},"Against Purity: Living Ethically in Compromised Times ",{"mode":17,"text":3924,"type":19,"style":10,"detail":11,"format":11,"version":4},"(University of Minnesota Press, 2016)",{"type":14,"format":546,"indent":11,"version":4,"children":3926,"direction":20,"textStyle":10,"textFormat":11},[3927,3929,3931],{"mode":17,"text":3928,"type":19,"style":10,"detail":11,"format":11,"version":4},"Timothy Morton, ",{"mode":17,"text":3930,"type":19,"style":10,"detail":11,"format":222,"version":4},"Being Ecological",{"mode":17,"text":3932,"type":19,"style":10,"detail":11,"format":11,"version":4}," (Pelican, 2018)",{"type":14,"format":546,"indent":11,"version":4,"children":3934,"direction":20,"textStyle":10,"textFormat":11},[3935,3937,3939],{"mode":17,"text":3936,"type":19,"style":10,"detail":11,"format":11,"version":4},"Donna J. Haraway, ",{"mode":17,"text":3938,"type":19,"style":10,"detail":11,"format":222,"version":4},"When Species Meet ",{"mode":17,"text":3940,"type":19,"style":10,"detail":11,"format":11,"version":4},"(University of Minnesota Press, 2007)",{"type":14,"format":546,"indent":11,"version":4,"children":3942,"direction":20,"textStyle":10,"textFormat":11},[3943,3945,3946],{"mode":17,"text":3944,"type":19,"style":10,"detail":11,"format":11,"version":4},"Oliver Sacks, ",{"mode":17,"text":3864,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3947,"type":19,"style":10,"detail":11,"format":11,"version":4}," (Knopf, 2017)",{"type":14,"format":546,"indent":11,"version":4,"children":3949,"direction":20,"textStyle":10,"textFormat":222},[3950,3952],{"mode":17,"text":3951,"type":19,"style":10,"detail":11,"format":222,"version":4},"With a Bird, A Reader on Avian Kinship ",{"mode":17,"text":3953,"type":19,"style":10,"detail":11,"format":11,"version":4},"(Onomatopee, 2025)",{"type":14,"format":546,"indent":11,"version":4,"children":3955,"direction":20,"textStyle":10,"textFormat":11},[3956],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":3958,"direction":20,"textStyle":10,"textFormat":4},[3959],{"mode":17,"text":3960,"type":19,"style":10,"detail":11,"format":4,"version":4},"On lower-toxicity* photographic techniques:",{"type":14,"format":546,"indent":11,"version":4,"children":3962,"direction":20,"textStyle":10,"textFormat":11},[3963,3965],{"mode":17,"text":3964,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Sustainable Darkroom: ",{"id":3966,"type":90,"fields":3967,"format":10,"indent":11,"version":95,"children":3969,"direction":20},"6aabf13b1b4dab6ef44dc18a",{"url":3968,"newTab":93,"linkType":94},"https://sustainabledarkroom.com/",[3970],{"mode":17,"text":3971,"type":19,"style":10,"detail":11,"format":11,"version":4},"https://sustainabledarkroom.com/ ",{"type":14,"format":546,"indent":11,"version":4,"children":3973,"direction":20,"textStyle":10,"textFormat":11},[3974,3976],{"mode":17,"text":3975,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curioso Lab:",{"id":3977,"type":90,"fields":3978,"format":10,"indent":11,"version":95,"children":3980,"direction":20},"6aabf13b1b4dab6ef44dc18b",{"url":3979,"newTab":93,"linkType":94},"https://curiosolab.thinkific.com/",[3981],{"mode":17,"text":3982,"type":19,"style":10,"detail":11,"format":11,"version":4}," https://curiosolab.thinkific.com/ ",{"type":14,"format":546,"indent":11,"version":4,"children":3984,"direction":20,"textStyle":10,"textFormat":11},[3985],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":3987,"direction":20,"textStyle":10,"textFormat":11},[3988],{"mode":17,"text":3989,"type":19,"style":10,"detail":11,"format":11,"version":4},"* While the toxicity is incredibly lower, it is important to refrain from calling the chemistry non-toxic, as it could be misleading to some and also result in improper waste management. ","2026-10-14T15:39:41.456Z","2026-09-17T13:47:16.893Z",[],[],[],{"docs":3996,"hasNextPage":153},[],{"docs":3998,"hasNextPage":153},[],[],{"id":4,"title":250,"city":1782,"content":4001,"gallery":4007,"updatedAt":2874,"createdAt":2875},{"root":4002},{"type":9,"format":10,"indent":11,"version":4,"children":4003,"direction":20},[4004],{"type":14,"format":2713,"indent":11,"version":4,"children":4005,"direction":20,"textStyle":10,"textFormat":11},[4006],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[4008,4014,4020,4026,4032,4038,4044],{"id":2719,"image":4009},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4010},{"thumb":4011,"medium":4012,"large":4013},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":4015},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4016},{"thumb":4017,"medium":4018,"large":4019},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":4021},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4022},{"thumb":4023,"medium":4024,"large":4025},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":4027},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":4028},{"thumb":4029,"medium":4030,"large":4031},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":4033},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4034},{"thumb":4035,"medium":4036,"large":4037},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":4039},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4040},{"thumb":4041,"medium":4042,"large":4043},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":4045},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":4046},{"thumb":4047,"medium":4048,"large":4049},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":1140,"is_residency_story":93,"kind_of_residency_story":150,"title":3762,"slug":3763,"archived":153,"created_on":20,"updated_on":20,"published_on":3764,"thumbnail":4051,"author":3766,"date_of_publication":3767,"teaser":3768,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":3769,"category":4068,"video":20,"corresponding_event":20,"artist_name":1090,"reference_artist":4069,"residency_location":250,"year":251,"layout_type":496,"content":4100,"updatedAt":3990,"createdAt":3991},{"id":3765,"alt":4052,"originalUrl":20,"uploaded_by":1092,"updatedAt":4053,"createdAt":4054,"url":4055,"thumbnailURL":20,"filename":4056,"mimeType":163,"filesize":4057,"width":1897,"height":1063,"focalX":167,"focalY":167,"sizes":4058},"Artwork from Benedetta Casagrande","2026-09-17T12:47:39.519Z","2026-09-17T12:47:37.982Z","https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06772.webp","GMZ06772.webp",226120,{"thumb":4059,"medium":4063,"large":4067},{"url":4060,"width":171,"height":867,"mimeType":163,"filesize":4061,"filename":4062},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06772-300x400.webp",12488,"GMZ06772-300x400.webp",{"url":4064,"width":177,"height":534,"mimeType":163,"filesize":4065,"filename":4066},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06772-1200x1600.webp",144654,"GMZ06772-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[3771],{"id":1092,"profile_types":4070,"is_member":153,"name":1090,"slug":1094,"archived":153,"created_on":1095,"updated_on":1096,"published_on":1096,"biography":4071,"e_mail":1113,"profile_image":1114,"website":1115,"instagram":1116,"first_name":1117,"last_name":1118,"kind_of_profile":218,"tags_profession":4083,"tags_identity":4084,"tags_location":4085,"tags_practice":4086,"tags_topics":4087,"born_in":1130,"street_address":10,"city":1131,"country":1132,"corresponding_member":4088,"member_additional":4089,"corresponding_art_projects":4090,"corresponding_selected_year":4091,"reference_residency":1140,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":4092,"curation_reference":4093,"past_member":20,"approved_courses":4094,"tutor_courses":4095,"guest_expert_courses":4097,"updatedAt":1148,"createdAt":1149,"email":1150,"collection":248,"sessions":4099},[198],{"root":4072},{"type":9,"format":10,"indent":11,"version":4,"children":4073,"direction":1112},[4074,4077,4080],{"type":14,"version":4,"children":4075},[4076],{"text":1103,"type":19,"version":4},{"type":14,"version":4,"children":4078},[4079],{"text":1107,"type":19,"version":4},{"type":14,"version":4,"children":4081},[4082],{"text":1111,"type":19,"version":4},[99,220,229,231],[],[471,481],[1123,477,1124,1125],[1127,1128,1129,224],[1134],[],[1137],[1139],[],[],[],{"docs":4096,"hasNextPage":153},[],{"docs":4098,"hasNextPage":153},[],[],[4101,4108,4144,4157,4166,4185,4202,4213,4228],{"id":3774,"text":4102,"blockName":20,"blockType":19},{"root":4103},{"type":9,"format":10,"indent":11,"version":4,"children":4104,"direction":20},[4105],{"type":14,"format":546,"indent":11,"version":4,"children":4106,"direction":20,"textStyle":10,"textFormat":222},[4107],{"mode":17,"text":3781,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":3783,"blockName":20,"images":4109,"blockType":323},[4110,4127],{"id":3786,"image":4111},{"id":3787,"alt":4052,"originalUrl":20,"uploaded_by":1092,"updatedAt":4112,"createdAt":4113,"url":4114,"thumbnailURL":20,"filename":4115,"mimeType":163,"filesize":4116,"width":1897,"height":1063,"focalX":167,"focalY":167,"sizes":4117},"2026-09-17T12:49:24.725Z","2026-09-17T12:49:23.722Z","https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06846.webp","GMZ06846.webp",379628,{"thumb":4118,"medium":4122,"large":4126},{"url":4119,"width":171,"height":867,"mimeType":163,"filesize":4120,"filename":4121},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06846-300x400.webp",27898,"GMZ06846-300x400.webp",{"url":4123,"width":177,"height":534,"mimeType":163,"filesize":4124,"filename":4125},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06846-1200x1600.webp",256434,"GMZ06846-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":3789,"image":4128},{"id":3790,"alt":4052,"originalUrl":20,"uploaded_by":1092,"updatedAt":4129,"createdAt":4130,"url":4131,"thumbnailURL":20,"filename":4132,"mimeType":163,"filesize":4133,"width":1897,"height":1063,"focalX":167,"focalY":167,"sizes":4134},"2026-09-17T12:48:40.790Z","2026-09-17T12:48:39.208Z","https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06844.webp","GMZ06844.webp",342044,{"thumb":4135,"medium":4139,"large":4143},{"url":4136,"width":171,"height":867,"mimeType":163,"filesize":4137,"filename":4138},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06844-300x400.webp",23388,"GMZ06844-300x400.webp",{"url":4140,"width":177,"height":534,"mimeType":163,"filesize":4141,"filename":4142},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06844-1200x1600.webp",234864,"GMZ06844-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":3792,"blockName":20,"blockType":539,"qa":4145},{"question":3794,"answer":4146},{"root":4147},{"type":9,"format":10,"indent":11,"version":4,"children":4148,"direction":20},[4149,4154],{"type":14,"format":546,"indent":11,"version":4,"children":4150,"direction":20,"textStyle":10,"textFormat":4},[4151,4152,4153],{"mode":17,"text":3801,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":3804,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4155,"direction":20,"textStyle":10,"textFormat":11},[4156],{"mode":17,"text":3808,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3810,"blockName":20,"blockType":539,"qa":4158},{"question":3812,"answer":4159},{"root":4160},{"type":9,"format":10,"indent":11,"version":4,"children":4161,"direction":20},[4162],{"type":14,"format":546,"indent":11,"version":4,"children":4163,"direction":20,"textStyle":10,"textFormat":4},[4164,4165],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3821,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3823,"blockName":20,"blockType":539,"qa":4167},{"question":3825,"answer":4168},{"root":4169},{"type":9,"format":10,"indent":11,"version":4,"children":4170,"direction":20},[4171,4177,4181],{"type":14,"format":546,"indent":11,"version":4,"children":4172,"direction":20,"textStyle":10,"textFormat":4},[4173,4174,4175,4176],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3833,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3835,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3837,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":4178,"direction":20,"textStyle":10,"textFormat":11},[4179,4180],{"type":463,"version":4},{"mode":17,"text":3842,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":4182,"direction":20,"textStyle":10,"textFormat":11},[4183,4184],{"type":463,"version":4},{"mode":17,"text":3847,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3849,"image":4186,"blockName":20,"blockType":381},{"id":3850,"alt":4052,"originalUrl":20,"uploaded_by":1092,"updatedAt":4187,"createdAt":4188,"url":4189,"thumbnailURL":20,"filename":4190,"mimeType":163,"filesize":4191,"width":1063,"height":1897,"focalX":167,"focalY":167,"sizes":4192},"2026-09-17T12:48:11.524Z","2026-09-17T12:48:10.166Z","https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06764.webp","GMZ06764.webp",114420,{"thumb":4193,"medium":4197,"large":4201},{"url":4194,"width":171,"height":1509,"mimeType":163,"filesize":4195,"filename":4196},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06764-300x225.webp",7734,"GMZ06764-300x225.webp",{"url":4198,"width":177,"height":1514,"mimeType":163,"filesize":4199,"filename":4200},"https://futures-backend-unstated-int.vercel.app/api/media/file/GMZ06764-1200x900.webp",56358,"GMZ06764-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":3852,"blockName":20,"blockType":539,"qa":4203},{"question":3854,"answer":4204},{"root":4205},{"type":9,"format":10,"indent":11,"version":4,"children":4206,"direction":20},[4207],{"type":14,"format":546,"indent":11,"version":4,"children":4208,"direction":20,"textStyle":10,"textFormat":4},[4209,4210,4211,4212],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3862,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3864,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3866,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3868,"blockName":20,"blockType":539,"qa":4214},{"question":3870,"answer":4215},{"root":4216},{"type":9,"format":10,"indent":11,"version":4,"children":4217,"direction":20},[4218,4224],{"type":14,"format":546,"indent":11,"version":4,"children":4219,"direction":20,"textStyle":10,"textFormat":4},[4220,4221,4222,4223],{"mode":17,"text":3819,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":3878,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3880,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3882,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":4225,"direction":20,"textStyle":10,"textFormat":11},[4226,4227],{"type":463,"version":4},{"mode":17,"text":3887,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3889,"text":4229,"blockName":20,"blockType":19},{"root":4230},{"type":9,"format":10,"indent":11,"version":4,"children":4231,"direction":20},[4232,4235,4240,4247,4252,4257,4262,4267,4271,4274,4277,4284,4291,4294],{"type":14,"format":546,"indent":11,"version":4,"children":4233,"direction":20,"textStyle":10,"textFormat":4},[4234],{"mode":17,"text":3896,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4236,"direction":20,"textStyle":10,"textFormat":11},[4237,4238,4239],{"mode":17,"text":3900,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3902,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3904,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4241,"direction":20,"textStyle":10,"textFormat":11},[4242,4243,4244,4245,4246],{"mode":17,"text":3908,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3910,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3912,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3914,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3916,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4248,"direction":20,"textStyle":10,"textFormat":11},[4249,4250,4251],{"mode":17,"text":3920,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3922,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4253,"direction":20,"textStyle":10,"textFormat":11},[4254,4255,4256],{"mode":17,"text":3928,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3930,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3932,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4258,"direction":20,"textStyle":10,"textFormat":11},[4259,4260,4261],{"mode":17,"text":3936,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3938,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3940,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4263,"direction":20,"textStyle":10,"textFormat":11},[4264,4265,4266],{"mode":17,"text":3944,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":3864,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3947,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4268,"direction":20,"textStyle":10,"textFormat":222},[4269,4270],{"mode":17,"text":3951,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":3953,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4272,"direction":20,"textStyle":10,"textFormat":11},[4273],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4275,"direction":20,"textStyle":10,"textFormat":4},[4276],{"mode":17,"text":3960,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4278,"direction":20,"textStyle":10,"textFormat":11},[4279,4280],{"mode":17,"text":3964,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3966,"type":90,"fields":4281,"format":10,"indent":11,"version":95,"children":4282,"direction":20},{"url":3968,"newTab":93,"linkType":94},[4283],{"mode":17,"text":3971,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4285,"direction":20,"textStyle":10,"textFormat":11},[4286,4287],{"mode":17,"text":3975,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":3977,"type":90,"fields":4288,"format":10,"indent":11,"version":95,"children":4289,"direction":20},{"url":3979,"newTab":93,"linkType":94},[4290],{"mode":17,"text":3982,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4292,"direction":20,"textStyle":10,"textFormat":11},[4293],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":4295,"direction":20,"textStyle":10,"textFormat":11},[4296],{"mode":17,"text":3989,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4298,"artist":4299,"residency_location":4754,"year_of_residency":251,"article":4804},"6a69faa0a63978531cb2a5cb",{"id":4300,"profile_types":4301,"is_member":153,"name":4302,"slug":4303,"archived":153,"created_on":4304,"updated_on":4305,"published_on":4305,"biography":4306,"e_mail":4313,"profile_image":4314,"website":4331,"instagram":4332,"first_name":4333,"last_name":4334,"kind_of_profile":218,"tags_profession":4335,"tags_identity":4338,"tags_location":4345,"tags_practice":4352,"tags_topics":4362,"born_in":4375,"street_address":20,"city":4376,"country":20,"corresponding_member":4377,"member_additional":4416,"corresponding_art_projects":4417,"corresponding_selected_year":4543,"reference_residency":4615,"date_of_residency":4743,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":4744,"curation_reference":4745,"past_member":20,"approved_courses":4746,"tutor_courses":4747,"guest_expert_courses":4749,"updatedAt":4751,"createdAt":4752,"email":4313,"collection":248,"sessions":4753},886,[198],"Ignacio Navas","ignacio-navas","Mon Oct 14 2024 13:30:18 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 08:02:48 GMT+0000 (Coordinated Universal Time)",{"root":4307},{"type":9,"format":10,"indent":11,"version":4,"children":4308},[4309],{"type":14,"version":4,"children":4310},[4311],{"text":4312,"type":19,"version":4},"Ignacio Navas (b. 1989 Tudela, lives and works in Madrid) creates computational, generative and interactive projects based on photographic image to research how dominant structures—political, economic, or social—are made present and shape our everyday affairs. With this approach, Ignacio explores the possibilities that emerging technologies, computing, and new media offer to the photographic medium.His recent work has received support from several grants and institutions, including the Visual Arts Creation Fellowship (Community of Madrid, 2024) and the Plastic and Visual Arts Fellowship (Government of Navarra, 2024). His images and interactive installations have also been part of initiatives such as Plat(t)form at Fotomuseum Winterthur (Switzerland, 2024), the Photoworks Digital Programme (UK, 2023), the Return2Ithaca Residency (Greece, 2023), and the FUTURES European Photography Platform (Netherlands, 2022).Ignacio believes that contemporary creation cannot be understood without actively engaging in its own management. This conviction drives him to lead collective initiatives such as La Embajada (2024–), a platform to showcase projects created within the Spanish territorial context in the unofficial circuit of the Rencontres d’Arles festival, or El Local (2023–), an independent space for contemporary photography in Madrid.","navas.ign@gmail.com",{"id":4315,"alt":20,"originalUrl":4316,"uploaded_by":4300,"updatedAt":4317,"createdAt":4317,"url":4318,"thumbnailURL":20,"filename":4319,"mimeType":163,"filesize":4320,"width":4321,"height":4322,"focalX":167,"focalY":167,"sizes":4323},14033,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69b7cb3e2f47ff953d5de224_futures-cover.jpeg","2026-06-19T14:20:38.068Z","https://futures-backend-unstated-int.vercel.app/api/media/file/ignacio-navas-profile-2.webp","ignacio-navas-profile-2.webp",42872,1166,1457,{"thumb":4324,"medium":4329,"large":4330},{"url":4325,"width":171,"height":4326,"mimeType":163,"filesize":4327,"filename":4328},"https://futures-backend-unstated-int.vercel.app/api/media/file/ignacio-navas-profile-2-300x375.webp",375,6042,"ignacio-navas-profile-2-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://ignacionavas.com","https://www.instagram.com/ignacionavas/","Ignacio","Navas",[4336,4337],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[4339,4340],{"id":4,"name":3057,"slug":3058,"updatedAt":3059,"createdAt":3059},{"id":1216,"name":4341,"slug":4342,"updatedAt":4343,"createdAt":4344},"White","white","2026-09-22T12:15:02.592Z","2026-06-23T12:54:37.066Z",[4346,4347],{"id":471,"name":3427,"slug":3428,"updatedAt":3429,"createdAt":3429},{"id":4348,"name":4349,"slug":4350,"updatedAt":4351,"createdAt":4351},45,"Spain","spain ","2026-06-26T08:26:59.196Z",[4353,4357,4361],{"id":1139,"name":4354,"slug":4355,"updatedAt":4356,"createdAt":4356},"CGI","cgi","2026-06-23T12:45:27.456Z",{"id":232,"name":4358,"slug":4359,"updatedAt":4360,"createdAt":4360},"Interactive","interactive","2026-06-23T12:42:39.797Z",{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},[4363,4364,4367,4371],{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},"identity","2026-03-10T15:15:28.212Z",{"id":477,"name":4368,"slug":4369,"updatedAt":4370,"createdAt":4370},"Intimacy","intimacy","2026-03-10T15:15:28.328Z",{"id":1298,"name":4372,"slug":4373,"updatedAt":4374,"createdAt":4374},"Post-memory","post-memory","2026-06-23T12:41:47.917Z","1989","Madrid",[4378],{"id":4379,"profile_types":4380,"is_member":93,"name":4381,"slug":4382,"archived":153,"created_on":4383,"updated_on":4384,"published_on":4384,"biography":4385,"e_mail":4392,"profile_image":4393,"website":10,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":4394,"tags_identity":4395,"tags_location":4396,"tags_practice":4397,"tags_topics":4398,"born_in":20,"street_address":10,"city":4399,"country":4349,"corresponding_member":4400,"member_additional":4401,"corresponding_art_projects":4402,"corresponding_selected_year":4403,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":4404,"linkedin":10,"corresponding_artist":4405,"curation_reference":4406,"past_member":93,"approved_courses":4408,"tutor_courses":4409,"guest_expert_courses":4411,"updatedAt":4413,"createdAt":4414,"email":4392,"collection":248,"sessions":4415},1315,[1959],"PHotoESPAÑA","photoespana","Mon Oct 14 2024 09:09:34 GMT+0000 (Coordinated Universal Time)","Mon Apr 07 2025 08:52:06 GMT+0000 (Coordinated Universal Time)",{"root":4386},{"type":9,"format":10,"indent":11,"version":4,"children":4387},[4388],{"type":14,"version":4,"children":4389},[4390],{"text":4391,"type":19,"version":4},"PHotoESPAÑA was born in June 1998 with the aim of being a photography festival carried out by society. Promoted by the Contemporary Foundation and organized by La Fábrica, PHotoESPAÑA makes Madrid and Spain become each year a meeting point for the world of Photography. A festival designed and made in Spain, which has become an international reference thanks to the work and involvement of specialists and agents from the artistic, cultural, and political fields, the collaboration of institutions and the participation of the public. The Festival has always had an international vision, directing its gaze to large artistic territories: Europe, North America, Latin America, the Far East, etc. However, Spanish photography has always had a relevant role in PHotoESPAÑA, whose intention is to present a panorama that accounts for its richness, energy and plurality. The seventeenth edition, in 2014, was entirely dedicated to the evolution of Spanish photography from the XIX century to the present, highlighting the work of young creators who are contributing new ways of looking at photography and who enjoy an important international echo. One of the most personal characteristics of the Festival is the choice of a general commissioner who is in charge of programming for three consecutive years. Three years are enough to develop theories and concepts around the photographic fact.","info@phe.es",15929,[],[],[],[],[],"Madrid, Spain",[],[],[],[],"2024-11-30T00:00:00.000Z",[],[4407],106,[],{"docs":4410,"hasNextPage":153},[],{"docs":4412,"hasNextPage":153},[],"2026-10-05T15:40:53.882Z","2026-03-26T15:21:13.895Z",[],[],[4418,4475],{"id":4419,"name_of_project":4420,"slug":4421,"archived":153,"created_on":4422,"updated_on":4423,"published_on":1280,"thumbnail_image":4424,"date":20,"artwork_description":4425,"artworks":4444,"corresponding_artist":4468,"tags_topics":4469,"tags_location":4470,"tags_practice":4471,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":4472,"createdAt":4473,"artworks_gallery":4474},223,"Everyday People – Elecmar S.L.","everyday-people-elecmar-s-l","Mon Oct 14 2024 13:38:33 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 10:44:16 GMT+0000 (Coordinated Universal Time)",4060,{"root":4426},{"type":9,"format":10,"indent":11,"version":4,"children":4427},[4428,4432,4436,4440],{"type":14,"version":4,"children":4429},[4430],{"text":4431,"type":19,"version":4},"A series of non-fictional videogames about common stories from Madrid City.",{"type":14,"version":4,"children":4433},[4434],{"text":4435,"type":19,"version":4},"Elecmar S.L. is the first one of them. Through the image, beliefs, aspirations, and memories of the owners and customers from a small business called Elecmar S.L., this project aims to explore the complexities and contradictions of the local commerce.",{"type":14,"version":4,"children":4437},[4438],{"text":4439,"type":19,"version":4},"The goal of this first project is to offer to the viewer a narrative to think critically about how the market played out in the lives of ordinary people.",{"type":14,"version":4,"children":4441},[4442],{"text":4443,"type":19,"version":4},"I dig into stories that show how big providers’ greed floods retailers with excessive stock and its consequences, how small businesses are forced to discard it even with the tremendous environmental impact of its components, or how commercial malls and online stores have reduced de interrelationships of the local communities, samples of the technicals’ little pettiness versus the innocence of customers or how some citizens see themselves forced to use sloppy strategies to save energy and try to lower the energy bill.",[4445,4448,4451,4454,4457,4460,4463,4465],{"id":4446,"image":4447},"6a355e74e57d0fdcefaa9ad1",4054,{"id":4449,"image":4450},"6a355e74e57d0fdcefaa9ad2",4055,{"id":4452,"image":4453},"6a355e74e57d0fdcefaa9ad3",4056,{"id":4455,"image":4456},"6a355e74e57d0fdcefaa9ad4",4057,{"id":4458,"image":4459},"6a355e74e57d0fdcefaa9ad5",4058,{"id":4461,"image":4462},"6a355e74e57d0fdcefaa9ad6",4059,{"id":4464,"image":4424},"6a355e74e57d0fdcefaa9ad7",{"id":4466,"image":4467},"6a355e74e57d0fdcefaa9ad8",4061,[4300],[232],[4348,471],[],"2026-09-15T14:19:29.213Z","2026-03-10T15:37:09.097Z",[],{"id":4476,"name_of_project":4477,"slug":4478,"archived":153,"created_on":4479,"updated_on":4480,"published_on":4480,"thumbnail_image":4481,"date":4482,"artwork_description":4483,"artworks":4490,"corresponding_artist":4536,"tags_topics":4537,"tags_location":4538,"tags_practice":4539,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":4540,"createdAt":4541,"artworks_gallery":4542},364,"KICKFLIP","kickflip","Mon Oct 14 2024 13:39:11 GMT+0000 (Coordinated Universal Time)","Mon Mar 16 2026 09:28:28 GMT+0000 (Coordinated Universal Time)",5933,"2026-03-15T00:00:00.000Z",{"root":4484},{"type":9,"format":10,"indent":11,"version":4,"children":4485},[4486],{"type":14,"version":4,"children":4487},[4488],{"text":4489,"type":19,"version":4},"KICKFLIP is an interactive project —similar to a visual novel or a walking simulator video game— built from recent photographs, found documents, vernacular images, and audio recordings. It gathers the testimonies of a group of people whose teenage years revolved around a skatepark in Tudela, a small town in northern Spain, during the 2000s.\r\n\r\nThe work is presented as an audiovisual installation that can take different forms depending on the exhibition space.\r\n\r\nThrough a nonlinear interactive structure and a node-based navigation system, viewers can wander through the skatepark, uncovering narrative threads that form a collective portrait of small-town youth communities marked by social stigma, restoring complexity to lives often reduced to labels such as “problematic” or “deviant.” Through the voices of its protagonists, KICKFLIP looks back on adolescence from the present, revisiting experiences of friendship, desire, vulnerability, risk, and subcultural belonging, while reflecting on academic failure, school dropout, substance use, sexuality, gender expectations, the social scripts imposed on youth, and the consequences of those experiences.\r\n\r\nSkateboarding becomes an excuse to talk about everything else. The public skatepark emerges as a space of belonging where forms of identity and self-definition took shape outside the institutional frameworks of school, work, and family, while also becoming an emotional landscape marked by affective memory, contradictions, silences, and shared experiences. In this way, KICKFLIP aims to challenge how youth communities outside dominant social frameworks are remembered, judged, and narrated.",[4491,4494,4497,4500,4503,4506,4509,4512,4515,4518,4521,4524,4527,4530,4533],{"id":4492,"image":4493},"6a35634ee57d0fdcefaaa2e8",15032,{"id":4495,"image":4496},"6a35634ee57d0fdcefaaa2e9",15033,{"id":4498,"image":4499},"6a35634ee57d0fdcefaaa2ea",15034,{"id":4501,"image":4502},"6a35634ee57d0fdcefaaa2eb",15035,{"id":4504,"image":4505},"6a35634ee57d0fdcefaaa2ec",14036,{"id":4507,"image":4508},"6a35634ee57d0fdcefaaa2ed",15036,{"id":4510,"image":4511},"6a35634ee57d0fdcefaaa2ee",15037,{"id":4513,"image":4514},"6a35634ee57d0fdcefaaa2ef",15038,{"id":4516,"image":4517},"6a35634ee57d0fdcefaaa2f0",15039,{"id":4519,"image":4520},"6a35634ee57d0fdcefaaa2f1",15040,{"id":4522,"image":4523},"6a35634ee57d0fdcefaaa2f2",15041,{"id":4525,"image":4526},"6a35634ee57d0fdcefaaa2f3",15042,{"id":4528,"image":4529},"6a35634ee57d0fdcefaaa2f4",15043,{"id":4531,"image":4532},"6a35634ee57d0fdcefaaa2f5",15044,{"id":4534,"image":4535},"6a35634ee57d0fdcefaaa2f6",15045,[4300],[232,477,1129],[4348,471],[],"2026-09-16T20:05:15.787Z","2026-03-10T15:39:43.631Z",[],[4544],{"id":3062,"curation_title":4545,"slug":4546,"archived":153,"created_on":4547,"updated_on":4548,"published_on":4549,"date":3145,"corresponding_member":4550,"introduction_text":4551,"curational_text":4572,"corresponding_artist":4607,"projects_selected":4612,"updatedAt":4613,"createdAt":4614},"PHotoESPAÑA 2022","photoespana-2022","Wed Oct 16 2024 07:58:42 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:37:27 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:39:20 GMT+0000 (Coordinated Universal Time)",[4379],{"root":4552},{"type":9,"format":10,"indent":11,"version":4,"children":4553},[4554,4558,4561,4565,4568],{"type":14,"version":4,"children":4555},[4556],{"text":4557,"type":19,"version":4},"In its 25-year history, PHotoESPAÑA has overseen breakneck changes to society, asserting photography’s place throughout as an ideal medium with which to create. Ourfestival has always been produced by and for society, giving photography an important spotlight. Surveying the history of this discipline, the festival has brought manyprominent artists to Spain. In line with this international perspective, we strive to be a bridge of sorts between European and Latin American photography.",{"type":14,"version":4,"children":4559},[4560],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4562},[4563],{"text":4564,"type":19,"version":4},"PHotoESPAÑA joined the FUTURES platform when it began in 2018. So far, we have nominated 25 European and Latin American photographers residing in Spain, all of whom were at key junctures in their careers. Some have participated in the festival’s emerging photography programmes; some have been the finalists in our prizes; whilst others have followed our Master’s in Photography and Visual Projects.",{"type":14,"version":4,"children":4566},[4567],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4569},[4570],{"text":4571,"type":19,"version":4},"For every edition, we choose photographers who have developed – or are developing – a project that resonates with society. The environment, immigration, technological advances and the economy are just some of the themes that concern our authors.",{"root":4573},{"type":9,"format":10,"indent":11,"version":4,"children":4574},[4575,4579,4582,4586,4589,4593,4596,4600,4603],{"type":14,"version":4,"children":4576},[4577],{"text":4578,"type":19,"version":4},"Ignacio Navas draws from everyday life to explore the political, social and personal structures that comprise us. His project is a critique on the capitalist system, and theinstances of micro-violence that define it.",{"type":14,"version":4,"children":4580},[4581],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4583},[4584],{"text":4585,"type":19,"version":4},"With her Paul project, Cristina Galán suggests the subversion of identity and something sinister under the visually-polished surfaces of reality. Figures suspended intime appear in an idealised but impersonal world, representing the clichéd spaces of consumer society.",{"type":14,"version":4,"children":4587},[4588],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4590},[4591],{"text":4592,"type":19,"version":4},"A disturbing feeling also permeates Felipe Romero Beltrán’s Dialect project, which saw the artist recreate the everyday lives of a group of Moroccan youngsters, as they await a future beyond an immigrant centre in Seville.",{"type":14,"version":4,"children":4594},[4595],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4597},[4598],{"text":4599,"type":19,"version":4},"In Como la casa mía Laura C. Vela accompanies Xirou, a Chinese immigrant woman, in her search for a way of being in the world. The work is both an exploration of the main character’s inner world and a significant photographic encounter between two women.",{"type":14,"version":4,"children":4601},[4602],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":4604},[4605],{"text":4606,"type":19,"version":4},"Finally, Lorena Morin reflects on family life through intimate images of her partner, herself and their children. Captured in shared domestic spaces, her photographic diary reflects 15 years of familial love and unbreakable bonds.",[4608,4609,4300,4610,4611],784,842,983,1003,[],"2026-08-17T13:41:09.665Z","2026-03-10T15:50:07.072Z",{"id":4616,"is_residency_story":93,"kind_of_residency_story":150,"title":4617,"slug":4618,"archived":153,"created_on":4619,"updated_on":4620,"published_on":4621,"thumbnail":4622,"author":4623,"date_of_publication":4624,"teaser":4625,"featured":93,"futures_select":153,"news_kind":190,"news_subkind":191,"category":4626,"video":10,"corresponding_event":20,"artist_name":4302,"reference_artist":4300,"residency_location":250,"year":251,"layout_type":252,"content":4627,"updatedAt":4741,"createdAt":4742},498,"Still images and changing landscapes: Ignacio Navas in conversation with Nadia de Vries","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries","Fri Feb 20 2026 07:52:20 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:06:23 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:15:09 GMT+0000 (Coordinated Universal Time)",13541,"Nadia de Vries","2026-02-19T23:00:00.000Z","Navas is a photographer from Tudela, Spain, who approaches photographic images from an interactive and computational perspective. With a background in documentary photography, Navas is interested in researching how dominant political, economic, and social structures are made evident in everyday life. ",[704],[4628,4637,4646,4662,4671,4702,4711],{"id":4629,"text":4630,"blockName":20,"blockType":19},"6a354cc58c91db2725ffb6a9",{"root":4631},{"type":9,"format":10,"indent":11,"version":4,"children":4632},[4633],{"type":14,"format":10,"indent":11,"version":4,"children":4634,"direction":20,"textStyle":10,"textFormat":11},[4635],{"mode":17,"text":4636,"type":19,"style":10,"detail":11,"format":11,"version":4},"When I think of the word ‘photograph’, I think of a still image, a proverbial ‘moment captured.’ Not necessarily a static image (images rarely are!), but an image fully contained within itself. I found my perspective challenged, however, when I had the pleasure of meeting Ignacio Navas in his temporary studio at FUTURES, where he was a resident in January 2026. Navas is a photographer from Tudela, Spain, who approaches photographic images from an interactive and computational perspective. With a background in documentary photography, Navas is interested in researching how dominant political, economic, and social structures are made evident in everyday life. Through his projects, he seeks to challenge the ways in which these dominant structures shape and inform human lives.",{"id":4638,"quote":4639,"blockName":20,"blockType":333},"6ab2b9897fbdea578644433d",{"root":4640},{"type":9,"format":10,"indent":11,"version":4,"children":4641,"direction":20},[4642],{"type":14,"format":10,"indent":11,"version":4,"children":4643,"direction":20,"textStyle":10,"textFormat":11},[4644],{"mode":17,"text":4645,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘I wanted to retain a documentary approach, as well as the idea of photographic narration, while moving into other formats.\"",{"id":4647,"text":4648,"blockName":20,"blockType":19},"6ab2b9a87fbdea578644433e",{"root":4649},{"type":9,"format":10,"indent":11,"version":4,"children":4650,"direction":20},[4651],{"type":14,"format":10,"indent":11,"version":4,"children":4652,"direction":20,"textStyle":10,"textFormat":11},[4653,4655,4656,4658,4660],{"mode":17,"text":4654,"type":19,"style":10,"detail":11,"format":11,"version":4},"After working with the language of documentary photography for several years, Navas decided to expand his practice into new territories. ‘I wanted to retain a documentary approach, as well as the idea of photographic narration, while moving into other formats. So I decided to develop an interactive project, a kind of video game, similar to a visual novel or a walking simulator. In this project,  I bring the viewer to the local skatepark of Tudela, my hometown in Spain. Through photographs, found documents, and audio recordings, the viewer discovers the testimonies of a group of friends who spent their adolescence at the skatepark in the early 2000s. I titled the project ",{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4657,"type":19,"style":10,"detail":11,"format":11,"version":4},", in reference to both the eponymous skating trick and the tumultuousness of the teenage years. Being able to land a skating trick requires practice, and I see the kickflip as a metaphor for adolescence: trying things, failing, trying again. This is what ",{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},"KICKFLIP ",{"mode":17,"text":4661,"type":19,"style":10,"detail":11,"format":11,"version":4},"is ultimately about: the attempts and failures of teenage life, told in the protagonists’ own voices.’",{"id":4663,"blockName":20,"images":4664,"blockType":323},"6a354cc58c91db2725ffb6ac",[4665,4668],{"id":4666,"image":4667},"6a354cc58c91db2725ffb6aa",13538,{"id":4669,"image":4670},"6a354cc58c91db2725ffb6ab",13537,{"id":4672,"text":4673,"blockName":20,"blockType":19},"6ab2b9cb7fbdea578644433f",{"root":4674},{"type":9,"format":10,"indent":11,"version":4,"children":4675,"direction":20},[4676,4690,4692],{"type":14,"format":10,"indent":11,"version":4,"children":4677,"direction":20,"textStyle":10,"textFormat":11},[4678,4680,4681,4683,4684,4686,4688],{"mode":17,"text":4679,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘Though I’m always personally involved in the project I make in some way – an idea has to resonate deeply with me before I commit to it – I don’t usually take an autobiographical approach to my projects. ",{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4682,"type":19,"style":10,"detail":11,"format":11,"version":4},"is an exception to this, as the group of friends that the project is based on is my own, and as a result, I myself appear as one of the characters in the narrative. I like to think of ",{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4685,"type":19,"style":10,"detail":11,"format":11,"version":4},"as a collective, choral project in which smaller, personal histories take center stage. There’s something healing about the project, in this regard: in working through my friends’ stories, as well as my own, I’ve come to realize the extent to which our individual experiences were shaped by the place we grew up in, and the values and overall mindset that were prevalent there. The work",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4}," ",{"mode":17,"text":4689,"type":19,"style":10,"detail":11,"format":11,"version":4},"explores the various challenges that are inherent to the teenage years, such as academic performance, sexuality and relationships, the risks of substance abuse, and the discovery of self through music and subcultures.’",{"type":14,"format":10,"indent":11,"version":4,"children":4691,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":4693,"direction":20,"textStyle":10,"textFormat":11},[4694,4696,4697,4699,4700],{"mode":17,"text":4695,"type":19,"style":10,"detail":11,"format":11,"version":4},"Navas shows me a beta version of ",{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4698,"type":19,"style":10,"detail":11,"format":11,"version":4},", as the work is still in progress. While exploring the landscape of the game, I realize that I’ve never seen analogue pictures be used in a videogame before. It’s interesting to look at these pictures in-game, to see the places and people featured and realize that all of them really exist – for now, at least. This realization imbues the project with a sense of vulnerability and urgency, at least for me, as a viewer who isn’t familiar with the landscape featured in the game, yet instantly recognizes the teenage struggles described by the game’s characters (that is, Navas’s friends). ",{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4701,"type":19,"style":10,"detail":11,"format":11,"version":4}," isn’t just an interactive work by virtue of the playable arena that it offers; it also invites the viewer to reflect on their own teenage experiences, and the triumphs and tribulations that make up a (young) life.",{"id":4703,"blockName":20,"images":4704,"blockType":323},"6a354cc58c91db2725ffb6af",[4705,4708],{"id":4706,"image":4707},"6a354cc58c91db2725ffb6ad",13539,{"id":4709,"image":4710},"6a354cc58c91db2725ffb6ae",13540,{"id":4712,"text":4713,"blockName":20,"blockType":19},"6a354cc58c91db2725ffb6b0",{"root":4714},{"type":9,"format":10,"indent":11,"version":4,"children":4715},[4716,4732,4734],{"type":14,"format":10,"indent":11,"version":4,"children":4717,"direction":20,"textStyle":10,"textFormat":11},[4718,4720,4722,4724,4726,4728,4730],{"mode":17,"text":4719,"type":19,"style":10,"detail":11,"format":11,"version":4},"During his time at the FUTURES residency program, however, Navas has mainly been focusing on new work. His latest project, ",{"mode":17,"text":4721,"type":19,"style":10,"detail":11,"format":222,"version":4},"ORACLE",{"mode":17,"text":4723,"type":19,"style":10,"detail":11,"format":11,"version":4},", is a computational photographic project that reimagines Italian artist Luigi Ghirri’s classic work ",{"mode":17,"text":4725,"type":19,"style":10,"detail":11,"format":222,"version":4},"Atlante ",{"mode":17,"text":4727,"type":19,"style":10,"detail":11,"format":11,"version":4},"(1973) within the contemporary financial landscape. Ghirri was interested in how landscapes are represented in media and, in particular, how landscapes are represented through a system of signs: the symbols we use to signify natural structures such as forests, mountains, and seas. For ",{"mode":17,"text":4729,"type":19,"style":10,"detail":11,"format":222,"version":4},"Atlante",{"mode":17,"text":4731,"type":19,"style":10,"detail":11,"format":11,"version":4},", Ghirri sought to interrogate these symbols by photographing a geographic atlas with a macro lens.",{"type":14,"format":10,"indent":11,"version":4,"children":4733,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":4735,"direction":20,"textStyle":10,"textFormat":11},[4736,4738,4739],{"mode":17,"text":4737,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘In ",{"mode":17,"text":4721,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4740,"type":19,"style":10,"detail":11,"format":11,"version":4},",’ Navas explains,’ I wanted to work with signs that aim to project wealth, stability, progress, and power. So I turned my gaze to the banknotes, everyday objects that portray what a country was proud of at the time they were issued, the official narrative. During this month in Amsterdam, I have been searching for historical Dutch guilder banknotes and photographing them to extract their iconography. I use these images to feed a Processing sketch I coded here, which generates one image per day, driven by the opening values of the AEX, the main index of the Amsterdam Stock Exchange. In this case, the interactivity is not with us; the work is a procedural script that responds directly to market expectations and the greed, or fear, of shareholders, reframing historical symbols through new tensions and logics. Whereas Luigi Ghirri created beautiful images that work like whispers, inviting us to imagine mountains, rivers, or cities, the images generated by my script are meant to function as omens: cryptic predictions shaped by shifting financial ambitions.'","2026-10-14T15:39:39.837Z","2026-03-27T13:22:48.796Z","05/01/2026",[],[],[],{"docs":4748,"hasNextPage":153},[],{"docs":4750,"hasNextPage":153},[],"2026-10-12T15:15:17.421Z","2026-03-26T15:14:09.329Z",[],{"id":4,"title":250,"city":1782,"content":4755,"gallery":4761,"updatedAt":2874,"createdAt":2875},{"root":4756},{"type":9,"format":10,"indent":11,"version":4,"children":4757,"direction":20},[4758],{"type":14,"format":2713,"indent":11,"version":4,"children":4759,"direction":20,"textStyle":10,"textFormat":11},[4760],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[4762,4768,4774,4780,4786,4792,4798],{"id":2719,"image":4763},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4764},{"thumb":4765,"medium":4766,"large":4767},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":4769},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4770},{"thumb":4771,"medium":4772,"large":4773},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":4775},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4776},{"thumb":4777,"medium":4778,"large":4779},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":4781},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":4782},{"thumb":4783,"medium":4784,"large":4785},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":4787},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4788},{"thumb":4789,"medium":4790,"large":4791},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":4793},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":4794},{"thumb":4795,"medium":4796,"large":4797},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":4799},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":4800},{"thumb":4801,"medium":4802,"large":4803},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":4616,"is_residency_story":93,"kind_of_residency_story":150,"title":4617,"slug":4618,"archived":153,"created_on":4619,"updated_on":4620,"published_on":4621,"thumbnail":4805,"author":4623,"date_of_publication":4624,"teaser":4625,"featured":93,"futures_select":153,"news_kind":190,"news_subkind":191,"category":4822,"video":10,"corresponding_event":20,"artist_name":4302,"reference_artist":4823,"residency_location":250,"year":251,"layout_type":252,"content":4848,"updatedAt":4741,"createdAt":4742},{"id":4622,"alt":20,"originalUrl":4806,"uploaded_by":4300,"updatedAt":4807,"createdAt":4808,"url":4809,"thumbnailURL":20,"filename":4810,"mimeType":163,"filesize":4811,"width":1505,"height":862,"focalX":167,"focalY":167,"sizes":4812},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/699c69d03ed4ef9fd1776287_7.jpg","2026-06-19T14:05:57.127Z","2026-03-11T13:06:54.216Z","https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb.webp",336434,{"thumb":4813,"medium":4817,"large":4821},{"url":4814,"width":171,"height":867,"mimeType":163,"filesize":4815,"filename":4816},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb-300x400.webp",7808,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb-300x400.webp",{"url":4818,"width":177,"height":534,"mimeType":163,"filesize":4819,"filename":4820},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb-1200x1600.webp",82606,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-thumb-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[704],{"id":4300,"profile_types":4824,"is_member":153,"name":4302,"slug":4303,"archived":153,"created_on":4304,"updated_on":4305,"published_on":4305,"biography":4825,"e_mail":4313,"profile_image":4315,"website":4331,"instagram":4332,"first_name":4333,"last_name":4334,"kind_of_profile":218,"tags_profession":4831,"tags_identity":4832,"tags_location":4833,"tags_practice":4834,"tags_topics":4835,"born_in":4375,"street_address":20,"city":4376,"country":20,"corresponding_member":4836,"member_additional":4837,"corresponding_art_projects":4838,"corresponding_selected_year":4839,"reference_residency":4616,"date_of_residency":4743,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":4840,"curation_reference":4841,"past_member":20,"approved_courses":4842,"tutor_courses":4843,"guest_expert_courses":4845,"updatedAt":4751,"createdAt":4752,"email":4313,"collection":248,"sessions":4847},[198],{"root":4826},{"type":9,"format":10,"indent":11,"version":4,"children":4827},[4828],{"type":14,"version":4,"children":4829},[4830],{"text":4312,"type":19,"version":4},[99,220],[4,1216],[471,4348],[1139,232,99],[1129,232,477,1298],[4379],[],[4419,4476],[3062],[],[],[],{"docs":4844,"hasNextPage":153},[],{"docs":4846,"hasNextPage":153},[],[],[4849,4856,4863,4874,4915,4937,4974],{"id":4629,"text":4850,"blockName":20,"blockType":19},{"root":4851},{"type":9,"format":10,"indent":11,"version":4,"children":4852},[4853],{"type":14,"format":10,"indent":11,"version":4,"children":4854,"direction":20,"textStyle":10,"textFormat":11},[4855],{"mode":17,"text":4636,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4638,"quote":4857,"blockName":20,"blockType":333},{"root":4858},{"type":9,"format":10,"indent":11,"version":4,"children":4859,"direction":20},[4860],{"type":14,"format":10,"indent":11,"version":4,"children":4861,"direction":20,"textStyle":10,"textFormat":11},[4862],{"mode":17,"text":4645,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4647,"text":4864,"blockName":20,"blockType":19},{"root":4865},{"type":9,"format":10,"indent":11,"version":4,"children":4866,"direction":20},[4867],{"type":14,"format":10,"indent":11,"version":4,"children":4868,"direction":20,"textStyle":10,"textFormat":11},[4869,4870,4871,4872,4873],{"mode":17,"text":4654,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4657,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4661,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4663,"blockName":20,"images":4875,"blockType":323},[4876,4898],{"id":4666,"image":4877},{"id":4667,"alt":20,"originalUrl":4878,"uploaded_by":4300,"updatedAt":4879,"createdAt":4880,"url":4881,"thumbnailURL":20,"filename":4882,"mimeType":163,"filesize":4883,"width":4884,"height":4885,"focalX":167,"focalY":167,"sizes":4886},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/699c69df14e0dfab77b485de_5%20(1).jpg","2026-06-19T14:05:54.910Z","2026-03-11T13:06:50.054Z","https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1.webp",137534,1750,985,{"thumb":4887,"medium":4892,"large":4897},{"url":4888,"width":171,"height":4889,"mimeType":163,"filesize":4890,"filename":4891},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1-300x169.webp",169,7752,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1-300x169.webp",{"url":4893,"width":177,"height":4894,"mimeType":163,"filesize":4895,"filename":4896},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1-1200x675.webp",675,76472,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-1-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":4669,"image":4899},{"id":4670,"alt":20,"originalUrl":4900,"uploaded_by":4300,"updatedAt":4901,"createdAt":4902,"url":4903,"thumbnailURL":20,"filename":4904,"mimeType":163,"filesize":4905,"width":4884,"height":4885,"focalX":167,"focalY":167,"sizes":4906},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/699c69df7cea9944232d9126_4.jpg","2026-06-19T14:05:55.565Z","2026-03-11T13:06:49.414Z","https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0.webp",22964,{"thumb":4907,"medium":4911,"large":4914},{"url":4908,"width":171,"height":4889,"mimeType":163,"filesize":4909,"filename":4910},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0-300x169.webp",2002,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0-300x169.webp",{"url":4912,"width":177,"height":4894,"mimeType":163,"filesize":158,"filename":4913},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0-1200x675.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s1-2-0-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":4672,"text":4916,"blockName":20,"blockType":19},{"root":4917},{"type":9,"format":10,"indent":11,"version":4,"children":4918,"direction":20},[4919,4928,4930],{"type":14,"format":10,"indent":11,"version":4,"children":4920,"direction":20,"textStyle":10,"textFormat":11},[4921,4922,4923,4924,4925,4926,4927],{"mode":17,"text":4679,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4682,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4659,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4685,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4689,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":4929,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":4931,"direction":20,"textStyle":10,"textFormat":11},[4932,4933,4934,4935,4936],{"mode":17,"text":4695,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4698,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4477,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4701,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4703,"blockName":20,"images":4938,"blockType":323},[4939,4957],{"id":4706,"image":4940},{"id":4707,"alt":20,"originalUrl":4941,"uploaded_by":4300,"updatedAt":4942,"createdAt":4943,"url":4944,"thumbnailURL":20,"filename":4945,"mimeType":163,"filesize":4946,"width":1505,"height":862,"focalX":167,"focalY":167,"sizes":4947},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/699c69eb9695e174bd7915af_8%20(1).jpg","2026-06-19T14:05:56.003Z","2026-03-11T13:06:51.661Z","https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0.webp",777284,{"thumb":4948,"medium":4952,"large":4956},{"url":4949,"width":171,"height":867,"mimeType":163,"filesize":4950,"filename":4951},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0-300x400.webp",6484,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0-300x400.webp",{"url":4953,"width":177,"height":534,"mimeType":163,"filesize":4954,"filename":4955},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0-1200x1600.webp",160524,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-0-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":4709,"image":4958},{"id":4710,"alt":20,"originalUrl":4959,"uploaded_by":4300,"updatedAt":4960,"createdAt":4961,"url":4962,"thumbnailURL":20,"filename":4963,"mimeType":163,"filesize":4964,"width":4965,"height":1063,"focalX":167,"focalY":167,"sizes":4966},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/699727513dab590eb2861a10_9.jpg","2026-06-19T14:05:56.458Z","2026-03-11T13:06:52.899Z","https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-1.webp","still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-1.webp",507960,1125,{"thumb":4967,"medium":4972,"large":4973},{"url":4968,"width":171,"height":4969,"mimeType":163,"filesize":4970,"filename":4971},"https://futures-backend-unstated-int.vercel.app/api/media/file/still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-1-300x533.webp",533,36008,"still-images-and-changing-landscapes-ignacio-navas-in-conversation-with-nadia-de-vries-s3-2-1-300x533.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":4712,"text":4975,"blockName":20,"blockType":19},{"root":4976},{"type":9,"format":10,"indent":11,"version":4,"children":4977},[4978,4987,4989],{"type":14,"format":10,"indent":11,"version":4,"children":4979,"direction":20,"textStyle":10,"textFormat":11},[4980,4981,4982,4983,4984,4985,4986],{"mode":17,"text":4719,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4721,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4723,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4725,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4727,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4729,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4731,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":4988,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":4990,"direction":20,"textStyle":10,"textFormat":11},[4991,4992,4993],{"mode":17,"text":4737,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4721,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":4740,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":4995,"artist":4996,"residency_location":6191,"year_of_residency":251,"article":6211},"6a69fa88a63978531cb2a5c9",{"id":4997,"profile_types":4998,"is_member":153,"name":4999,"slug":5000,"archived":153,"created_on":5001,"updated_on":5002,"published_on":156,"biography":5003,"e_mail":5014,"profile_image":5015,"website":5034,"instagram":5035,"first_name":5036,"last_name":5037,"kind_of_profile":218,"tags_profession":5038,"tags_identity":5040,"tags_location":5046,"tags_practice":5053,"tags_topics":5059,"born_in":10,"street_address":10,"city":10,"country":10,"corresponding_member":5062,"member_additional":5102,"corresponding_art_projects":5103,"corresponding_selected_year":5184,"reference_residency":5248,"date_of_residency":5411,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":5412,"curation_reference":5413,"past_member":20,"approved_courses":5414,"tutor_courses":6184,"guest_expert_courses":6186,"updatedAt":6188,"createdAt":6189,"email":5014,"collection":248,"sessions":6190},813,[198,2119],"Eleni Onasoglou","eleni-onasoglou","Mon Oct 14 2024 13:30:02 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:02:29 GMT+0000 (Coordinated Universal Time)",{"root":5004},{"type":9,"format":10,"indent":11,"version":4,"children":5005,"direction":1112},[5006,5010],{"type":14,"version":4,"children":5007},[5008],{"text":5009,"type":19,"version":4},"Eleni Onasoglou was born in Syros Island (Greece), where she lived during her early years. In 2008 she graduated with a scholarship from ESP school of photography.",{"type":14,"version":4,"children":5011},[5012],{"text":5013,"type":19,"version":4},"Today she lives and works as a photographer in Athens. Her work has been published in magazines from Greece and abroad, and presented in photography group exhibitions.","elenionasoglou@yahoo.com",{"id":5016,"alt":20,"originalUrl":5017,"uploaded_by":4997,"updatedAt":5018,"createdAt":5019,"url":5020,"thumbnailURL":20,"filename":5021,"mimeType":163,"filesize":5022,"width":5023,"height":1063,"focalX":167,"focalY":167,"sizes":5024},5039,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/66f51c465a849afd2b58f56f_60a1cae86139733770d578cc_Onasolou%2520Eleni_08.jpeg","2026-06-19T15:33:11.296Z","2026-01-23T13:55:24.058Z","https://futures-backend-unstated-int.vercel.app/api/media/file/hippocampus-art-7.webp","hippocampus-art-7.webp",231352,1333,{"thumb":5025,"medium":5029,"large":5033},{"url":5026,"width":171,"height":292,"mimeType":163,"filesize":5027,"filename":5028},"https://futures-backend-unstated-int.vercel.app/api/media/file/hippocampus-art-7-300x450.webp",13288,"hippocampus-art-7-300x450.webp",{"url":5030,"width":177,"height":297,"mimeType":163,"filesize":5031,"filename":5032},"https://futures-backend-unstated-int.vercel.app/api/media/file/hippocampus-art-7-1200x1800.webp",159780,"hippocampus-art-7-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://elenionasoglouphotography.gr/","https://www.instagram.com/elenionasoglou/","Eleni","Onasoglou",[5039],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},[5041,5045],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},"Woman","woman","2026-06-09T13:26:17.080Z",{"id":1216,"name":4341,"slug":4342,"updatedAt":4343,"createdAt":4344},[5047,5048],{"id":471,"name":3427,"slug":3428,"updatedAt":3429,"createdAt":3429},{"id":3757,"name":5049,"slug":5050,"updatedAt":5051,"createdAt":5052},"Greece","greece","2026-06-26T10:03:21.802Z","2026-06-26T10:03:21.801Z",[5054,5058],{"id":231,"name":5055,"slug":5056,"updatedAt":5057,"createdAt":5057},"Portrait","portrait","2026-06-23T12:38:17.840Z",{"id":1123,"name":3436,"slug":3437,"updatedAt":3438,"createdAt":3438},[5060,5061],{"id":1298,"name":4372,"slug":4373,"updatedAt":4374,"createdAt":4374},{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},[5063],{"id":5064,"profile_types":5065,"is_member":93,"name":5066,"slug":5067,"archived":153,"created_on":5068,"updated_on":5069,"published_on":5069,"biography":5070,"e_mail":5077,"profile_image":20,"website":5078,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":5079,"tags_identity":5080,"tags_location":5081,"tags_practice":5082,"tags_topics":5083,"born_in":20,"street_address":10,"city":5084,"country":5085,"corresponding_member":5086,"member_additional":5087,"corresponding_art_projects":5088,"corresponding_selected_year":5089,"reference_residency":20,"date_of_residency":20,"date_since":5090,"date_ended":5091,"linkedin":10,"corresponding_artist":5092,"curation_reference":5093,"past_member":93,"approved_courses":5094,"tutor_courses":5095,"guest_expert_courses":5097,"updatedAt":5099,"createdAt":5100,"email":5077,"collection":248,"sessions":5101},1320,[1959],"Tbilisi Photo Festival","tbilisi-photo-festival","Mon Oct 14 2024 13:24:45 GMT+0000 (Coordinated Universal Time)","Mon Apr 07 2025 08:51:30 GMT+0000 (Coordinated Universal Time)",{"root":5071},{"type":9,"format":10,"indent":11,"version":4,"children":5072},[5073],{"type":14,"version":4,"children":5074},[5075],{"text":5076,"type":19,"version":4},"Founded in 2010 in partnership with Les Rencontres d’Arles, the Tbilisi Photo Festival was born in an attempt to unveil the deep and fast changing realities palpable everywhere in Georgia by contributing to the rise of the local and regional photographic scene while bringing to Tbilisi the best of world photography. Since 2010 the Tbilisi Photo Festival has hosted the exhibitions of legends and stars of contemporary photography and has created a meaningful platform to support the emerging artists. Twelve editions later, the Tbilisi Photo Festival firmly established Tbilisi as the capital of photography of the Caucasus by becoming the most important photo festival in the region and one of its major annual cultural events.","info@tbilisiphotofestival.com","https://www.tbilisiphotofestival.com/en/",[],[],[],[],[],"Tbilisi, Georgia","Georgia",[],[],[],[],"2021-01-01T00:00:00.000Z","2021-12-31T00:00:00.000Z",[],[],[],{"docs":5096,"hasNextPage":153},[],{"docs":5098,"hasNextPage":153},[],"2026-10-05T15:40:40.056Z","2026-03-26T15:21:19.496Z",[],[],[5104],{"id":5105,"name_of_project":5106,"slug":5107,"archived":153,"created_on":5108,"updated_on":5109,"published_on":5110,"thumbnail_image":5111,"date":20,"artwork_description":5112,"artworks":5119,"corresponding_artist":5176,"tags_topics":5177,"tags_location":5178,"tags_practice":5179,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":5180,"stichting_futures_project":153,"updatedAt":5181,"createdAt":5182,"artworks_gallery":5183},297,"Hippocampus","hippocampus","Mon Oct 14 2024 13:38:53 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 15:04:24 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 15:10:25 GMT+0000 (Coordinated Universal Time)",5051,{"root":5113},{"type":9,"format":10,"indent":11,"version":4,"children":5114},[5115],{"type":14,"version":4,"children":5116},[5117],{"text":5118,"type":19,"version":4},"The Hippocampus is part of the brain center which controls the memory. The emotional belief based on the fear that memory will be lost, led me, unconsciously at first, consciously later, to photograph with the ultimate purpose that the photographic creation is a visual diary. By collecting images, I essentially build a coded memory map. A map which eventually decodes it, escapes its prime role and leads to an inner journey of exploring the time and the emotions that it creates in its course. A management of fear, loss, repetition, guilt.",[5120,5123,5126,5129,5132,5135,5138,5141,5143,5146,5149,5152,5155,5158,5161,5164,5167,5170,5173],{"id":5121,"image":5122},"6a35613ce57d0fdcefaa9f2e",5032,{"id":5124,"image":5125},"6a35613ce57d0fdcefaa9f2f",5033,{"id":5127,"image":5128},"6a35613ce57d0fdcefaa9f30",5034,{"id":5130,"image":5131},"6a35613ce57d0fdcefaa9f31",5035,{"id":5133,"image":5134},"6a35613ce57d0fdcefaa9f32",5036,{"id":5136,"image":5137},"6a35613ce57d0fdcefaa9f33",5037,{"id":5139,"image":5140},"6a35613ce57d0fdcefaa9f34",5038,{"id":5142,"image":5016},"6a35613ce57d0fdcefaa9f35",{"id":5144,"image":5145},"6a35613ce57d0fdcefaa9f36",5040,{"id":5147,"image":5148},"6a35613ce57d0fdcefaa9f37",5041,{"id":5150,"image":5151},"6a35613ce57d0fdcefaa9f38",5042,{"id":5153,"image":5154},"6a35613ce57d0fdcefaa9f39",5043,{"id":5156,"image":5157},"6a35613ce57d0fdcefaa9f3a",5044,{"id":5159,"image":5160},"6a35613ce57d0fdcefaa9f3b",5045,{"id":5162,"image":5163},"6a35613ce57d0fdcefaa9f3c",5046,{"id":5165,"image":5166},"6a35613ce57d0fdcefaa9f3d",5047,{"id":5168,"image":5169},"6a35613ce57d0fdcefaa9f3e",5048,{"id":5171,"image":5172},"6a35613ce57d0fdcefaa9f3f",5049,{"id":5174,"image":5175},"6a35613ce57d0fdcefaa9f40",5050,[4997],[233],[3252],[],"The Hippocampus is part of the brain center which controls the memory. The emotional belief based on the fear that memory will be lost, led me, unconsciously at first, consciously later, to photograph with the ultimate purpose that the photographic creation is a visual diary.","2026-09-16T08:32:05.358Z","2026-03-10T15:38:30.773Z",[],[5185],{"id":5186,"curation_title":5187,"slug":5188,"archived":153,"created_on":5189,"updated_on":5190,"published_on":5190,"date":5090,"corresponding_member":5191,"introduction_text":5192,"curational_text":5217,"corresponding_artist":5238,"projects_selected":5242,"updatedAt":5246,"createdAt":5247},108,"Tbilisi Photo Festival 2021","tbilisi-photo-festival-2021","Wed Oct 16 2024 10:24:14 GMT+0000 (Coordinated Universal Time)","Wed Feb 19 2025 14:00:43 GMT+0000 (Coordinated Universal Time)",[5064],{"root":5193},{"type":9,"format":10,"indent":11,"version":4,"children":5194},[5195,5199,5203,5206,5210,5213],{"type":14,"version":4,"children":5196},[5197],{"text":5198,"type":19,"version":4},"Founded in 2010 in partnership with Les Rencontres d’Arles, the Tbilisi Photo Festival was born in an attempt to unveil the deep and fast changing realities palpable everywhere in Georgia by contributing to the rise of the local and regional photographic scene while bringing to Tbilisi the best of world photography.",{"type":14,"version":4,"children":5200},[5201],{"text":5202,"type":19,"version":4},"Since 2010 the Tbilisi Photo Festival has hosted the exhibitions of legends and stars of contemporary photography and has created a meaningful platform to support the emerging artists.",{"type":14,"version":4,"children":5204},[5205],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":5207},[5208],{"text":5209,"type":19,"version":4},"Twelve editions later, the Tbilisi Photo Festival firmly established Tbilisi as the capital of photography of the Caucasus by becoming the most important photo festival in the region and one of its major annual cultural events.",{"type":14,"version":4,"children":5211},[5212],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":5214},[5215],{"text":5216,"type":19,"version":4},"Supporting the regional and local emerging photography scene has been TPF’s initial goal since its creation. By joining the Futures platform, the festival has got a chance to put a finger on the pulse of what makes now the emerging European photography - discover new names, new “photographic languages”, new topics, new approaches; and also to create new opportunities for the new talents – opportunities of visibility, professional improvement, international networking.",{"root":5218},{"type":9,"format":10,"indent":11,"version":4,"children":5219},[5220,5224,5227,5231,5234],{"type":14,"version":4,"children":5221},[5222],{"text":5223,"type":19,"version":4},"By nominating Romain Bagnard, Céline Croze, Julie Glassberg and Eleni Onasoglu for Futures talents 2021, TPF unveils the group of emerging European photographers and their works with a strong visual identity that result from the capacities to develop long-term personal projects throughout deep researches to define an individual photographic writing, to build a coherence between the content and the shape the photo project is supposed to take in its final version.",{"type":14,"version":4,"children":5225},[5226],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":5228},[5229],{"text":5230,"type":19,"version":4},"Between Celine Croze ’s SQEVNV that focuses on social issues and human bodies as territories; Julie Glassberg’s Dekotora - a saga of misunderstood subculture of heavily decorated trucks in Japan; Aphros by Roman Bagnard who brings to surface the opaque signs of a primitive ephemeral urban alphabet and Eleni Onasoglu’s Hippocampus – a visual diary, a coded memory map that leads to an inner journey to explore the time and the emotions – TPF gives to discover 4 artists with very different photographic writings who re-invent their individual visual codes, overcome their vulnerability and transgress the reality they look at into the images that attract by their multilayerness of meanings and sensuality.",{"type":14,"version":4,"children":5232},[5233],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":5235},[5236],{"text":5237,"type":19,"version":4},"Text by Nestan Nijaradze",[5239,5240,5241,4997],935,1173,766,[5243,5244,5105,5245],616,182,66,"2026-08-17T13:41:39.055Z","2026-03-10T15:50:23.268Z",{"id":5249,"is_residency_story":93,"kind_of_residency_story":150,"title":5250,"slug":5251,"archived":153,"created_on":5252,"updated_on":5253,"published_on":3123,"thumbnail":5254,"author":5255,"date_of_publication":5256,"teaser":10,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":5257,"video":20,"corresponding_event":20,"artist_name":4999,"reference_artist":4997,"residency_location":1912,"year":251,"layout_type":496,"content":5258,"updatedAt":5409,"createdAt":5410},537,"The Silence of the Beasts with Eleni Onasoglou","the-silence-of-the-beasts-with-eleni-onasoglou","Mon May 04 2026 08:44:33 GMT+0000 (Coordinated Universal Time)","Mon May 04 2026 08:45:28 GMT+0000 (Coordinated Universal Time)",13847,"Robert Capa Contemporary Photography Center","2026-05-03T22:00:00.000Z",[447],[5259,5278,5313,5316,5348,5371,5400],{"id":5260,"blockName":20,"blockType":539,"qa":5261},"6ad61cf4ed687926d1957d36",{"question":5262,"answer":5263},"How and when did you start your career in photography?",{"root":5264},{"type":9,"format":10,"indent":11,"version":4,"children":5265,"direction":20},[5266],{"type":14,"format":10,"indent":11,"version":4,"children":5267,"direction":20,"textStyle":10,"textFormat":11},[5268,5270,5271,5272,5274,5275,5276],{"mode":17,"text":5269,"type":19,"style":10,"detail":11,"format":11,"version":4},"I started photography in 2008, driven by a need to approach things I could not fully understand or articulate through language. From the beginning, photography was not a way for me to document reality, but a way to construct another world — a space where inner experiences could take form.",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":5273,"type":19,"style":10,"detail":11,"format":11,"version":4},"I studied photography on a scholarship at ESP School of Photography, focusing on artistic practice. My interest was never purely technical; it was rooted in a need to explore memory, absence, and the darker, less visible aspects of existence.",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":5277,"type":19,"style":10,"detail":11,"format":11,"version":4},"Photography became a way for me to remain within these questions, rather than resolve them.",{"id":5279,"blockName":20,"blockType":539,"qa":5280},"6ad61d22ed687926d1957d38",{"question":5281,"answer":5282},"What themes and questions interest you most, and how do you explore them in your work?",{"root":5283},{"type":9,"format":10,"indent":11,"version":4,"children":5284,"direction":20},[5285,5289,5291,5295,5297,5301,5303,5307,5309],{"type":14,"format":10,"indent":11,"version":4,"children":5286,"direction":20,"textStyle":10,"textFormat":11},[5287],{"mode":17,"text":5288,"type":19,"style":10,"detail":11,"format":11,"version":4},"My work revolves around the construction of inner landscapes, where sorrow, emptiness, and absence do not function as emotions, but as conditions of existence.",{"type":14,"format":10,"indent":11,"version":4,"children":5290,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5292,"direction":20,"textStyle":10,"textFormat":11},[5293],{"mode":17,"text":5294,"type":19,"style":10,"detail":11,"format":11,"version":4},"Death plays a central role in my practice — not as an event, but as a constant, underlying presence that shapes the way I see and construct images. It operates like an invisible outline around every moment, influencing my relationship to time, memory, and representation.",{"type":14,"format":10,"indent":11,"version":4,"children":5296,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5298,"direction":20,"textStyle":10,"textFormat":11},[5299],{"mode":17,"text":5300,"type":19,"style":10,"detail":11,"format":11,"version":4},"I am interested in how reality dissolves and what remains once the obvious is removed — fragments, traces, silences. This is the space I attempt to work within.",{"type":14,"format":10,"indent":11,"version":4,"children":5302,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5304,"direction":20,"textStyle":10,"textFormat":11},[5305],{"mode":17,"text":5306,"type":19,"style":10,"detail":11,"format":11,"version":4},"Visually, I work with distance, framing, and restriction of the gaze, creating images that do not offer immediate access but rather a sense of separation. This distance is essential; it reflects both the impossibility of full understanding and the need to remain within what cannot be explained.",{"type":14,"format":10,"indent":11,"version":4,"children":5308,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5310,"direction":20,"textStyle":10,"textFormat":11},[5311],{"mode":17,"text":5312,"type":19,"style":10,"detail":11,"format":11,"version":4},"My images do not attempt to provide answers. They function more as traces — as echoes of an inner landscape where emptiness and sorrow take form.",{"id":5314,"image":5315,"blockName":20,"blockType":381},"6a354cd78c91db2725ffb6e5",13827,{"id":5317,"blockName":20,"blockType":539,"qa":5318},"6ad61d43ed687926d1957d39",{"question":5319,"answer":5320},"What are you working on during the FUTURES residency programme? How does your current project relate to your previous photo series?",{"root":5321},{"type":9,"format":10,"indent":11,"version":4,"children":5322,"direction":20},[5323,5330,5332,5336,5338,5342,5344],{"type":14,"format":10,"indent":11,"version":4,"children":5324,"direction":20,"textStyle":10,"textFormat":11},[5325,5327,5329],{"mode":17,"text":5326,"type":19,"style":10,"detail":11,"format":11,"version":4},"During the FUTURES residency in Budapest, in collaboration with the Robert Capa Contemporary Photography Center, I am working on a project titled ",{"mode":17,"text":5328,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Silence of the Beasts",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":5331,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5333,"direction":20,"textStyle":10,"textFormat":11},[5334],{"mode":17,"text":5335,"type":19,"style":10,"detail":11,"format":11,"version":4},"The project examines zoos as constructed environments — spaces designed to appear natural while being entirely controlled. It explores how power operates through space, distance, and visibility, and how living beings are transformed into exhibits.",{"type":14,"format":10,"indent":11,"version":4,"children":5337,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5339,"direction":20,"textStyle":10,"textFormat":11},[5340],{"mode":17,"text":5341,"type":19,"style":10,"detail":11,"format":11,"version":4},"In relation to my previous work, this project marks a shift from an entirely internal landscape to an external, structured environment. However, the core remains consistent: the construction of a reality where perception is mediated and controlled.",{"type":14,"format":10,"indent":11,"version":4,"children":5343,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5345,"direction":20,"textStyle":10,"textFormat":11},[5346],{"mode":17,"text":5347,"type":19,"style":10,"detail":11,"format":11,"version":4},"Silence, absence, and incompleteness remain central elements, now embedded within a system of observation and display.",{"id":5349,"blockName":20,"blockType":539,"qa":5350},"6ad61d5ded687926d1957d3a",{"question":5351,"answer":5352},"How has your research been going so far? Which locations did you visit and where did you take photos during your time in Budapest? Who did you collaborate with, and who helped shape the series?",{"root":5353},{"type":9,"format":10,"indent":11,"version":4,"children":5354,"direction":20},[5355,5359,5361,5365,5367],{"type":14,"format":10,"indent":11,"version":4,"children":5356,"direction":20,"textStyle":10,"textFormat":11},[5357],{"mode":17,"text":5358,"type":19,"style":10,"detail":11,"format":11,"version":4},"The work has been developing through observation and repetition. I have been photographing primarily at the Budapest Zoo, spending extended periods of time observing both the animals and the behavior of visitors.",{"type":14,"format":10,"indent":11,"version":4,"children":5360,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5362,"direction":20,"textStyle":10,"textFormat":11},[5363],{"mode":17,"text":5364,"type":19,"style":10,"detail":11,"format":11,"version":4},"The process is slow and requires patience. What interests me is not action, but stillness — the absence of reaction, repetition, and a sense of resignation that gradually becomes visible.",{"type":14,"format":10,"indent":11,"version":4,"children":5366,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5368,"direction":20,"textStyle":10,"textFormat":11},[5369],{"mode":17,"text":5370,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency environment and the ongoing dialogue with the team at the Robert Capa Contemporary Photography Center have played a crucial role in shaping the work. In particular, my collaboration with Szakács E. Bíborka (program coordinator), Mucsi Emese (curator), and Szilágyi Anna Magdolna (online manager) has contributed significantly to the development of both the conceptual framework and the visual direction of the series.",{"id":5372,"blockName":20,"blockType":539,"qa":5373},"6ad61d7aed687926d1957d3b",{"question":5374,"answer":5375},"What are your plans for the future? How do you plan to continue this project and the related research after the residency?",{"root":5376},{"type":9,"format":10,"indent":11,"version":4,"children":5377,"direction":20},[5378,5382,5384,5388,5390,5394,5396],{"type":14,"format":10,"indent":11,"version":4,"children":5379,"direction":20,"textStyle":10,"textFormat":11},[5380],{"mode":17,"text":5381,"type":19,"style":10,"detail":11,"format":11,"version":4},"I plan to continue this project beyond the residency, expanding the research to other zoological gardens and similarly controlled environments in different countries.",{"type":14,"format":10,"indent":11,"version":4,"children":5383,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5385,"direction":20,"textStyle":10,"textFormat":11},[5386],{"mode":17,"text":5387,"type":19,"style":10,"detail":11,"format":11,"version":4},"My intention is to build a broader body of work that examines how systems of display, control, and observation operate across contexts, and how “difference” is constructed and presented.",{"type":14,"format":10,"indent":11,"version":4,"children":5389,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5391,"direction":20,"textStyle":10,"textFormat":11},[5392],{"mode":17,"text":5393,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the same time, I aim to deepen the theoretical framework of the project, connecting it with historical references and broader questions around power and representation.",{"type":14,"format":10,"indent":11,"version":4,"children":5395,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5397,"direction":20,"textStyle":10,"textFormat":11},[5398],{"mode":17,"text":5399,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ultimately, the project will evolve into a larger photographic series and exhibition, potentially incorporating archival and research-based elements, maintaining a balance between image, space, and narrative.",{"id":5401,"blockName":20,"images":5402,"blockType":323},"6a354cd78c91db2725ffb6e9",[5403,5406],{"id":5404,"image":5405},"6a354cd78c91db2725ffb6e7",13825,{"id":5407,"image":5408},"6a354cd78c91db2725ffb6e8",13826,"2026-10-19T13:44:45.733Z","2026-06-19T14:06:15.223Z","01/04/2026",[],[],[5415],{"id":222,"title":5416,"slug":5417,"education_programme":4,"thumbnail_image":5418,"short_description":5419,"course_description":5420,"corresponding_tutor":5445,"guest_experts":5447,"where":5448,"start_date":5449,"end_date":5450,"fees":5451,"deadlines":5467,"apply_button_informational_text":5474,"students":5475,"students_to_approve":5483,"course_info_repeater":5494,"course_faq_repeater":5748,"content":5809,"repository_links":5885,"notification_system":5894,"updatedAt":6182,"createdAt":6183},"The Photobook Lab","the-photobook-lab",13802,"Develop and refine a photobook project from concept to prototype within a professional publishing context.",{"root":5421},{"type":9,"format":10,"indent":11,"version":4,"children":5422,"direction":20},[5423,5427,5429,5433,5435,5439,5441],{"type":14,"format":10,"indent":11,"version":4,"children":5424,"direction":20,"textStyle":10,"textFormat":11},[5425],{"mode":17,"text":5426,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working with books means recognising that every element carries weight. What is included or excluded, how images relate to one another, and how the final object is handled all contribute to the work’s conceptual and emotional logic. The book allows for a form of storytelling where complexity, ambiguity, and contradiction can coexist.",{"type":14,"format":10,"indent":11,"version":4,"children":5428,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5430,"direction":20,"textStyle":10,"textFormat":11},[5431],{"mode":17,"text":5432,"type":19,"style":10,"detail":11,"format":11,"version":4},"This masterclass explores the process through which a body of work becomes a book. It approaches photography not as an end point, but as an entry into a broader set of decisions, including editing, sequencing, narrative, text, rhythm, and material. The book is understood as a form that unfolds over time, shaping how meaning is constructed and experienced.",{"type":14,"format":10,"indent":11,"version":4,"children":5434,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5436,"direction":20,"textStyle":10,"textFormat":11},[5437],{"mode":17,"text":5438,"type":19,"style":10,"detail":11,"format":11,"version":4},"Students will explore the book as both a conceptual and material form through a process of experimentation and iteration. They will engage with references from photobooks and artist books, while developing their own projects by producing and refining multiple dummies. Group discussions and individual feedback will support this process.",{"type":14,"format":10,"indent":11,"version":4,"children":5440,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5442,"direction":20,"textStyle":10,"textFormat":11},[5443],{"mode":17,"text":5444,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course moves from research to production. It begins with collective analysis of existing books, followed by editing and structuring participants’ own work. A later phase focuses on material decisions such as format, paper, and binding. The final stage considers circulation and distribution, reflecting on how a book reaches its audience.",[5446],1335,[],"Online","2026-10-01T12:00:00.000Z","2027-05-31T12:00:00.000Z",{"root":5452},{"type":9,"format":10,"indent":11,"version":4,"children":5453,"direction":20},[5454],{"type":14,"format":10,"indent":11,"version":4,"children":5455,"direction":20,"textStyle":10,"textFormat":11},[5456,5458,5459,5461,5462,5464,5465],{"mode":17,"text":5457,"type":19,"style":10,"detail":11,"format":11,"version":4},"Early Bird Fee €1,200",{"type":463,"version":4},{"mode":17,"text":5460,"type":19,"style":10,"detail":11,"format":11,"version":4},"Normal Fee €1,500",{"type":463,"version":4},{"mode":17,"text":5463,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Artist - 25% Discount",{"type":463,"version":4},{"mode":17,"text":5466,"type":19,"style":10,"detail":11,"format":11,"version":4},"Fully Funded Scholarship available",{"root":5468},{"type":9,"format":10,"indent":11,"version":4,"children":5469,"direction":20},[5470],{"type":14,"format":10,"indent":11,"version":4,"children":5471,"direction":20,"textStyle":10,"textFormat":11},[5472],{"mode":17,"text":5473,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications are closed.","Spaces are limited to ensure a focused learning environment.",[5476,5477,5478,5479,5480,5481,5482,4997],1477,1473,1470,1467,1465,1453,693,{"docs":5484,"hasNextPage":93},[5485,5486,5487,5488,5489,5490,3062,5491,5492,5493],90,86,84,80,79,78,73,72,71,[5495,5539,5591,5615,5676,5714],{"id":5496,"title":5497,"content":5498},"69ea7fd507ecbb15bf1e798f","What you will develop",{"root":5499},{"type":9,"format":10,"indent":11,"version":4,"children":5500,"direction":20},[5501,5505],{"type":14,"format":10,"indent":11,"version":4,"children":5502,"direction":20,"textStyle":10,"textFormat":11},[5503],{"mode":17,"text":5504,"type":19,"style":10,"detail":11,"format":11,"version":4},"Over 12 weeks, participants will work towards:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5508,"listType":5538,"direction":20},"ul","list",[5509,5514,5518,5522,5526,5530,5534],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5511,"direction":20},"listitem",[5512],{"mode":17,"text":5513,"type":19,"style":10,"detail":11,"format":11,"version":4},"A critical understanding of the photobook as both a conceptual and material form",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5515,"direction":20},[5516],{"mode":17,"text":5517,"type":19,"style":10,"detail":11,"format":11,"version":4},"The ability to edit, sequence, and structure a body of work into a coherent narrative",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":5519,"direction":20},[5520],{"mode":17,"text":5521,"type":19,"style":10,"detail":11,"format":11,"version":4},"Skills in working with complexity, ambiguity, and non-linear storytelling",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":5523,"direction":20},[5524],{"mode":17,"text":5525,"type":19,"style":10,"detail":11,"format":11,"version":4},"Awareness of how design choices (format, paper, binding) shape meaning",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":5527,"direction":20},[5528],{"mode":17,"text":5529,"type":19,"style":10,"detail":11,"format":11,"version":4},"Experience in iterative making through producing and refining multiple dummies",{"type":5510,"value":1124,"format":10,"indent":11,"version":4,"children":5531,"direction":20},[5532],{"mode":17,"text":5533,"type":19,"style":10,"detail":11,"format":11,"version":4},"The ability to connect research, references, and personal practice",{"type":5510,"value":1216,"format":10,"indent":11,"version":4,"children":5535,"direction":20},[5536],{"mode":17,"text":5537,"type":19,"style":10,"detail":11,"format":11,"version":4},"An understanding of how books are circulated and reach their audience","bullet",{"id":5540,"title":5541,"content":5542},"69ea7fee07ecbb15bf1e7990","What the masterclass entails",{"root":5543},{"type":9,"format":10,"indent":11,"version":4,"children":5544,"direction":20},[5545,5549],{"type":14,"format":10,"indent":11,"version":4,"children":5546,"direction":20,"textStyle":10,"textFormat":11},[5547],{"mode":17,"text":5548,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants will explore:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5550,"listType":5538,"direction":20},[5551,5555,5559,5563,5567,5571,5575,5579,5583,5587],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5552,"direction":20},[5553],{"mode":17,"text":5554,"type":19,"style":10,"detail":11,"format":11,"version":4},"How images come together: shaping meaning through selection, sequencing, and form",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5556,"direction":20},[5557],{"mode":17,"text":5558,"type":19,"style":10,"detail":11,"format":11,"version":4},"Turning a body of work into a photobook through editing, narrative, and material choices",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":5560,"direction":20},[5561],{"mode":17,"text":5562,"type":19,"style":10,"detail":11,"format":11,"version":4},"Exploring the book as a space for layered, open-ended storytelling",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":5564,"direction":20},[5565],{"mode":17,"text":5566,"type":19,"style":10,"detail":11,"format":11,"version":4},"Experimenting with the photobook as both an idea and a physical object",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":5568,"direction":20},[5569],{"mode":17,"text":5570,"type":19,"style":10,"detail":11,"format":11,"version":4},"Engaging with references from photobooks and artist books to inform your practice",{"type":5510,"value":1124,"format":10,"indent":11,"version":4,"children":5572,"direction":20},[5573],{"mode":17,"text":5574,"type":19,"style":10,"detail":11,"format":11,"version":4},"Developing your project hands-on by creating and refining multiple dummies",{"type":5510,"value":1216,"format":10,"indent":11,"version":4,"children":5576,"direction":20},[5577],{"mode":17,"text":5578,"type":19,"style":10,"detail":11,"format":11,"version":4},"Learning through group discussions and individual feedback",{"type":5510,"value":99,"format":10,"indent":11,"version":4,"children":5580,"direction":20},[5581],{"mode":17,"text":5582,"type":19,"style":10,"detail":11,"format":11,"version":4},"Moving step by step from research and analysis to production",{"type":5510,"value":228,"format":10,"indent":11,"version":4,"children":5584,"direction":20},[5585],{"mode":17,"text":5586,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working with materials (format, paper, and binding) as part of the storytelling",{"type":5510,"value":1295,"format":10,"indent":11,"version":4,"children":5588,"direction":20},[5589],{"mode":17,"text":5590,"type":19,"style":10,"detail":11,"format":11,"version":4},"Thinking about circulation and how your book reaches its audience",{"id":5592,"title":5593,"content":5594},"69ea800507ecbb15bf1e7991","Who is it for?",{"root":5595},{"type":9,"format":10,"indent":11,"version":4,"children":5596,"direction":20},[5597,5601],{"type":14,"format":10,"indent":11,"version":4,"children":5598,"direction":20,"textStyle":10,"textFormat":11},[5599],{"mode":17,"text":5600,"type":19,"style":10,"detail":11,"format":11,"version":4},"This masterclass is designed for artists and practitioners who:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5602,"listType":5538,"direction":20},[5603,5607,5611],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5604,"direction":20},[5605],{"mode":17,"text":5606,"type":19,"style":10,"detail":11,"format":11,"version":4},"Are developing or refining a photobook project",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5608,"direction":20},[5609],{"mode":17,"text":5610,"type":19,"style":10,"detail":11,"format":11,"version":4},"Want to strengthen sequencing, structure and formal coherence",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":5612,"direction":20},[5613],{"mode":17,"text":5614,"type":19,"style":10,"detail":11,"format":11,"version":4},"Seek to position their book within a professional publishing context",{"id":5616,"title":5617,"content":5618},"69ea800d07ecbb15bf1e7992","Application Requirements",{"root":5619},{"type":9,"format":10,"indent":11,"version":4,"children":5620,"direction":20},[5621,5625,5627,5638,5640,5647,5657,5659,5666,5668,5672],{"type":14,"format":10,"indent":11,"version":4,"children":5622,"direction":20,"textStyle":10,"textFormat":11},[5623],{"mode":17,"text":5624,"type":19,"style":10,"detail":11,"format":11,"version":4},"A portfolio in PDF form (max 20MB) including:",{"type":14,"format":10,"indent":11,"version":4,"children":5626,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5628,"direction":20,"textStyle":10,"textFormat":11},[5629,5631,5632,5634,5635,5636],{"mode":17,"text":5630,"type":19,"style":10,"detail":11,"format":11,"version":4},"1. Project(s)",{"type":463,"version":4},{"mode":17,"text":5633,"type":19,"style":10,"detail":11,"format":11,"version":4},"A selection of previous work (photography or video). The work should ideally form, or show the intention to form, a coherent body suitable for book development. ",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":5637,"type":19,"style":10,"detail":11,"format":11,"version":4},"Videos can be submitted via links if relevant to the project. If you intend to develop a new body of work, you may submit a previous project and include a short description of the proposed book project (it does not need to be final).",{"type":14,"format":10,"indent":11,"version":4,"children":5639,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5641,"direction":20,"textStyle":10,"textFormat":11},[5642,5644,5645],{"mode":17,"text":5643,"type":19,"style":10,"detail":11,"format":11,"version":4},"2. Statement of Purpose",{"type":463,"version":4},{"mode":17,"text":5646,"type":19,"style":10,"detail":11,"format":11,"version":4},"A one-page statement (max. 300 words) outlining your reasons for applying including:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5648,"listType":5538,"direction":20},[5649,5653],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5650,"direction":20},[5651],{"mode":17,"text":5652,"type":19,"style":10,"detail":11,"format":11,"version":4},"How you approach editing, sequencing, and research",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5654,"direction":20},[5655],{"mode":17,"text":5656,"type":19,"style":10,"detail":11,"format":11,"version":4},"Your interest in the photobook form and what you aim to develop during the course",{"type":14,"format":10,"indent":11,"version":4,"children":5658,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5660,"direction":20,"textStyle":10,"textFormat":11},[5661,5663,5664],{"mode":17,"text":5662,"type":19,"style":10,"detail":11,"format":11,"version":4},"3. Resume or CV",{"type":463,"version":4},{"mode":17,"text":5665,"type":19,"style":10,"detail":11,"format":11,"version":4},"A summary of formal education, professional experience, and relevant activities",{"type":14,"format":10,"indent":11,"version":4,"children":5667,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5669,"direction":20,"textStyle":10,"textFormat":11},[5670],{"mode":17,"text":5671,"type":19,"style":10,"detail":11,"format":11,"version":4},"Motivational Letter (for Scholarship)",{"type":14,"format":10,"indent":11,"version":4,"children":5673,"direction":20,"textStyle":10,"textFormat":11},[5674],{"mode":17,"text":5675,"type":19,"style":10,"detail":11,"format":11,"version":4},"If you wish to be considered for a full scholarship, please include a motivation letter (max. 300 words) explaining how the masterclass will support your development, how the financial support would impact your practice, and your reasons for applying.",{"id":5677,"title":5678,"content":5679},"69ea7e3d07ecbb15bf1e798d","Enrolment Process",{"root":5680},{"type":9,"format":10,"indent":11,"version":4,"children":5681,"direction":20,"textFormat":4},[5682],{"tag":5683,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5684,"listType":5713,"direction":20,"textFormat":4},"ol",[5685,5692,5699,5706],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5686,"direction":20,"textFormat":4},[5687,5689,5690],{"mode":17,"text":5688,"type":19,"style":10,"detail":11,"format":4,"version":4},"Application",{"type":463,"version":4},{"mode":17,"text":5691,"type":19,"style":10,"detail":11,"format":11,"version":4},"Submit your application by sending your portfolio, project description, and statement of purpose through the application form.",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5693,"direction":20,"textFormat":4},[5694,5696,5697],{"mode":17,"text":5695,"type":19,"style":10,"detail":11,"format":4,"version":4},"Selection",{"type":463,"version":4},{"mode":17,"text":5698,"type":19,"style":10,"detail":11,"format":11,"version":4},"All applications will be carefully reviewed by the program team. Selected participants will be contacted directly. Scholarship recipients will be chosen based on merit, artistic potential, and motivation.",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":5700,"direction":20,"textFormat":4},[5701,5703,5704],{"mode":17,"text":5702,"type":19,"style":10,"detail":11,"format":4,"version":4},"Confirmation od participation",{"type":463,"version":4},{"mode":17,"text":5705,"type":19,"style":10,"detail":11,"format":11,"version":4},"If selected, you will receive further details on how to confirm your place in the masterclass. A confirmation of participation and the payment of a deposit fee will be required to secure your spot.",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":5707,"direction":20,"textFormat":4},[5708,5710,5711],{"mode":17,"text":5709,"type":19,"style":10,"detail":11,"format":4,"version":4},"Program preparation",{"type":463,"version":4},{"mode":17,"text":5712,"type":19,"style":10,"detail":11,"format":11,"version":4},"Once your place is confirmed, you will receive the full schedule and additional information to help you prepare for the masterclass.","number",{"id":5715,"title":5716,"content":5717},"69ea7ef707ecbb15bf1e798e","Scholarship",{"root":5718},{"type":9,"format":10,"indent":11,"version":4,"children":5719,"direction":20},[5720,5724,5728,5730,5734],{"type":14,"format":10,"indent":11,"version":4,"children":5721,"direction":20,"textStyle":10,"textFormat":11},[5722],{"mode":17,"text":5723,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES EDU Program offers a limited number of full scholarships, with one fully funded spot available for each masterclass. These scholarships are awarded on a merit basis and are open to both local and international participants.",{"type":14,"format":10,"indent":11,"version":4,"children":5725,"direction":20,"textStyle":10,"textFormat":11},[5726],{"mode":17,"text":5727,"type":19,"style":10,"detail":11,"format":11,"version":4},"They are designed to support individuals who demonstrate strong artistic potential, critical thinking, and a compelling approach to contemporary image-making and visual storytelling.",{"type":14,"format":10,"indent":11,"version":4,"children":5729,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":5731,"direction":20,"textStyle":10,"textFormat":11},[5732],{"mode":17,"text":5733,"type":19,"style":10,"detail":11,"format":11,"version":4},"To apply for a scholarship, submit a short motivation letter (max. 500 words) outlining:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5735,"listType":5538,"direction":20},[5736,5740,5744],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5737,"direction":20},[5738],{"mode":17,"text":5739,"type":19,"style":10,"detail":11,"format":11,"version":4},"How the masterclass will support your artistic and professional development",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5741,"direction":20},[5742],{"mode":17,"text":5743,"type":19,"style":10,"detail":11,"format":11,"version":4},"How this opportunity would impact your current practice",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":5745,"direction":20},[5746],{"mode":17,"text":5747,"type":19,"style":10,"detail":11,"format":11,"version":4},"Your reasons for applying for financial support",[5749,5759,5769,5779,5789,5799],{"id":5750,"title":5751,"content":5752},"6a635fed4d96b1e6b3a2d421","What is The Photobook Lab?",{"root":5753},{"type":9,"format":10,"indent":11,"version":4,"children":5754,"direction":20},[5755],{"type":14,"format":10,"indent":11,"version":4,"children":5756,"direction":20,"textStyle":10,"textFormat":11},[5757],{"mode":17,"text":5758,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Photobook Lab is a 12-week online masterclass exploring the photobook as an artistic medium. Led by Valentina Abenavoli, the course supports participants in developing a photobook from concept to dummy while experimenting with sequencing, editing, design and materiality.",{"id":5760,"title":5761,"content":5762},"6a635fee4d96b1e6b3a2d422","Who is The Photobook Lab for?",{"root":5763},{"type":9,"format":10,"indent":11,"version":4,"children":5764,"direction":20},[5765],{"type":14,"format":10,"indent":11,"version":4,"children":5766,"direction":20,"textStyle":10,"textFormat":11},[5767],{"mode":17,"text":5768,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course is designed for photographers, artists and visual practitioners interested in developing or expanding a photobook project through experimentation, critical dialogue and collaborative learning.",{"id":5770,"title":5771,"content":5772},"6a635fef4d96b1e6b3a2d423","What will participants develop during the course?",{"root":5773},{"type":9,"format":10,"indent":11,"version":4,"children":5774,"direction":20},[5775],{"type":14,"format":10,"indent":11,"version":4,"children":5776,"direction":20,"textStyle":10,"textFormat":11},[5777],{"mode":17,"text":5778,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants will work towards producing a photobook dummy while exploring sequencing, editing, narrative structure and the relationship between images, text and material form.",{"id":5780,"title":5781,"content":5782},"6a635ff24d96b1e6b3a2d424","How does The Photobook Lab masterclass approach photobook making?",{"root":5783},{"type":9,"format":10,"indent":11,"version":4,"children":5784,"direction":20},[5785],{"type":14,"format":10,"indent":11,"version":4,"children":5786,"direction":20,"textStyle":10,"textFormat":11},[5787],{"mode":17,"text":5788,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course treats the photobook as more than a publishing format. It approaches the book as a creative space where editing, sequencing, design and materiality become integral parts of artistic practice.",{"id":5790,"title":5791,"content":5792},"6a635ff24d96b1e6b3a2d425","What skills and knowledge will participants gain during The Photobook Lab masterclass?",{"root":5793},{"type":9,"format":10,"indent":11,"version":4,"children":5794,"direction":20},[5795],{"type":14,"format":10,"indent":11,"version":4,"children":5796,"direction":20,"textStyle":10,"textFormat":11},[5797],{"mode":17,"text":5798,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants deepen their understanding of photobook making while developing practical and conceptual approaches to editing, sequencing and publishing.",{"id":5800,"title":5801,"content":5802},"6a63600e4d96b1e6b3a2d426","What can participants expect to leave The Photobook Lab masterclass course with?",{"root":5803},{"type":9,"format":10,"indent":11,"version":4,"children":5804,"direction":20},[5805],{"type":14,"format":10,"indent":11,"version":4,"children":5806,"direction":20,"textStyle":10,"textFormat":11},[5807],{"mode":17,"text":5808,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants complete the programme with a developed photobook dummy and a stronger understanding of the creative possibilities of the photobook as an artistic medium.",[5810,5828,5831],{"id":5811,"text":5812,"blockName":5827,"blockType":19},"69d779eab3326b800f76f212",{"root":5813},{"type":9,"format":10,"indent":11,"version":4,"children":5814,"direction":1112},[5815,5818,5821,5824],{"type":14,"format":546,"indent":11,"version":4,"children":5816,"direction":20,"textStyle":10,"textFormat":11},[5817],{"mode":17,"text":5426,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":5819,"direction":20,"textStyle":10,"textFormat":11},[5820],{"mode":17,"text":5432,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":5822,"direction":20,"textStyle":10,"textFormat":11},[5823],{"mode":17,"text":5438,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":5825,"direction":20,"textStyle":10,"textFormat":11},[5826],{"mode":17,"text":5444,"type":19,"style":10,"detail":11,"format":11,"version":4},"Description",{"id":5829,"image":5830,"blockName":20,"blockType":381},"6ac73c24a8b254eb87af1170",16321,{"id":5832,"text":5833,"blockName":5884,"blockType":19},"6ac3d04770897324ac8bc9d5",{"root":5834},{"type":9,"format":10,"indent":11,"version":4,"children":5835,"direction":20},[5836,5840,5844,5848,5852,5856,5860,5864,5868,5872,5876,5880],{"type":14,"format":10,"indent":11,"version":4,"children":5837,"direction":20,"textStyle":10,"textFormat":11},[5838],{"mode":17,"text":5839,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 1: Introduction and Framework.",{"type":14,"format":10,"indent":11,"version":4,"children":5841,"direction":20,"textStyle":10,"textFormat":11},[5842],{"mode":17,"text":5843,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 2: Editing.",{"type":14,"format":10,"indent":11,"version":4,"children":5845,"direction":20,"textStyle":10,"textFormat":11},[5846],{"mode":17,"text":5847,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 3: Sequencing.",{"type":14,"format":10,"indent":11,"version":4,"children":5849,"direction":20,"textStyle":10,"textFormat":11},[5850],{"mode":17,"text":5851,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 4: Individual Sessions.",{"type":14,"format":10,"indent":11,"version":4,"children":5853,"direction":20,"textStyle":10,"textFormat":11},[5854],{"mode":17,"text":5855,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 5: First Dummy Sharing.",{"type":14,"format":10,"indent":11,"version":4,"children":5857,"direction":20,"textStyle":10,"textFormat":11},[5858],{"mode":17,"text":5859,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 6: Design and Structural Elements. ",{"type":14,"format":10,"indent":11,"version":4,"children":5861,"direction":20,"textStyle":10,"textFormat":11},[5862],{"mode":17,"text":5863,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 7: Second dummy and Session with a Printer.",{"type":14,"format":10,"indent":11,"version":4,"children":5865,"direction":20,"textStyle":10,"textFormat":11},[5866],{"mode":17,"text":5867,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 8: Distribution & Circulation. ",{"type":14,"format":10,"indent":11,"version":4,"children":5869,"direction":20,"textStyle":10,"textFormat":11},[5870],{"mode":17,"text":5871,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 9: Individual Sessions. ",{"type":14,"format":10,"indent":11,"version":4,"children":5873,"direction":20,"textStyle":10,"textFormat":11},[5874],{"mode":17,"text":5875,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 10: Collective Discussion and Dummy Sharing. ",{"type":14,"format":10,"indent":11,"version":4,"children":5877,"direction":20,"textStyle":10,"textFormat":11},[5878],{"mode":17,"text":5879,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 11: Individual Sessions.",{"type":14,"format":10,"indent":11,"version":4,"children":5881,"direction":20,"textStyle":10,"textFormat":11},[5882],{"mode":17,"text":5883,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 12: Closing Presentations. ","Overview",[5886,5890],{"id":5887,"link":5888,"description":5889},"6ac3d14370897324ac8bc9d6","https://calendar.google.com/calendar/u/1?cid=Y19hZjI3OWM5NjE4ZDZiZjA1N2UxNjk5MTU0ZjQ1YTlmNWRhZDNhNmE3YzM2ZDExNDk4NTQ5OTU5ZWEwMGJiYTc5QGdyb3VwLmNhbGVuZGFyLmdvb2dsZS5jb20","Masterclass Calendar ",{"id":5891,"link":5892,"description":5893},"6ac3d1c370897324ac8bc9d7","https://drive.google.com/drive/folders/15VcIGlzS-AXHXmspcsEyhcN49DDeL9vs?usp=drive_link","Programme's Drive",[5895,5921,5946,5969,5995,6018,6041,6064,6087,6111,6134,6158],{"id":5896,"date":5897,"content":5898},"6accea156beb1739a730db23","2026-10-31T12:00:00.000Z",{"root":5899},{"type":9,"format":10,"indent":11,"version":4,"children":5900,"direction":20},[5901,5905,5917],{"type":14,"format":10,"indent":11,"version":4,"children":5902,"direction":20,"textStyle":10,"textFormat":11},[5903],{"mode":17,"text":5904,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: First class of The Photobook Lab in just a couple hours!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5906,"listType":5538,"direction":20},[5907],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5908,"direction":20},[5909,5911],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join the class at 3pm (CET) using this Google Meet link: ",{"type":5912,"fields":5913,"format":10,"indent":11,"version":222,"children":5915,"direction":20},"autolink",{"url":5914,"linkType":94},"https://meet.google.com/tfj-owah-zqb",[5916],{"mode":17,"text":5914,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":5918,"direction":20,"textStyle":10,"textFormat":11},[5919],{"mode":17,"text":5920,"type":19,"style":10,"detail":11,"format":11,"version":4},"See you soon!",{"id":5922,"date":5923,"content":5924},"6accea9e6beb1739a730db24","2026-11-06T12:00:00.000Z",{"root":5925},{"type":9,"format":10,"indent":11,"version":4,"children":5926,"direction":20},[5927,5931,5942],{"type":14,"format":10,"indent":11,"version":4,"children":5928,"direction":20,"textStyle":10,"textFormat":11},[5929],{"mode":17,"text":5930,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab on Editing today!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5932,"listType":5538,"direction":20},[5933],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5934,"direction":20},[5935,5936],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5937,"type":90,"fields":5938,"format":10,"indent":11,"version":95,"children":5940,"direction":20},"6acceade1695943392eb6009",{"url":5939,"newTab":153,"linkType":94},"https://meet.google.com/hoo-vpzm-zta",[5941],{"mode":17,"text":5939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":5943,"direction":20,"textStyle":10,"textFormat":11},[5944],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},"See you there!",{"id":5947,"date":5948,"content":5949},"6acceae76beb1739a730db25","2026-11-07T12:00:00.000Z",{"root":5950},{"type":9,"format":10,"indent":11,"version":4,"children":5951,"direction":20},[5952,5956,5966],{"type":14,"format":10,"indent":11,"version":4,"children":5953,"direction":20,"textStyle":10,"textFormat":11},[5954],{"mode":17,"text":5955,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Sequencing class is today!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5957,"listType":5538,"direction":20},[5958],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5959,"direction":20},[5960,5961],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":5962,"format":10,"indent":11,"version":222,"children":5964,"direction":20},{"url":5963,"linkType":94},"https://meet.google.com/kbk-uggo-qvs",[5965],{"mode":17,"text":5963,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":5967,"direction":20,"textStyle":10,"textFormat":11},[5968],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5970,"date":5971,"content":5972},"6acceb2c6beb1739a730db26","2026-12-05T12:00:00.000Z",{"root":5973},{"type":9,"format":10,"indent":11,"version":4,"children":5974,"direction":20},[5975,5979],{"type":14,"format":10,"indent":11,"version":4,"children":5976,"direction":20,"textStyle":10,"textFormat":11},[5977],{"mode":17,"text":5978,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Individual Sessions are today!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":5980,"listType":5538,"direction":20},[5981,5985],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":5982,"direction":20},[5983],{"mode":17,"text":5984,"type":19,"style":10,"detail":11,"format":11,"version":4},"Remember to join the call during your time slot!",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":5986,"direction":20},[5987,5989],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join using this Google Meet link: ",{"id":5990,"type":90,"fields":5991,"format":10,"indent":11,"version":95,"children":5993,"direction":20},"6acceba41695943392eb600a",{"url":5992,"newTab":153,"linkType":94},"https://meet.google.com/mjz-kgwn-cdf",[5994],{"mode":17,"text":5992,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5996,"date":5997,"content":5998},"6acceb6a6beb1739a730db27","2027-01-15T12:00:00.000Z",{"root":5999},{"type":9,"format":10,"indent":11,"version":4,"children":6000,"direction":20},[6001,6005,6015],{"type":14,"format":10,"indent":11,"version":4,"children":6002,"direction":20,"textStyle":10,"textFormat":11},[6003],{"mode":17,"text":6004,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Today the First Dummy Sharing at The Photobook Lab!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6006,"listType":5538,"direction":20},[6007],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6008,"direction":20},[6009,6010],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6011,"format":10,"indent":11,"version":222,"children":6013,"direction":20},{"url":6012,"linkType":94},"https://meet.google.com/dvk-ocox-fwb",[6014],{"mode":17,"text":6012,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6016,"direction":20,"textStyle":10,"textFormat":11},[6017],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6019,"date":6020,"content":6021},"6accec2e6beb1739a730db28","2027-01-16T12:00:00.000Z",{"root":6022},{"type":9,"format":10,"indent":11,"version":4,"children":6023,"direction":20},[6024,6028,6038],{"type":14,"format":10,"indent":11,"version":4,"children":6025,"direction":20,"textStyle":10,"textFormat":11},[6026],{"mode":17,"text":6027,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Group Session on Design & Structural Elements today!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6029,"listType":5538,"direction":20},[6030],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6031,"direction":20},[6032,6033],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6034,"format":10,"indent":11,"version":222,"children":6036,"direction":20},{"url":6035,"linkType":94},"https://meet.google.com/mej-fjhp-zmd",[6037],{"mode":17,"text":6035,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6039,"direction":20,"textStyle":10,"textFormat":11},[6040],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6042,"date":6043,"content":6044},"6accec916beb1739a730db29","2027-02-13T12:00:00.000Z",{"root":6045},{"type":9,"format":10,"indent":11,"version":4,"children":6046,"direction":20},[6047,6051,6061],{"type":14,"format":10,"indent":11,"version":4,"children":6048,"direction":20,"textStyle":10,"textFormat":11},[6049],{"mode":17,"text":6050,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Second Dummy Sharing is today!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6052,"listType":5538,"direction":20},[6053],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6054,"direction":20},[6055,6056],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6057,"format":10,"indent":11,"version":222,"children":6059,"direction":20},{"url":6058,"linkType":94},"https://meet.google.com/yck-oivt-urh",[6060],{"mode":17,"text":6058,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6062,"direction":20,"textStyle":10,"textFormat":11},[6063],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6065,"date":6066,"content":6067},"6acced0a6beb1739a730db2a","2027-02-20T12:00:00.000Z",{"root":6068},{"type":9,"format":10,"indent":11,"version":4,"children":6069,"direction":20},[6070,6074,6084],{"type":14,"format":10,"indent":11,"version":4,"children":6071,"direction":20,"textStyle":10,"textFormat":11},[6072],{"mode":17,"text":6073,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Group Session in just couple hours!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6075,"listType":5538,"direction":20},[6076],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6077,"direction":20},[6078,6079],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6080,"format":10,"indent":11,"version":222,"children":6082,"direction":20},{"url":6081,"linkType":94},"https://meet.google.com/syq-enno-yna",[6083],{"mode":17,"text":6081,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6085,"direction":20,"textStyle":10,"textFormat":11},[6086],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6088,"date":6089,"content":6090},"6acced706beb1739a730db2b","2027-03-06T12:00:00.000Z",{"root":6091},{"type":9,"format":10,"indent":11,"version":4,"children":6092,"direction":20},[6093,6097],{"type":14,"format":10,"indent":11,"version":4,"children":6094,"direction":20,"textStyle":10,"textFormat":11},[6095],{"mode":17,"text":6096,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Individual Sessions!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6098,"listType":5538,"direction":20},[6099,6102],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6100,"direction":20},[6101],{"mode":17,"text":5984,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":6103,"direction":20},[6104,6106],{"mode":17,"text":6105,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join the call using this Google Meet link: ",{"type":5912,"fields":6107,"format":10,"indent":11,"version":222,"children":6109,"direction":20},{"url":6108,"linkType":94},"https://meet.google.com/kem-ckyb-anc",[6110],{"mode":17,"text":6108,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6112,"date":6113,"content":6114},"6accedbf6beb1739a730db2c","2027-03-27T12:00:00.000Z",{"root":6115},{"type":9,"format":10,"indent":11,"version":4,"children":6116,"direction":20},[6117,6121,6131],{"type":14,"format":10,"indent":11,"version":4,"children":6118,"direction":20,"textStyle":10,"textFormat":11},[6119],{"mode":17,"text":6120,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: The Photobook Lab Dummy Sharing Session!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6122,"listType":5538,"direction":20},[6123],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6124,"direction":20},[6125,6126],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6127,"format":10,"indent":11,"version":222,"children":6129,"direction":20},{"url":6128,"linkType":94},"https://meet.google.com/zde-tihq-egh",[6130],{"mode":17,"text":6128,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6132,"direction":20,"textStyle":10,"textFormat":11},[6133],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6135,"date":6136,"content":6137},"6accede76beb1739a730db2d","2027-04-10T12:00:00.000Z",{"root":6138},{"type":9,"format":10,"indent":11,"version":4,"children":6139,"direction":20},[6140,6144],{"type":14,"format":10,"indent":11,"version":4,"children":6141,"direction":20,"textStyle":10,"textFormat":11},[6142],{"mode":17,"text":6143,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Individual Sessions The Photobook Lab!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6145,"listType":5538,"direction":20},[6146,6150],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6147,"direction":20},[6148],{"mode":17,"text":6149,"type":19,"style":10,"detail":11,"format":11,"version":4},"Remember to join the call at your time slot!",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":6151,"direction":20},[6152,6153],{"mode":17,"text":6105,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6154,"format":10,"indent":11,"version":222,"children":6156,"direction":20},{"url":6155,"linkType":94},"https://meet.google.com/ufd-zckg-cmi",[6157],{"mode":17,"text":6155,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6159,"date":6160,"content":6161},"6acceeb06beb1739a730db2e","2027-04-24T12:00:00.000Z",{"root":6162},{"type":9,"format":10,"indent":11,"version":4,"children":6163,"direction":20},[6164,6168,6178],{"type":14,"format":10,"indent":11,"version":4,"children":6165,"direction":20,"textStyle":10,"textFormat":11},[6166],{"mode":17,"text":6167,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Last class of The Photobook Lab FUTURES Masterclasses 2026/27!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":6169,"listType":5538,"direction":20},[6170],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":6171,"direction":20},[6172,6173],{"mode":17,"text":5910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":6174,"format":10,"indent":11,"version":222,"children":6176,"direction":20},{"url":6175,"linkType":94},"https://meet.google.com/kmm-duev-the",[6177],{"mode":17,"text":6175,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6179,"direction":20,"textStyle":10,"textFormat":11},[6180],{"mode":17,"text":6181,"type":19,"style":10,"detail":11,"format":11,"version":4},"Let's see everyone's work!","2026-10-12T14:30:40.377Z","2026-04-09T10:02:26.406Z",{"docs":6185,"hasNextPage":153},[],{"docs":6187,"hasNextPage":153},[],"2026-10-14T11:12:13.533Z","2026-03-26T15:10:11.125Z",[],{"id":95,"title":1912,"city":2928,"content":6192,"gallery":6198,"updatedAt":2967,"createdAt":2967},{"root":6193},{"type":9,"format":10,"indent":11,"version":4,"children":6194,"direction":20},[6195],{"type":14,"format":10,"indent":11,"version":4,"children":6196,"direction":20,"textStyle":10,"textFormat":11},[6197],{"mode":17,"text":2935,"type":19,"style":10,"detail":11,"format":11,"version":4},[6199,6205],{"id":2938,"image":6200},{"id":2940,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2941,"createdAt":2941,"url":2942,"thumbnailURL":20,"filename":2943,"mimeType":163,"filesize":2944,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":6201},{"thumb":6202,"medium":6203,"large":6204},{"url":2947,"width":171,"height":2901,"mimeType":163,"filesize":2948,"filename":2949},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2953,"image":6206},{"id":2955,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2956,"createdAt":2956,"url":2957,"thumbnailURL":20,"filename":2958,"mimeType":163,"filesize":2959,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":6207},{"thumb":6208,"medium":6209,"large":6210},{"url":2962,"width":171,"height":2920,"mimeType":163,"filesize":2963,"filename":2964},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":5249,"is_residency_story":93,"kind_of_residency_story":150,"title":5250,"slug":5251,"archived":153,"created_on":5252,"updated_on":5253,"published_on":3123,"thumbnail":6212,"author":5255,"date_of_publication":5256,"teaser":10,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":6229,"video":20,"corresponding_event":20,"artist_name":4999,"reference_artist":6230,"residency_location":1912,"year":251,"layout_type":496,"content":6258,"updatedAt":5409,"createdAt":5410},{"id":5254,"alt":20,"originalUrl":6213,"uploaded_by":4997,"updatedAt":6214,"createdAt":6215,"url":6216,"thumbnailURL":20,"filename":6217,"mimeType":163,"filesize":6218,"width":1063,"height":5023,"focalX":167,"focalY":167,"sizes":6219},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69f85bc301bdeb864de13d94_Eleni_Onasoglou_05%20(1).jpg","2026-06-19T14:06:15.041Z","2026-06-19T14:05:06.796Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-by-eleni-onasoglou-thumb.webp","the-silence-of-the-beasts-by-eleni-onasoglou-thumb.webp",304054,{"thumb":6220,"medium":6224,"large":6228},{"url":6221,"width":171,"height":524,"mimeType":163,"filesize":6222,"filename":6223},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-by-eleni-onasoglou-thumb-300x200.webp",15092,"the-silence-of-the-beasts-by-eleni-onasoglou-thumb-300x200.webp",{"url":6225,"width":177,"height":529,"mimeType":163,"filesize":6226,"filename":6227},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-by-eleni-onasoglou-thumb-1200x800.webp",112508,"the-silence-of-the-beasts-by-eleni-onasoglou-thumb-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[447],{"id":4997,"profile_types":6231,"is_member":153,"name":4999,"slug":5000,"archived":153,"created_on":5001,"updated_on":5002,"published_on":156,"biography":6232,"e_mail":5014,"profile_image":5016,"website":5034,"instagram":5035,"first_name":5036,"last_name":5037,"kind_of_profile":218,"tags_profession":6241,"tags_identity":6242,"tags_location":6243,"tags_practice":6244,"tags_topics":6245,"born_in":10,"street_address":10,"city":10,"country":10,"corresponding_member":6246,"member_additional":6247,"corresponding_art_projects":6248,"corresponding_selected_year":6249,"reference_residency":5249,"date_of_residency":5411,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":6250,"curation_reference":6251,"past_member":20,"approved_courses":6252,"tutor_courses":6253,"guest_expert_courses":6255,"updatedAt":6188,"createdAt":6189,"email":5014,"collection":248,"sessions":6257},[198,2119],{"root":6233},{"type":9,"format":10,"indent":11,"version":4,"children":6234,"direction":1112},[6235,6238],{"type":14,"version":4,"children":6236},[6237],{"text":5009,"type":19,"version":4},{"type":14,"version":4,"children":6239},[6240],{"text":5013,"type":19,"version":4},[99],[222,1216],[471,3757],[231,1123],[1298,232],[5064],[],[5105],[5186],[],[],[222],{"docs":6254,"hasNextPage":153},[],{"docs":6256,"hasNextPage":153},[],[],[6259,6273,6301,6319,6344,6362,6385],{"id":5260,"blockName":20,"blockType":539,"qa":6260},{"question":5262,"answer":6261},{"root":6262},{"type":9,"format":10,"indent":11,"version":4,"children":6263,"direction":20},[6264],{"type":14,"format":10,"indent":11,"version":4,"children":6265,"direction":20,"textStyle":10,"textFormat":11},[6266,6267,6268,6269,6270,6271,6272],{"mode":17,"text":5269,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":5273,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":5277,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5279,"blockName":20,"blockType":539,"qa":6274},{"question":5281,"answer":6275},{"root":6276},{"type":9,"format":10,"indent":11,"version":4,"children":6277,"direction":20},[6278,6281,6283,6286,6288,6291,6293,6296,6298],{"type":14,"format":10,"indent":11,"version":4,"children":6279,"direction":20,"textStyle":10,"textFormat":11},[6280],{"mode":17,"text":5288,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6282,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6284,"direction":20,"textStyle":10,"textFormat":11},[6285],{"mode":17,"text":5294,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6287,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6289,"direction":20,"textStyle":10,"textFormat":11},[6290],{"mode":17,"text":5300,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6292,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6294,"direction":20,"textStyle":10,"textFormat":11},[6295],{"mode":17,"text":5306,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6297,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6299,"direction":20,"textStyle":10,"textFormat":11},[6300],{"mode":17,"text":5312,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5314,"image":6302,"blockName":20,"blockType":381},{"id":5315,"alt":20,"originalUrl":6303,"uploaded_by":4997,"updatedAt":6304,"createdAt":6305,"url":6306,"thumbnailURL":20,"filename":6307,"mimeType":163,"filesize":6308,"width":1063,"height":5023,"focalX":167,"focalY":167,"sizes":6309},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69f85c61b9b3ee00c2332ffc_Eleni_Onasoglou_08%20(1).jpg","2026-06-19T14:06:13.833Z","2026-06-19T13:53:36.163Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s1-img.webp","the-silence-of-the-beasts-with-eleni-onasoglou-s1-img.webp",195210,{"thumb":6310,"medium":6314,"large":6318},{"url":6311,"width":171,"height":524,"mimeType":163,"filesize":6312,"filename":6313},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s1-img-300x200.webp",5524,"the-silence-of-the-beasts-with-eleni-onasoglou-s1-img-300x200.webp",{"url":6315,"width":177,"height":529,"mimeType":163,"filesize":6316,"filename":6317},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s1-img-1200x800.webp",63634,"the-silence-of-the-beasts-with-eleni-onasoglou-s1-img-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":5317,"blockName":20,"blockType":539,"qa":6320},{"question":5319,"answer":6321},{"root":6322},{"type":9,"format":10,"indent":11,"version":4,"children":6323,"direction":20},[6324,6329,6331,6334,6336,6339,6341],{"type":14,"format":10,"indent":11,"version":4,"children":6325,"direction":20,"textStyle":10,"textFormat":11},[6326,6327,6328],{"mode":17,"text":5326,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":5328,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6330,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6332,"direction":20,"textStyle":10,"textFormat":11},[6333],{"mode":17,"text":5335,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6335,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6337,"direction":20,"textStyle":10,"textFormat":11},[6338],{"mode":17,"text":5341,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6340,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6342,"direction":20,"textStyle":10,"textFormat":11},[6343],{"mode":17,"text":5347,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5349,"blockName":20,"blockType":539,"qa":6345},{"question":5351,"answer":6346},{"root":6347},{"type":9,"format":10,"indent":11,"version":4,"children":6348,"direction":20},[6349,6352,6354,6357,6359],{"type":14,"format":10,"indent":11,"version":4,"children":6350,"direction":20,"textStyle":10,"textFormat":11},[6351],{"mode":17,"text":5358,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6353,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6355,"direction":20,"textStyle":10,"textFormat":11},[6356],{"mode":17,"text":5364,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6358,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6360,"direction":20,"textStyle":10,"textFormat":11},[6361],{"mode":17,"text":5370,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5372,"blockName":20,"blockType":539,"qa":6363},{"question":5374,"answer":6364},{"root":6365},{"type":9,"format":10,"indent":11,"version":4,"children":6366,"direction":20},[6367,6370,6372,6375,6377,6380,6382],{"type":14,"format":10,"indent":11,"version":4,"children":6368,"direction":20,"textStyle":10,"textFormat":11},[6369],{"mode":17,"text":5381,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6371,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6373,"direction":20,"textStyle":10,"textFormat":11},[6374],{"mode":17,"text":5387,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6376,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6378,"direction":20,"textStyle":10,"textFormat":11},[6379],{"mode":17,"text":5393,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6381,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6383,"direction":20,"textStyle":10,"textFormat":11},[6384],{"mode":17,"text":5399,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":5401,"blockName":20,"images":6386,"blockType":323},[6387,6405],{"id":5404,"image":6388},{"id":5405,"alt":20,"originalUrl":6389,"uploaded_by":4997,"updatedAt":6390,"createdAt":6391,"url":6392,"thumbnailURL":20,"filename":6393,"mimeType":163,"filesize":6394,"width":1063,"height":5023,"focalX":167,"focalY":167,"sizes":6395},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69f85c6af51eb42a3d1e7ba1_Eleni_Onasoglou_09.jpg","2026-06-19T14:06:14.295Z","2026-06-19T13:53:33.710Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0.webp","the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0.webp",319670,{"thumb":6396,"medium":6400,"large":6404},{"url":6397,"width":171,"height":524,"mimeType":163,"filesize":6398,"filename":6399},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0-300x200.webp",15442,"the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0-300x200.webp",{"url":6401,"width":177,"height":529,"mimeType":163,"filesize":6402,"filename":6403},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0-1200x800.webp",146022,"the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-0-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":5407,"image":6406},{"id":5408,"alt":20,"originalUrl":6407,"uploaded_by":4997,"updatedAt":6408,"createdAt":6409,"url":6410,"thumbnailURL":20,"filename":6411,"mimeType":163,"filesize":6412,"width":1063,"height":5023,"focalX":167,"focalY":167,"sizes":6413},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69f85c6b30e05eee9645bcb2_Eleni_Onasoglou_03.jpg","2026-06-19T14:06:14.668Z","2026-06-19T13:53:34.972Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1.webp","the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1.webp",345892,{"thumb":6414,"medium":6418,"large":6422},{"url":6415,"width":171,"height":524,"mimeType":163,"filesize":6416,"filename":6417},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1-300x200.webp",11910,"the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1-300x200.webp",{"url":6419,"width":177,"height":529,"mimeType":163,"filesize":6420,"filename":6421},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1-1200x800.webp",148902,"the-silence-of-the-beasts-with-eleni-onasoglou-s2-2-1-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":6424,"artist":6425,"residency_location":6574,"year_of_residency":251,"article":6624},"6ab53611524b378872b3fedc",{"id":196,"profile_types":6426,"is_member":153,"name":194,"slug":199,"archived":153,"created_on":200,"updated_on":201,"published_on":202,"biography":6427,"e_mail":214,"profile_image":6436,"website":10,"instagram":10,"first_name":216,"last_name":217,"kind_of_profile":218,"tags_profession":6451,"tags_identity":6453,"tags_location":6455,"tags_practice":6469,"tags_topics":6473,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":6484,"member_additional":6485,"corresponding_art_projects":6486,"corresponding_selected_year":6487,"reference_residency":6488,"date_of_residency":238,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":6566,"curation_reference":6567,"past_member":20,"approved_courses":6568,"tutor_courses":6569,"guest_expert_courses":6571,"updatedAt":246,"createdAt":247,"email":214,"collection":248,"sessions":6573},[198],{"root":6428},{"type":9,"format":10,"indent":11,"version":4,"children":6429},[6430,6433],{"type":14,"version":4,"children":6431},[6432],{"text":209,"type":19,"version":4},{"type":14,"version":4,"children":6434},[6435],{"text":213,"type":19,"version":4},{"id":215,"alt":20,"originalUrl":6437,"uploaded_by":196,"updatedAt":6438,"createdAt":6438,"url":6439,"thumbnailURL":20,"filename":6440,"mimeType":163,"filesize":6441,"width":6442,"height":6443,"focalX":167,"focalY":167,"sizes":6444},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69b96aa549c7f8587415de79_Portrait_%20-%20dimensioni%20medie.jpeg","2026-06-19T14:33:06.727Z","https://futures-backend-unstated-int.vercel.app/api/media/file/mirielle-rohr-profile.webp","mirielle-rohr-profile.webp",17420,427,640,{"thumb":6445,"medium":6449,"large":6450},{"url":6446,"width":171,"height":292,"mimeType":163,"filesize":6447,"filename":6448},"https://futures-backend-unstated-int.vercel.app/api/media/file/mirielle-rohr-profile-300x450.webp",10280,"mirielle-rohr-profile-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[6452],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[6454],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[6456,6460,6465],{"id":224,"name":6457,"slug":6458,"updatedAt":6459,"createdAt":6459},"Germany","germany","2026-06-25T12:59:48.483Z",{"id":225,"name":6461,"slug":6462,"updatedAt":6463,"createdAt":6464},"France","france","2026-06-25T12:51:13.714Z","2026-06-25T12:51:13.713Z",{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},"Western Europe","western-europe","2026-06-23T13:08:50.659Z",[6470,6471,6472],{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},{"id":229,"name":3101,"slug":3102,"updatedAt":3103,"createdAt":3103},[6474,6479,6480],{"id":231,"name":6475,"slug":6476,"updatedAt":6477,"createdAt":6478},"Artificial Intelligence","artificial-intelligence","2026-06-23T12:41:01.981Z","2026-03-10T15:15:27.066Z",{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":233,"name":6481,"slug":6482,"updatedAt":6483,"createdAt":6483},"Body","body","2026-06-23T12:46:17.267Z",[],[],[],[],{"id":149,"is_residency_story":93,"kind_of_residency_story":150,"title":151,"slug":152,"archived":153,"created_on":154,"updated_on":155,"published_on":156,"thumbnail":158,"author":187,"date_of_publication":188,"teaser":189,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":6489,"video":10,"corresponding_event":20,"artist_name":194,"reference_artist":196,"residency_location":250,"year":251,"layout_type":252,"content":6490,"updatedAt":418,"createdAt":419},[193],[6491,6508,6512,6519,6536,6537,6544],{"id":255,"text":6492,"blockName":20,"blockType":19},{"root":6493},{"type":9,"format":10,"indent":11,"version":4,"children":6494},[6495,6498,6500,6503,6505],{"type":14,"format":10,"indent":11,"version":4,"children":6496,"direction":20,"textStyle":10,"textFormat":11},[6497],{"mode":17,"text":262,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6499,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6501,"direction":20,"textStyle":10,"textFormat":11},[6502],{"mode":17,"text":268,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6504,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6506,"direction":20,"textStyle":10,"textFormat":11},[6507],{"mode":17,"text":274,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":276,"blockName":20,"images":6509,"blockType":323},[6510,6511],{"id":279,"image":281},{"id":302,"image":304},{"id":325,"quote":6513,"blockName":20,"blockType":333},{"root":6514},{"type":9,"format":10,"indent":11,"version":4,"children":6515,"direction":20},[6516],{"type":14,"format":10,"indent":11,"version":4,"children":6517,"direction":20,"textStyle":10,"textFormat":11},[6518],{"mode":17,"text":332,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":335,"text":6520,"blockName":20,"blockType":19},{"root":6521},{"type":9,"format":10,"indent":11,"version":4,"children":6522},[6523,6526,6528,6531,6533],{"type":14,"format":10,"indent":11,"version":4,"children":6524,"direction":20,"textStyle":10,"textFormat":11},[6525],{"mode":17,"text":342,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6527,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6529,"direction":20,"textStyle":10,"textFormat":11},[6530],{"mode":17,"text":348,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6532,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6534,"direction":20,"textStyle":10,"textFormat":11},[6535],{"mode":17,"text":354,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":356,"image":358,"blockName":20,"blockType":381},{"id":383,"quote":6538,"blockName":20,"blockType":333},{"root":6539},{"type":9,"format":10,"indent":11,"version":4,"children":6540,"direction":20},[6541],{"type":14,"format":10,"indent":11,"version":4,"children":6542,"direction":20,"textStyle":10,"textFormat":11},[6543],{"mode":17,"text":390,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":392,"text":6545,"blockName":20,"blockType":19},{"root":6546},{"type":9,"format":10,"indent":11,"version":4,"children":6547},[6548,6551,6553,6556,6558,6561,6563],{"type":14,"format":10,"indent":11,"version":4,"children":6549,"direction":20,"textStyle":10,"textFormat":11},[6550],{"mode":17,"text":399,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6552,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6554,"direction":20,"textStyle":10,"textFormat":11},[6555],{"mode":17,"text":405,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6557,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6559,"direction":20,"textStyle":10,"textFormat":11},[6560],{"mode":17,"text":411,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6562,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6564,"direction":20,"textStyle":10,"textFormat":11},[6565],{"mode":17,"text":417,"type":19,"style":10,"detail":11,"format":11,"version":4},[],[],[],{"docs":6570,"hasNextPage":153},[],{"docs":6572,"hasNextPage":153},[],[],{"id":4,"title":250,"city":1782,"content":6575,"gallery":6581,"updatedAt":2874,"createdAt":2875},{"root":6576},{"type":9,"format":10,"indent":11,"version":4,"children":6577,"direction":20},[6578],{"type":14,"format":2713,"indent":11,"version":4,"children":6579,"direction":20,"textStyle":10,"textFormat":11},[6580],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[6582,6588,6594,6600,6606,6612,6618],{"id":2719,"image":6583},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":6584},{"thumb":6585,"medium":6586,"large":6587},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":6589},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":6590},{"thumb":6591,"medium":6592,"large":6593},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":6595},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":6596},{"thumb":6597,"medium":6598,"large":6599},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":6601},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":6602},{"thumb":6603,"medium":6604,"large":6605},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":6607},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":6608},{"thumb":6609,"medium":6610,"large":6611},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":6613},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":6614},{"thumb":6615,"medium":6616,"large":6617},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":6619},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":6620},{"thumb":6621,"medium":6622,"large":6623},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":149,"is_residency_story":93,"kind_of_residency_story":150,"title":151,"slug":152,"archived":153,"created_on":154,"updated_on":155,"published_on":156,"thumbnail":6625,"author":187,"date_of_publication":188,"teaser":189,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":6630,"video":10,"corresponding_event":20,"artist_name":194,"reference_artist":6631,"residency_location":250,"year":251,"layout_type":252,"content":6659,"updatedAt":418,"createdAt":419},{"id":158,"alt":20,"originalUrl":159,"uploaded_by":20,"updatedAt":160,"createdAt":160,"url":161,"thumbnailURL":20,"filename":162,"mimeType":163,"filesize":164,"width":165,"height":166,"focalX":167,"focalY":167,"sizes":6626},{"thumb":6627,"medium":6628,"large":6629},{"url":170,"width":171,"height":172,"mimeType":163,"filesize":173,"filename":174},{"url":176,"width":177,"height":178,"mimeType":163,"filesize":179,"filename":180},{"url":182,"width":183,"height":184,"mimeType":163,"filesize":185,"filename":186},[193],{"id":196,"profile_types":6632,"is_member":153,"name":194,"slug":199,"archived":153,"created_on":200,"updated_on":201,"published_on":202,"biography":6633,"e_mail":214,"profile_image":215,"website":10,"instagram":10,"first_name":216,"last_name":217,"kind_of_profile":218,"tags_profession":6642,"tags_identity":6643,"tags_location":6644,"tags_practice":6645,"tags_topics":6646,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":6647,"member_additional":6648,"corresponding_art_projects":6649,"corresponding_selected_year":6650,"reference_residency":149,"date_of_residency":238,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":6651,"curation_reference":6652,"past_member":20,"approved_courses":6653,"tutor_courses":6654,"guest_expert_courses":6656,"updatedAt":246,"createdAt":247,"email":214,"collection":248,"sessions":6658},[198],{"root":6634},{"type":9,"format":10,"indent":11,"version":4,"children":6635},[6636,6639],{"type":14,"version":4,"children":6637},[6638],{"text":209,"type":19,"version":4},{"type":14,"version":4,"children":6640},[6641],{"text":213,"type":19,"version":4},[220],[222],[224,225,226],[228,99,229],[231,232,233],[],[],[],[],[],[],[],{"docs":6655,"hasNextPage":153},[],{"docs":6657,"hasNextPage":153},[],[],[6660,6677,6691,6698,6715,6721,6728],{"id":255,"text":6661,"blockName":20,"blockType":19},{"root":6662},{"type":9,"format":10,"indent":11,"version":4,"children":6663},[6664,6667,6669,6672,6674],{"type":14,"format":10,"indent":11,"version":4,"children":6665,"direction":20,"textStyle":10,"textFormat":11},[6666],{"mode":17,"text":262,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6668,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6670,"direction":20,"textStyle":10,"textFormat":11},[6671],{"mode":17,"text":268,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6673,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6675,"direction":20,"textStyle":10,"textFormat":11},[6676],{"mode":17,"text":274,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":276,"blockName":20,"images":6678,"blockType":323},[6679,6685],{"id":279,"image":6680},{"id":281,"alt":20,"originalUrl":282,"uploaded_by":20,"updatedAt":283,"createdAt":283,"url":284,"thumbnailURL":20,"filename":285,"mimeType":163,"filesize":286,"width":287,"height":288,"focalX":167,"focalY":167,"sizes":6681},{"thumb":6682,"medium":6683,"large":6684},{"url":291,"width":171,"height":292,"mimeType":163,"filesize":293,"filename":294},{"url":296,"width":177,"height":297,"mimeType":163,"filesize":298,"filename":299},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":302,"image":6686},{"id":304,"alt":20,"originalUrl":305,"uploaded_by":20,"updatedAt":306,"createdAt":306,"url":307,"thumbnailURL":20,"filename":308,"mimeType":163,"filesize":309,"width":310,"height":288,"focalX":167,"focalY":167,"sizes":6687},{"thumb":6688,"medium":6689,"large":6690},{"url":313,"width":171,"height":314,"mimeType":163,"filesize":315,"filename":316},{"url":318,"width":177,"height":319,"mimeType":163,"filesize":320,"filename":321},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":325,"quote":6692,"blockName":20,"blockType":333},{"root":6693},{"type":9,"format":10,"indent":11,"version":4,"children":6694,"direction":20},[6695],{"type":14,"format":10,"indent":11,"version":4,"children":6696,"direction":20,"textStyle":10,"textFormat":11},[6697],{"mode":17,"text":332,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":335,"text":6699,"blockName":20,"blockType":19},{"root":6700},{"type":9,"format":10,"indent":11,"version":4,"children":6701},[6702,6705,6707,6710,6712],{"type":14,"format":10,"indent":11,"version":4,"children":6703,"direction":20,"textStyle":10,"textFormat":11},[6704],{"mode":17,"text":342,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6706,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6708,"direction":20,"textStyle":10,"textFormat":11},[6709],{"mode":17,"text":348,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6711,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6713,"direction":20,"textStyle":10,"textFormat":11},[6714],{"mode":17,"text":354,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":356,"image":6716,"blockName":20,"blockType":381},{"id":358,"alt":20,"originalUrl":359,"uploaded_by":20,"updatedAt":360,"createdAt":360,"url":361,"thumbnailURL":20,"filename":362,"mimeType":163,"filesize":363,"width":364,"height":166,"focalX":167,"focalY":167,"sizes":6717},{"thumb":6718,"medium":6719,"large":6720},{"url":367,"width":171,"height":368,"mimeType":163,"filesize":369,"filename":370},{"url":372,"width":177,"height":373,"mimeType":163,"filesize":374,"filename":375},{"url":377,"width":183,"height":378,"mimeType":163,"filesize":379,"filename":380},{"id":383,"quote":6722,"blockName":20,"blockType":333},{"root":6723},{"type":9,"format":10,"indent":11,"version":4,"children":6724,"direction":20},[6725],{"type":14,"format":10,"indent":11,"version":4,"children":6726,"direction":20,"textStyle":10,"textFormat":11},[6727],{"mode":17,"text":390,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":392,"text":6729,"blockName":20,"blockType":19},{"root":6730},{"type":9,"format":10,"indent":11,"version":4,"children":6731},[6732,6735,6737,6740,6742,6745,6747],{"type":14,"format":10,"indent":11,"version":4,"children":6733,"direction":20,"textStyle":10,"textFormat":11},[6734],{"mode":17,"text":399,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6736,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6738,"direction":20,"textStyle":10,"textFormat":11},[6739],{"mode":17,"text":405,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6741,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6743,"direction":20,"textStyle":10,"textFormat":11},[6744],{"mode":17,"text":411,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":6746,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":6748,"direction":20,"textStyle":10,"textFormat":11},[6749],{"mode":17,"text":417,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":6751,"artist":6752,"residency_location":7203,"year_of_residency":251,"article":7253},"6a69fa63a63978531cb2a5c7",{"id":6753,"profile_types":6754,"is_member":153,"name":6755,"slug":6756,"archived":153,"created_on":6757,"updated_on":6758,"published_on":156,"biography":6759,"e_mail":6766,"profile_image":6767,"website":10,"instagram":10,"first_name":6784,"last_name":6785,"kind_of_profile":218,"tags_profession":6786,"tags_identity":6788,"tags_location":6790,"tags_practice":6800,"tags_topics":6812,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":6819,"member_additional":6881,"corresponding_art_projects":6882,"corresponding_selected_year":6964,"reference_residency":7020,"date_of_residency":5411,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":7193,"curation_reference":7194,"past_member":20,"approved_courses":7195,"tutor_courses":7196,"guest_expert_courses":7198,"updatedAt":7200,"createdAt":7201,"email":6766,"collection":248,"sessions":7202},1080,[198],"Michaela Nagyidaiová","michaela-nagyidaiova","Mon Oct 14 2024 13:30:45 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:01:03 GMT+0000 (Coordinated Universal Time)",{"root":6760},{"type":9,"format":10,"indent":11,"version":4,"children":6761},[6762],{"type":14,"version":4,"children":6763},[6764],{"text":6765,"type":19,"version":4},"Michaela Nagyidaiová (b. 1996) is a Slovakian photographer based in Bratislava. Her work analyses connections between landscape, memory, identity, migration, and the topographies of Central and Eastern Europe. Interested in how ideologies and political systems influence layers of personal life – and drawing inspiration from both past events and contemporary issues – Nagyidaiová works on long-term projects that combine images with text, archival material and video. She holds an MA in Photojournalism & Documentary Photography from the London College of Communication, and is a member of Women Photograph. Her Transient Ties project was exhibited at Fotograf Festival in Prague’s National Gallery, and at a series of further shows in Czechia, Slovenia and Austria. In 2021, Nagyidaiová participated in the Wolf Suschitzky Photography Prize exhibition at the Austrian Cultural Forum in London & Fotohof in Salzburg, as well as in the British Journal of Photography’s Open Walls ’21: Then and Now exhibition at Galerie Huit in Arles.","michaelanagyidaiova@gmail.com",{"id":6768,"alt":20,"originalUrl":6769,"uploaded_by":6753,"updatedAt":6770,"createdAt":6771,"url":6772,"thumbnailURL":20,"filename":6773,"mimeType":163,"filesize":6774,"width":177,"height":529,"focalX":167,"focalY":167,"sizes":6775},7033,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d1d0469ed5c346113b940_64083fa4259d8630eed43037_Nagyidaiova_Michaela_Moulding_0014.jpeg","2026-06-19T15:53:32.120Z","2026-01-23T14:30:02.912Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moulding-art-13.webp","moulding-art-13.webp",26052,{"thumb":6776,"medium":6780,"large":6783},{"url":6777,"width":171,"height":524,"mimeType":163,"filesize":6778,"filename":6779},"https://futures-backend-unstated-int.vercel.app/api/media/file/moulding-art-13-300x200.webp",4300,"moulding-art-13-300x200.webp",{"url":6781,"width":177,"height":529,"mimeType":163,"filesize":6774,"filename":6782},"https://futures-backend-unstated-int.vercel.app/api/media/file/moulding-art-13-1200x800.webp","moulding-art-13-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Michaela","Nagyidaiová",[6787],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[6789],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[6791,6796],{"id":5493,"name":6792,"slug":6793,"updatedAt":6794,"createdAt":6795},"Slovakia","slovakia","2026-07-21T13:04:55.102Z","2026-07-21T13:04:55.101Z",{"id":1125,"name":6797,"slug":6798,"updatedAt":6799,"createdAt":6799},"Eastern Europe","eastern-europe","2026-06-23T13:07:28.504Z",[6801,6805,6806,6807],{"id":1216,"name":6802,"slug":6803,"updatedAt":6804,"createdAt":6804},"Landscape","landscape","2026-06-23T12:39:18.983Z",{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},{"id":1125,"name":3442,"slug":19,"updatedAt":3443,"createdAt":3444},{"id":471,"name":6808,"slug":6809,"updatedAt":6810,"createdAt":6811},"Archives","archives","2026-09-07T13:06:55.013Z","2026-09-07T13:06:55.012Z",[6813,6814,6818],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":480,"name":6815,"slug":6816,"updatedAt":6817,"createdAt":6817},"Migration","migration","2026-06-23T12:41:30.178Z",{"id":1298,"name":4372,"slug":4373,"updatedAt":4374,"createdAt":4374},[6820],{"id":6821,"profile_types":6822,"is_member":93,"name":6823,"slug":6824,"archived":153,"created_on":6825,"updated_on":6826,"published_on":1280,"biography":6827,"e_mail":6834,"profile_image":6835,"website":6836,"instagram":6837,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":6838,"tags_identity":6839,"tags_location":6840,"tags_practice":6841,"tags_topics":6842,"born_in":20,"street_address":10,"city":6843,"country":6844,"corresponding_member":6845,"member_additional":6846,"corresponding_art_projects":6847,"corresponding_selected_year":6848,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":6849,"curation_reference":6872,"past_member":153,"approved_courses":6873,"tutor_courses":6874,"guest_expert_courses":6876,"updatedAt":6878,"createdAt":6879,"email":6834,"collection":248,"sessions":6880},1310,[1959],"Fotograf Zone ","fotograf-zone","Wed Oct 09 2024 14:15:39 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 16:15:13 GMT+0000 (Coordinated Universal Time)",{"root":6828},{"type":9,"format":10,"indent":11,"version":4,"children":6829},[6830],{"type":14,"version":4,"children":6831},[6832],{"text":6833,"type":19,"version":4},"Fotograf Zone is an art organisation that runs an online magazine, exhibitions in its own gallery space, a festival of contemporary photography, and educational activities in the field of photography and related disciplines. At the cutting edge of contemporary image production, Fotograf Zone addresses pressing social issues through photography and moving images, offering insightful commentaries and critical perspectives to today’s challenges. By emphasizing visual literacy, we aim to make these issues more accessible and encourage critical thinking about photography’s role in society. As one of the leading institutions dedicated to contemporary photography in Central Europe, Fotograf Zone not only provides a space for the development of new approaches in the medium, but also fosters a dynamic community of creators and enthusiasts around its platform.","contact@fotograf.zone",15920,"https://fotograf.zone","instragram.com/fotograf.zone",[],[],[],[],[],"Prague","Czech Republic",[],[],[],[],[6850,6851,6852,6853,6854,6855,6856,6857,6858,6859,6860,6861,6862,6753,6863,6864,6865,6866,6867,6868,6869,6870,6871],736,1267,892,1017,1271,908,1096,786,805,1081,1380,1399,1406,1158,946,977,875,936,1126,1114,1260,1387,[],[],{"docs":6875,"hasNextPage":153},[],{"docs":6877,"hasNextPage":153},[],"2026-10-05T15:41:07.336Z","2026-03-26T15:21:10.586Z",[],[],[6883],{"id":6884,"name_of_project":6885,"slug":6886,"archived":153,"created_on":6887,"updated_on":6888,"published_on":6889,"thumbnail_image":6890,"date":20,"artwork_description":6891,"artworks":6898,"corresponding_artist":6957,"tags_topics":6958,"tags_location":6959,"tags_practice":6960,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":6961,"createdAt":6962,"artworks_gallery":6963},446,"Moulding","moulding","Mon Oct 14 2024 13:39:31 GMT+0000 (Coordinated Universal Time)","Mon Nov 04 2024 15:48:03 GMT+0000 (Coordinated Universal Time)","Mon Nov 04 2024 15:58:26 GMT+0000 (Coordinated Universal Time)",7029,{"root":6892},{"type":9,"format":10,"indent":11,"version":4,"children":6893},[6894],{"type":14,"version":4,"children":6895},[6896],{"text":6897,"type":19,"version":4},"Moulding represents a visual investigation into the transformation of countries that were formerly part of the ‘Eastern Bloc’, that have since transitioned from communism to capitalism. The work studies neglected issues within Central European society. It's a visual exploration of how current circumstances in Central & Eastern Europe affect individuals and topographies – how political apparatuses ‘mould’ the layers of everyday life in different shapes and forms. In public spaces, interventions and alterations to our surroundings are made before our eyes, though sometimes change is more concealed – in nature, for instance. Here, the featured chapter of Moulding situates itself in Slovenia, traversing between cities, small towns and rural areas. The photographs draw a line between Slovenia’s past, from a lingering ‘Yugonostalgia’ among older generations to the country’s present-day concerns; such as new environmental questions. Concerned by a controversial 2021 amendment to the water law, which was meant to allow the construction of public service infrastructure in coastal areas, activists began collecting signatures for a referendum. Experts argued that such interventions close to bodies of water could affect both water quality and availability. Changes to the water law proposed by Janez Janša's right-wing government were rejected by one of the highest voter turnouts in Slovenia’s modern history. The work emphasises matters of ‘central/eastern-futurism’, the way the EU has changed since the fall of communism, and how former ‘Eastern Bloc’ countries have been adapting to capitalism since 1989.",[6899,6902,6905,6908,6911,6914,6917,6920,6923,6926,6928,6931,6934,6937,6939,6942,6945,6948,6951,6954],{"id":6900,"image":6901},"6a3565fee57d0fdcefaaa7ab",7020,{"id":6903,"image":6904},"6a3565fee57d0fdcefaaa7ac",7021,{"id":6906,"image":6907},"6a3565fee57d0fdcefaaa7ad",7022,{"id":6909,"image":6910},"6a3565fee57d0fdcefaaa7ae",7023,{"id":6912,"image":6913},"6a3565fee57d0fdcefaaa7af",7024,{"id":6915,"image":6916},"6a3565fee57d0fdcefaaa7b0",7025,{"id":6918,"image":6919},"6a3565fee57d0fdcefaaa7b1",7026,{"id":6921,"image":6922},"6a3565fee57d0fdcefaaa7b2",7027,{"id":6924,"image":6925},"6a3565fee57d0fdcefaaa7b3",7028,{"id":6927,"image":6890},"6a3565fee57d0fdcefaaa7b4",{"id":6929,"image":6930},"6a3565fee57d0fdcefaaa7b5",7030,{"id":6932,"image":6933},"6a3565fee57d0fdcefaaa7b6",7031,{"id":6935,"image":6936},"6a3565fee57d0fdcefaaa7b7",7032,{"id":6938,"image":6768},"6a3565fee57d0fdcefaaa7b8",{"id":6940,"image":6941},"6a3565fee57d0fdcefaaa7b9",7034,{"id":6943,"image":6944},"6a3565fee57d0fdcefaaa7ba",7035,{"id":6946,"image":6947},"6a3565fee57d0fdcefaaa7bb",7036,{"id":6949,"image":6950},"6a3565fee57d0fdcefaaa7bc",7037,{"id":6952,"image":6953},"6a3565fee57d0fdcefaaa7bd",7038,{"id":6955,"image":6956},"6a3565fee57d0fdcefaaa7be",7039,[6753],[224,471,232],[],[],"2026-09-17T07:16:11.824Z","2026-03-10T15:41:15.354Z",[],[6965],{"id":6966,"curation_title":6967,"slug":6968,"archived":153,"created_on":6969,"updated_on":6970,"published_on":6971,"date":6972,"corresponding_member":6973,"introduction_text":6974,"curational_text":6981,"corresponding_artist":7016,"projects_selected":7017,"updatedAt":7018,"createdAt":7019},57,"Fotograf Zone 2023","fotograf-zone-2023","Mon Oct 14 2024 08:45:02 GMT+0000 (Coordinated Universal Time)","Mon Jun 16 2025 12:58:27 GMT+0000 (Coordinated Universal Time)","Tue Jun 17 2025 12:45:35 GMT+0000 (Coordinated Universal Time)","2023-01-01T00:00:00.000Z",[6821],{"root":6975},{"type":9,"format":10,"indent":11,"version":4,"children":6976},[6977],{"type":14,"version":4,"children":6978},[6979],{"text":6980,"type":19,"version":4},"This talent selection for FUTURES 2023 is based on the artists' previous collaborations with Fotograf Magazine. What is characteristic of Fotograf is the interest in themes reporting on the state of the contemporary world, and this is also reflected in this year's mix of new talents.",{"root":6982},{"type":9,"format":10,"indent":11,"version":4,"children":6983},[6984,6988,6991,6995,6998,7002,7005,7009,7012],{"type":14,"version":4,"children":6985},[6986],{"text":6987,"type":19,"version":4},"Michaela Nagyidaiová is a Slovak photographer whose work analyses the thorny path of transformation of Central and Eastern Europe from communism to capitalism, as well as roots and the migration of individuals. Her project Moulding is an exploration of how the current circumstances in countries that were formerly part of the ‘Eastern Bloc’ affect individuals, topography, and ideologies – and how political apparatuses ‘mould’ the layers of everyday lives in different forms.",{"type":14,"version":4,"children":6989},[6990],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":6992},[6993],{"text":6994,"type":19,"version":4},"As a second generation Vietnamese living in Czech Republic, identity is a key motive to the artist Hiep Duong Chi too. His series That time I wished I was a white butterfly deals with the symbols associated with Vietnamese culture, and how they are tested in new environments. By removing them from their original contexts, these motifs take on different meanings, pointing to the many perspectives through which they can be viewed.",{"type":14,"version":4,"children":6996},[6997],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":6999},[7000],{"text":7001,"type":19,"version":4},"Veronika Čechmánková explores the changes of symbols and traditions over time, their transformations, and possible meanings for the present. In the series Flowers are not to be picked. Flowers are to be admired, she juxtaposes the exploitation of the fashion industry with the world of flowers, ultimately highlighting how the floral aesthetic has become a spectacle of lifestyle and entertainment far removed from the natural world.",{"type":14,"version":4,"children":7003},[7004],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7006},[7007],{"text":7008,"type":19,"version":4},"In the series See how these memories affect your water, Michał Patycki sets out to find specific situations and moods associated with intimate mental and physical experiences. In his photographs, seemingly unrelated entities intersect in compositions both melancholic and mysterious often with a slightly unsettling edge. The links implied are fragile, suggesting a mutual intimacy that holds them together, just for a while.",{"type":14,"version":4,"children":7010},[7011],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7013},[7014],{"text":7015,"type":19,"version":4},"In the precise search for authentic and novel themes, Noémi Szécsi is consistent and exceptional. She focuses on specific groups of people who can be seen as teetering on a certain edge of a society; employees of a funeral home, far-right protesters or women intensely involved in the practice of magic. The latter, under the title it cannot rain forever, is what Noémi has been working on between Hungary and Netherland for the last two years.",[6866,6753,6859,6869,6851],[],"2026-08-17T13:40:52.076Z","2026-03-10T15:49:55.341Z",{"id":7021,"is_residency_story":93,"kind_of_residency_story":150,"title":7022,"slug":7023,"archived":153,"created_on":7024,"updated_on":7024,"published_on":7024,"thumbnail":7025,"author":7026,"date_of_publication":7027,"teaser":7028,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":7029,"video":20,"corresponding_event":20,"artist_name":7031,"reference_artist":6753,"residency_location":250,"year":251,"layout_type":496,"content":7032,"updatedAt":7191,"createdAt":7192},538,"The forest, a witness - Michaela Nagyidaiová in conversation with Maria Barnas","the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas","Mon Jun 01 2026 12:28:37 GMT+0000 (Coordinated Universal Time)",13828,"Maria Barnas","2026-05-31T22:00:00.000Z","In a small exhibition space, we walk through a forest that feels both vast and strangely contained. The paths are straight, images evenly hung, as though the landscape has been quietly rehearsed into order. But as we move through the installation, something seems to upset the calm, constructed environment.\n",[7030],"Nature","Michaela Nagyidaiová ",[7033,7048,7056,7065,7100,7103,7140,7149],{"id":7034,"text":7035,"blockName":20,"blockType":19},"6a354cd98c91db2725ffb6ea",{"root":7036},{"type":9,"format":10,"indent":11,"version":4,"children":7037},[7038,7042,7044],{"type":14,"format":10,"indent":11,"version":4,"children":7039,"direction":20,"textStyle":10,"textFormat":11},[7040],{"mode":17,"text":7041,"type":19,"style":10,"detail":11,"format":11,"version":4},"Michaela Nagyidaiová has hung large photographs printed on textile in rows throughout the space. They sway almost imperceptibly as we pass them, like thin membranes separating one memory from another. The arrangement reminds me of Dutch production forests, where trees stand at rigidly measured distances from each other. ",{"type":14,"format":10,"indent":11,"version":4,"children":7043,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7045,"direction":20,"textStyle":10,"textFormat":11},[7046],{"mode":17,"text":7047,"type":19,"style":10,"detail":11,"format":11,"version":4},"I am drawn to an image of a clearing bordered by dark fir trees. A soft cloud hangs between the trunks. ‘The mist is beautiful,’ I say awkwardly, sensing that beauty is not the point here. ‘It isn’t mist,’ Michaela replies. ‘It’s dust. The truck transporting the felled trees had only just driven through the scene. By the time I took the photograph it had disappeared from the frame, but the dust remained suspended in the air.’ The word ‘suspended’ lingers. I look again at the image and the landscape, the space we are in, changes. The haze no longer feels atmospheric or romantic; it becomes residue, evidence. Something has happened here.",{"id":7049,"blockName":20,"images":7050,"blockType":323},"6a354cd98c91db2725ffb6ed",[7051,7053],{"id":7052,"image":7025},"6a354cd98c91db2725ffb6eb",{"id":7054,"image":7055},"6a354cd98c91db2725ffb6ec",13829,{"id":7057,"quote":7058,"blockName":20,"blockType":333},"6ab278e87fbdea5786444335",{"root":7059},{"type":9,"format":10,"indent":11,"version":4,"children":7060,"direction":20},[7061],{"type":14,"format":10,"indent":11,"version":4,"children":7062,"direction":20,"textStyle":10,"textFormat":11},[7063],{"mode":17,"text":7064,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘Forests are a form of environmental heritage that should be protected, but they aren’t: the forests are shrinking.’",{"id":7066,"text":7067,"blockName":20,"blockType":19},"6a354cd98c91db2725ffb6ee",{"root":7068},{"type":9,"format":10,"indent":11,"version":4,"children":7069},[7070,7074,7076,7080,7088,7090,7094,7096],{"type":14,"format":10,"indent":11,"version":4,"children":7071,"direction":20,"textStyle":10,"textFormat":11},[7072],{"mode":17,"text":7073,"type":19,"style":10,"detail":11,"format":11,"version":4},"Michaela describes the sensation of waking up in her grandparent’s house, where she spent her childhood summers, in a village surrounded by forests. Michaela: ‘Waking up, the first thing I smelled was the forest. The specific smell of a forest in summertime, when it is still a little bit cold outside in the morning. You can smell morning dew and the sun warming up tree bark.’ ",{"type":14,"format":10,"indent":11,"version":4,"children":7075,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7077,"direction":20,"textStyle":10,"textFormat":11},[7078],{"mode":17,"text":7079,"type":19,"style":10,"detail":11,"format":11,"version":4},"I begin to notice how often absence appears in the work. Not empty space exactly, but traces: disturbed earth, cut surfaces, displaced objects, lost histories and gestures that are evoked. The forest is never presented as untouched wilderness. Instead, it feels layered with human presence, even in moments where no people are visible.",{"type":14,"format":10,"indent":11,"version":4,"children":7081,"direction":20,"textStyle":10,"textFormat":11},[7082,7084,7086],{"mode":17,"text":7083,"type":19,"style":10,"detail":11,"format":11,"version":4},"Michaela explains that the project, tentatively titled ",{"mode":17,"text":7085,"type":19,"style":10,"detail":11,"format":222,"version":4},"Red Hills",{"mode":17,"text":7087,"type":19,"style":10,"detail":11,"format":11,"version":4},", emerged from an ongoing reflection on forest landscapes in Slovakia as layered spaces where ecological, historical and political processes converge. Driven by a desire to collaborate with the forest, Michaela preserves what remains when legislation is constructed that prioritises the economy over the environment. ",{"type":14,"format":10,"indent":11,"version":4,"children":7089,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7091,"direction":20,"textStyle":10,"textFormat":11},[7092],{"mode":17,"text":7093,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘Forests are a form of environmental heritage that should be protected, but they aren’t: the forests are shrinking,’ she explains. As she hiked through her homeland for this project, she was stunned by the enormous amount of tree logging. And how messy places were left. In capitalism, as Michaela puts it, the forest becomes a mere instrument, rather than a place that inspires folk tales, nourishes with seasonal harvest and teaches children how to live. ",{"type":14,"format":10,"indent":11,"version":4,"children":7095,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7097,"direction":20,"textStyle":10,"textFormat":11},[7098],{"mode":17,"text":7099,"type":19,"style":10,"detail":11,"format":11,"version":4},"Despite the destructive political situation in Slovakia - with corruption, cutting cultural funds and state propaganda - NGOs, journalists and activists stand up for the survival of forests. Michaela speaks full of praise of them and included a photograph shot by an activist in her installation. ‘During nightly missions the activists track logged trees, to find out where they will end up. The nocturnal image – rendered in red and black due to the red lamp worn by the activist to remain out of sight – presents an intriguing tension between visibility (the image as evidence) and the photographer’s need to stay unseen.",{"id":7101,"image":7102,"blockName":20,"blockType":381},"6a354cd98c91db2725ffb6ef",13830,{"id":7104,"text":7105,"blockName":20,"blockType":19},"6a354cd98c91db2725ffb6f0",{"root":7106},{"type":9,"format":10,"indent":11,"version":4,"children":7107},[7108,7112,7114,7118,7122,7124,7128,7130,7134,7136],{"type":14,"format":10,"indent":11,"version":4,"children":7109,"direction":20,"textStyle":10,"textFormat":11},[7110],{"mode":17,"text":7111,"type":19,"style":10,"detail":11,"format":11,"version":4},"One of the images on textile shows a small wooden church standing alone in a clearing. The structure is modest, nearly fragile, with a sharply pitched roof. Its timber walls seem almost absorbed by the surrounding trees, as though it has grown there rather than been built. The forest seems to continue inside the architecture.",{"type":14,"format":10,"indent":11,"version":4,"children":7113,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7115,"direction":20,"textStyle":10,"textFormat":11},[7116],{"mode":17,"text":7117,"type":19,"style":10,"detail":11,"format":11,"version":4},"I move closer to the textile surface. The grain of the printed image mingles with the texture of the fabric itself, making the church appear less solid, more temporary.",{"type":14,"format":10,"indent":11,"version":4,"children":7119,"direction":20,"textStyle":10,"textFormat":11},[7120],{"mode":17,"text":7121,"type":19,"style":10,"detail":11,"format":11,"version":4},"Another photograph shows a hand, gripping a large antler. ",{"type":14,"format":10,"indent":11,"version":4,"children":7123,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7125,"direction":20,"textStyle":10,"textFormat":11},[7126],{"mode":17,"text":7127,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘In the forest, everything leaves traces,’ Michaela says.",{"type":14,"format":10,"indent":11,"version":4,"children":7129,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7131,"direction":20,"textStyle":10,"textFormat":11},[7132],{"mode":17,"text":7133,"type":19,"style":10,"detail":11,"format":11,"version":4},"A snake lies motionless across dirt, its body twisted slightly as though interrupted mid-movement. ",{"type":14,"format":10,"indent":11,"version":4,"children":7135,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7137,"direction":20,"textStyle":10,"textFormat":11},[7138],{"mode":17,"text":7139,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘I found it close to the road, not long after logging vehicles had passed through.’",{"id":7141,"quote":7142,"blockName":20,"blockType":333},"6ab2794f7fbdea5786444338",{"root":7143},{"type":9,"format":10,"indent":11,"version":4,"children":7144,"direction":20},[7145],{"type":14,"format":10,"indent":11,"version":4,"children":7146,"direction":20,"textStyle":10,"textFormat":11},[7147],{"mode":17,"text":7148,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘It’s impossible to recreate a forest, but smell is deeply connected to memory. Sometimes more than images.’",{"id":7150,"text":7151,"blockName":20,"blockType":19},"6ab2799c7fbdea5786444339",{"root":7152},{"type":9,"format":10,"indent":11,"version":4,"children":7153,"direction":20},[7154,7158,7160,7164,7166,7170,7172,7179,7181,7185,7187],{"type":14,"format":10,"indent":11,"version":4,"children":7155,"direction":20,"textStyle":10,"textFormat":11},[7156],{"mode":17,"text":7157,"type":19,"style":10,"detail":11,"format":11,"version":4},"Neither of us says much afterwards. The snake becomes connected to the suspended dust: another consequence lingering after movement has disappeared from sight. The truck itself never appears within the work, yet its effects ripple quietly through the images — disturbed air, altered ground, fragile bodies left behind.",{"type":14,"format":10,"indent":11,"version":4,"children":7159,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7161,"direction":20,"textStyle":10,"textFormat":11},[7162],{"mode":17,"text":7163,"type":19,"style":10,"detail":11,"format":11,"version":4},"At a table near the door, Michaela opens several small glass vials and asks me to smell them. ‘I’m developing scents connected to the project, with the Slovak based scent-making duo Michaela Cagáňová and Kamila Valešová’, she says.",{"type":14,"format":10,"indent":11,"version":4,"children":7165,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7167,"direction":20,"textStyle":10,"textFormat":11},[7168],{"mode":17,"text":7169,"type":19,"style":10,"detail":11,"format":11,"version":4},"I lift one strip of paper to my nose. It smells resinous and damp, almost cold. Another carries the freshness of pine needles crushed underfoot. One is unexpectedly earthy, like wet bark after rain mixed with smoke.",{"type":14,"format":10,"indent":11,"version":4,"children":7171,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7173,"direction":20,"textStyle":10,"textFormat":11},[7174,7176,7177],{"mode":17,"text":7175,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘It’s impossible to recreate a forest,’ Michaela says. ‘But smell is deeply connected to memory. Sometimes more than images.’",{"type":463,"version":4},{"mode":17,"text":7178,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘The next time I show these images, they will probably be in black and white.’",{"type":14,"format":10,"indent":11,"version":4,"children":7180,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7182,"direction":20,"textStyle":10,"textFormat":11},[7183],{"mode":17,"text":7184,"type":19,"style":10,"detail":11,"format":11,"version":4},"This remark makes me aware of the colours with an intensity I had not noticed before: the darkness of soil, the greens darkening towards blue, the pale silver of dust. ",{"type":14,"format":10,"indent":11,"version":4,"children":7186,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7188,"direction":20,"textStyle":10,"textFormat":11},[7189],{"mode":17,"text":7190,"type":19,"style":10,"detail":11,"format":11,"version":4},"Walking through the installation is like walking through a forest fearing it may not be here forever, with warmer winters, thinning canopies, roads extending deeper into wooded land, in absences we only notice too late. The colours around us intensify because they might vanish. The green becomes greener, the earth redder, the dust more luminous in the filtered light. Before leaving, I turn once more toward the drifting cloud between the trees. What first appeared atmospheric now feels profoundly tactile: the material of something already disappearing.","2026-10-19T13:45:23.097Z","2026-06-19T14:06:17.606Z",[],[],[],{"docs":7197,"hasNextPage":153},[],{"docs":7199,"hasNextPage":153},[],"2026-10-12T07:54:00.708Z","2026-03-26T15:17:20.130Z",[],{"id":4,"title":250,"city":1782,"content":7204,"gallery":7210,"updatedAt":2874,"createdAt":2875},{"root":7205},{"type":9,"format":10,"indent":11,"version":4,"children":7206,"direction":20},[7207],{"type":14,"format":2713,"indent":11,"version":4,"children":7208,"direction":20,"textStyle":10,"textFormat":11},[7209],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[7211,7217,7223,7229,7235,7241,7247],{"id":2719,"image":7212},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":7213},{"thumb":7214,"medium":7215,"large":7216},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":7218},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":7219},{"thumb":7220,"medium":7221,"large":7222},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":7224},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":7225},{"thumb":7226,"medium":7227,"large":7228},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":7230},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":7231},{"thumb":7232,"medium":7233,"large":7234},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":7236},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":7237},{"thumb":7238,"medium":7239,"large":7240},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":7242},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":7243},{"thumb":7244,"medium":7245,"large":7246},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":7248},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":7249},{"thumb":7250,"medium":7251,"large":7252},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":7021,"is_residency_story":93,"kind_of_residency_story":150,"title":7022,"slug":7023,"archived":153,"created_on":7024,"updated_on":7024,"published_on":7024,"thumbnail":7254,"author":7026,"date_of_publication":7027,"teaser":7028,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":7274,"video":20,"corresponding_event":20,"artist_name":7031,"reference_artist":7275,"residency_location":250,"year":251,"layout_type":496,"content":7300,"updatedAt":7191,"createdAt":7192},{"id":7025,"alt":20,"originalUrl":7255,"uploaded_by":6753,"updatedAt":7256,"createdAt":7257,"url":7258,"thumbnailURL":20,"filename":7259,"mimeType":163,"filesize":7260,"width":7261,"height":1063,"focalX":167,"focalY":167,"sizes":7262},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6a1d70684a9f6aba84a99b23_BetweentheTrees_09.jpg","2026-06-19T14:06:17.430Z","2026-06-19T13:53:37.247Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0.webp","the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0.webp",220286,1479,{"thumb":7263,"medium":7268,"large":7273},{"url":7264,"width":171,"height":7265,"mimeType":163,"filesize":7266,"filename":7267},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0-300x406.webp",406,9902,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0-300x406.webp",{"url":7269,"width":177,"height":7270,"mimeType":163,"filesize":7271,"filename":7272},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0-1200x1623.webp",1623,148778,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-0-1200x1623.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[7030],{"id":6753,"profile_types":7276,"is_member":153,"name":6755,"slug":6756,"archived":153,"created_on":6757,"updated_on":6758,"published_on":156,"biography":7277,"e_mail":6766,"profile_image":6768,"website":10,"instagram":10,"first_name":6784,"last_name":6785,"kind_of_profile":218,"tags_profession":7283,"tags_identity":7284,"tags_location":7285,"tags_practice":7286,"tags_topics":7287,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":7288,"member_additional":7289,"corresponding_art_projects":7290,"corresponding_selected_year":7291,"reference_residency":7021,"date_of_residency":5411,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":7292,"curation_reference":7293,"past_member":20,"approved_courses":7294,"tutor_courses":7295,"guest_expert_courses":7297,"updatedAt":7200,"createdAt":7201,"email":6766,"collection":248,"sessions":7299},[198],{"root":7278},{"type":9,"format":10,"indent":11,"version":4,"children":7279},[7280],{"type":14,"version":4,"children":7281},[7282],{"text":6765,"type":19,"version":4},[220],[222],[5493,1125],[1216,228,1125,471],[232,480,1298],[6821],[],[6884],[6966],[],[],[],{"docs":7296,"hasNextPage":153},[],{"docs":7298,"hasNextPage":153},[],[],[7301,7313,7339,7346,7373,7391,7421,7428],{"id":7034,"text":7302,"blockName":20,"blockType":19},{"root":7303},{"type":9,"format":10,"indent":11,"version":4,"children":7304},[7305,7308,7310],{"type":14,"format":10,"indent":11,"version":4,"children":7306,"direction":20,"textStyle":10,"textFormat":11},[7307],{"mode":17,"text":7041,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7309,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7311,"direction":20,"textStyle":10,"textFormat":11},[7312],{"mode":17,"text":7047,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7049,"blockName":20,"images":7314,"blockType":323},[7315,7321],{"id":7052,"image":7316},{"id":7025,"alt":20,"originalUrl":7255,"uploaded_by":6753,"updatedAt":7256,"createdAt":7257,"url":7258,"thumbnailURL":20,"filename":7259,"mimeType":163,"filesize":7260,"width":7261,"height":1063,"focalX":167,"focalY":167,"sizes":7317},{"thumb":7318,"medium":7319,"large":7320},{"url":7264,"width":171,"height":7265,"mimeType":163,"filesize":7266,"filename":7267},{"url":7269,"width":177,"height":7270,"mimeType":163,"filesize":7271,"filename":7272},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7054,"image":7322},{"id":7055,"alt":20,"originalUrl":7323,"uploaded_by":6753,"updatedAt":7324,"createdAt":7325,"url":7326,"thumbnailURL":20,"filename":7327,"mimeType":163,"filesize":7328,"width":5023,"height":1063,"focalX":167,"focalY":167,"sizes":7329},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6a1d7991ab95b2da6a55c03a_BetweentheTrees_08.jpg","2026-06-19T14:06:16.506Z","2026-06-19T13:53:38.266Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1.webp","the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1.webp",243862,{"thumb":7330,"medium":7334,"large":7338},{"url":7331,"width":171,"height":292,"mimeType":163,"filesize":7332,"filename":7333},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1-300x450.webp",26038,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1-300x450.webp",{"url":7335,"width":177,"height":297,"mimeType":163,"filesize":7336,"filename":7337},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1-1200x1800.webp",203898,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s1-2-1-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7057,"quote":7340,"blockName":20,"blockType":333},{"root":7341},{"type":9,"format":10,"indent":11,"version":4,"children":7342,"direction":20},[7343],{"type":14,"format":10,"indent":11,"version":4,"children":7344,"direction":20,"textStyle":10,"textFormat":11},[7345],{"mode":17,"text":7064,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7066,"text":7347,"blockName":20,"blockType":19},{"root":7348},{"type":9,"format":10,"indent":11,"version":4,"children":7349},[7350,7353,7355,7358,7363,7365,7368,7370],{"type":14,"format":10,"indent":11,"version":4,"children":7351,"direction":20,"textStyle":10,"textFormat":11},[7352],{"mode":17,"text":7073,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7354,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7356,"direction":20,"textStyle":10,"textFormat":11},[7357],{"mode":17,"text":7079,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7359,"direction":20,"textStyle":10,"textFormat":11},[7360,7361,7362],{"mode":17,"text":7083,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":7085,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":7087,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7364,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7366,"direction":20,"textStyle":10,"textFormat":11},[7367],{"mode":17,"text":7093,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7369,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7371,"direction":20,"textStyle":10,"textFormat":11},[7372],{"mode":17,"text":7099,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7101,"image":7374,"blockName":20,"blockType":381},{"id":7102,"alt":20,"originalUrl":7375,"uploaded_by":6753,"updatedAt":7376,"createdAt":7377,"url":7378,"thumbnailURL":20,"filename":7379,"mimeType":163,"filesize":7380,"width":1063,"height":5023,"focalX":167,"focalY":167,"sizes":7381},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69d8ccd0320bf7874f4496db_BetweentheTrees_01%20(1).jpg","2026-06-19T14:06:16.973Z","2026-06-19T13:53:39.206Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img.webp","the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img.webp",640076,{"thumb":7382,"medium":7386,"large":7390},{"url":7383,"width":171,"height":524,"mimeType":163,"filesize":7384,"filename":7385},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img-300x200.webp",14788,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img-300x200.webp",{"url":7387,"width":177,"height":529,"mimeType":163,"filesize":7388,"filename":7389},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img-1200x800.webp",241340,"the-forest-a-witness---michaela-nagyidaiova-in-conversation-with-maria-barnas-s2-img-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7104,"text":7392,"blockName":20,"blockType":19},{"root":7393},{"type":9,"format":10,"indent":11,"version":4,"children":7394},[7395,7398,7400,7403,7406,7408,7411,7413,7416,7418],{"type":14,"format":10,"indent":11,"version":4,"children":7396,"direction":20,"textStyle":10,"textFormat":11},[7397],{"mode":17,"text":7111,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7399,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7401,"direction":20,"textStyle":10,"textFormat":11},[7402],{"mode":17,"text":7117,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7404,"direction":20,"textStyle":10,"textFormat":11},[7405],{"mode":17,"text":7121,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7407,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7409,"direction":20,"textStyle":10,"textFormat":11},[7410],{"mode":17,"text":7127,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7412,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7414,"direction":20,"textStyle":10,"textFormat":11},[7415],{"mode":17,"text":7133,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7417,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7419,"direction":20,"textStyle":10,"textFormat":11},[7420],{"mode":17,"text":7139,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7141,"quote":7422,"blockName":20,"blockType":333},{"root":7423},{"type":9,"format":10,"indent":11,"version":4,"children":7424,"direction":20},[7425],{"type":14,"format":10,"indent":11,"version":4,"children":7426,"direction":20,"textStyle":10,"textFormat":11},[7427],{"mode":17,"text":7148,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7150,"text":7429,"blockName":20,"blockType":19},{"root":7430},{"type":9,"format":10,"indent":11,"version":4,"children":7431,"direction":20},[7432,7435,7437,7440,7442,7445,7447,7452,7454,7457,7459],{"type":14,"format":10,"indent":11,"version":4,"children":7433,"direction":20,"textStyle":10,"textFormat":11},[7434],{"mode":17,"text":7157,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7436,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7438,"direction":20,"textStyle":10,"textFormat":11},[7439],{"mode":17,"text":7163,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7441,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7443,"direction":20,"textStyle":10,"textFormat":11},[7444],{"mode":17,"text":7169,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7446,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7448,"direction":20,"textStyle":10,"textFormat":11},[7449,7450,7451],{"mode":17,"text":7175,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":7178,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7453,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7455,"direction":20,"textStyle":10,"textFormat":11},[7456],{"mode":17,"text":7184,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":7458,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7460,"direction":20,"textStyle":10,"textFormat":11},[7461],{"mode":17,"text":7190,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7463,"artist":7464,"residency_location":7933,"year_of_residency":251,"article":7953},"6ab53637524b378872b3fedd",{"id":7465,"profile_types":7466,"is_member":153,"name":7467,"slug":7468,"archived":153,"created_on":7469,"updated_on":7470,"published_on":156,"biography":7471,"e_mail":7498,"profile_image":7499,"website":7516,"instagram":7517,"first_name":7518,"last_name":7519,"kind_of_profile":218,"tags_profession":7520,"tags_identity":7527,"tags_location":7529,"tags_practice":7537,"tags_topics":7545,"born_in":7548,"street_address":10,"city":7549,"country":7550,"corresponding_member":7551,"member_additional":7633,"corresponding_art_projects":7634,"corresponding_selected_year":7699,"reference_residency":7779,"date_of_residency":7922,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":7923,"curation_reference":7924,"past_member":20,"approved_courses":7925,"tutor_courses":7926,"guest_expert_courses":7928,"updatedAt":7930,"createdAt":7931,"email":7498,"collection":248,"sessions":7932},1254,[198],"Tudor Rhys Etchells","tudor-rhys-etchells","Tue Feb 04 2025 18:12:01 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:01:57 GMT+0000 (Coordinated Universal Time)",{"root":7472},{"type":9,"format":10,"indent":11,"version":4,"children":7473,"direction":1112},[7474,7478,7482,7486,7490,7494],{"type":14,"version":4,"children":7475},[7476],{"text":7477,"type":19,"version":4},"Tudor Rhys Etchells uses the photograph to challenge fictions created by legal systems. Working within such a bureaucracy in his previous role as a human rights lawyer inspires his closeness to the document and the brutally mundane. For him, the photographic medium, with its own cumbersome structures of viewing and representing, appears the best match for understanding processes that construct the imagined norms of our society. Embracing photography’s performative element, he deconstructs our conceptions of visual knowledge.",{"type":14,"version":4,"children":7479},[7480],{"text":7481,"type":19,"version":4},"He achieved a Distinction in MA Documentary Photography at the University of South Wales during which he was awarded the Reginald Salisbury grant. Recently he was awarded an Arts Council of Wales Research and Development grant to fund a residency and his first solo exhibition at BayArt, Cardiff.",{"type":14,"version":4,"children":7483},[7484],{"text":7485,"type":19,"version":4},"His work has been featured in the British Journal of Photography and the Financial Times Weekend Magazine.",{"type":14,"version":4,"children":7487},[7488],{"text":7489,"type":19,"version":4},"He has spoken and performed at institutions around the world including, the British Council Paris, ISSP Riga, Ayn Istanbul.",{"type":14,"version":4,"children":7491},[7492],{"text":7493,"type":19,"version":4},"He is a lecturer at the University of Gloucestershire and University of South Wales.",{"type":14,"version":4,"children":7495},[7496],{"text":7497,"type":19,"version":4},"He is based in Cardiff and an associate artist and curator of BayArt gallery.","tudoretchells@gmail.com",{"id":7500,"alt":20,"originalUrl":7501,"uploaded_by":7465,"updatedAt":7502,"createdAt":7502,"url":7503,"thumbnailURL":20,"filename":7504,"mimeType":163,"filesize":7505,"width":177,"height":7506,"focalX":167,"focalY":167,"sizes":7507},14306,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a25870993b7e7139dc8bbe_Etchells_Tudor%2BRhys_Portrait_LR.avif","2026-06-19T14:42:58.122Z","https://futures-backend-unstated-int.vercel.app/api/media/file/tudor-rhys-etchells-profile-2.webp","tudor-rhys-etchells-profile-2.webp",45684,795,{"thumb":7508,"medium":7512,"large":7515},{"url":7509,"width":171,"height":2861,"mimeType":163,"filesize":7510,"filename":7511},"https://futures-backend-unstated-int.vercel.app/api/media/file/tudor-rhys-etchells-profile-2-300x199.webp",8266,"tudor-rhys-etchells-profile-2-300x199.webp",{"url":7513,"width":177,"height":7506,"mimeType":163,"filesize":7505,"filename":7514},"https://futures-backend-unstated-int.vercel.app/api/media/file/tudor-rhys-etchells-profile-2-1200x795.webp","tudor-rhys-etchells-profile-2-1200x795.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://www.tudorrhysetchells.com/","https://www.instagram.com/tudir","Tudor Rhys","Etchells",[7521,7522,7523],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":95,"name":7524,"slug":7525,"updatedAt":7526,"createdAt":7526},"Curator","curator","2026-03-10T15:03:09.342Z",[7528],{"id":4,"name":3057,"slug":3058,"updatedAt":3059,"createdAt":3059},[7530,7536],{"id":7531,"name":7532,"slug":7533,"updatedAt":7534,"createdAt":7535},56,"United Kingdom","united-kingdom","2026-07-06T07:21:17.794Z","2026-07-06T07:21:17.792Z",{"id":4,"name":3068,"slug":3069,"updatedAt":3070,"createdAt":3071},[7538,7539,7544],{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},{"id":475,"name":7540,"slug":7541,"updatedAt":7542,"createdAt":7543},"Documentary","documentary","2026-06-23T12:36:57.169Z","2026-06-23T12:36:57.168Z",{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},[7546,7547],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":480,"name":6815,"slug":6816,"updatedAt":6817,"createdAt":6817},"1994","Cardiff","Wales",[7552],{"id":7553,"profile_types":7554,"is_member":93,"name":7555,"slug":7556,"archived":153,"created_on":7557,"updated_on":7558,"published_on":1280,"biography":7559,"e_mail":7566,"profile_image":7567,"website":7568,"instagram":7569,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":7570,"tags_identity":7571,"tags_location":7572,"tags_practice":7573,"tags_topics":7574,"born_in":20,"street_address":10,"city":7575,"country":7576,"corresponding_member":7577,"member_additional":7578,"corresponding_art_projects":7579,"corresponding_selected_year":7580,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":7581,"curation_reference":7624,"past_member":153,"approved_courses":7625,"tutor_courses":7626,"guest_expert_courses":7628,"updatedAt":7630,"createdAt":7631,"email":7566,"collection":248,"sessions":7632},1317,[1959],"PhotoIreland ","photoireland","Wed Oct 09 2024 14:17:09 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 14:04:33 GMT+0000 (Coordinated Universal Time)",{"root":7560},{"type":9,"format":10,"indent":11,"version":4,"children":7561},[7562],{"type":14,"version":4,"children":7563},[7564],{"text":7565,"type":19,"version":4},"Since 2010, PhotoIreland has been an arts organisation supporting photography and the visual arts, dedicated to stimulating a critical dialogue around photography in Ireland and to internationally promoting the work of Irish-based artists. PhotoIreland is a key constituent of the arts and culture sector in Ireland, working to ensure local audiences benefit from a healthy arts ecosystem and providing frequent professional development opportunities to artists.\r\n\r\nBest known for its annual event in Dublin, the PhotoIreland Festival, the organisation enjoys today a diverse portfolio of projects that range from events such as print and book fairs to running a charismatic art bookshop in buzzing Temple Bar, producing the photography publication OVER Journal, running artists’ residencies, and much more. Beyond Ireland, the organisation has developed constructive channels with a strong network of organisations worldwide, most relevantly through Creative Europe co-funded platforms such as FUTURES.\r\n\r\nIn July 2025, PhotoIreland has launched the International Centre for the Image–a groundbreaking cultural institution in Dublin’s Docklands.","admin@photoireland.org",15926,"https://photoireland.org","https://www.instagram.com/photoireland/",[],[],[],[],[],"Dublin","Ireland",[],[],[],[],[7582,7583,7584,7585,7586,7587,7588,7589,7590,7591,7592,7593,7594,7595,7596,7597,7598,7599,7600,7601,7602,7603,7604,7605,7606,7607,7608,7609,7610,7611,7612,2248,7613,2375,7614,7615,7616,7617,7618,4894,7619,7620,7621,7622,7623,7465,1062],1055,1210,1288,914,1290,825,720,933,1207,737,873,1360,706,1106,1105,828,1054,1176,1378,674,1144,1379,773,1421,745,727,1198,855,769,994,772,1185,1078,1264,1087,1153,1183,1135,804,740,907,771,[],[],{"docs":7627,"hasNextPage":153},[],{"docs":7629,"hasNextPage":153},[],"2026-10-05T15:40:47.929Z","2026-03-26T15:21:16.926Z",[],[],[7635],{"id":7636,"name_of_project":7637,"slug":7638,"archived":153,"created_on":7639,"updated_on":7640,"published_on":7640,"thumbnail_image":7641,"date":7642,"artwork_description":7643,"artworks":7650,"corresponding_artist":7692,"tags_topics":7693,"tags_location":7694,"tags_practice":7695,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":7696,"createdAt":7697,"artworks_gallery":7698},87,"Available Potential Guaranteed","available-potential-guaranteed","Tue Feb 11 2025 19:01:57 GMT+0000 (Coordinated Universal Time)","Tue Mar 04 2025 10:22:46 GMT+0000 (Coordinated Universal Time)",2506,"2024-06-01T00:00:00.000Z",{"root":7644},{"type":9,"format":10,"indent":11,"version":4,"children":7645},[7646],{"type":14,"version":4,"children":7647},[7648],{"text":7649,"type":19,"version":4},"The sale of citizenship is more commonly known as Golden Passports, or Citizenship-By-Investment. Estate agents sell recently developed apartments that, because of their price, allow the buyer to obtain the passport of that country. To understand how this institutionalised mobility is enacted I rehearsed such a purchase. Performing as an investor I accessed projects that would soon (not) house new citizens or their tenants. Within those viewings, model flats presented as homes whilst the agent and purchaser believed to care about the quality of the finish. Reality was suspended for the duration of the negotiation. Citizenship itself acts only as a means of access to a third country otherwise not granted by the original passport. This disconnect from the nation by the roles played emulates the arbitrariness of citizenship when it is tied to material form as capital. New builds become an outlier as citizenship is usually unseen, the emptiness of the nation state manifested in the failed utopia of new concrete. The nations where this played out remain unnamed.",[7651,7654,7657,7660,7663,7666,7668,7671,7674,7677,7680,7683,7686,7689],{"id":7652,"image":7653},"6a355a00e57d0fdcefaa93c6",2501,{"id":7655,"image":7656},"6a355a00e57d0fdcefaa93c7",2502,{"id":7658,"image":7659},"6a355a00e57d0fdcefaa93c8",2503,{"id":7661,"image":7662},"6a355a00e57d0fdcefaa93c9",2504,{"id":7664,"image":7665},"6a355a00e57d0fdcefaa93ca",2505,{"id":7667,"image":7641},"6a355a00e57d0fdcefaa93cb",{"id":7669,"image":7670},"6a355a00e57d0fdcefaa93cc",2507,{"id":7672,"image":7673},"6a355a00e57d0fdcefaa93cd",2508,{"id":7675,"image":7676},"6a355a00e57d0fdcefaa93ce",2509,{"id":7678,"image":7679},"6a355a00e57d0fdcefaa93cf",2510,{"id":7681,"image":7682},"6a355a00e57d0fdcefaa93d0",2511,{"id":7684,"image":7685},"6a355a00e57d0fdcefaa93d1",2512,{"id":7687,"image":7688},"6a355a00e57d0fdcefaa93d2",2513,{"id":7690,"image":7691},"6a355a00e57d0fdcefaa93d3",2514,[7465],[232,471],[4],[],"2026-07-21T20:30:56.219Z","2026-03-10T15:34:54.654Z",[],[7700],{"id":7701,"curation_title":7702,"slug":7703,"archived":153,"created_on":7704,"updated_on":7705,"published_on":7705,"date":3666,"corresponding_member":7706,"introduction_text":7707,"curational_text":7720,"corresponding_artist":7771,"projects_selected":7772,"updatedAt":7777,"createdAt":7778},96,"PhotoIreland 2025","photoireland-2025","Tue Jan 21 2025 09:18:04 GMT+0000 (Coordinated Universal Time)","Tue Apr 15 2025 08:30:18 GMT+0000 (Coordinated Universal Time)",[7553],{"root":7708},{"type":9,"format":10,"indent":11,"version":4,"children":7709},[7710,7714,7717],{"type":14,"version":4,"children":7711},[7712],{"text":7713,"type":19,"version":4},"As the Irish member of the platform, our work is to ensure that there is representation from artists in our region at a European level. In 2025, FUTURES expanded PhotoIreland’s remit to include the whole of the British Isles, extending the opportunity for participation to all artists based in the United Kingdom.",{"type":14,"version":4,"children":7715},[7716],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7718},[7719],{"text":1209,"type":19,"version":4},{"root":7721},{"type":9,"format":10,"indent":11,"version":4,"children":7722},[7723,7727,7730,7734,7738,7741,7745,7748,7752,7755,7759,7763,7767],{"type":14,"version":4,"children":7724},[7725],{"text":7726,"type":19,"version":4},"For the 8th FUTURES Talent Call for artists, PhotoIreland assembled a jury to select 5 artists from all the submissions received, composed by Ciara Hickey (PS2, Belfast), Julia Bunnemann (Photoworks, Brighton) and Mariama Attah (Deutsche Börse Photography Foundation, London), alongside PhotoIreland’s Julia Gelezova and Ángel Luis González.",{"type":14,"version":4,"children":7728},[7729],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7731},[7732],{"text":7733,"type":19,"version":4},"The jury selected the artists on the strength of their practice and the projects submitted, as much as having considered the benefit of the opportunity that joining the FUTURES platform represents in their career.",{"type":14,"version":4,"children":7735},[7736],{"text":7737,"type":19,"version":4},"The artists selected were Henri Kisielewski, Nazlı Yıldırım, Shane Hynan, Tudor Rhys, and Zoe Hamill. Together, they represent a rich and diverse set of practices and topics of interest, investigating ideas around identity intertwined with politics, economical development, ecological stresses, community and spirituality, as much as beliefs. Their backgrounds are just as diverse, mirroring the wealth of cultures and traditions in contemporary societies across Europe and certainly in our region.",{"type":14,"version":4,"children":7739},[7740],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7742},[7743],{"text":7744,"type":19,"version":4},"Through their work, they advance relevant and urgent conversations that will excite the FUTURES platform, bringing into the European emerging photography scene universal concerns and very personal approaches.",{"type":14,"version":4,"children":7746},[7747],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7749},[7750],{"text":7751,"type":19,"version":4},"Selection Committee",{"type":14,"version":4,"children":7753},[7754],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":7756},[7757],{"text":7758,"type":19,"version":4},"Ángel Luis González and Julia Gelezova, PhotoIreland",{"type":14,"version":4,"children":7760},[7761],{"text":7762,"type":19,"version":4},"Ciara Hickey",{"type":14,"version":4,"children":7764},[7765],{"text":7766,"type":19,"version":4},"Julia Bunnemann",{"type":14,"version":4,"children":7768},[7769],{"text":7770,"type":19,"version":4},"Mariama Attah",[7592,7596,7590,7465,7586],[7773,7774,7775,7776,7636],472,410,95,574,"2026-08-17T13:41:26.669Z","2026-03-10T15:50:16.666Z",{"id":7780,"is_residency_story":93,"kind_of_residency_story":150,"title":7781,"slug":7782,"archived":153,"created_on":7783,"updated_on":7784,"published_on":156,"thumbnail":7785,"author":7786,"date_of_publication":7787,"teaser":7788,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":7789,"video":10,"corresponding_event":20,"artist_name":7467,"reference_artist":7465,"residency_location":7791,"year":251,"layout_type":252,"content":7792,"updatedAt":7920,"createdAt":7921},536,"The Representation of Landscape is Political - Tudor Rhys Etchells in conversation with Ieva Raudsepa","the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa","Mon Jun 08 2026 15:56:52 GMT+0000 (Coordinated Universal Time)","Mon Jun 08 2026 16:02:46 GMT+0000 (Coordinated Universal Time)",13851,"Ieva Raudsepa","2026-06-08T22:00:00.000Z","Tudor Rhys Etchells is a documentary artist from Wales, UK. His work is concerned with fiction and legal systems, and how photography and law are both frameworks for negotiating knowledge. Etchells spent the month in Riga, as a FUTURES resident artist at ISSP. During this time, he researched legal and photographic issues around developing wind farms, which resulted in a performance “A Mock Trial in camera: A Performance Lecture of 3 Acts”. ",[7790],"Politics","Riga, LV",[7793,7812,7833,7842,7853,7864,7873,7883,7900,7917],{"id":7794,"blockName":20,"blockType":539,"qa":7795},"6ab277377fbdea578644432d",{"question":7796,"answer":7797},"You've been in Riga for a month as a FUTURES artist in residence. What have you been working on? ",{"root":7798},{"type":9,"format":10,"indent":11,"version":4,"children":7799,"direction":20},[7800,7804,7806,7810],{"type":14,"format":10,"indent":11,"version":4,"children":7801,"direction":20,"textStyle":10,"textFormat":11},[7802],{"mode":17,"text":7803,"type":19,"style":10,"detail":11,"format":11,"version":4},"I've been working on a new body of work that considers an international legal system alongside landscape law, and how that can be discussed through the building of wind farms in Latvia. The legal system is called Investor-State Dispute Settlement, where foreign investors have the right to sue states if a state changes policy. I was interested in how this legal system subverts ideas of human rights and sovereignty. The state can't sue the investor, instead corporate power is mediated through this legal system. ",{"type":14,"format":10,"indent":11,"version":4,"children":7805,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7807,"direction":20,"textStyle":10,"textFormat":11},[7808],{"mode":17,"text":7809,"type":19,"style":10,"detail":11,"format":11,"version":4},"I was interested in the landscape photograph as a medium that historically has laid claim over space and territory, in the name of colonialism, and how that can be subverted through a performative bureaucratic approach that draws attention to what may seem like political decisions, but are in fact decisions dictated by corporate power. In this case a state may not want to build wind farms because there's been local resistance to it, and corporate power can then leverage this international legal system to pressure the state to do something it otherwise wouldn't. ",{"type":14,"format":10,"indent":11,"version":4,"children":7811,"direction":20,"textStyle":10,"textFormat":11},[],{"id":7813,"blockName":20,"blockType":539,"qa":7814},"6ab277587fbdea578644432e",{"question":7815,"answer":7816},"Why and how did you become interested in wind farms? ",{"root":7817},{"type":9,"format":10,"indent":11,"version":4,"children":7818,"direction":20},[7819,7823,7827,7829],{"type":14,"format":10,"indent":11,"version":4,"children":7820,"direction":20,"textStyle":10,"textFormat":11},[7821],{"mode":17,"text":7822,"type":19,"style":10,"detail":11,"format":11,"version":4},"I used to work in Investor-State Dispute Settlement and realised lots of cases had been brought against large infrastructure projects. I noticed that Latvia is one of the largest producers of renewable energy in Europe, had many such energy projects and that these have led to debates around the construction of wind farms.  ",{"type":14,"format":10,"indent":11,"version":4,"children":7824,"direction":20,"textStyle":10,"textFormat":11},[7825],{"mode":17,"text":7826,"type":19,"style":10,"detail":11,"format":11,"version":4},"These are important issues when considering energy sovereignty – Latvia breaking away from relying on energy from gas and coal power from  Russia. As a result, there is a lot of Russian disinformation about wind farm construction on social media, that relies on a  representation of landscape that continues to idealise it to political and economic ends. ",{"type":14,"format":10,"indent":11,"version":4,"children":7828,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7830,"direction":20,"textStyle":10,"textFormat":11},[7831],{"mode":17,"text":7832,"type":19,"style":10,"detail":11,"format":11,"version":4},"This is what landscape photography has historically done to claim power, right? I'm interested in this power that is not necessarily where we think it is but that exists further up in structures as it does in the photograph. ",{"id":7834,"blockName":20,"images":7835,"blockType":323},"6a354cdc8c91db2725ffb6f4",[7836,7839],{"id":7837,"image":7838},"6a354cdc8c91db2725ffb6f2",16238,{"id":7840,"image":7841},"6a354cdc8c91db2725ffb6f3",16242,{"id":7843,"blockName":20,"blockType":539,"qa":7844},"6ab2778c7fbdea578644432f",{"question":7845,"answer":7846},"In your talk you spoke about the law and photography as ways of understanding the world. What do you think they have in common and in what ways do they differ? ",{"root":7847},{"type":9,"format":10,"indent":11,"version":4,"children":7848,"direction":20},[7849],{"type":14,"format":10,"indent":11,"version":4,"children":7850,"direction":20,"textStyle":10,"textFormat":11},[7851],{"mode":17,"text":7852,"type":19,"style":10,"detail":11,"format":11,"version":4},"Previously working as a human rights lawyer, I noticed them both as mediums and mediators of truth. In documentary photography and photojournalism there's a presumption that what is in the image is true, and in the legal system that the outcomes are also true and ethical. They have also inherited forces of colonial power. I've got a difficult relationship to both law and photography, but I believe in both as systems. Through this critical approach, I am trying to use them to ask questions of each other.  ",{"id":7854,"blockName":20,"blockType":539,"qa":7855},"6ab2778e7fbdea5786444330",{"question":7856,"answer":7857},"Your background is in law. Why or how did you become interested in photography? ",{"root":7858},{"type":9,"format":10,"indent":11,"version":4,"children":7859,"direction":20},[7860],{"type":14,"format":10,"indent":11,"version":4,"children":7861,"direction":20,"textStyle":10,"textFormat":11},[7862],{"mode":17,"text":7863,"type":19,"style":10,"detail":11,"format":11,"version":4},"I've always been interested in it, and I had an opportunity to study an MA in Documentary Photography. Whilst studying, I was working as an asylum and immigration lawyer and became concerned with the portrayal of asylum seekers. I felt that there was less of a way of negotiating the representation of asylum seekers or their conditions in that job. Within photography, the rules could be broken, and there was some way of speaking truth to power that felt more genuine. ",{"id":7865,"blockName":20,"blockType":539,"qa":7866},"6ab277c17fbdea5786444331",{"question":7845,"answer":7867},{"root":7868},{"type":9,"format":10,"indent":11,"version":4,"children":7869,"direction":20},[7870],{"type":14,"format":10,"indent":11,"version":4,"children":7871,"direction":20,"textStyle":10,"textFormat":11},[7872],{"mode":17,"text":7852,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7874,"blockName":20,"blockType":539,"qa":7875},"6ab277d27fbdea5786444332",{"question":7856,"answer":7876},{"root":7877},{"type":9,"format":10,"indent":11,"version":4,"children":7878,"direction":20},[7879],{"type":14,"format":10,"indent":11,"version":4,"children":7880,"direction":20,"textStyle":10,"textFormat":11},[7881],{"mode":17,"text":7882,"type":19,"style":10,"detail":11,"format":11,"version":4},"I've always been interested in it, and I had an opportunity to study an MA in Documentary Photography. Whilst studying, I was working as an asylum and immigration lawyer and became concerned with the portrayal of asylum seekers. I felt that there was less of a way of negotiating the representation of asylum seekers or their conditions in that job. Within photography, the rules could be broken, and there was some way of speaking truth to power that felt more genuine.",{"id":7884,"blockName":20,"blockType":539,"qa":7885},"6ab2780e7fbdea5786444333",{"question":7886,"answer":7887},"There's a performative element to your practice, and there's something in the work of law practitioners that is also about performance. Can you speak a bit on that?",{"root":7888},{"type":9,"format":10,"indent":11,"version":4,"children":7889,"direction":20},[7890,7894,7896],{"type":14,"format":10,"indent":11,"version":4,"children":7891,"direction":20,"textStyle":10,"textFormat":11},[7892],{"mode":17,"text":7893,"type":19,"style":10,"detail":11,"format":11,"version":4},"In my role as a lawyer, I had to be objective. Although I was dealing with heavy personal accounts and a broken system, I was placed into this position where I had to perform a degree of authority and emotional detachment. With photography, there's also an air of authority that you must take as an image maker that people try to negotiate in many ways. For me, the easiest way of demonstrating that authority was uncertain, was by showing the person who was making the image — look, I'm performing this idea of the photographer being able to impart knowledge whilst trying to question these ideas of authority. When I started putting myself in front of the camera I noticed a comic turn in pretending to be serious. It felt like it spoke to the absurdity of trying to represent the system and the political potential of comedy. ",{"type":14,"format":10,"indent":11,"version":4,"children":7895,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7897,"direction":20,"textStyle":10,"textFormat":11},[7898],{"mode":17,"text":7899,"type":19,"style":10,"detail":11,"format":11,"version":4},"I'm interested in Brecht's idea of breaking the fourth wall between the viewer and the audience, so that the audience isn't under the impression that this is a natural way of constructing things. He talks about revealing the means of production to allow the viewer to understand the constructed nature of allure and emotive belief, and in doing so provide some critical agency in viewing an image. ",{"id":7901,"blockName":20,"blockType":539,"qa":7902},"6ab2781a7fbdea5786444334",{"question":7903,"answer":7904},"What are you planning to work on when you get back – are you going to continue this project, or work on other things? ",{"root":7905},{"type":9,"format":10,"indent":11,"version":4,"children":7906,"direction":20},[7907,7911,7913],{"type":14,"format":10,"indent":11,"version":4,"children":7908,"direction":20,"textStyle":10,"textFormat":11},[7909],{"mode":17,"text":7910,"type":19,"style":10,"detail":11,"format":11,"version":4},"I had an interesting interaction with the domestic courts here where they allowed me to take some photos inside. Since, there has been an exchange between us about what photos I am allowed to publish. I'm going to follow that up as I'm interested in the court becoming a curator.",{"type":14,"format":10,"indent":11,"version":4,"children":7912,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":7914,"direction":20,"textStyle":10,"textFormat":11},[7915],{"mode":17,"text":7916,"type":19,"style":10,"detail":11,"format":11,"version":4},"I've also been recording myself throughout my time here and asking those with me, whilst I've been making photos, to film me. I might try to put together a short mockumentary. Similar conversations about wind farms are happening in Wales and the courts there, so there is plenty more tension to explore! ",{"id":7918,"image":7919,"blockName":20,"blockType":381},"6a354cdc8c91db2725ffb6f7",13833,"2026-10-14T15:39:45.115Z","2026-06-19T14:05:21.920Z","01/0572026",[],[],[],{"docs":7927,"hasNextPage":153},[],{"docs":7929,"hasNextPage":153},[],"2026-10-07T14:19:18.405Z","2026-03-26T15:20:23.299Z",[],{"id":222,"title":2877,"city":2878,"content":7934,"gallery":7940,"updatedAt":2925,"createdAt":2926},{"root":7935},{"type":9,"format":10,"indent":11,"version":4,"children":7936,"direction":20},[7937],{"type":14,"format":10,"indent":11,"version":4,"children":7938,"direction":20,"textStyle":10,"textFormat":11},[7939],{"mode":17,"text":2885,"type":19,"style":10,"detail":11,"format":11,"version":4},[7941,7947],{"id":2888,"image":7942},{"id":2890,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2891,"createdAt":2892,"url":2893,"thumbnailURL":20,"filename":2894,"mimeType":163,"filesize":2895,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":7943},{"thumb":7944,"medium":7945,"large":7946},{"url":2900,"width":171,"height":2901,"mimeType":163,"filesize":2902,"filename":2903},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2907,"image":7948},{"id":2909,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2910,"createdAt":2911,"url":2912,"thumbnailURL":20,"filename":2913,"mimeType":163,"filesize":2914,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":7949},{"thumb":7950,"medium":7951,"large":7952},{"url":2919,"width":171,"height":2920,"mimeType":163,"filesize":2921,"filename":2922},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7780,"is_residency_story":93,"kind_of_residency_story":150,"title":7781,"slug":7782,"archived":153,"created_on":7783,"updated_on":7784,"published_on":156,"thumbnail":7954,"author":7786,"date_of_publication":7787,"teaser":7788,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":7971,"video":10,"corresponding_event":20,"artist_name":7467,"reference_artist":7972,"residency_location":7791,"year":251,"layout_type":252,"content":8012,"updatedAt":7920,"createdAt":7921},{"id":7785,"alt":20,"originalUrl":7955,"uploaded_by":7465,"updatedAt":7956,"createdAt":7957,"url":7958,"thumbnailURL":20,"filename":7959,"mimeType":163,"filesize":7960,"width":1897,"height":177,"focalX":167,"focalY":167,"sizes":7961},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6a26e5db191b9db427a88a26_004259720010edit%20.jpg","2026-06-19T14:06:19.903Z","2026-06-19T14:05:21.849Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb.webp","the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb.webp",196266,{"thumb":7962,"medium":7966,"large":7970},{"url":7963,"width":171,"height":1901,"mimeType":163,"filesize":7964,"filename":7965},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb-300x240.webp",5714,"the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb-300x240.webp",{"url":7967,"width":177,"height":1906,"mimeType":163,"filesize":7968,"filename":7969},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb-1200x960.webp",117264,"the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-thumb-1200x960.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[7790],{"id":7465,"profile_types":7973,"is_member":153,"name":7467,"slug":7468,"archived":153,"created_on":7469,"updated_on":7470,"published_on":156,"biography":7974,"e_mail":7498,"profile_image":7500,"website":7516,"instagram":7517,"first_name":7518,"last_name":7519,"kind_of_profile":218,"tags_profession":7995,"tags_identity":7996,"tags_location":7997,"tags_practice":7998,"tags_topics":7999,"born_in":7548,"street_address":10,"city":7549,"country":7550,"corresponding_member":8000,"member_additional":8001,"corresponding_art_projects":8002,"corresponding_selected_year":8003,"reference_residency":7780,"date_of_residency":7922,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":8004,"curation_reference":8005,"past_member":20,"approved_courses":8006,"tutor_courses":8007,"guest_expert_courses":8009,"updatedAt":7930,"createdAt":7931,"email":7498,"collection":248,"sessions":8011},[198],{"root":7975},{"type":9,"format":10,"indent":11,"version":4,"children":7976,"direction":1112},[7977,7980,7983,7986,7989,7992],{"type":14,"version":4,"children":7978},[7979],{"text":7477,"type":19,"version":4},{"type":14,"version":4,"children":7981},[7982],{"text":7481,"type":19,"version":4},{"type":14,"version":4,"children":7984},[7985],{"text":7485,"type":19,"version":4},{"type":14,"version":4,"children":7987},[7988],{"text":7489,"type":19,"version":4},{"type":14,"version":4,"children":7990},[7991],{"text":7493,"type":19,"version":4},{"type":14,"version":4,"children":7993},[7994],{"text":7497,"type":19,"version":4},[99,220,95],[4],[7531,4],[1124,475,477],[232,480],[7553],[],[7636],[7701],[],[],[],{"docs":8008,"hasNextPage":153},[],{"docs":8010,"hasNextPage":153},[],[],[8013,8028,8044,8086,8094,8102,8110,8118,8131,8144],{"id":7794,"blockName":20,"blockType":539,"qa":8014},{"question":7796,"answer":8015},{"root":8016},{"type":9,"format":10,"indent":11,"version":4,"children":8017,"direction":20},[8018,8021,8023,8026],{"type":14,"format":10,"indent":11,"version":4,"children":8019,"direction":20,"textStyle":10,"textFormat":11},[8020],{"mode":17,"text":7803,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8022,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":8024,"direction":20,"textStyle":10,"textFormat":11},[8025],{"mode":17,"text":7809,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8027,"direction":20,"textStyle":10,"textFormat":11},[],{"id":7813,"blockName":20,"blockType":539,"qa":8029},{"question":7815,"answer":8030},{"root":8031},{"type":9,"format":10,"indent":11,"version":4,"children":8032,"direction":20},[8033,8036,8039,8041],{"type":14,"format":10,"indent":11,"version":4,"children":8034,"direction":20,"textStyle":10,"textFormat":11},[8035],{"mode":17,"text":7822,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8037,"direction":20,"textStyle":10,"textFormat":11},[8038],{"mode":17,"text":7826,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8040,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":8042,"direction":20,"textStyle":10,"textFormat":11},[8043],{"mode":17,"text":7832,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7834,"blockName":20,"images":8045,"blockType":323},[8046,8067],{"id":7837,"image":8047},{"id":7838,"alt":20,"originalUrl":20,"uploaded_by":7465,"updatedAt":8048,"createdAt":8049,"url":8050,"thumbnailURL":20,"filename":8051,"mimeType":163,"filesize":8052,"width":8053,"height":8054,"focalX":167,"focalY":167,"sizes":8055},"2026-10-06T12:05:11.296Z","2026-10-06T12:04:57.205Z","https://futures-backend-unstated-int.vercel.app/api/media/file/004259740005edit%20_1.webp","004259740005edit _1.webp",543250,1791,2243,{"thumb":8056,"medium":8061,"large":8066},{"url":8057,"width":171,"height":8058,"mimeType":163,"filesize":8059,"filename":8060},"https://futures-backend-unstated-int.vercel.app/api/media/file/004259740005edit%20_1-300x376.webp",376,14574,"004259740005edit _1-300x376.webp",{"url":8062,"width":177,"height":8063,"mimeType":163,"filesize":8064,"filename":8065},"https://futures-backend-unstated-int.vercel.app/api/media/file/004259740005edit%20_1-1200x1503.webp",1503,198086,"004259740005edit _1-1200x1503.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7840,"image":8068},{"id":7841,"alt":20,"originalUrl":20,"uploaded_by":7465,"updatedAt":8069,"createdAt":8070,"url":8071,"thumbnailURL":20,"filename":8072,"mimeType":163,"filesize":8073,"width":8074,"height":8075,"focalX":167,"focalY":167,"sizes":8076},"2026-10-06T12:11:07.948Z","2026-10-06T12:11:06.776Z","https://futures-backend-unstated-int.vercel.app/api/media/file/004259740004edit-2.webp","004259740004edit-2.webp",580532,1828,2285,{"thumb":8077,"medium":8081,"large":8085},{"url":8078,"width":171,"height":4326,"mimeType":163,"filesize":8079,"filename":8080},"https://futures-backend-unstated-int.vercel.app/api/media/file/004259740004edit-2-300x375.webp",16114,"004259740004edit-2-300x375.webp",{"url":8082,"width":177,"height":1897,"mimeType":163,"filesize":8083,"filename":8084},"https://futures-backend-unstated-int.vercel.app/api/media/file/004259740004edit-2-1200x1500.webp",260844,"004259740004edit-2-1200x1500.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":7843,"blockName":20,"blockType":539,"qa":8087},{"question":7845,"answer":8088},{"root":8089},{"type":9,"format":10,"indent":11,"version":4,"children":8090,"direction":20},[8091],{"type":14,"format":10,"indent":11,"version":4,"children":8092,"direction":20,"textStyle":10,"textFormat":11},[8093],{"mode":17,"text":7852,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7854,"blockName":20,"blockType":539,"qa":8095},{"question":7856,"answer":8096},{"root":8097},{"type":9,"format":10,"indent":11,"version":4,"children":8098,"direction":20},[8099],{"type":14,"format":10,"indent":11,"version":4,"children":8100,"direction":20,"textStyle":10,"textFormat":11},[8101],{"mode":17,"text":7863,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7865,"blockName":20,"blockType":539,"qa":8103},{"question":7845,"answer":8104},{"root":8105},{"type":9,"format":10,"indent":11,"version":4,"children":8106,"direction":20},[8107],{"type":14,"format":10,"indent":11,"version":4,"children":8108,"direction":20,"textStyle":10,"textFormat":11},[8109],{"mode":17,"text":7852,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7874,"blockName":20,"blockType":539,"qa":8111},{"question":7856,"answer":8112},{"root":8113},{"type":9,"format":10,"indent":11,"version":4,"children":8114,"direction":20},[8115],{"type":14,"format":10,"indent":11,"version":4,"children":8116,"direction":20,"textStyle":10,"textFormat":11},[8117],{"mode":17,"text":7882,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7884,"blockName":20,"blockType":539,"qa":8119},{"question":7886,"answer":8120},{"root":8121},{"type":9,"format":10,"indent":11,"version":4,"children":8122,"direction":20},[8123,8126,8128],{"type":14,"format":10,"indent":11,"version":4,"children":8124,"direction":20,"textStyle":10,"textFormat":11},[8125],{"mode":17,"text":7893,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8127,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":8129,"direction":20,"textStyle":10,"textFormat":11},[8130],{"mode":17,"text":7899,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7901,"blockName":20,"blockType":539,"qa":8132},{"question":7903,"answer":8133},{"root":8134},{"type":9,"format":10,"indent":11,"version":4,"children":8135,"direction":20},[8136,8139,8141],{"type":14,"format":10,"indent":11,"version":4,"children":8137,"direction":20,"textStyle":10,"textFormat":11},[8138],{"mode":17,"text":7910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8140,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":8142,"direction":20,"textStyle":10,"textFormat":11},[8143],{"mode":17,"text":7916,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":7918,"image":8145,"blockName":20,"blockType":381},{"id":7919,"alt":20,"originalUrl":8146,"uploaded_by":7465,"updatedAt":8147,"createdAt":8148,"url":8149,"thumbnailURL":20,"filename":8150,"mimeType":163,"filesize":8151,"width":1897,"height":7608,"focalX":167,"focalY":167,"sizes":8152},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6a26e6e537ac3a283dcb9e97_004259730007edit%20.jpg","2026-06-19T14:06:19.540Z","2026-06-19T13:53:42.120Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img.webp","the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img.webp",181634,{"thumb":8153,"medium":8157,"large":8162},{"url":8154,"width":171,"height":1901,"mimeType":163,"filesize":8155,"filename":8156},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img-300x240.webp",6072,"the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img-300x240.webp",{"url":8158,"width":177,"height":8159,"mimeType":163,"filesize":8160,"filename":8161},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img-1200x958.webp",958,107682,"the-representation-of-landscape-is-political---tudor-rhys-etchells-in-conversation-with-ieva-raudsepa-s3-img-1200x958.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":8164,"artist":8165,"residency_location":8334,"year_of_residency":251,"article":8384},"6ab5366e524b378872b3fedf",{"id":449,"profile_types":8166,"is_member":153,"name":451,"slug":452,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":8167,"e_mail":468,"profile_image":8179,"website":20,"instagram":20,"first_name":451,"last_name":10,"kind_of_profile":218,"tags_profession":8197,"tags_identity":8203,"tags_location":8209,"tags_practice":8218,"tags_topics":8220,"born_in":20,"street_address":20,"city":20,"country":20,"corresponding_member":8234,"member_additional":8235,"corresponding_art_projects":8236,"corresponding_selected_year":8237,"reference_residency":8238,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":8326,"curation_reference":8327,"past_member":20,"approved_courses":8328,"tutor_courses":8329,"guest_expert_courses":8331,"updatedAt":493,"createdAt":494,"email":468,"collection":248,"sessions":8333},[198],{"root":8168},{"type":9,"format":10,"indent":11,"version":4,"children":8169,"direction":20},[8170,8173,8176],{"type":14,"format":10,"indent":11,"version":4,"children":8171,"direction":20,"textStyle":10,"textFormat":11},[8172],{"mode":17,"text":459,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8174,"direction":20,"textStyle":10,"textFormat":11},[8175],{"type":463,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8177,"direction":20,"textStyle":10,"textFormat":11},[8178],{"mode":17,"text":467,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":469,"alt":451,"originalUrl":20,"uploaded_by":20,"updatedAt":8180,"createdAt":8181,"url":8182,"thumbnailURL":20,"filename":8183,"mimeType":163,"filesize":8184,"width":7586,"height":6851,"focalX":167,"focalY":167,"sizes":8185},"2026-09-21T13:18:03.819Z","2026-09-21T13:18:02.709Z","https://futures-backend-unstated-int.vercel.app/api/media/file/IMG_3357.webp","IMG_3357.webp",27316,{"thumb":8186,"medium":8191,"large":8196},{"url":8187,"width":171,"height":8188,"mimeType":163,"filesize":8189,"filename":8190},"https://futures-backend-unstated-int.vercel.app/api/media/file/IMG_3357-300x295.webp",295,4644,"IMG_3357-300x295.webp",{"url":8192,"width":177,"height":8193,"mimeType":163,"filesize":8194,"filename":8195},"https://futures-backend-unstated-int.vercel.app/api/media/file/IMG_3357-1200x1179.webp",1179,24430,"IMG_3357-1200x1179.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[8198,8199],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":471,"name":8200,"slug":8201,"updatedAt":8202,"createdAt":8202},"Filmmaker","filmmaker","2026-06-23T12:55:01.964Z",[8204],{"id":95,"name":8205,"slug":8206,"updatedAt":8207,"createdAt":8208},"Non-binary","non-binary","2026-06-09T13:26:27.807Z","2026-06-09T13:26:27.806Z",[8210,8214],{"id":474,"name":8211,"slug":8212,"updatedAt":8213,"createdAt":8213},"Uganda","uganda","2026-09-21T13:19:42.131Z",{"id":475,"name":8215,"slug":8216,"updatedAt":8217,"createdAt":8217},"Eastern Africa","eastern-africa","2026-06-23T12:56:55.042Z",[8219],{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},[8221,8222,8227,8228,8229],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":479,"name":8223,"slug":8224,"updatedAt":8225,"createdAt":8226},"LGBTQIA+","lgbtqia+","2026-09-04T13:54:46.580Z","2026-09-04T13:54:46.578Z",{"id":480,"name":6815,"slug":6816,"updatedAt":6817,"createdAt":6817},{"id":224,"name":3456,"slug":3457,"updatedAt":3458,"createdAt":3458},{"id":481,"name":8230,"slug":8231,"updatedAt":8232,"createdAt":8233},"Colonialism","colonialism","2026-06-23T12:45:31.587Z","2026-06-23T12:45:31.586Z",[],[],[],[],{"id":422,"is_residency_story":93,"kind_of_residency_story":423,"title":424,"slug":425,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":427,"author":443,"date_of_publication":444,"teaser":445,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":8239,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":449,"residency_location":250,"year":251,"layout_type":496,"content":8240,"updatedAt":669,"createdAt":670},[447],[8241,8253,8254,8267,8280,8281,8294,8302,8303,8311,8319],{"id":499,"text":8242,"blockName":20,"blockType":19},{"root":8243},{"type":9,"format":10,"indent":11,"version":4,"children":8244,"direction":20},[8245,8248,8250],{"type":14,"format":10,"indent":11,"version":4,"children":8246,"direction":20,"textStyle":10,"textFormat":222},[8247],{"mode":17,"text":445,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8249,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":8251,"direction":20,"textStyle":10,"textFormat":222},[8252],{"mode":17,"text":511,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":513,"image":515,"blockName":20,"blockType":381},{"id":538,"blockName":20,"blockType":539,"qa":8255},{"question":541,"answer":8256},{"root":8257},{"type":9,"format":10,"indent":11,"version":4,"children":8258,"direction":20},[8259,8262,8264],{"type":14,"format":546,"indent":11,"version":4,"children":8260,"direction":20,"textStyle":10,"textFormat":11},[8261],{"mode":17,"text":549,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8263,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8265,"direction":20,"textStyle":10,"textFormat":11},[8266],{"mode":17,"text":555,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":557,"blockName":20,"blockType":539,"qa":8268},{"question":559,"answer":8269},{"root":8270},{"type":9,"format":10,"indent":11,"version":4,"children":8271,"direction":20},[8272,8275,8277],{"type":14,"format":546,"indent":11,"version":4,"children":8273,"direction":20,"textStyle":10,"textFormat":11},[8274],{"mode":17,"text":566,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8276,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8278,"direction":20,"textStyle":10,"textFormat":11},[8279],{"mode":17,"text":572,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":574,"image":576,"blockName":20,"blockType":381},{"id":590,"blockName":20,"blockType":539,"qa":8282},{"question":592,"answer":8283},{"root":8284},{"type":9,"format":10,"indent":11,"version":4,"children":8285,"direction":20},[8286,8289,8291],{"type":14,"format":546,"indent":11,"version":4,"children":8287,"direction":20,"textStyle":10,"textFormat":11},[8288],{"mode":17,"text":599,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8290,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8292,"direction":20,"textStyle":10,"textFormat":11},[8293],{"mode":17,"text":605,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":607,"blockName":20,"blockType":539,"qa":8295},{"question":609,"answer":8296},{"root":8297},{"type":9,"format":10,"indent":11,"version":4,"children":8298,"direction":20},[8299],{"type":14,"format":10,"indent":11,"version":4,"children":8300,"direction":20,"textStyle":10,"textFormat":11},[8301],{"mode":17,"text":616,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":618,"image":620,"blockName":20,"blockType":381},{"id":639,"blockName":20,"blockType":539,"qa":8304},{"question":641,"answer":8305},{"root":8306},{"type":9,"format":10,"indent":11,"version":4,"children":8307,"direction":20},[8308],{"type":14,"format":10,"indent":11,"version":4,"children":8309,"direction":20,"textStyle":10,"textFormat":11},[8310],{"mode":17,"text":648,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":650,"blockName":20,"blockType":539,"qa":8312},{"question":652,"answer":8313},{"root":8314},{"type":9,"format":10,"indent":11,"version":4,"children":8315,"direction":20},[8316],{"type":14,"format":10,"indent":11,"version":4,"children":8317,"direction":20,"textStyle":10,"textFormat":11},[8318],{"mode":17,"text":659,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":661,"text":8320,"blockName":20,"blockType":19},{"root":8321},{"type":9,"format":10,"indent":11,"version":4,"children":8322,"direction":20},[8323],{"type":14,"format":10,"indent":11,"version":4,"children":8324,"direction":20,"textStyle":10,"textFormat":11},[8325],{"mode":17,"text":668,"type":19,"style":10,"detail":11,"format":11,"version":4},[],[],[],{"docs":8330,"hasNextPage":153},[],{"docs":8332,"hasNextPage":153},[],[],{"id":4,"title":250,"city":1782,"content":8335,"gallery":8341,"updatedAt":2874,"createdAt":2875},{"root":8336},{"type":9,"format":10,"indent":11,"version":4,"children":8337,"direction":20},[8338],{"type":14,"format":2713,"indent":11,"version":4,"children":8339,"direction":20,"textStyle":10,"textFormat":11},[8340],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[8342,8348,8354,8360,8366,8372,8378],{"id":2719,"image":8343},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8344},{"thumb":8345,"medium":8346,"large":8347},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":8349},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8350},{"thumb":8351,"medium":8352,"large":8353},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":8355},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8356},{"thumb":8357,"medium":8358,"large":8359},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":8361},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":8362},{"thumb":8363,"medium":8364,"large":8365},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":8367},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8368},{"thumb":8369,"medium":8370,"large":8371},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":8373},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8374},{"thumb":8375,"medium":8376,"large":8377},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":8379},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":8380},{"thumb":8381,"medium":8382,"large":8383},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":422,"is_residency_story":93,"kind_of_residency_story":423,"title":424,"slug":425,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":8385,"author":443,"date_of_publication":444,"teaser":445,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":8390,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":8391,"residency_location":250,"year":251,"layout_type":496,"content":8422,"updatedAt":669,"createdAt":670},{"id":427,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":429,"createdAt":430,"url":431,"thumbnailURL":20,"filename":432,"mimeType":163,"filesize":433,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":8386},{"thumb":8387,"medium":8388,"large":8389},{"url":438,"width":171,"height":292,"mimeType":163,"filesize":439,"filename":440},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[447],{"id":449,"profile_types":8392,"is_member":153,"name":451,"slug":452,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":8393,"e_mail":468,"profile_image":469,"website":20,"instagram":20,"first_name":451,"last_name":10,"kind_of_profile":218,"tags_profession":8405,"tags_identity":8406,"tags_location":8407,"tags_practice":8408,"tags_topics":8409,"born_in":20,"street_address":20,"city":20,"country":20,"corresponding_member":8410,"member_additional":8411,"corresponding_art_projects":8412,"corresponding_selected_year":8413,"reference_residency":422,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":8414,"curation_reference":8415,"past_member":20,"approved_courses":8416,"tutor_courses":8417,"guest_expert_courses":8419,"updatedAt":493,"createdAt":494,"email":468,"collection":248,"sessions":8421},[198],{"root":8394},{"type":9,"format":10,"indent":11,"version":4,"children":8395,"direction":20},[8396,8399,8402],{"type":14,"format":10,"indent":11,"version":4,"children":8397,"direction":20,"textStyle":10,"textFormat":11},[8398],{"mode":17,"text":459,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8400,"direction":20,"textStyle":10,"textFormat":11},[8401],{"type":463,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8403,"direction":20,"textStyle":10,"textFormat":11},[8404],{"mode":17,"text":467,"type":19,"style":10,"detail":11,"format":11,"version":4},[220,471],[95],[474,475],[477],[232,479,480,224,481],[],[],[],[],[],[],[],{"docs":8418,"hasNextPage":153},[],{"docs":8420,"hasNextPage":153},[],[],[8423,8435,8441,8454,8467,8473,8486,8494,8500,8508,8516],{"id":499,"text":8424,"blockName":20,"blockType":19},{"root":8425},{"type":9,"format":10,"indent":11,"version":4,"children":8426,"direction":20},[8427,8430,8432],{"type":14,"format":10,"indent":11,"version":4,"children":8428,"direction":20,"textStyle":10,"textFormat":222},[8429],{"mode":17,"text":445,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8431,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":8433,"direction":20,"textStyle":10,"textFormat":222},[8434],{"mode":17,"text":511,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":513,"image":8436,"blockName":20,"blockType":381},{"id":515,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":516,"createdAt":517,"url":518,"thumbnailURL":20,"filename":519,"mimeType":163,"filesize":520,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8437},{"thumb":8438,"medium":8439,"large":8440},{"url":523,"width":171,"height":524,"mimeType":163,"filesize":525,"filename":526},{"url":528,"width":177,"height":529,"mimeType":163,"filesize":530,"filename":531},{"url":533,"width":183,"height":534,"mimeType":163,"filesize":535,"filename":536},{"id":538,"blockName":20,"blockType":539,"qa":8442},{"question":541,"answer":8443},{"root":8444},{"type":9,"format":10,"indent":11,"version":4,"children":8445,"direction":20},[8446,8449,8451],{"type":14,"format":546,"indent":11,"version":4,"children":8447,"direction":20,"textStyle":10,"textFormat":11},[8448],{"mode":17,"text":549,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8450,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8452,"direction":20,"textStyle":10,"textFormat":11},[8453],{"mode":17,"text":555,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":557,"blockName":20,"blockType":539,"qa":8455},{"question":559,"answer":8456},{"root":8457},{"type":9,"format":10,"indent":11,"version":4,"children":8458,"direction":20},[8459,8462,8464],{"type":14,"format":546,"indent":11,"version":4,"children":8460,"direction":20,"textStyle":10,"textFormat":11},[8461],{"mode":17,"text":566,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8463,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8465,"direction":20,"textStyle":10,"textFormat":11},[8466],{"mode":17,"text":572,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":574,"image":8468,"blockName":20,"blockType":381},{"id":576,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":577,"createdAt":578,"url":579,"thumbnailURL":20,"filename":580,"mimeType":163,"filesize":581,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":8469},{"thumb":8470,"medium":8471,"large":8472},{"url":584,"width":171,"height":292,"mimeType":163,"filesize":585,"filename":586},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":590,"blockName":20,"blockType":539,"qa":8474},{"question":592,"answer":8475},{"root":8476},{"type":9,"format":10,"indent":11,"version":4,"children":8477,"direction":20},[8478,8481,8483],{"type":14,"format":546,"indent":11,"version":4,"children":8479,"direction":20,"textStyle":10,"textFormat":11},[8480],{"mode":17,"text":599,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":8482,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":8484,"direction":20,"textStyle":10,"textFormat":11},[8485],{"mode":17,"text":605,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":607,"blockName":20,"blockType":539,"qa":8487},{"question":609,"answer":8488},{"root":8489},{"type":9,"format":10,"indent":11,"version":4,"children":8490,"direction":20},[8491],{"type":14,"format":10,"indent":11,"version":4,"children":8492,"direction":20,"textStyle":10,"textFormat":11},[8493],{"mode":17,"text":616,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":618,"image":8495,"blockName":20,"blockType":381},{"id":620,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":621,"createdAt":622,"url":623,"thumbnailURL":20,"filename":624,"mimeType":163,"filesize":625,"width":435,"height":626,"focalX":167,"focalY":167,"sizes":8496},{"thumb":8497,"medium":8498,"large":8499},{"url":629,"width":171,"height":524,"mimeType":163,"filesize":630,"filename":631},{"url":633,"width":177,"height":634,"mimeType":163,"filesize":635,"filename":636},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":639,"blockName":20,"blockType":539,"qa":8501},{"question":641,"answer":8502},{"root":8503},{"type":9,"format":10,"indent":11,"version":4,"children":8504,"direction":20},[8505],{"type":14,"format":10,"indent":11,"version":4,"children":8506,"direction":20,"textStyle":10,"textFormat":11},[8507],{"mode":17,"text":648,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":650,"blockName":20,"blockType":539,"qa":8509},{"question":652,"answer":8510},{"root":8511},{"type":9,"format":10,"indent":11,"version":4,"children":8512,"direction":20},[8513],{"type":14,"format":10,"indent":11,"version":4,"children":8514,"direction":20,"textStyle":10,"textFormat":11},[8515],{"mode":17,"text":659,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":661,"text":8517,"blockName":20,"blockType":19},{"root":8518},{"type":9,"format":10,"indent":11,"version":4,"children":8519,"direction":20},[8520],{"type":14,"format":10,"indent":11,"version":4,"children":8521,"direction":20,"textStyle":10,"textFormat":11},[8522],{"mode":17,"text":668,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":8524,"artist":8525,"residency_location":8985,"year_of_residency":8817,"article":9035},"6ab534ad524b378872b3fed2",{"id":8526,"profile_types":8527,"is_member":153,"name":8528,"slug":8529,"archived":153,"created_on":8530,"updated_on":8531,"published_on":8531,"biography":8532,"e_mail":8540,"profile_image":8541,"website":10,"instagram":10,"first_name":8556,"last_name":8557,"kind_of_profile":218,"tags_profession":8558,"tags_identity":8560,"tags_location":8562,"tags_practice":8574,"tags_topics":8578,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":8580,"member_additional":8646,"corresponding_art_projects":8647,"corresponding_selected_year":8734,"reference_residency":8806,"date_of_residency":8974,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":8975,"curation_reference":8976,"past_member":20,"approved_courses":8977,"tutor_courses":8978,"guest_expert_courses":8980,"updatedAt":8982,"createdAt":8983,"email":8540,"collection":248,"sessions":8984},877,[198],"Hiền Hoàng","hien-hoang","Mon Oct 14 2024 13:30:17 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:46:31 GMT+0000 (Coordinated Universal Time)",{"root":8533},{"type":9,"format":10,"indent":11,"version":4,"children":8534},[8535],{"type":14,"format":10,"version":4,"children":8536,"textFormat":11},[8537,8539],{"text":8538,"type":19,"version":4},"Hiền Hoàng (b. 1991, Vietnam) is a visual artist currently living in Hamburg, Germany. Her work is a combination of photography, installation and performance. As an Asian living in Europe, Hien is interested in the concept of clichés, stereotypes, discrimination and sexualization of the Asian. She creates scenarios with textiles, screens, found objects, food and images with Asian references, often also with cut-outs of herself. This can be seen well in her current project 'Asia Bistro'. These scenarios are the playground for her extended installations and performances, where she experiments with different materials and arrangements of video and sound, especially in 'Made in Rice'. In this way, she wants to create an immersive space where our habitual ways of seeing and observing can be provoked and hopefully changed.",{"text":1209,"type":19,"version":4},"thuhienhoang@hotmail.com",{"id":8542,"alt":20,"originalUrl":8543,"uploaded_by":8526,"updatedAt":8544,"createdAt":8545,"url":8546,"thumbnailURL":20,"filename":8547,"mimeType":163,"filesize":8548,"width":6442,"height":6443,"focalX":167,"focalY":167,"sizes":8549},12522,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d1ce9d35e9cf04ba26643_60c75ae2a9fa0f0e166d7ac1_HienHoang_AsiaBistro_Excerpt-10.avif","2026-06-19T14:20:13.764Z","2026-03-10T10:31:27.597Z","https://futures-backend-unstated-int.vercel.app/api/media/file/hien-hoang-profile-1.webp","hien-hoang-profile-1.webp",59550,{"thumb":8550,"medium":8554,"large":8555},{"url":8551,"width":171,"height":292,"mimeType":163,"filesize":8552,"filename":8553},"https://futures-backend-unstated-int.vercel.app/api/media/file/hien-hoang-profile-1-300x450.webp",35248,"hien-hoang-profile-1-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Hiền","Hoàng",[8559],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[8561],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[8563,8568,8572,8573],{"id":8564,"name":8565,"slug":8566,"updatedAt":8567,"createdAt":8567},88,"Viet Nam","viet-nam","2026-09-10T12:55:29.268Z",{"id":1123,"name":8569,"slug":8570,"updatedAt":8571,"createdAt":8571},"Southeastern Asia","southeastern-asia","2026-06-23T13:04:53.903Z",{"id":224,"name":6457,"slug":6458,"updatedAt":6459,"createdAt":6459},{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},[8575,8576,8577],{"id":229,"name":3101,"slug":3102,"updatedAt":3103,"createdAt":3103},{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},[8579],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},[8581],{"id":8582,"profile_types":8583,"is_member":93,"name":8584,"slug":8585,"archived":153,"created_on":8586,"updated_on":8587,"published_on":1280,"biography":8588,"e_mail":8595,"profile_image":8596,"website":8597,"instagram":8598,"first_name":20,"last_name":20,"kind_of_profile":8599,"tags_profession":8600,"tags_identity":8601,"tags_location":8602,"tags_practice":8603,"tags_topics":8604,"born_in":20,"street_address":10,"city":8605,"country":6457,"corresponding_member":8606,"member_additional":8607,"corresponding_art_projects":8608,"corresponding_selected_year":8609,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":8610,"curation_reference":8637,"past_member":153,"approved_courses":8638,"tutor_courses":8639,"guest_expert_courses":8641,"updatedAt":8643,"createdAt":8644,"email":8595,"collection":248,"sessions":8645},1322,[1959],"Triennial of Photography | Deichtorhallen  ","triennial-of-photography-hamburg","Wed Oct 09 2024 14:18:36 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 14:36:39 GMT+0000 (Coordinated Universal Time)",{"root":8589},{"type":9,"format":10,"indent":11,"version":4,"children":8590},[8591],{"type":14,"format":10,"version":4,"children":8592,"textFormat":11},[8593],{"text":8594,"type":19,"version":4},"The Triennial of Photography Hamburg is an internationally renowned photo festival that takes place every three years in collaboration with major museums, exhibition spaces, and cultural institutions. Initiated in 1999 by collector and photographer F.C. Gundlach, the festival has evolved over the years to become one of the most significant photography events in Germany, enjoying international acclaim. Under a common theme, conceptualized by varying artistic leadership, numerous photo exhibitions across Hamburg shed light on highly relevant societal and photographic discourses.\r\n\r\r\nThe 9th Triennial of Photography Hamburg (June 4 – September 27, 2026) is dedicated to the theme \"Alliance Infinity Love – In the Face of the Other\" and is curated by Prof. Dr. Mark Sealy OBE. The London-based curator, author, and director of Autograph ABP has dedicated his career to decolonizing the Western gaze and amplifying marginalized voices in international photography.\r\n\r\r\nThe Triennial is accompanied by an international, interdisciplinary symposium on November 7–8, 2025, specialized discussions, lectures, portfolio reviews, and an international conference in the lead-up to and during the festival period.","klara@phototriennale.de",15936,"https://phototriennale.de/en/","https://www.instagram.com/phototriennale/","Member",[],[],[],[],[],"Hamburg",[],[],[],[],[8611,8612,8613,8614,8615,8616,8617,8618,8619,8620,8621,8622,8623,8624,8625,8626,8627,8628,8629,8630,8631,8632,8633,8634,8635,8526,8636],671,1340,1344,1348,1385,1427,846,939,975,984,1178,803,1025,1265,992,713,1076,688,1213,932,790,1101,928,707,1231,1459,[],[],{"docs":8640,"hasNextPage":153},[],{"docs":8642,"hasNextPage":153},[],"2026-10-05T15:40:34.898Z","2026-03-26T15:21:20.228Z",[],[],[8648],{"id":5490,"name_of_project":8649,"slug":8650,"archived":153,"created_on":8651,"updated_on":8652,"published_on":8652,"thumbnail_image":8653,"date":5090,"artwork_description":8654,"artworks":8673,"corresponding_artist":8727,"tags_topics":8728,"tags_location":8729,"tags_practice":8730,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":8668,"stichting_futures_project":153,"updatedAt":8731,"createdAt":8732,"artworks_gallery":8733},"Asia Bistro","asia-bistro","Mon Oct 14 2024 13:37:54 GMT+0000 (Coordinated Universal Time)","Wed Jun 11 2025 13:53:38 GMT+0000 (Coordinated Universal Time)",2381,{"root":8655},{"type":9,"format":10,"indent":11,"version":4,"children":8656},[8657,8661,8665,8669],{"type":14,"version":4,"children":8658},[8659],{"text":8660,"type":19,"version":4},"The first time I saw an Asia Bistro was during my exchange semester in Berlin, Germany. It was a small bistro near the ruined Kaiser Wilhelm Church. To this day, I still think, the taste of those 5 crispy rolls which I ordered, was actually what triggered me to explore the topic about food and the representation of Asian cultures in Germany. And five years later, I started a project with the same name: “Asia Bistro”.",{"type":14,"version":4,"children":8662},[8663],{"text":8664,"type":19,"version":4},"Salmon with slit eyes, rice paper on the tongue, and noodle twisted around a halfly sliced face - in this photographic work, I created chaotic food scenes which lie on the thin line between aesthtic and tastefulness and disgust and nonedible. By doing so, I want to provoke the cliché and the common concept of the Asian cultures in the West. Why is a stirred duck filet considered as “exotic” here? Why can a person eat fried noodle happily and later yell at me with “get back to China”? Why are people with vietnamese heritage portrayed as a good example for immigrant in Germany but then my aunt was being treated like a child in the office? Does being Asian-like mean to be polite and friendly?",{"type":14,"version":4,"children":8666},[8667],{"text":8668,"type":19,"version":4},"“Asia Bistro” can be seen as a photographic document about my process of questioning and understanding the conflictual perceptions and stereotypes about Asian people in Germany.",{"type":14,"version":4,"children":8670},[8671],{"text":8672,"type":19,"version":4},"As extension parts of “Asia Bistro”, I also created various performances and installations, in which I expressed my thoughts about this topic with other artistic mediums. “Made in rice” is one of those projects and will be screened in May in front of the japanese tea house, in Platen un Blomen Park Hamburg.",[8674,8676,8679,8682,8685,8688,8691,8694,8697,8700,8703,8706,8709,8712,8715,8718,8721,8724],{"id":8675,"image":8653},"6a3559c1e57d0fdcefaa934e",{"id":8677,"image":8678},"6a3559c1e57d0fdcefaa934f",2382,{"id":8680,"image":8681},"6a3559c1e57d0fdcefaa9350",2383,{"id":8683,"image":8684},"6a3559c1e57d0fdcefaa9351",2384,{"id":8686,"image":8687},"6a3559c1e57d0fdcefaa9352",2385,{"id":8689,"image":8690},"6a3559c1e57d0fdcefaa9353",2386,{"id":8692,"image":8693},"6a3559c1e57d0fdcefaa9354",2387,{"id":8695,"image":8696},"6a3559c1e57d0fdcefaa9355",2388,{"id":8698,"image":8699},"6a3559c1e57d0fdcefaa9356",2389,{"id":8701,"image":8702},"6a3559c1e57d0fdcefaa9357",2390,{"id":8704,"image":8705},"6a3559c1e57d0fdcefaa9358",2391,{"id":8707,"image":8708},"6a3559c1e57d0fdcefaa9359",2392,{"id":8710,"image":8711},"6a3559c1e57d0fdcefaa935a",2393,{"id":8713,"image":8714},"6a3559c1e57d0fdcefaa935b",2394,{"id":8716,"image":8717},"6a3559c1e57d0fdcefaa935c",2395,{"id":8719,"image":8720},"6a3559c1e57d0fdcefaa935d",2396,{"id":8722,"image":8723},"6a3559c1e57d0fdcefaa935e",2397,{"id":8725,"image":8726},"6a3559c1e57d0fdcefaa935f",2398,[8526],[232],[226,224],[],"2026-07-20T15:01:54.227Z","2026-03-10T15:34:44.787Z",[],[8735],{"id":8736,"curation_title":8737,"slug":8738,"archived":153,"created_on":8739,"updated_on":8740,"published_on":8741,"date":5090,"corresponding_member":8742,"introduction_text":8743,"curational_text":8757,"corresponding_artist":8799,"projects_selected":8803,"updatedAt":8804,"createdAt":8805},115,"Triennial of Photography Hamburg 2021","triennial-of-photography-hamburg-2021","Wed Oct 16 2024 09:22:22 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:49:36 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:49:39 GMT+0000 (Coordinated Universal Time)",[8582],{"root":8744},{"type":9,"format":10,"indent":11,"version":4,"children":8745},[8746,8750,8753],{"type":14,"version":4,"children":8747},[8748],{"text":8749,"type":19,"version":4},"The Triennial of Photography Hamburg has taken place every three years since 1999 in collaboration with Hamburg’s major museums, exhibition houses, cultural institutions, galleries and other organisers. In this time, the Triennial has become an important photography event in Germany and internationally. With a large number of exhibitions organised under a common theme, it highlights current topics in photography.",{"type":14,"version":4,"children":8751},[8752],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8754},[8755],{"text":8756,"type":19,"version":4},"The 8th edition of the Triennial of Photography Hamburg will open on 19 May 2022. Based on the theme of Currency, artistic director Koyo Kouoh and her team of international curators, that includes Rasha Salti, Gabriella Beckhurst Feijoo, Oluremi C. Onabanjo and Cale Garrido, will explore how our “retinal era” leads us to perceive the world through image capture. Currency not only refers to money and its significance as an economic indicator, it is borrowed in this context to instigate a critical examination of photography. The 8th Triennial is accompanied by an international, interdisciplinary symposium in the run-up to the event and a festival lasting several days in the summer of 2022.",{"root":8758},{"type":9,"format":10,"indent":11,"version":4,"children":8759},[8760,8764,8767,8771,8774,8778,8781,8785,8788,8792,8795],{"type":14,"version":4,"children":8761},[8762],{"text":8763,"type":19,"version":4},"The curatorial team of the 8th Triennale has selected five emerging Futures artists in the field of photography who have particularly caught their eye:",{"type":14,"version":4,"children":8765},[8766],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8768},[8769],{"text":8770,"type":19,"version":4},"What is Hien Hoang’s recipe? For me, it’s the mix of ingredients: Using still-life photography, surrealism and performance, she addresses clichés and prejudices about Asia. Her photos are bursting with exotic beauty, but a closer look reveals abysses that shake up ways of seeing and thinking. (nominated by Stephanie Bunk)",{"type":14,"version":4,"children":8772},[8773],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8775},[8776],{"text":8777,"type":19,"version":4},"Engaging flows of history and social relation, Euridice Kala deploys the photographic image as a central means of meaning-making. Her artistic practice mines the fraught memories of the Atlantic slave trade and colonial-era Mozambique through the form of installations, performances, and publications. She is invested in the capacity of the archive to generate conceptual possibilities, and pursues these avenues from a Black feminist African perspective. (nominated by Oluremi C. Onabanjo)",{"type":14,"version":4,"children":8779},[8780],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8782},[8783],{"text":8784,"type":19,"version":4},"Marco Kesseler is a UK-based British photographer with an interest in portrai- ture and the social stories of food security and agricultural infrastructures. Kesseler has a profoundly tender presence as a photographer. From his quiet portraits of daily life in Belarus in the run up the 2015 presidential election to his recent series on the role of seasonal work in the UK largely fulfilled by migrant workers whose labour is likely to be unprotected by Brexit legislation, the quiet resolve of Kesseler’s photographs resist dominant narratives of place, nationhood and nativist independence. (nominated by Gabriella Beckhurst)",{"type":14,"version":4,"children":8786},[8787],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8789},[8790],{"text":8791,"type":19,"version":4},"Johanna Terhechte is exceptionally curious about the world and driven to undertake challenges. She is a thoughtful artist and a compassionate human being, two underrated character traits in artists. (nominated by Rasha Salti)",{"type":14,"version":4,"children":8793},[8794],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":8796},[8797],{"text":8798,"type":19,"version":4},"Laura Van Severen is a Belgian photographer based between Barcelona and Ghent. She is a promising talent who has, in her latest projects, taken a thorough look at the transformation of landscape and environment. Strata (2020) is an investigation of the effect of landfill and waste management, having traveled to Spain, Belgium, Romania, Portugal and the Netherlands. In this series, Laura maps a representative selection of altered ecosystems that are the pure consequence of our abusive system of consumption. With aesthetic sensibility, she blends artistic and journalistic approaches, pointing at harsh realities of our times with poetic means. With this nomination, I’d like to reinforce her courage working on complex, research-based photographic projects, as well as supporting her persistent aspiration to reconnect us with nature and with each other through diverse exhibition formats. (nominated by Cale Garrido)",[8526,8800,8801,8802],919,987,1034,[],"2026-08-17T13:41:44.310Z","2026-03-10T15:50:26.423Z",{"id":8807,"is_residency_story":93,"kind_of_residency_story":150,"title":8808,"slug":8809,"archived":153,"created_on":8810,"updated_on":8811,"published_on":8811,"thumbnail":8812,"author":3766,"date_of_publication":8813,"teaser":8814,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":8815,"video":10,"corresponding_event":20,"artist_name":8528,"reference_artist":8526,"residency_location":8816,"year":8817,"layout_type":252,"content":8818,"updatedAt":8972,"createdAt":8973},282,"Between Seed and Tree - Hiền Hoàng in Conversation with Taco Hidde Bakker","a-conversation-with-hien-hoang-and-taco-hidde-bakker","Thu Jul 17 2025 09:35:40 GMT+0000 (Coordinated Universal Time)","Wed Sep 10 2025 10:27:42 GMT+0000 (Coordinated Universal Time)",13779,"2025-04-02T22:00:00.000Z","Exploring tree scanning, virtual reality, colonial botany and archival collections.",[],"Amsterdam, NL","2025",[8819,8836,8839,8860,8863,8966],{"id":8820,"text":8821,"blockName":20,"blockType":19},"6a354ca78c91db2725ffb665",{"root":8822},{"type":9,"format":10,"indent":11,"version":4,"children":8823},[8824],{"type":14,"format":10,"indent":11,"version":4,"children":8825,"direction":20},[8826,8828,8830,8832,8834],{"mode":17,"text":8827,"type":19,"style":10,"detail":11,"format":222,"version":4},"Hiền Hoàng, a Vietnamese expatriate living and working in Germany, describes herself as a multimedia artist. In 2024 she was awarded the Foam Paul Huf Award, an acclaimed photography prize. Photography, however, is only one of the many elements that constitute Hoàng’s multifaceted artistic practice. Furthermore she experiments with video, VR (virtual reality) and AR (augmented reality), performance, installation and scientific data, typically combining various media within projects. As she writes in a statement on her website, her work creates \"multisensory experiences that uncover unseen narratives and explore ecological and emotional connections.\" I visited Hoàng in February 2025 in her temporary studio at the Futures Hub in Amsterdam to learn more about her artistic research processes. The studio was scattered with, among others, tree logs (some of them provided with sensors), tree bark, a handwritten parallel timeline of relationships between Vietnam and the German Democratic Republic (including the arrival of Hoàng's aunt as a guest worker) and colonial botany, several books and printed articles about the intersections of botany and colonialism and, wrapped around a tripod, a long piece of textile printed with data. Hoàng is expanding her project ",{"mode":17,"text":8829,"type":19,"style":10,"detail":11,"format":11,"version":4},"Garden of Entanglement ",{"mode":17,"text":8831,"type":19,"style":10,"detail":11,"format":222,"version":4},"and preparing for her upcoming exhibition at ",{"mode":17,"text":8833,"type":19,"style":10,"detail":11,"format":11,"version":4},"Foam ",{"mode":17,"text":8835,"type":19,"style":10,"detail":11,"format":222,"version":4},"in Amsterdam (6 June – 24 August 2025). ",{"id":8837,"image":8838,"blockName":20,"blockType":381},"6a354ca78c91db2725ffb666",13618,{"id":8840,"text":8841,"blockName":20,"blockType":19},"6a354ca78c91db2725ffb667",{"root":8842},{"type":9,"format":10,"indent":11,"version":4,"children":8843},[8844,8848,8852,8856],{"type":14,"format":10,"indent":11,"version":4,"children":8845,"direction":20},[8846],{"mode":17,"text":8847,"type":19,"style":10,"detail":11,"format":11,"version":4},"Taco Hidde Bakker (THB):",{"type":14,"format":10,"indent":11,"version":4,"children":8849,"direction":20},[8850],{"mode":17,"text":8851,"type":19,"style":10,"detail":11,"format":222,"version":4},"I would love to learn more about how you conduct your research as an artist. Your practice touches on many things, both thematically and materially, with multiple outcomes. Could you describe what happens once you have found the seed of an idea, and how you help that seed grow into bigger artistic trees? ",{"type":14,"format":10,"indent":11,"version":4,"children":8853,"direction":20},[8854],{"mode":17,"text":8855,"type":19,"style":10,"detail":11,"format":11,"version":4},"Hiền Hoàng (HH):",{"type":14,"format":10,"indent":11,"version":4,"children":8857,"direction":20},[8858],{"mode":17,"text":8859,"type":19,"style":10,"detail":11,"format":11,"version":4},"I like how you describe it: an idea as a seed growing into artistic trees. When I come across something intriguing, I begin with research and ask whether it aligns with my current practice or expands it in new directions. I'm often drawn to contradictions like the intertwining of life and death, beauty and destruction, and the vastness of the world versus the fragility of human existence. I try to follow the threads, connecting the dots, but I also embrace the beauty of things happening spontaneously.",{"id":8861,"image":8862,"blockName":20,"blockType":381},"6a354ca78c91db2725ffb668",13619,{"id":8864,"text":8865,"blockName":20,"blockType":19},"6a354ca78c91db2725ffb669",{"root":8866},{"type":9,"format":10,"indent":11,"version":4,"children":8867},[8868,8874,8887,8892,8898,8901,8906,8912,8915,8918,8921,8940,8960,8963],{"type":14,"format":10,"indent":11,"version":4,"children":8869,"direction":20},[8870,8872],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},"THB:",{"mode":17,"text":8873,"type":19,"style":10,"detail":11,"format":222,"version":4}," You've told me that you're currently engaged in collaborations with scientists. I'm curious as to how artistic-scientific collaborations take shape and how they might mutually inform two practices that are different in many respects. How do your collaborations inform your artistic research and practice. And what do scientists learn in return? ",{"type":14,"format":10,"indent":11,"version":4,"children":8875,"direction":20},[8876,8878,8880,8881,8883,8885],{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},"HH:",{"mode":17,"text":8879,"type":19,"style":10,"detail":11,"format":11,"version":4}," My collaborations with scientists initially happened organically, as I came across several scientific papers during my research, such as studies on tree scanning, vibration measurement, and environmental data collection. With my project ",{"mode":17,"text":8829,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":8882,"type":19,"style":10,"detail":11,"format":11,"version":4},"from last year, I began working more intensively with researchers from the University of Florence and the University of Stuttgart. I believe that both scientists and artists share a deep, almost obsessive curiosity for their respective niches. This creates a common ground despite our different approaches. For me, working with scientific methods leads to questions about subjectivity and digital perception. For example, what does it mean to translate a living subject, like a tree, into data? How do we observe things with our own eyes versus how a computer perceives them? These questions push me to think about the limits of representation and the gap between reality and its possible digital reconstruction. In return, I think in art-science collaborations scientists could gain different perspectives—shifts in how they approach their own research. In my latest project ",{"mode":17,"text":8884,"type":19,"style":10,"detail":11,"format":222,"version":4},"Garden of Entanglement",{"mode":17,"text":8886,"type":19,"style":10,"detail":11,"format":11,"version":4},", for example, our work inspired the researcher from the University of Florence to experiment with different frequencies and activities to study the natural vibrations of trees in novel ways. We are also writing a research paper together based on this collaboration and we're looking into further developments in this area.",{"type":14,"format":10,"indent":11,"version":4,"children":8888,"direction":20},[8889,8890],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8891,"type":19,"style":10,"detail":11,"format":222,"version":4}," I see that for you're current research you've collected multiple books and articles on botany and colonialism. You've also been visiting several museums and archives during your brief stay in the Netherlands, besides locating several special trees in the city and beyond. How does your visiting of museums and archives and doing bibliographical research entwine with your artistic process?",{"type":14,"format":10,"indent":11,"version":4,"children":8893,"direction":20},[8894,8895,8896],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8897,"type":19,"style":10,"detail":11,"format":11,"version":4}," In my earlier work, I incorporated personal archival materials, such as photos, letters and objects which I had found in my aunt’s house. I placed them in installations and photo sets alongside other elements, so that I could question their meaning and symbolism. Currently, I approach archives from a more critical perspective: Who created them? For what purpose were they created? Who was their intended audience? Is there anything missing in these collections? I’ve encountered challenges in my research during my time in Amsterdam, partly due to time constraints, but also because information about the Japanese Pagoda tree is inherently incomplete. However, I find these gaps compelling. As an artist, I’m not just looking for what’s there, but also for what is absent—what has been erased or left out. It could leave space for questions and speculation, allowing for imagined scenarios and new narratives. Sometimes, the most interesting aspects of things lie in what cannot be seen.",{"type":14,"format":10,"indent":11,"version":4,"children":8899,"direction":20},[8900],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8902,"direction":20},[8903,8904],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8905,"type":19,"style":10,"detail":11,"format":222,"version":4}," A final question about your final steps in the artistic process, before you publicize your work. I already witnessed a transformation from your 'wild' studio setting on the afternoon of my visit to an 'open studio' setting the evening after, where you arranged things a little differently. Because your work consists of such diverse thematic strands besides various techniques and media, I wonder how you decide how to weave them together for public presentations.",{"type":14,"format":10,"indent":11,"version":4,"children":8907,"direction":20},[8908,8909,8910],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8911,"type":19,"style":10,"detail":11,"format":11,"version":4}," About the installation for the open studio: usually I work with quite a clear concept in mind. I would, for example, sketch things out or create a 3D mockup of the installation. But this time, during the residency, I chose to embrace the ongoing nature of my research. Rather than fixating on a fixed concept, I gathered all the materials I had been working with – prints, objects, fragments and texts – and let them speak to each other. It also helped that I was living with the works. After waking up, I would walk straight into the studio, kind of immersing myself in the atmosphere of the space and all the elements it contained. I guess that allowed me to trace the threads between the various media and ideas. When I began arranging the installation, I focused on building a composition through contrast, paying attention to heights, textures, and rhythms between the materials. In the end, I wanted the audience not only to look at my work, but to step into it and the process itself.",{"type":14,"format":10,"indent":11,"version":4,"children":8913,"direction":20},[8914],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8916,"direction":20},[8917],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8919,"direction":20},[8920],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8922,"direction":20},[8923,8925,8932,8934],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES x ",{"rel":8926,"url":8927,"type":90,"title":20,"fields":8928,"format":10,"indent":11,"target":20,"version":4,"children":8929,"direction":20},"noreferrer","https://www.mpb.com/en-eu/?utm_source=futures+photography&utm_medium=website&utm_campaign=mar:eu%7Ccam:change%7Csc:par",{"url":8927,"newTab":153,"linkType":94},[8930],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},"MPB",{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4}," Residency Program is supported by ",{"rel":8926,"url":8935,"type":90,"title":20,"fields":8936,"format":10,"indent":11,"target":20,"version":4,"children":8937,"direction":20},"https://www.mpb.com/en-eu/?utm_source=futures+photography&utm_medium=email&utm_campaign=mar:eu%7Ccam:change%7Csc:par",{"url":8935,"newTab":153,"linkType":94},[8938],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},"MPB.",{"type":14,"format":10,"indent":11,"version":4,"children":8941,"direction":20},[8942,8946,8948,8952,8954,8958],{"rel":8926,"url":8927,"type":90,"title":20,"fields":8943,"format":10,"indent":11,"target":20,"version":4,"children":8944,"direction":20},{"url":8927,"newTab":153,"linkType":94},[8945],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8947,"type":19,"style":10,"detail":11,"format":4,"version":4}," is Europe’s top camera gear reseller. FUTURES FOUNDATION fully aligns with the core values of sustainability, diversity and accessibility championed at ",{"rel":8926,"url":8927,"type":90,"title":20,"fields":8949,"format":10,"indent":11,"target":20,"version":4,"children":8950,"direction":20},{"url":8927,"newTab":153,"linkType":94},[8951],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8953,"type":19,"style":10,"detail":11,"format":4,"version":4},". Explore ",{"rel":8926,"url":8927,"type":90,"title":20,"fields":8955,"format":10,"indent":11,"target":20,"version":4,"children":8956,"direction":20},{"url":8927,"newTab":153,"linkType":94},[8957],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8959,"type":19,"style":10,"detail":11,"format":4,"version":4}," to buy approved used gear, or sell your own and get paid quickly.",{"type":14,"format":10,"indent":11,"version":4,"children":8961,"direction":20},[8962],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":8964,"direction":20},[8965],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":8967,"blockName":20,"images":8968,"blockType":323},"6a354ca78c91db2725ffb66b",[8969],{"id":8970,"image":8971},"6a354ca78c91db2725ffb66a",13616,"2026-06-19T14:05:27.194Z","2026-03-27T13:19:49.217Z","23/01/2025",[],[],[],{"docs":8979,"hasNextPage":153},[],{"docs":8981,"hasNextPage":153},[],"2026-10-13T15:05:31.490Z","2026-03-26T15:14:02.885Z",[],{"id":4,"title":250,"city":1782,"content":8986,"gallery":8992,"updatedAt":2874,"createdAt":2875},{"root":8987},{"type":9,"format":10,"indent":11,"version":4,"children":8988,"direction":20},[8989],{"type":14,"format":2713,"indent":11,"version":4,"children":8990,"direction":20,"textStyle":10,"textFormat":11},[8991],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[8993,8999,9005,9011,9017,9023,9029],{"id":2719,"image":8994},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":8995},{"thumb":8996,"medium":8997,"large":8998},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":9000},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9001},{"thumb":9002,"medium":9003,"large":9004},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":9006},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9007},{"thumb":9008,"medium":9009,"large":9010},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":9012},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":9013},{"thumb":9014,"medium":9015,"large":9016},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":9018},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9019},{"thumb":9020,"medium":9021,"large":9022},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":9024},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9025},{"thumb":9026,"medium":9027,"large":9028},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":9030},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":9031},{"thumb":9032,"medium":9033,"large":9034},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":8807,"is_residency_story":93,"kind_of_residency_story":150,"title":8808,"slug":8809,"archived":153,"created_on":8810,"updated_on":8811,"published_on":8811,"thumbnail":9036,"author":3766,"date_of_publication":8813,"teaser":8814,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":9053,"video":10,"corresponding_event":20,"artist_name":8528,"reference_artist":9054,"residency_location":8816,"year":8817,"layout_type":252,"content":9080,"updatedAt":8972,"createdAt":8973},{"id":8812,"alt":20,"originalUrl":9037,"uploaded_by":8526,"updatedAt":9038,"createdAt":9039,"url":9040,"thumbnailURL":20,"filename":9041,"mimeType":163,"filesize":9042,"width":1063,"height":862,"focalX":167,"focalY":167,"sizes":9043},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec0c79e99c2576738b_67e568febebad43581a3488b_Experiment_GoE_Hien_Uni-Florence_06.jpeg","2026-06-19T14:05:26.863Z","2026-03-27T14:04:19.168Z","https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1.webp","a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1.webp",553598,{"thumb":9044,"medium":9048,"large":9052},{"url":9045,"width":171,"height":292,"mimeType":163,"filesize":9046,"filename":9047},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1-300x450.webp",31792,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1-300x450.webp",{"url":9049,"width":177,"height":297,"mimeType":163,"filesize":9050,"filename":9051},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1-1200x1800.webp",243264,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-thumb-1-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[],{"id":8526,"profile_types":9055,"is_member":153,"name":8528,"slug":8529,"archived":153,"created_on":8530,"updated_on":8531,"published_on":8531,"biography":9056,"e_mail":8540,"profile_image":8542,"website":10,"instagram":10,"first_name":8556,"last_name":8557,"kind_of_profile":218,"tags_profession":9063,"tags_identity":9064,"tags_location":9065,"tags_practice":9066,"tags_topics":9067,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":9068,"member_additional":9069,"corresponding_art_projects":9070,"corresponding_selected_year":9071,"reference_residency":8807,"date_of_residency":8974,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":9072,"curation_reference":9073,"past_member":20,"approved_courses":9074,"tutor_courses":9075,"guest_expert_courses":9077,"updatedAt":8982,"createdAt":8983,"email":8540,"collection":248,"sessions":9079},[198],{"root":9057},{"type":9,"format":10,"indent":11,"version":4,"children":9058},[9059],{"type":14,"format":10,"version":4,"children":9060,"textFormat":11},[9061,9062],{"text":8538,"type":19,"version":4},{"text":1209,"type":19,"version":4},[220],[222],[8564,1123,224,226],[229,477,228],[232],[8582],[],[5490],[8736],[],[],[],{"docs":9076,"hasNextPage":153},[],{"docs":9078,"hasNextPage":153},[],[],[9081,9092,9117,9133,9151,9232],{"id":8820,"text":9082,"blockName":20,"blockType":19},{"root":9083},{"type":9,"format":10,"indent":11,"version":4,"children":9084},[9085],{"type":14,"format":10,"indent":11,"version":4,"children":9086,"direction":20},[9087,9088,9089,9090,9091],{"mode":17,"text":8827,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":8829,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8831,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":8833,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8835,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":8837,"image":9093,"blockName":20,"blockType":381},{"id":8838,"alt":20,"originalUrl":9094,"uploaded_by":8526,"updatedAt":9095,"createdAt":9096,"url":9097,"thumbnailURL":20,"filename":9098,"mimeType":163,"filesize":9099,"width":862,"height":9100,"focalX":167,"focalY":167,"sizes":9101},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec0c79e99c25767388_67e56914dc0ff1a5c1d4073c_HIen-Hoang_Garden-of-Entanglement_5.jpeg","2026-06-19T14:05:25.423Z","2026-03-11T13:08:59.300Z","https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img.webp","a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img.webp",797488,1708,{"thumb":9102,"medium":9107,"large":9112},{"url":9103,"width":171,"height":9104,"mimeType":163,"filesize":9105,"filename":9106},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-300x171.webp",171,14010,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-300x171.webp",{"url":9108,"width":177,"height":9109,"mimeType":163,"filesize":9110,"filename":9111},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-1200x683.webp",683,244312,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-1200x683.webp",{"url":9113,"width":183,"height":9114,"mimeType":163,"filesize":9115,"filename":9116},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-2400x1366.webp",1366,660792,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s1-img-2400x1366.webp",{"id":8840,"text":9118,"blockName":20,"blockType":19},{"root":9119},{"type":9,"format":10,"indent":11,"version":4,"children":9120},[9121,9124,9127,9130],{"type":14,"format":10,"indent":11,"version":4,"children":9122,"direction":20},[9123],{"mode":17,"text":8847,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9125,"direction":20},[9126],{"mode":17,"text":8851,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9128,"direction":20},[9129],{"mode":17,"text":8855,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9131,"direction":20},[9132],{"mode":17,"text":8859,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":8861,"image":9134,"blockName":20,"blockType":381},{"id":8862,"alt":20,"originalUrl":9135,"uploaded_by":8526,"updatedAt":9136,"createdAt":9137,"url":9138,"thumbnailURL":20,"filename":9139,"mimeType":163,"filesize":9140,"width":1063,"height":4965,"focalX":167,"focalY":167,"sizes":9141},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec0c79e99c2576738f_67e5691f3d52cc94f3e7e091_Hien_Hoang_From_Scent_From_Heaven_2023_06_low.jpeg","2026-06-19T14:05:25.849Z","2026-03-11T13:09:00.459Z","https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img.webp","a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img.webp",70760,{"thumb":9142,"medium":9146,"large":9150},{"url":9143,"width":171,"height":4889,"mimeType":163,"filesize":9144,"filename":9145},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img-300x169.webp",6514,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img-300x169.webp",{"url":9147,"width":177,"height":4894,"mimeType":163,"filesize":9148,"filename":9149},"https://futures-backend-unstated-int.vercel.app/api/media/file/a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img-1200x675.webp",39290,"a-conversation-with-hien-hoang-and-taco-hidde-bakker-rs-s2-img-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":8864,"text":9152,"blockName":20,"blockType":19},{"root":9153},{"type":9,"format":10,"indent":11,"version":4,"children":9154},[9155,9159,9167,9171,9176,9179,9183,9188,9191,9194,9197,9209,9226,9229],{"type":14,"format":10,"indent":11,"version":4,"children":9156,"direction":20},[9157,9158],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8873,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9160,"direction":20},[9161,9162,9163,9164,9165,9166],{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8879,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8829,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":8882,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8884,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":8886,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9168,"direction":20},[9169,9170],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8891,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9172,"direction":20},[9173,9174,9175],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8897,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9177,"direction":20},[9178],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9180,"direction":20},[9181,9182],{"mode":17,"text":8871,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8905,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9184,"direction":20},[9185,9186,9187],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8877,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8911,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9189,"direction":20},[9190],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9192,"direction":20},[9193],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9195,"direction":20},[9196],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9198,"direction":20},[9199,9200,9204,9205],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9201,"format":10,"indent":11,"target":20,"version":4,"children":9202,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9203],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8935,"type":90,"title":20,"fields":9206,"format":10,"indent":11,"target":20,"version":4,"children":9207,"direction":20},{"url":8935,"newTab":153,"linkType":94},[9208],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9210,"direction":20},[9211,9215,9216,9220,9221,9225],{"rel":8926,"url":8927,"type":90,"title":20,"fields":9212,"format":10,"indent":11,"target":20,"version":4,"children":9213,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9214],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8947,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9217,"format":10,"indent":11,"target":20,"version":4,"children":9218,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9219],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8953,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9222,"format":10,"indent":11,"target":20,"version":4,"children":9223,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9224],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8959,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9227,"direction":20},[9228],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9230,"direction":20},[9231],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":8967,"blockName":20,"images":9233,"blockType":323},[9234],{"id":8970,"image":9235},{"id":8971,"alt":20,"originalUrl":9236,"uploaded_by":9237,"updatedAt":9238,"createdAt":9239,"url":9240,"thumbnailURL":20,"filename":9241,"mimeType":163,"filesize":9242,"width":9243,"height":9244,"focalX":167,"focalY":167,"sizes":9245},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/687e5ec879ccbd0ea8a6aad9_UK-US-EU%20In%20partnership%20with%20(2).png",1244,"2026-06-19T14:06:00.168Z","2026-03-11T13:08:55.455Z","https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0.webp",71768,1920,1524,{"thumb":9246,"medium":9251,"large":9256},{"url":9247,"width":171,"height":9248,"mimeType":163,"filesize":9249,"filename":9250},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0-300x238.webp",238,17388,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0-300x238.webp",{"url":9252,"width":177,"height":9253,"mimeType":163,"filesize":9254,"filename":9255},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0-1200x953.webp",953,80938,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-logo-0-1200x953.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":9258,"artist":9259,"residency_location":9755,"year_of_residency":8817,"article":9805},"6ab534db524b378872b3fed3",{"id":9237,"profile_types":9260,"is_member":153,"name":9261,"slug":9262,"archived":153,"created_on":9263,"updated_on":9264,"published_on":9264,"biography":9265,"e_mail":9272,"profile_image":9273,"website":10,"instagram":10,"first_name":9290,"last_name":9291,"kind_of_profile":218,"tags_profession":9292,"tags_identity":9296,"tags_location":9298,"tags_practice":9317,"tags_topics":9319,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":9321,"member_additional":9382,"corresponding_art_projects":9433,"corresponding_selected_year":9508,"reference_residency":9569,"date_of_residency":9744,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":9745,"curation_reference":9746,"past_member":20,"approved_courses":9747,"tutor_courses":9748,"guest_expert_courses":9750,"updatedAt":9752,"createdAt":9753,"email":9272,"collection":248,"sessions":9754},[198],"Thana Faroq","thana-faroq","Mon Oct 14 2024 13:31:11 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:46:01 GMT+0000 (Coordinated Universal Time)",{"root":9266},{"type":9,"format":10,"indent":11,"version":4,"children":9267},[9268],{"type":14,"version":4,"children":9269},[9270],{"text":9271,"type":19,"version":4},"Thana Faroq is a Yemeni photographer and educator based in the Netherlands. She works with photography, texts, sound, and the physicality of the image itself, as a way to respond to the changes that have been shaping and defining her life, and sense of belonging both in Yemen and the Netherlands. Thana's positioning as a photographer is informed by her reflections on her subject matter, tuning in to other people’s lived experiences with which she continually grows familiar. She also increasingly seeks her own story in the frame. Thana was a recipient of the 2018 inaugural Open Society Foundation Fellowship Grant and Exhibition and the 2019 Arab Documentary Fund supported by the Prince Claus Fund and Magnum Foundation and Zenith magazine reporting grant. In 2020, she published her first book, I don't Recognize Me in the Shadows The book was shortlisted for the Lucie Photobook Prize 2021, and it has also been listed as one of the Interesting Artist & Photographic Books for 2021 by the PhotoBook Journal. Thana received her BA in Government and International Relations from Clark University, and an MA in Photography and Society at The Royal Academy of Art, The Hague.","thana.faroq@gmail.com",{"id":9274,"alt":20,"originalUrl":9275,"uploaded_by":9237,"updatedAt":9276,"createdAt":9277,"url":9278,"thumbnailURL":20,"filename":9279,"mimeType":163,"filesize":9280,"width":177,"height":1514,"focalX":167,"focalY":167,"sizes":9281},5175,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/66f51c494268998fb1a4bbda_627d225e9db8881dc8cd8592_Faroq_Thana_When%2520it%2527s%2520a%2520blue%2520sky%2520_013.jpeg","2026-06-19T15:34:14.688Z","2026-01-23T13:57:09.394Z","https://futures-backend-unstated-int.vercel.app/api/media/file/there-is-a-blue-sky-today-and-no-rain-art-9.webp","there-is-a-blue-sky-today-and-no-rain-art-9.webp",305122,{"thumb":9282,"medium":9286,"large":9289},{"url":9283,"width":171,"height":1509,"mimeType":163,"filesize":9284,"filename":9285},"https://futures-backend-unstated-int.vercel.app/api/media/file/there-is-a-blue-sky-today-and-no-rain-art-9-300x225.webp",23674,"there-is-a-blue-sky-today-and-no-rain-art-9-300x225.webp",{"url":9287,"width":177,"height":1514,"mimeType":163,"filesize":9280,"filename":9288},"https://futures-backend-unstated-int.vercel.app/api/media/file/there-is-a-blue-sky-today-and-no-rain-art-9-1200x900.webp","there-is-a-blue-sky-today-and-no-rain-art-9-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Thana","Faroq",[9293,9294,9295],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":231,"name":3421,"slug":3422,"updatedAt":3423,"createdAt":3423},[9297],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[9299,9305,9306,9312],{"id":9300,"name":9301,"slug":9302,"updatedAt":9303,"createdAt":9304},36,"The Netherlands","the-netherlands","2026-09-14T14:17:42.529Z","2026-06-25T13:44:18.713Z",{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},{"id":9307,"name":9308,"slug":9309,"updatedAt":9310,"createdAt":9311},101,"Yemen","yemen","2026-09-11T14:26:23.466Z","2026-09-11T14:26:23.465Z",{"id":2132,"name":9313,"slug":9314,"updatedAt":9315,"createdAt":9316},"Western Asia","western-asia","2026-06-23T13:06:38.236Z","2026-06-23T13:06:38.235Z",[9318],{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},[9320],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},[9322],{"id":9323,"profile_types":9324,"is_member":93,"name":9325,"slug":9326,"archived":153,"created_on":9327,"updated_on":9328,"published_on":1280,"biography":9329,"e_mail":9336,"profile_image":9337,"website":9338,"instagram":9339,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":9340,"tags_identity":9341,"tags_location":9342,"tags_practice":9343,"tags_topics":9344,"born_in":20,"street_address":10,"city":9345,"country":9301,"corresponding_member":9346,"member_additional":9347,"corresponding_art_projects":9348,"corresponding_selected_year":9349,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":9350,"curation_reference":9373,"past_member":153,"approved_courses":9374,"tutor_courses":9375,"guest_expert_courses":9377,"updatedAt":9379,"createdAt":9380,"email":9336,"collection":248,"sessions":9381},1308,[1959],"FOTODOK ","fotodok","Wed Oct 09 2024 14:15:12 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 15:43:41 GMT+0000 (Coordinated Universal Time)",{"root":9330},{"type":9,"format":10,"indent":11,"version":4,"children":9331},[9332],{"type":14,"version":4,"children":9333},[9334],{"text":9335,"type":19,"version":4},"FOTODOK explores how visual stories have a potential for offering  fresh, new perspectives on the pressing matters of today that often remain underexposed. Artists act as the antennae of society, a notion that consistently resonates in FOTODOK’s programmes. FOTODOK’s artistic program rests on four pillars: exhibitions, a dialogue and research program, talent development for emerging and mid-career photographers from both the Netherlands and abroad, and educational programs. Each pillar, with its own unique setup, contributes to reflections on the overarching themes and the corresponding programs we develop.\r\n\r\n\r\nFOTODOK, together with visual creators, seeks to reflect on how we can actively contribute to addressing these questions. The cultural sector, in particular, can offer a free and neutral space—a “soft space”—to reflect on these issues from various perspectives. \r\n\r\n FOTODOK aspires to be that very place: the space to co-create these stories and the platform to show, discuss, and understand them.","pers@fotodok.org",15918,"https://www.fotodok.org/","https://www.instagram.com/fotodok.nl?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==",[],[],[],[],[],"Utrecht",[],[],[],[],[9237,9351,9352,9353,9354,9355,9356,9357,9358,9359,9360,435,9361,9362,9363,9364,9365,9366,9367,9368,9369,9370,9371,9372],859,870,1159,1223,865,1128,1233,1276,840,708,743,1202,940,1131,1208,1083,1149,1418,1341,1345,1391,1409,[],[],{"docs":9376,"hasNextPage":153},[],{"docs":9378,"hasNextPage":153},[],"2026-10-05T15:41:12.773Z","2026-03-26T15:21:08.651Z",[],[9383],{"id":9384,"profile_types":9385,"is_member":93,"name":9386,"slug":9387,"archived":153,"created_on":9388,"updated_on":9389,"published_on":202,"biography":9390,"e_mail":9397,"profile_image":9398,"website":9399,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":9400,"tags_identity":9401,"tags_location":9402,"tags_practice":9403,"tags_topics":9404,"born_in":20,"street_address":10,"city":9405,"country":6457,"corresponding_member":9406,"member_additional":9407,"corresponding_art_projects":9408,"corresponding_selected_year":9409,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":9410,"curation_reference":9424,"past_member":153,"approved_courses":9425,"tutor_courses":9426,"guest_expert_courses":9428,"updatedAt":9430,"createdAt":9431,"email":9397,"collection":248,"sessions":9432},1305,[1959],"Der Greif","der-greif","Wed Oct 09 2024 14:14:35 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 07:22:54 GMT+0000 (Coordinated Universal Time)",{"root":9391},{"type":9,"format":10,"indent":11,"version":4,"children":9392},[9393],{"type":14,"version":4,"children":9394},[9395],{"text":9396,"type":19,"version":4},"“The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. [...] This is poetry as illumination, for it is through poetry that we give name to those ideas which are - until the poem - nameless and formless, about to be birthed, but already felt.” – Audre Lorde‍. In art, we can reconnect with our humanity and purpose. In light of the major shifts in the world the past two years we are pleased to select five emerging photographic voices that engage with social issues through their different artistic and collaborative modes of making. Der Greif is an organisation for contemporary photography that was born and built on the foundations of collecting and collective making. Our annual publications testify to the potential of single images and image-pairings to spark and create new narratives. We investigate the sites and spaces of image production, distribution and reception. In this sense, we are continually reflecting on and questioning the roles images play in how we create and process our environment and our respective positions and responsibilities within it. This year’s selected artists share a fascination for how natural and cultural environments shape our identities, our bodies, our voices, our stories, and our selves. What kind(s) of social, political, and emotional engagement and awareness can photography help foster? How can we more effectively engage critically with our audiences? How has the pandemic affected the values of photography and how we operate within these? How can photography connect us more deeply? Ultimately, the question remains: how and where do photographs touch us?","corinna@dergreif.org",15914,"https://dergreif.org/",[],[],[],[],[],"Munich",[],[],[],[],[9411,9412,9413,9414,9415,9416,9417,9418,9419,2147,9420,9421,9422,9423],891,1037,1160,776,1248,1150,763,1088,874,755,1022,691,1177,[],[],{"docs":9427,"hasNextPage":153},[],{"docs":9429,"hasNextPage":153},[],"2026-10-05T15:41:21.387Z","2026-03-26T15:21:05.596Z",[],[9434],{"id":9435,"name_of_project":9436,"slug":9437,"archived":153,"created_on":9438,"updated_on":9439,"published_on":9440,"thumbnail_image":9441,"date":20,"artwork_description":9442,"artworks":9457,"corresponding_artist":9501,"tags_topics":9502,"tags_location":9503,"tags_practice":9504,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":9505,"createdAt":9506,"artworks_gallery":9507},307,"How shall we greet the sun","there-is-a-blue-sky-today-and-no-rain","Mon Oct 14 2024 13:41:00 GMT+0000 (Coordinated Universal Time)","Wed Nov 06 2024 12:57:16 GMT+0000 (Coordinated Universal Time)","Wed Nov 06 2024 12:58:29 GMT+0000 (Coordinated Universal Time)",5178,{"root":9443},{"type":9,"format":10,"indent":11,"version":4,"children":9444},[9445,9449,9453],{"type":14,"version":4,"children":9446},[9447],{"text":9448,"type":19,"version":4},"“Exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.” ― Edward W. Said",{"type":14,"version":4,"children":9450},[9451],{"text":9452,"type":19,"version":4},"How shall we greet the sun (ongoing) explores the personal narratives and complex emotional landscape of the lives of a small group of young women living in exile in the Netherlands. Many of these women, including Thana Faroq are in phases in life where they are challenged to construct identities within new cultural contexts and geographies of power, as well as within their memories and the nostalgic representations of the past they possess. The artist’s goal is to explore the emotional interior landscape in light of the changes that the women, including herself, go through, shaping their sense of belonging both in the countries of origin and the Netherlands. She creates a memory archive of feelings that are often lost in histories of migration and displacement, including nostalgia, loneliness, anger, happiness, joy or not feeling much at all.",{"type":14,"version":4,"children":9454},[9455],{"text":9456,"type":19,"version":4},"Thana Faroq experiments with the textuality and the physicality of the photograph itself as forms of resistance. She often engages women she photographs and their children with the photographs and provides a space for them to interpret my visuals. The point of Faroq’s photographic production comes from a place of deep understanding of empathy and carnal experience. How shall we greet the sun responds to questions: How do women in exile cope with their emotions in the process of constructing a new identity? How does the changed social and familial context lead to new ways of managing novel emotional experiences? How can we explore this complex interior emotional landscape in a visual way?",[9458,9461,9464,9467,9470,9473,9476,9479,9482,9485,9487,9490,9493,9495,9498],{"id":9459,"image":9460},"6a356179e57d0fdcefaa9fb2",5166,{"id":9462,"image":9463},"6a356179e57d0fdcefaa9fb3",5167,{"id":9465,"image":9466},"6a356179e57d0fdcefaa9fb4",5168,{"id":9468,"image":9469},"6a356179e57d0fdcefaa9fb5",5169,{"id":9471,"image":9472},"6a356179e57d0fdcefaa9fb6",5170,{"id":9474,"image":9475},"6a356179e57d0fdcefaa9fb7",5171,{"id":9477,"image":9478},"6a356179e57d0fdcefaa9fb8",5172,{"id":9480,"image":9481},"6a356179e57d0fdcefaa9fb9",5173,{"id":9483,"image":9484},"6a356179e57d0fdcefaa9fba",5174,{"id":9486,"image":9274},"6a356179e57d0fdcefaa9fbb",{"id":9488,"image":9489},"6a356179e57d0fdcefaa9fbc",5176,{"id":9491,"image":9492},"6a356179e57d0fdcefaa9fbd",5177,{"id":9494,"image":9441},"6a356179e57d0fdcefaa9fbe",{"id":9496,"image":9497},"6a356179e57d0fdcefaa9fbf",5179,{"id":9499,"image":9500},"6a356179e57d0fdcefaa9fc0",5180,[9237],[232,471],[9300,226],[],"2026-09-16T09:30:15.887Z","2026-03-10T15:38:41.493Z",[],[9509],{"id":9510,"curation_title":9511,"slug":9512,"archived":153,"created_on":9513,"updated_on":9514,"published_on":4549,"date":3145,"corresponding_member":9515,"introduction_text":9516,"curational_text":9523,"corresponding_artist":9565,"projects_selected":9566,"updatedAt":9567,"createdAt":9568},40,"FOTODOK 2022","fotodok-2022","Tue Oct 15 2024 09:40:00 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:29:32 GMT+0000 (Coordinated Universal Time)",[9323],{"root":9517},{"type":9,"format":10,"indent":11,"version":4,"children":9518},[9519],{"type":14,"version":4,"children":9520},[9521],{"text":9522,"type":19,"version":4},"FOTODOK believes in the important role of photography in co-creating collective knowledge around socially relevant subjects. While we cherish international collaborations, we also support an active community of makers in the Netherlands. The development of long-standing professional relations with artists is crucial for us, and nominating artists to the FUTURES platform gives us another tool with which to deepen those ties.",{"root":9524},{"type":9,"format":10,"indent":11,"version":4,"children":9525},[9526,9530,9533,9537,9540,9544,9547,9551,9554,9558,9561],{"type":14,"version":4,"children":9527},[9528],{"text":9529,"type":19,"version":4},"Peggy Van Mosselaar’s practice circulates around the subjects of identity, mental health and care of the elderly people. She is a participating artist in FOTODOK's most recent exhibition Part of Me… Shaping Mental Spaces. The Tali Pusat project is a vulnerable and multilayered story about her mother, revealing how migration and colonial histories can influence one's personal life.",{"type":14,"version":4,"children":9531},[9532],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":9534},[9535],{"text":9536,"type":19,"version":4},"Pablo Lerma participated in an earlier exhibition at FOTODOK: Pass It On. Private Stories, Public Histories. Since then, we've collaborated on many levels. Often using archives at his starting point, Lerma's practice researches the concept of masculinity, investigating the lack of representation of gay men and the queer community throughout photographic history.",{"type":14,"version":4,"children":9538},[9539],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":9541},[9542],{"text":9543,"type":19,"version":4},"Walter Costa took part in FOTODOK’s Lighthouse talent program as a graduate from one of the Netherlands's many art academies. Trained as a pilot, the artist later landed in the field of photography; Costa's Autolykos Collection project is a visual investigation of 'the looting and online trafficking of archeological artefacts - a growing transnational crime'.",{"type":14,"version":4,"children":9545},[9546],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":9548},[9549],{"text":9550,"type":19,"version":4},"Giya Makondo-Wills is a British-South African documentary photographer based in Utrecht, where she moved a few years ago. Her oeuvre explores race, colonialism and systems of power. With Boarderliners, Makondo-Wills employed portraiture to consider what it means to be mixed race in the UK, collecting the stories of people she photographed.",{"type":14,"version":4,"children":9552},[9553],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":9555},[9556],{"text":9557,"type":19,"version":4},"Thana Faroe's project, How Shall We Greet The Sun, charts the personal stories of young women living in the Netherlands. Many of these women, including the artist, must (re)construct their identities, bringing their heritage and memories to new cultural and political contexts. Faroq is also nominated by Der Greif.",{"type":14,"version":4,"children":9559},[9560],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":9562},[9563],{"text":9564,"type":19,"version":4},"FOTODOK values projects that are rooted in the living experiences of their makers. The works we highlight reflect photography's ability to reveal what might otherwise be invisible: be it the representation of queer families in (historical) archives; the emotional landscape of refugee women; the illegal antique art market; or the impact of enduring colonial power structures.",[9355,9356,9367,9237,9358],[],"2026-08-17T13:40:37.722Z","2026-03-10T15:49:46.661Z",{"id":9570,"is_residency_story":93,"kind_of_residency_story":150,"title":9571,"slug":9572,"archived":153,"created_on":8810,"updated_on":9573,"published_on":9573,"thumbnail":9574,"author":9575,"date_of_publication":9576,"teaser":9577,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":9578,"video":10,"corresponding_event":20,"artist_name":9261,"reference_artist":9237,"residency_location":8816,"year":8817,"layout_type":252,"content":9579,"updatedAt":9742,"createdAt":9743},515,"The Fragile Act Of Coming Home - Thana Faroq in Conversation with Savi Kuruppu","the-fragile-act-of-coming-home","Wed Sep 10 2025 10:28:16 GMT+0000 (Coordinated Universal Time)",13783,"Savi Kuruppu","2025-05-05T22:00:00.000Z","Grief, memory, and return: Thana Faroq on the creative journey behind Imagine Me Like a Country of Love.",[],[9580,9593,9596,9625,9628,9679,9688,9737],{"id":9581,"text":9582,"blockName":20,"blockType":19},"6a354cc88c91db2725ffb6b1",{"root":9583},{"type":9,"format":10,"indent":11,"version":4,"children":9584},[9585],{"type":14,"format":10,"indent":11,"version":4,"children":9586,"direction":20},[9587,9589,9591],{"mode":17,"text":9588,"type":19,"style":10,"detail":11,"format":11,"version":4},"Haunted by absence and shaped by return, ",{"mode":17,"text":9590,"type":19,"style":10,"detail":11,"format":222,"version":4},"Imagine Me Like a Country of Love",{"mode":17,"text":9592,"type":19,"style":10,"detail":11,"format":11,"version":4}," is Thana Faroq’s deeply personal exploration of grief, memory, and the fragile act of coming home. During her FUTURES Residency in Amsterdam, we spoke with the artist about the emotional terrain of revisiting Yemen, and how the project became a way to hold onto what war had tried to erase.",{"id":9594,"image":9595,"blockName":20,"blockType":381},"6a354cc88c91db2725ffb6b2",13634,{"id":9597,"text":9598,"blockName":20,"blockType":19},"6a354cc88c91db2725ffb6b3",{"root":9599},{"type":9,"format":10,"indent":11,"version":4,"children":9600},[9601,9606,9610,9613,9617,9621],{"type":14,"format":10,"indent":11,"version":4,"children":9602,"direction":20},[9603,9605],{"mode":17,"text":9604,"type":19,"style":10,"detail":11,"format":4,"version":4},"How did the idea for your project, \"Imagine Me Like a Country of Love,\" come to life?",{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9607,"direction":20},[9608],{"mode":17,"text":9609,"type":19,"style":10,"detail":11,"format":11,"version":4},"It began with the notion of return—returning to my homeland, Yemen, after almost a decade of absence due to the war. When I came to the Netherlands seeking refuge, I couldn't visit. Once it became possible, I returned to visit my family, but the project unexpectedly unfolded from that. My relationship with my family during my time away had been over the phone and FaceTime, with conversations like \"I'll see you, I can't wait to see you, I miss you.\" It felt so romantic, hopeful, and beautiful in its way, keeping the connection alive despite the distance. But as soon as I landed in Yemen, I felt I was facing a reality that was completely strange to me. The war was still present, and many changes had occurred, especially regarding the status of women. This return stirred many questions and deep feelings of grief, shock, and awakening, which led to the project’s creation.",{"type":14,"format":10,"indent":11,"version":4,"children":9611,"direction":20},[9612],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9614,"direction":20},[9615],{"mode":17,"text":9616,"type":19,"style":10,"detail":11,"format":4,"version":4},"What themes did you find yourself returning to while working on it?",{"type":14,"format":10,"indent":11,"version":4,"children":9618,"direction":20},[9619],{"mode":17,"text":9620,"type":19,"style":10,"detail":11,"format":11,"version":4},"The project is deeply rooted in grief, disturbance, and the disruption of memories. A pivotal moment came when I heard my aunt, displaced by the war, asking her son to destroy all the photos, especially those of women, fearing they represented exposure. In a society shaped by religious and conservative values, images of women are often viewed as forms of exposure—they are something deeply personal and are not easily shared. ",{"type":14,"format":10,"indent":11,"version":4,"children":9622,"direction":20},[9623],{"mode":17,"text":9624,"type":19,"style":10,"detail":11,"format":11,"version":4},"My heart broke hearing this, as those photos were not just images; they were pieces of my family’s history—my mother’s childhood, homes, and villages that no longer existed in the same way. For years, I could only ask my mother to look for them, hoping something would remain. But when I finally returned to Yemen, the reality was heartbreaking. So much had changed, and the project became an exploration of how returning disturbed not just the place, but my memories and those of my family. It’s about the painful confrontation with the past, and how war reshapes both the land and our recollections of it.",{"id":9626,"image":9627,"blockName":20,"blockType":381},"6a354cc88c91db2725ffb6b4",13635,{"id":9629,"text":9630,"blockName":20,"blockType":19},"6a354cc88c91db2725ffb6b5",{"root":9631},{"type":9,"format":10,"indent":11,"version":4,"children":9632},[9633,9637,9641,9645,9649,9653,9657,9664,9667,9671,9675],{"type":14,"format":10,"indent":11,"version":4,"children":9634,"direction":20},[9635],{"mode":17,"text":9636,"type":19,"style":10,"detail":11,"format":4,"version":4},"Can you talk about the different forms you used—film, photography, writing, animation—and how they helped convey what you were feeling?",{"type":14,"format":10,"indent":11,"version":4,"children":9638,"direction":20},[9639],{"mode":17,"text":9640,"type":19,"style":10,"detail":11,"format":11,"version":4},"I didn’t want to limit myself to one medium. The film uses footage I recorded on my phone, as I couldn’t carry a proper camera due to safety concerns. The shaky, imperfect nature of this footage embodies the tension of my situation. Over time, I became more forgiving of the fragility of the medium. Photography, writing, and all the tools I used each had their limitations, but I began to understand that the context was far bigger than me or any individual medium. I incorporated writing, archival materials, and animation alongside the footage to explore memories that couldn’t be captured. The animation serves as a mediator between fragments of the film, linking one part to the next, and also recreating memories that were impossible to photograph. It’s about layering different elements to express the complexity of grief, as well as the process of healing and acceptance. I’ve become more understanding of these limitations, seeing them as part of the larger story that continues to unfold.",{"type":14,"format":10,"indent":11,"version":4,"children":9642,"direction":20},[9643,9644],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9646,"direction":20},[9647],{"mode":17,"text":9648,"type":19,"style":10,"detail":11,"format":4,"version":4},"Why was it important for you to include personal archival footage?",{"type":14,"format":10,"indent":11,"version":4,"children":9650,"direction":20},[9651],{"mode":17,"text":9652,"type":19,"style":10,"detail":11,"format":11,"version":4},"The archival footage was a key part of the project. When I was in Yemen, I gathered the remaining photos from my family, many of which had been hidden or destroyed due to the political climate. These photos, especially those showing women in moments of joy like dancing, were essential for conveying a sense of life and joy. They allowed me to tell a story that was rich with culture and emotion, not just the trauma of war.",{"type":14,"format":10,"indent":11,"version":4,"children":9654,"direction":20},[9655],{"mode":17,"text":9656,"type":19,"style":10,"detail":11,"format":4,"version":4},"Do you think the personal and political are separable in your work, or do they naturally overlap?",{"type":14,"format":10,"indent":11,"version":4,"children":9658,"direction":20},[9659,9661,9662],{"mode":17,"text":9660,"type":19,"style":10,"detail":11,"format":11,"version":4},"In ",{"mode":17,"text":9590,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":9663,"type":19,"style":10,"detail":11,"format":11,"version":4},", the personal and political are not separate threads—they’re interwoven. The work is anchored in intimate memories: my mother’s voice, the landscapes of return, the fragmented images of family. But those memories don’t exist in a vacuum. They’ve been shaped, interrupted, even redefined by the experience of migration, of returning after a long absence, of living between places. Politics aren't present not as a headline, but as an undercurrent, visible in what’s been lost, what’s been altered, and in how we hold onto what remains. I try not to present politics as a topic, but as something that quietly surfaces through personal gestures, silences, or shifts in light. The editing process became a way to honour this entanglement, letting the emotional landscape guide the structure, while being mindful of how broader realities seep into every frame. It’s not about balance, really, but about acknowledging that the two can’t be separated.",{"type":14,"format":10,"indent":11,"version":4,"children":9665,"direction":20},[9666],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9668,"direction":20},[9669],{"mode":17,"text":9670,"type":19,"style":10,"detail":11,"format":4,"version":4},"Were there moments when you tried something creatively that surprised you?",{"type":14,"format":10,"indent":11,"version":4,"children":9672,"direction":20},[9673],{"mode":17,"text":9674,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes, there were many moments of experimentation. For example, I experimented with the family archive by printing the photos using a Polaroid format to give them an instant feel. I also experimented with different printing techniques, like using cyanotype, which allowed me to manipulate the images and create a sense of imperfection and disturbance. The writing aspect was another area of experimentation. I used fragmented writing, which doesn’t give closure but encourages the viewer to keep searching for more. This fragmented approach was crucial for conveying the sense of grief and disruption.",{"type":14,"format":10,"indent":11,"version":4,"children":9676,"direction":20},[9677],{"mode":17,"text":9678,"type":19,"style":10,"detail":11,"format":11,"version":4},"Additionally, the text in both Arabic and English was a significant part of the process. I’m exhibiting these fragments on their own, focusing on the texture of the words, to emphasise how the themes of the project evolve. One chapter, for example, is titled “Was it too soon to land?” This introduces a new theme and moves the narrative forward, but it doesn’t offer a resolution or closure. Instead, it creates a sense of process—a feeling of continual discovery. Each chapter introduces a new theme, and within each theme, I explore the layers of the story, not categorising them but working on the structure. This approach helps me maintain a sense of openness, where the story feels alive and unfinished, much like the project itself.",{"id":9680,"blockName":20,"images":9681,"blockType":323},"6a354cc88c91db2725ffb6b8",[9682,9685],{"id":9683,"image":9684},"6a354cc88c91db2725ffb6b6",13636,{"id":9686,"image":9687},"6a354cc88c91db2725ffb6b7",13637,{"id":9689,"text":9690,"blockName":20,"blockType":19},"6a354cc88c91db2725ffb6b9",{"root":9691},{"type":9,"format":10,"indent":11,"version":4,"children":9692},[9693,9698,9702,9705,9717,9734],{"type":14,"format":10,"indent":11,"version":4,"children":9694,"direction":20},[9695,9696],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":9697,"type":19,"style":10,"detail":11,"format":4,"version":4},"Do you see this work as finished or still evolving?",{"type":14,"format":10,"indent":11,"version":4,"children":9699,"direction":20},[9700],{"mode":17,"text":9701,"type":19,"style":10,"detail":11,"format":11,"version":4},"This project is ongoing and always changing. I don’t see it as finished. The work will continue to evolve as the political and cultural landscape in Yemen shifts. I will keep responding to it, and I see the feedback from the audience as part of this process. The film is set to be released this year, but it will keep evolving, just as the context around Yemen and the aftermath of war continues to unfold.",{"type":14,"format":10,"indent":11,"version":4,"children":9703,"direction":20},[9704],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9706,"direction":20},[9707,9708,9712,9713],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9709,"format":10,"indent":11,"target":20,"version":4,"children":9710,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9711],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8935,"type":90,"title":20,"fields":9714,"format":10,"indent":11,"target":20,"version":4,"children":9715,"direction":20},{"url":8935,"newTab":153,"linkType":94},[9716],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9718,"direction":20},[9719,9723,9724,9728,9729,9733],{"rel":8926,"url":8927,"type":90,"title":20,"fields":9720,"format":10,"indent":11,"target":20,"version":4,"children":9721,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9722],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8947,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9725,"format":10,"indent":11,"target":20,"version":4,"children":9726,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9727],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8953,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":9730,"format":10,"indent":11,"target":20,"version":4,"children":9731,"direction":20},{"url":8927,"newTab":153,"linkType":94},[9732],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8959,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9735,"direction":20},[9736],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":9738,"blockName":20,"images":9739,"blockType":323},"6a354cc88c91db2725ffb6bb",[9740],{"id":9741,"image":8971},"6a354cc88c91db2725ffb6ba","2026-06-19T14:06:00.998Z","2026-03-27T13:22:54.843Z","23/03/2025",[],[],[],{"docs":9749,"hasNextPage":153},[],{"docs":9751,"hasNextPage":153},[],"2026-10-12T15:12:21.325Z","2026-03-26T15:20:08.329Z",[],{"id":4,"title":250,"city":1782,"content":9756,"gallery":9762,"updatedAt":2874,"createdAt":2875},{"root":9757},{"type":9,"format":10,"indent":11,"version":4,"children":9758,"direction":20},[9759],{"type":14,"format":2713,"indent":11,"version":4,"children":9760,"direction":20,"textStyle":10,"textFormat":11},[9761],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[9763,9769,9775,9781,9787,9793,9799],{"id":2719,"image":9764},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9765},{"thumb":9766,"medium":9767,"large":9768},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":9770},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9771},{"thumb":9772,"medium":9773,"large":9774},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":9776},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9777},{"thumb":9778,"medium":9779,"large":9780},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":9782},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":9783},{"thumb":9784,"medium":9785,"large":9786},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":9788},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9789},{"thumb":9790,"medium":9791,"large":9792},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":9794},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":9795},{"thumb":9796,"medium":9797,"large":9798},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":9800},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":9801},{"thumb":9802,"medium":9803,"large":9804},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":9570,"is_residency_story":93,"kind_of_residency_story":150,"title":9571,"slug":9572,"archived":153,"created_on":8810,"updated_on":9573,"published_on":9573,"thumbnail":9806,"author":9575,"date_of_publication":9576,"teaser":9577,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":9825,"video":10,"corresponding_event":20,"artist_name":9261,"reference_artist":9826,"residency_location":8816,"year":8817,"layout_type":252,"content":9851,"updatedAt":9742,"createdAt":9743},{"id":9574,"alt":20,"originalUrl":9807,"uploaded_by":9237,"updatedAt":9808,"createdAt":9809,"url":9810,"thumbnailURL":20,"filename":9811,"mimeType":163,"filesize":9812,"width":435,"height":9355,"focalX":167,"focalY":167,"sizes":9813},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ecaf90d875452748db_680a2e4168aee355b38fdb54_Thana%2520Faroq--1%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:06:00.769Z","2026-03-27T14:04:46.693Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-thumb-1.webp","the-fragile-act-of-coming-home-thumb-1.webp",79942,{"thumb":9814,"medium":9819,"large":9824},{"url":9815,"width":171,"height":9816,"mimeType":163,"filesize":9817,"filename":9818},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-thumb-1-300x203.webp",203,8952,"the-fragile-act-of-coming-home-thumb-1-300x203.webp",{"url":9820,"width":177,"height":9821,"mimeType":163,"filesize":9822,"filename":9823},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-thumb-1-1200x811.webp",811,69794,"the-fragile-act-of-coming-home-thumb-1-1200x811.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[],{"id":9237,"profile_types":9827,"is_member":153,"name":9261,"slug":9262,"archived":153,"created_on":9263,"updated_on":9264,"published_on":9264,"biography":9828,"e_mail":9272,"profile_image":9274,"website":10,"instagram":10,"first_name":9290,"last_name":9291,"kind_of_profile":218,"tags_profession":9834,"tags_identity":9835,"tags_location":9836,"tags_practice":9837,"tags_topics":9838,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":9839,"member_additional":9840,"corresponding_art_projects":9841,"corresponding_selected_year":9842,"reference_residency":9570,"date_of_residency":9744,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":9843,"curation_reference":9844,"past_member":20,"approved_courses":9845,"tutor_courses":9846,"guest_expert_courses":9848,"updatedAt":9752,"createdAt":9753,"email":9272,"collection":248,"sessions":9850},[198],{"root":9829},{"type":9,"format":10,"indent":11,"version":4,"children":9830},[9831],{"type":14,"version":4,"children":9832},[9833],{"text":9271,"type":19,"version":4},[220,99,231],[222],[9300,226,9307,2132],[99],[232],[9323],[9384],[9435],[9510],[],[],[],{"docs":9847,"hasNextPage":153},[],{"docs":9849,"hasNextPage":153},[],[],[9852,9861,9882,9905,9923,9963,9999,10045],{"id":9581,"text":9853,"blockName":20,"blockType":19},{"root":9854},{"type":9,"format":10,"indent":11,"version":4,"children":9855},[9856],{"type":14,"format":10,"indent":11,"version":4,"children":9857,"direction":20},[9858,9859,9860],{"mode":17,"text":9588,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":9590,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":9592,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":9594,"image":9862,"blockName":20,"blockType":381},{"id":9595,"alt":20,"originalUrl":9863,"uploaded_by":9237,"updatedAt":9864,"createdAt":9865,"url":9866,"thumbnailURL":20,"filename":9867,"mimeType":163,"filesize":9868,"width":435,"height":9869,"focalX":167,"focalY":167,"sizes":9870},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ecaf90d875452748d8_680a2ec9e2bb25d3bde330d2_Imagine%2520me%2520like%2520a%2520country%2520of%2520love_2%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:05:58.367Z","2026-03-11T13:09:30.379Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s1-img.webp","the-fragile-act-of-coming-home-rs-s1-img.webp",244202,862,{"thumb":9871,"medium":9876,"large":9881},{"url":9872,"width":171,"height":9873,"mimeType":163,"filesize":9874,"filename":9875},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s1-img-300x202.webp",202,9278,"the-fragile-act-of-coming-home-rs-s1-img-300x202.webp",{"url":9877,"width":177,"height":9878,"mimeType":163,"filesize":9879,"filename":9880},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s1-img-1200x808.webp",808,200086,"the-fragile-act-of-coming-home-rs-s1-img-1200x808.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":9597,"text":9883,"blockName":20,"blockType":19},{"root":9884},{"type":9,"format":10,"indent":11,"version":4,"children":9885},[9886,9890,9893,9896,9899,9902],{"type":14,"format":10,"indent":11,"version":4,"children":9887,"direction":20},[9888,9889],{"mode":17,"text":9604,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9891,"direction":20},[9892],{"mode":17,"text":9609,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9894,"direction":20},[9895],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9897,"direction":20},[9898],{"mode":17,"text":9616,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9900,"direction":20},[9901],{"mode":17,"text":9620,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9903,"direction":20},[9904],{"mode":17,"text":9624,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":9626,"image":9906,"blockName":20,"blockType":381},{"id":9627,"alt":20,"originalUrl":9907,"uploaded_by":9237,"updatedAt":9908,"createdAt":9909,"url":9910,"thumbnailURL":20,"filename":9911,"mimeType":163,"filesize":9912,"width":435,"height":9869,"focalX":167,"focalY":167,"sizes":9913},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ecaf90d875452748d5_680a2e773e506c9f7210a5df_Imagine%2520me%2520like%2520a%2520country%2520of%2520love_1%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:05:58.801Z","2026-03-11T13:09:31.254Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s2-img.webp","the-fragile-act-of-coming-home-rs-s2-img.webp",74814,{"thumb":9914,"medium":9918,"large":9922},{"url":9915,"width":171,"height":9873,"mimeType":163,"filesize":9916,"filename":9917},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s2-img-300x202.webp",6272,"the-fragile-act-of-coming-home-rs-s2-img-300x202.webp",{"url":9919,"width":177,"height":9878,"mimeType":163,"filesize":9920,"filename":9921},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s2-img-1200x808.webp",62280,"the-fragile-act-of-coming-home-rs-s2-img-1200x808.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":9629,"text":9924,"blockName":20,"blockType":19},{"root":9925},{"type":9,"format":10,"indent":11,"version":4,"children":9926},[9927,9930,9933,9937,9940,9943,9946,9951,9954,9957,9960],{"type":14,"format":10,"indent":11,"version":4,"children":9928,"direction":20},[9929],{"mode":17,"text":9636,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9931,"direction":20},[9932],{"mode":17,"text":9640,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9934,"direction":20},[9935,9936],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9938,"direction":20},[9939],{"mode":17,"text":9648,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9941,"direction":20},[9942],{"mode":17,"text":9652,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9944,"direction":20},[9945],{"mode":17,"text":9656,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9947,"direction":20},[9948,9949,9950],{"mode":17,"text":9660,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":9590,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":9663,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9952,"direction":20},[9953],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9955,"direction":20},[9956],{"mode":17,"text":9670,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9958,"direction":20},[9959],{"mode":17,"text":9674,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":9961,"direction":20},[9962],{"mode":17,"text":9678,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":9680,"blockName":20,"images":9964,"blockType":323},[9965,9983],{"id":9683,"image":9966},{"id":9684,"alt":20,"originalUrl":9967,"uploaded_by":9237,"updatedAt":9968,"createdAt":9969,"url":9970,"thumbnailURL":20,"filename":9971,"mimeType":163,"filesize":9972,"width":9973,"height":9974,"focalX":167,"focalY":167,"sizes":9975},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878ce825fa0d28276e4c51f_680a2eadd92099690ba5ebc6_Scan%205-Edit%20-%20dimensioni%20grandi-p-500.jpeg","2026-06-19T14:05:59.275Z","2026-03-11T13:09:31.935Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s3-2-0.webp","the-fragile-act-of-coming-home-rs-s3-2-0.webp",17822,500,508,{"thumb":9976,"medium":9981,"large":9982},{"url":9977,"width":171,"height":9978,"mimeType":163,"filesize":9979,"filename":9980},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s3-2-0-300x305.webp",305,8648,"the-fragile-act-of-coming-home-rs-s3-2-0-300x305.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":9686,"image":9984},{"id":9687,"alt":20,"originalUrl":9985,"uploaded_by":9237,"updatedAt":9986,"createdAt":9987,"url":9988,"thumbnailURL":20,"filename":9989,"mimeType":163,"filesize":9990,"width":9973,"height":9991,"focalX":167,"focalY":167,"sizes":9992},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878ce827e6c84dad2858559_680a3078edd9141e2aa98ff8_Imagine%20me%20like%20a%20country%20of%20love_8%20-%20dimensioni%20grandi-p-500.jpeg","2026-06-19T14:05:59.725Z","2026-03-11T13:09:32.553Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s3-2-1.webp","the-fragile-act-of-coming-home-rs-s3-2-1.webp",20870,337,{"thumb":9993,"medium":9997,"large":9998},{"url":9994,"width":171,"height":9873,"mimeType":163,"filesize":9995,"filename":9996},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-fragile-act-of-coming-home-rs-s3-2-1-300x202.webp",8908,"the-fragile-act-of-coming-home-rs-s3-2-1-300x202.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":9689,"text":10000,"blockName":20,"blockType":19},{"root":10001},{"type":9,"format":10,"indent":11,"version":4,"children":10002},[10003,10007,10010,10013,10025,10042],{"type":14,"format":10,"indent":11,"version":4,"children":10004,"direction":20},[10005,10006],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":9697,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10008,"direction":20},[10009],{"mode":17,"text":9701,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10011,"direction":20},[10012],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10014,"direction":20},[10015,10016,10020,10021],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":10017,"format":10,"indent":11,"target":20,"version":4,"children":10018,"direction":20},{"url":8927,"newTab":153,"linkType":94},[10019],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":8935,"type":90,"title":20,"fields":10022,"format":10,"indent":11,"target":20,"version":4,"children":10023,"direction":20},{"url":8935,"newTab":153,"linkType":94},[10024],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10026,"direction":20},[10027,10031,10032,10036,10037,10041],{"rel":8926,"url":8927,"type":90,"title":20,"fields":10028,"format":10,"indent":11,"target":20,"version":4,"children":10029,"direction":20},{"url":8927,"newTab":153,"linkType":94},[10030],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8947,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":10033,"format":10,"indent":11,"target":20,"version":4,"children":10034,"direction":20},{"url":8927,"newTab":153,"linkType":94},[10035],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8953,"type":19,"style":10,"detail":11,"format":4,"version":4},{"rel":8926,"url":8927,"type":90,"title":20,"fields":10038,"format":10,"indent":11,"target":20,"version":4,"children":10039,"direction":20},{"url":8927,"newTab":153,"linkType":94},[10040],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":8959,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10043,"direction":20},[10044],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":9738,"blockName":20,"images":10046,"blockType":323},[10047],{"id":9741,"image":10048},{"id":8971,"alt":20,"originalUrl":9236,"uploaded_by":9237,"updatedAt":9238,"createdAt":9239,"url":9240,"thumbnailURL":20,"filename":9241,"mimeType":163,"filesize":9242,"width":9243,"height":9244,"focalX":167,"focalY":167,"sizes":10049},{"thumb":10050,"medium":10051,"large":10052},{"url":9247,"width":171,"height":9248,"mimeType":163,"filesize":9249,"filename":9250},{"url":9252,"width":177,"height":9253,"mimeType":163,"filesize":9254,"filename":9255},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":10054,"artist":10055,"residency_location":10564,"year_of_residency":8817,"article":10584},"6ab534f0524b378872b3fed4",{"id":10056,"profile_types":10057,"is_member":153,"name":10058,"slug":10059,"archived":153,"created_on":10060,"updated_on":10061,"published_on":10061,"biography":10062,"e_mail":10069,"profile_image":10070,"website":10086,"instagram":10087,"first_name":10088,"last_name":10089,"kind_of_profile":218,"tags_profession":10090,"tags_identity":10093,"tags_location":10095,"tags_practice":10101,"tags_topics":10110,"born_in":10118,"street_address":10,"city":10119,"country":10,"corresponding_member":10120,"member_additional":10167,"corresponding_art_projects":10168,"corresponding_selected_year":10302,"reference_residency":10329,"date_of_residency":10553,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":10554,"curation_reference":10555,"past_member":20,"approved_courses":10556,"tutor_courses":10557,"guest_expert_courses":10559,"updatedAt":10561,"createdAt":10562,"email":10069,"collection":248,"sessions":10563},1247,[198],"Tim Rod","tim-rod","Mon Oct 14 2024 13:31:12 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:45:51 GMT+0000 (Coordinated Universal Time)",{"root":10063},{"type":9,"format":10,"indent":11,"version":4,"children":10064,"direction":1112},[10065],{"type":14,"version":4,"children":10066},[10067],{"text":10068,"type":19,"version":4},"Tim Rod, born 1992, is a Swiss artist based in Bern, Switzerland. He studied photography at CEPV – Vevey School of Photography (ES diploma, 2021) and holds a Master in Contemporary Arts Practice HKB – Bern University of Applied Sciences. His work often explores issues related to exile and habitat, rootlessness and rootedness, as well as memory, identity, belonging and travelling. His own roots and family history are one of the central elements of his practice and his research, alongside collective visual culture. While his practice remains strongly rooted in photography, his works often expand into site-specific multimedia installations.","timix3@hotmail.com",{"id":10071,"alt":20,"originalUrl":10072,"uploaded_by":10056,"updatedAt":10073,"createdAt":10074,"url":10075,"thumbnailURL":20,"filename":10076,"mimeType":163,"filesize":10077,"width":10078,"height":1897,"focalX":167,"focalY":167,"sizes":10079},12769,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6717ea239e30633b2c06c814_Rod_Tim_Portrait.avif","2026-06-19T14:42:23.371Z","2026-03-10T10:45:24.366Z","https://futures-backend-unstated-int.vercel.app/api/media/file/tim-rod-profile-1.webp","tim-rod-profile-1.webp",370908,1072,{"thumb":10080,"medium":10084,"large":10085},{"url":10081,"width":171,"height":1067,"mimeType":163,"filesize":10082,"filename":10083},"https://futures-backend-unstated-int.vercel.app/api/media/file/tim-rod-profile-1-300x420.webp",32310,"tim-rod-profile-1-300x420.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://timrod.photo/","https://www.instagram.com/tim.o.rod/","Tim","Rod",[10091,10092],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[10094],{"id":4,"name":3057,"slug":3058,"updatedAt":3059,"createdAt":3059},[10096,10100],{"id":1298,"name":2219,"slug":10097,"updatedAt":10098,"createdAt":10099},"switzerland","2026-06-25T12:25:01.027Z","2026-06-25T12:25:01.026Z",{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},[10102,10103,10104,10105,10106,10107,10108,10109],{"id":229,"name":3101,"slug":3102,"updatedAt":3103,"createdAt":3103},{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},{"id":475,"name":7540,"slug":7541,"updatedAt":7542,"createdAt":7543},{"id":231,"name":5055,"slug":5056,"updatedAt":5057,"createdAt":5057},{"id":471,"name":6808,"slug":6809,"updatedAt":6810,"createdAt":6811},{"id":1123,"name":3436,"slug":3437,"updatedAt":3438,"createdAt":3438},{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},[10111,10112,10113,10117],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":1298,"name":4372,"slug":4373,"updatedAt":4374,"createdAt":4374},{"id":1295,"name":10114,"slug":10115,"updatedAt":10116,"createdAt":10116},"Family","family","2026-03-10T15:15:27.787Z",{"id":231,"name":6475,"slug":6476,"updatedAt":6477,"createdAt":6478},"1992","Bern, Switzerland",[10121],{"id":10122,"profile_types":10123,"is_member":93,"name":10124,"slug":10125,"archived":153,"created_on":10126,"updated_on":10127,"published_on":1280,"biography":10128,"e_mail":10135,"profile_image":10136,"website":10137,"instagram":10138,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":10139,"tags_identity":10140,"tags_location":10141,"tags_practice":10142,"tags_topics":10143,"born_in":20,"street_address":10,"city":10144,"country":2219,"corresponding_member":10145,"member_additional":10146,"corresponding_art_projects":10147,"corresponding_selected_year":10148,"reference_residency":20,"date_of_residency":20,"date_since":6972,"date_ended":20,"linkedin":10,"corresponding_artist":10149,"curation_reference":10158,"past_member":153,"approved_courses":10159,"tutor_courses":10160,"guest_expert_courses":10162,"updatedAt":10164,"createdAt":10165,"email":10135,"collection":248,"sessions":10166},1302,[1959],"Centre de la photographie Genève","centre-de-la-photographie-geneve","Wed Oct 09 2024 14:19:44 GMT+0000 (Coordinated Universal Time)","Thu Mar 12 2026 13:22:07 GMT+0000 (Coordinated Universal Time)",{"root":10129},{"type":9,"format":10,"indent":11,"version":4,"children":10130},[10131],{"type":14,"version":4,"children":10132},[10133],{"text":10134,"type":19,"version":4},"Founded 1984, the Centre de la photographie Genève [Geneva Photography Centre, abbreviated CPG] is the main institution dedicated to photography in Geneva, Switzerland. Its core activities are the production of temporary exhibitions, with a focus on the contemporary period and particular attention paid to emerging artists, the publication of books on contemporary photography, as well as its art education programmes for professional photographers and artists, and school audiences. As an art centre dedicated to photography and lens-based art, CPG is committed to encourage visual and digital literacy in its young and adult general audience, and to support professional photographers and artists in the development of their career, with a broad scope of distinct but coherent activities. Danaé Panchaud, a Swiss curator, museologist and lecturer, has been its director since January 2022.\r\n\r\nThe Centre de la photographie Genève is one of the three institutions in Geneva’s Bâtiment d’art contemporain [Contemporary Art Building], alongside the Mamco and the Centre d’Art Contemporain Genève, located in the Quartier des Bains, Geneva’s contemporary art district. CPG produces a vast majority of its exhibitions, alongside selected coproductions and touring of existing shows. Producing new bodies of work and supporting artists and photographers in the development of their specific vision for their exhibition at CPG are key engagements of the organisation, which in turn allow it to present to its audiences artworks exhibited for the first time in Geneva. CPG pays a particular attention to artists and photographers whose work has received limited institutional attention and visibility so far, in Switzerland and abroad. It regularly organises the first solo exhibition, or first significant monographic presentation in an institutional context, of Swiss and international artists of different generation. Swiss and international artists each represent one half of its exhibition programme, with artists born between the 1960s and the 1990s forming the majority of the represented generations. CPG pays special attention to the diversity and representativeness of the points of view it gives visibility to through its exhibitions. \r\n\r\nCPG launched two education programmes in fall 2022, and intends to develop several further initiatives in the field of art education and visual literacy in the coming years. The first programme is a series of interdisciplinary visits for schools for ages 8 and up. It aims to encourage visual literacy as a key to successfully navigating contemporary society, understanding the media and cultural productions at large, as well as expressing oneself. The second programme is designed to support professional photographers and artists in the development of ongoing projects, through different formats which include workshops, specialised talks and conferences, critical feedback sessions and, as of spring 2023, a mentorship programme. Some formats are strictly in person while others can take place entirely online and be accessible to photographers anywhere in the world.","d.panchaud@centrephotogeneve.ch",15913,"https://www.centrephotogeneve.ch","https://www.instagram.com/centre_photographie_geneve/",[],[],[],[],[],"Geneva",[],[],[],[],[10150,10151,10152,10153,10154,10155,10056,10156,10157],1297,789,990,1414,1392,1069,1293,1023,[],[],{"docs":10161,"hasNextPage":153},[],{"docs":10163,"hasNextPage":153},[],"2026-10-06T14:34:31.025Z","2026-03-26T15:21:02.786Z",[],[],[10169,10213],{"id":3510,"name_of_project":10170,"slug":10171,"archived":153,"created_on":10172,"updated_on":10173,"published_on":10172,"thumbnail_image":10174,"date":6972,"artwork_description":10175,"artworks":10182,"artworks_gallery":10195,"corresponding_artist":10207,"tags_topics":10208,"tags_location":10209,"tags_practice":10210,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":10211,"createdAt":10212},"Urgent Paradise","urgent-paradise-d46c2","Tue Oct 22 2024 18:11:54 GMT+0000 (Coordinated Universal Time)","Mon Oct 12 2026 10:31:34 GMT+0000 (Coordinated Universal Time)",11443,{"root":10176},{"type":9,"format":10,"indent":11,"version":4,"children":10177,"direction":1112},[10178],{"type":14,"format":10,"indent":11,"version":4,"children":10179,"direction":1112},[10180],{"mode":17,"text":10181,"type":19,"style":10,"detail":11,"format":11,"version":4},"\"Urgent Paradise\" is a visual research on the symbolic and cultural meaning of the palm tree in the Western collective imagination, in particular around tourism and escapism, made in collaboration with computational biologist Lucien Hinderling. For this project, Tim Rod combines different types of images, from analogue black and white photographs and street views taken during his own trips, to digitally manipulated and AI-generated images. The generated images, where trunkless palm trees are often seen floating in the sky or hovering over cityscapes, offer a dreamy but incisive metaphor of how the palm tree has become a ubiquitous symbol of the tropics and a promise of leisurely existence. In our imagination, it is indeed no longer tethered to the often harsher realities of the territories it grows in. In exhibitions, \"Urgent Paradise\", is often staged as site-specific installations where the simplest elements (red and yellow light, the outline of a trunkless palm tree) are used to bathe the visitors in an artificial tropical sunset.",[10183,10186,10189,10192],{"id":10184,"image":10185},"6accb70a8c5e4f00067e24f5",11439,{"id":10187,"image":10188},"6accb70a8c5e4f00067e24f6",11440,{"id":10190,"image":10191},"6accb70a8c5e4f00067e24f7",11441,{"id":10193,"image":10194},"6accb70a8c5e4f00067e24f8",11442,[10196,10198,10205],{"id":10197,"image":10185,"blockName":20,"blockType":381},"6accb70a8c5e4f00067e24f9",{"id":10199,"blockName":20,"images":10200,"blockType":323},"6accb70a8c5e4f00067e24fc",[10201,10203],{"id":10202,"image":10188},"6accb70a8c5e4f00067e24fa",{"id":10204,"image":10191},"6accb70a8c5e4f00067e24fb",{"id":10206,"image":10194,"blockName":20,"blockType":381},"6accb70a8c5e4f00067e24fd",[10056],[231,1301,1129,481],[],[99],"2026-10-12T10:31:38.475Z","2026-03-10T15:47:33.931Z",{"id":524,"name_of_project":10214,"slug":10215,"archived":153,"created_on":10216,"updated_on":10217,"published_on":10216,"thumbnail_image":10218,"date":5090,"artwork_description":10219,"artworks":10226,"artworks_gallery":10260,"corresponding_artist":10295,"tags_topics":10296,"tags_location":10297,"tags_practice":10299,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":10300,"createdAt":10301},"Don’t forget the Knifish","don-t-forget-the-knifish","Tue Oct 22 2024 18:15:06 GMT+0000 (Coordinated Universal Time)","Mon Oct 12 2026 10:38:28 GMT+0000 (Coordinated Universal Time)",3828,{"root":10220},{"type":9,"format":10,"indent":11,"version":4,"children":10221,"direction":1112},[10222],{"type":14,"format":10,"indent":11,"version":4,"children":10223,"direction":1112},[10224],{"mode":17,"text":10225,"type":19,"style":10,"detail":11,"format":11,"version":4},"\"Don’t forget the Knifish\" is an intimate narrative about Tim Rod’s complicated and fragmented relationship with his father. When he was twelve, he learned about the existence of his biological father, triggering strong emotions and deeply challenging his identity and sense of self. Fourteen years later, at age twenty-six, he was able to meet his father for the first time, in Israel. He harnessed photography equally as a means of protection and a way to mediate his emotional responses, and as a tool to make sense of this experience and craft a narrative reclaiming and reconstructing his memory and his own history. Working with different types of photographs – personal archives, portraits and street views, as well as staged, collaged or generated images – Tim Rod attempts to find coherence and meaning from a divided personal reality and a family history that relies as much on his imagination as on personal recollections from his family members. The gaps and the forged connections between different realities are highlighted in images that bring together the Jaffa oranges of his father’s home city and the firs and snowy mountains of Switzerland, or confront the faces of the father and the son. They translate the timidity, apprehensions and hesitations, but also the tenderness between a parent and a child who are getting to know each other in an emotionally fraught context.",[10227,10230,10233,10236,10239,10242,10245,10248,10251,10254,10257],{"id":10228,"image":10229},"6accb8a7f7bede00066d4a6f",3819,{"id":10231,"image":10232},"6accb8a7f7bede00066d4a70",3820,{"id":10234,"image":10235},"6accb8a7f7bede00066d4a71",3821,{"id":10237,"image":10238},"6accb8a7f7bede00066d4a72",3822,{"id":10240,"image":10241},"6accb8a7f7bede00066d4a73",3823,{"id":10243,"image":10244},"6accb8a7f7bede00066d4a74",3824,{"id":10246,"image":10247},"6accb8a7f7bede00066d4a75",3825,{"id":10249,"image":10250},"6accb8a7f7bede00066d4a76",3826,{"id":10252,"image":10253},"6accb8a7f7bede00066d4a77",3827,{"id":10255,"image":10256},"6accb8a7f7bede00066d4a78",16528,{"id":10258,"image":10259},"6accb8a7f7bede00066d4a79",16529,[10261,10263,10270,10272,10279,10281,10288],{"id":10262,"image":10229,"blockName":20,"blockType":381},"6accb8a7f7bede00066d4a7a",{"id":10264,"blockName":20,"images":10265,"blockType":323},"6accb8a7f7bede00066d4a7d",[10266,10268],{"id":10267,"image":10232},"6accb8a7f7bede00066d4a7b",{"id":10269,"image":10235},"6accb8a7f7bede00066d4a7c",{"id":10271,"image":10238,"blockName":20,"blockType":381},"6accb8a7f7bede00066d4a7e",{"id":10273,"blockName":20,"images":10274,"blockType":323},"6accb8a7f7bede00066d4a81",[10275,10277],{"id":10276,"image":10241},"6accb8a7f7bede00066d4a7f",{"id":10278,"image":10244},"6accb8a7f7bede00066d4a80",{"id":10280,"image":10247,"blockName":20,"blockType":381},"6accb8a7f7bede00066d4a82",{"id":10282,"blockName":20,"images":10283,"blockType":323},"6accb8a7f7bede00066d4a85",[10284,10286],{"id":10285,"image":10250},"6accb8a7f7bede00066d4a83",{"id":10287,"image":10253},"6accb8a7f7bede00066d4a84",{"id":10289,"blockName":20,"images":10290,"blockType":323},"6accb8a7f7bede00066d4a88",[10291,10293],{"id":10292,"image":10256},"6accb8a7f7bede00066d4a86",{"id":10294,"image":10259},"6accb8a7f7bede00066d4a87",[10056],[1295,232],[1298,226,10298,2132],123,[],"2026-10-12T10:38:31.630Z","2026-03-10T15:36:48.452Z",[10303],{"id":10304,"curation_title":10305,"slug":10306,"archived":153,"created_on":10307,"updated_on":10308,"published_on":10308,"date":3264,"corresponding_member":10309,"introduction_text":10310,"curational_text":10320,"corresponding_artist":10325,"projects_selected":10326,"updatedAt":10327,"createdAt":10328},22,"Centre de la photographie Genève 2024","centre-de-la-photographie-geneve-2024","Wed Oct 09 2024 13:19:38 GMT+0000 (Coordinated Universal Time)","Wed Jan 15 2025 14:04:28 GMT+0000 (Coordinated Universal Time)",[10122],{"root":10311},{"type":9,"format":10,"indent":11,"version":4,"children":10312},[10313,10317],{"type":14,"version":4,"children":10314},[10315],{"text":10316,"type":19,"version":4},"Laurence Rasti and Tim Rod have been selected for FUTURES 2024 by Centre de la photographie Genève (CPG) for  their ongoing research-based long-term projects. While their approaches and the issues they address differ significantly, both artists are actively pushing the boundaries of the photographic image, challenging and reappropriating its capacities to represent and document, in order to tackle  complex social and personal issues. With their nomination to FUTURES in 2024, CPG aims to bring an increased visibility to their work at the international level.",{"type":14,"version":4,"children":10318},[10319],{"text":1209,"type":19,"version":4},{"root":10321},{"type":9,"format":10,"indent":11,"version":4,"children":10322},[10323],{"type":14,"version":4,"children":10324},[],[10152,10056],[],"2026-08-17T13:40:13.555Z","2026-03-10T15:49:37.126Z",{"id":10330,"is_residency_story":93,"kind_of_residency_story":150,"title":10331,"slug":10332,"archived":153,"created_on":8810,"updated_on":10333,"published_on":10334,"thumbnail":10335,"author":10336,"date_of_publication":10337,"teaser":10338,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":10339,"video":10,"corresponding_event":20,"artist_name":10058,"reference_artist":10056,"residency_location":10341,"year":8817,"layout_type":252,"content":10342,"updatedAt":10551,"createdAt":10552},493,"Prophetic Futures - Tim Rod in Conversation with Veronika Zachar","prophetic-futures-by-tim-rod","Mon Dec 01 2025 15:45:33 GMT+0000 (Coordinated Universal Time)","Mon Jan 12 2026 09:39:10 GMT+0000 (Coordinated Universal Time)",13782,"Veronika Zachar","2025-06-18T00:00:00.000Z","Between archive and intuition: Tim Rod's personal journey tracing the life of his great-great-grandfather, Ludwig Stein.",[10340],"Memory","Budapest, HU",[10343,10360,10369,10395,10398,10431,10440,10477,10486],{"id":10344,"text":10345,"blockName":20,"blockType":19},"6a354cc18c91db2725ffb69e",{"root":10346},{"type":9,"format":10,"indent":11,"version":4,"children":10347},[10348],{"type":14,"format":10,"indent":11,"version":4,"children":10349,"direction":20},[10350,10352,10358],{"mode":17,"text":10351,"type":19,"style":10,"detail":11,"format":11,"version":4},"Every year since 2017, the Capa Center has launched an open call for participation in ",{"rel":8926,"url":10353,"type":90,"title":20,"fields":10354,"format":10,"indent":11,"target":20,"version":4,"children":10355,"direction":20},"https://www.futures-photography.com/",{"url":10353,"newTab":153,"linkType":94},[10356],{"mode":17,"text":10357,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES",{"mode":17,"text":10359,"type":19,"style":10,"detail":11,"format":11,"version":4}," – European Photography Platform. Supported by the Creative Europe program of the European Union, the initiative aims to spotlight talented emerging photographers from across Europe. The first Hungarian residency of the project took place in 2025. As a grantee of the scholarship, Swiss photographer Tim Rod spent a month in Budapest in April. During his stay he was able to deepen his research for an ongoing project that explores the life and legacy of his great-great-grandfather, Hungarian-born philosopher Ludwig Stein.",{"id":10361,"blockName":20,"images":10362,"blockType":323},"6a354cc18c91db2725ffb6a1",[10363,10366],{"id":10364,"image":10365},"6a354cc18c91db2725ffb69f",13514,{"id":10367,"image":10368},"6a354cc18c91db2725ffb6a0",13515,{"id":10370,"text":10371,"blockName":20,"blockType":19},"6a354cc18c91db2725ffb6a2",{"root":10372},{"type":9,"format":10,"indent":11,"version":4,"children":10373},[10374,10385,10387],{"type":14,"format":10,"indent":11,"version":4,"children":10375,"direction":20,"textStyle":10,"textFormat":11},[10376,10378,10383],{"mode":17,"text":10377,"type":19,"style":10,"detail":11,"format":11,"version":4},"Tim Rod (1992) is a Swiss artist based in Bern, Switzerland. He studied photography at CEPV – Vevey School of Photography (ES diploma, 2021) and holds a Master in Contemporary Arts Practice HKB – Bern University of the Arts. His work explores issues of exclusion and residence, rootlessness and rootedness, as well as memory, identity, belonging and travel. His own roots and family history are central elements of his research and practice, alongside collective visual culture. For instance, his photo series ",{"type":90,"fields":10379,"format":10,"indent":11,"version":95,"children":10381,"direction":20},{"url":10380,"newTab":153,"linkType":94},"https://www.futures-photography.com/artist-projects/don-t-forget-the-knifish",[10382],{"mode":17,"text":10214,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10384,"type":19,"style":10,"detail":11,"format":11,"version":4},", reflects on his complicated and fragmented relationship with his father. He harnessed photography equally as a means of protection and a way to mediate his emotional responses, and as a tool to make sense of his experiences and craft a narrative reclaiming and reconstructing his memory and his own history.",{"type":14,"format":10,"indent":11,"version":4,"children":10386,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10388,"direction":20,"textStyle":10,"textFormat":11},[10389,10391,10393],{"mode":17,"text":10390,"type":19,"style":10,"detail":11,"format":11,"version":4},"During his Budapest residency — as part of his ongoing project ",{"mode":17,"text":10392,"type":19,"style":10,"detail":11,"format":222,"version":4},"Prophetic Futures",{"mode":17,"text":10394,"type":19,"style":10,"detail":11,"format":11,"version":4}," — Tim explores the tension between the idea of progress and the real challenges of the present. Based on the work of his great-great-grandfather, Tim engages with Ludwig Steins’ philosophical theory of Evolutionary Optimism from a contemporary perspective.",{"id":10396,"image":10397,"blockName":20,"blockType":381},"6a354cc18c91db2725ffb6a3",13631,{"id":10399,"text":10400,"blockName":20,"blockType":19},"6a354cc18c91db2725ffb6a4",{"root":10401},{"type":9,"format":10,"indent":11,"version":4,"children":10402},[10403,10407,10409],{"type":14,"format":10,"indent":11,"version":4,"children":10404,"direction":20,"textStyle":10,"textFormat":11},[10405],{"mode":17,"text":10406,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ludwig Stein was born in 1859 in Erdőbénye, a small village in the Tokaj wine region, where his grandparents owned vineyards. Shortly after his birth, his family moved to Tokaj, where he spent a significant part of his early childhood. As a boy, he was sent to study in Zwolle, in the Netherlands, where he learned English and got his first taste of European diversity. This period proved to be decisive in shaping his worldview and his future career. Then he moved to Berlin, where he studied philosophy, theology and Oriental languages. He earned his doctorate in Halle, focusing on logic, ethics and critical thinking, and this is where his academic career was starting to take shape. In 1886, he began teaching at the University of Zurich, Switzerland. He delivered lectures, produced writings, and became acquainted with circles of liberal intellectuals. In 1890 he became the head of the philosophy department at the University of Bern and remained there until 1909. He became quite popular; his works were translated into many languages, and prominent figures like Leon Trotsky, Rosa Luxembourg and Lenin were attending his lectures. This was his most stable and productive period; he edited a major journal on philosophy and became a public intellectual. He often travelled to Vienna, where he met politicians, scholars and journalists, playing an important role in connecting German, Swiss and Hungarian thought. Though he left Hungary as a child, he often returned to Budapest. Later he moved to Berlin permanently and there he became a journalist writing about democracy, nationalism and the importance of reason. In 1930, Stein travelled to Gastein, Austria to recover from illness. He was hoping to finish his memoir, but his health declined quickly. He died on 13 July 1930 in Salzburg. His autobiography remained unfinished, but his thoughts and ideals have endured.",{"type":14,"format":10,"indent":11,"version":4,"children":10408,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10410,"direction":20,"textStyle":10,"textFormat":11},[10411,10413,10419,10421,10427,10429],{"mode":17,"text":10412,"type":19,"style":10,"detail":11,"format":11,"version":4},"On 24 April, as part of the Capa Center’s ",{"type":90,"fields":10414,"format":10,"indent":11,"version":95,"children":10416,"direction":20},{"url":10415,"newTab":153,"linkType":94},"https://capacenter.hu/events/capa-visa/",[10417],{"mode":17,"text":10418,"type":19,"style":10,"detail":11,"format":222,"version":4},"CAPA VISA",{"mode":17,"text":10420,"type":19,"style":10,"detail":11,"format":11,"version":4}," event series, Rod delivered a public presentation titled ",{"type":90,"fields":10422,"format":10,"indent":11,"version":95,"children":10424,"direction":20},{"url":10423,"newTab":153,"linkType":94},"https://capacenter.hu/esemenyek/capa-visa-on-ludwig-stein-public-presentation-by-photographer-tim-rod-ch-archivist-balazs-som-hu-futures-x-capa-center-residency/",[10425],{"mode":17,"text":10426,"type":19,"style":10,"detail":11,"format":222,"version":4},"On Ludwig Stein",{"mode":17,"text":10428,"type":19,"style":10,"detail":11,"format":11,"version":4},", elaborating on the project he started this year, as well as its motivations:",{"mode":17,"text":10430,"type":19,"style":10,"detail":11,"format":222,"version":4}," “I carry a connection not just to his name, but also to his movement between places, between disciplines, between times. I was born in Bern, the city where he talked and wrote some of his most important work and where a big part of my family still lives today. As it is with a lot of families of Jewish origin that emigrated to other countries, the past was something that was not talked about too much, especially during and after the Second World War. My great-grandfather Arthur Stein wanted to leave his past behind, and so did my grandfather Peter Stein. My mother Bettina was in her 20s when she found out more about our family and our Jewish origin. Still, she was not really aware of the role Ludwig played in European philosophy and politics. She just knew some rumours and from time to time she dropped facts about him without further detail. So, this got me interested in starting the research by myself and when I heard about the open call for this residency in Capa Center I thought that would be the ideal chance to start this project.”",{"id":10432,"quote":10433,"blockName":20,"blockType":333},"6ab2c5e27fbdea578644434f",{"root":10434},{"type":9,"format":10,"indent":11,"version":4,"children":10435,"direction":20},[10436],{"type":14,"format":10,"indent":11,"version":4,"children":10437,"direction":20,"textStyle":10,"textFormat":222},[10438],{"mode":17,"text":10439,"type":19,"style":10,"detail":11,"format":222,"version":4},"“I carry a connection not just to his name, but also to his movement between places, between disciplines, between times.\"",{"id":10441,"text":10442,"blockName":20,"blockType":19},"6ab2c6217fbdea5786444350",{"root":10443},{"type":9,"format":10,"indent":11,"version":4,"children":10444,"direction":20},[10445,10471,10473],{"type":14,"format":10,"indent":11,"version":4,"children":10446,"direction":20,"textStyle":10,"textFormat":11},[10447,10449,10455,10457,10458,10460,10461,10463,10464,10466,10467,10469],{"mode":17,"text":10448,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the talk held at the end of April, Tim Rod was joined by Balázs Som, staff member of the ",{"type":90,"fields":10450,"format":10,"indent":11,"version":95,"children":10452,"direction":20},{"url":10451,"newTab":153,"linkType":94},"https://www.milev.hu/",[10453],{"mode":17,"text":10454,"type":19,"style":10,"detail":11,"format":11,"version":4},"Hungarian Jewish Museum and Archives",{"mode":17,"text":10456,"type":19,"style":10,"detail":11,"format":11,"version":4},". As the institution’s archivist, he assisted Rod with his work during the residency program. Som holds a PhD in philosophy from the University of Debrecen, specializing in Hungarian thinkers from the turn of the 19th and 20th centuries. He noted that there were two sides to Stein’s life.",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10459,"type":19,"style":10,"detail":11,"format":11,"version":4},"He grew up in an Orthodox Jewish family, which brought him already very close to Judaism, and he continued the tradition by becoming a rabbi at some point. Meanwhile, he never really touched on the shift in his perspective after becoming a philosopher — while also practicing as an Orthodox Jewish rabbi — because those things are hardly in the same brackets.",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10462,"type":19,"style":10,"detail":11,"format":11,"version":4},"The approach to certain problems is fundamentally different from the Orthodox religious viewpoint, and from that of the philosopher who’s always questioning himself and his understanding of the world.",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10465,"type":19,"style":10,"detail":11,"format":11,"version":4},"According to Som, this duality is what makes Stein such an intriguing figure. Throughout his career his approach was characterized by an interdisciplinary blend of philosophy and sociology, at times involving elements of Marxism — which is not at all surprising given that figures like Leon Trotsky showed interest in his thought. Stein also borrowed from the fields of mathematics and statistics; he was in contact with József Kőrösy, who is regarded to be the father of statistics in Hungary. Through statistics Kőrösy attempted to capture the day-to-day realities of contemporary Hungarian society, which was a huge leap forward, and Stein utilized his mathematical formulas and understanding of society in his philosophical works.",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10468,"type":19,"style":10,"detail":11,"format":11,"version":4},"As Som put it, Stein’s approach was",{"mode":17,"text":10470,"type":19,"style":10,"detail":11,"format":222,"version":4}," “a strange mixture of sociology and philosophy as a way of understanding life.”",{"type":14,"format":10,"indent":11,"version":4,"children":10472,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":10474,"direction":20,"textStyle":10,"textFormat":11},[10475],{"mode":17,"text":10476,"type":19,"style":10,"detail":11,"format":11,"version":4},"Stein can be characterized as a follower of Baruch Spinoza, while Gottfied Wilhelm Leibniz — and his iconic statement of this world being “the best of all possible worlds” — also played an important role in shaping his worldview. Stein‘s most significant philosophical contribution was his theory of social optimism and progress. These concepts can be critically examined today, especially in the tension between technological development, social justice, and ecological challenges. While the idea of messianic progress remains present in many societal narratives (e.g., the notion of technological utopia or infinite growth), we are simultaneously experiencing crises that call this belief in progress into question: climate change, social inequalities, and political instability.",{"id":10478,"blockName":20,"images":10479,"blockType":323},"6a354cc18c91db2725ffb6a7",[10480,10483],{"id":10481,"image":10482},"6a354cc18c91db2725ffb6a5",13632,{"id":10484,"image":10485},"6a354cc18c91db2725ffb6a6",13633,{"id":10487,"text":10488,"blockName":20,"blockType":19},"6a354cc18c91db2725ffb6a8",{"root":10489},{"type":9,"format":10,"indent":11,"version":4,"children":10490},[10491,10499,10501,10521,10523,10530,10532,10544,10547],{"type":14,"format":10,"indent":11,"version":4,"children":10492,"direction":20,"textStyle":10,"textFormat":11},[10493,10495,10497],{"mode":17,"text":10494,"type":19,"style":10,"detail":11,"format":11,"version":4},"Stein’s correspondence — which can in part be found in the archives of the Hungarian Jewish Museum — provides a broader context for examining his life and work. As Balázs Som explained, the letters in the archive were sent by, and sent to very different people from the same era who represented the duality of the life of the Ludwig Stein we know. Some of the letters were sent to Simon Hevesi, who was Chief Rabbi of Hungary, but the most interesting thing is how he retained his Hungarian identity in Berlin. Former classmates like Gyula Andrássy and Kálmán Tisza were helping him find the means to publish his work in Hungary, thus making new connections, and eventually becoming a member of the Hungarian Academy of Sciences, which is quite remarkable given that he wasn’t living in Hungary at that time. Another letter from the period testifies that Hungarian philosopher Samu Szemere tried helping Stein publish his poetry in Hungary, while in return he facilitated the publication of Szemere’s German-language writings in journals of the time. According to Som, Stein’s connection to Hungary is multilayered, and it is hard to discover all its branches, but it is apparent that his Jewish identity remained a significant factor throughout his life. He used his connections to support the Jewish community of Hungary by all means he could and remained connected to his friends; for instance, it is attested by the letters of the archive that he was discussing details of his personal life with Chief Rabbi Hevesi. Ludwig Stein exchanged many letters with another prominent thinker of the era, Bernát Alexander — the professor of Samu Szemere — who himself was in many respects like Stein, as he was a well-known figure with connections to international groups of philosophers and researchers. ",{"mode":17,"text":10496,"type":19,"style":10,"detail":11,"format":222,"version":4},"“That’s how close the connection to Hungary was for him, at least through philosophy and his Jewish identity, which kind of escorted him all his life up until the end",{"mode":17,"text":10498,"type":19,"style":10,"detail":11,"format":11,"version":4},"” — concluded Balázs Som.",{"type":14,"format":10,"indent":11,"version":4,"children":10500,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10502,"direction":20,"textStyle":10,"textFormat":11},[10503,10505,10506,10508,10509,10511,10513,10519],{"mode":17,"text":10504,"type":19,"style":10,"detail":11,"format":11,"version":4},"During his time in Hungary, Tim Rod had the opportunity to spend a weekend in Erdőbénye, the birthplace of Stein, where he came across valuable family records, and he meticulously documented everything he observed during the trip",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10507,"type":19,"style":10,"detail":11,"format":11,"version":4}," Photographer Lili Nyíri and her family helped him find his way around the village and organize accommodation.",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10510,"type":19,"style":10,"detail":11,"format":11,"version":4},"He recounted his experiences as follows",{"mode":17,"text":10512,"type":19,"style":10,"detail":11,"format":222,"version":4},": “I really felt welcome there. It is nice to have people show me around and help me translate and also give me further connections. (…) In the end, I couldn’t find out where the actual house or vineyard of my ancestors was, but I somehow could imagine how it looked. Also, I got in contact with Marianne Frank, who is the project director at the ",{"type":90,"fields":10514,"format":10,"indent":11,"version":95,"children":10516,"direction":20},{"url":10515,"newTab":153,"linkType":94},"https://www.wmf.org/projects/m%C3%A1d-synagogue",[10517],{"mode":17,"text":10518,"type":19,"style":10,"detail":11,"format":222,"version":4},"synagogue",{"mode":17,"text":10520,"type":19,"style":10,"detail":11,"format":222,"version":4}," in Mád. With her help, I hope to find out more about the location of the vineyards and the family house of my ancestors. (…) The photos I made in the village are more like symbolic pictures that I was kind of trying to figure out how I could visualize this whole project.”",{"type":14,"format":10,"indent":11,"version":4,"children":10522,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":10524,"direction":20,"textStyle":10,"textFormat":11},[10525,10527,10528],{"mode":17,"text":10526,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the end of his presentation Rod stressed that ",{"mode":17,"text":10392,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10529,"type":19,"style":10,"detail":11,"format":11,"version":4}," is not a linear project, but more of a constellation, and the goal is not to reconstruct Stein’s life, but to reimagine the spaces where memory, philosophy and place intersect. Tim plans to continue his research in Switzerland, where he currently lives. He will visit the university archives and the house where Stein lived to see how the academic institutions remember him. He also plans on travelling to Berlin to conduct further investigations into Stein’s editorial work, political writings and his correspondence during his final decades. Rod aims to travel to Vienna as well, where Ludwig Stein’s name appeared in the context of political negotiations. He hopes to find further traces of his influence in the National Library, and among archived Austro-Hungarian diplomatic documents. And ultimately, he seeks to follow threads of family connections, exploring not only where Stein was present, but also where he was absent from.",{"type":14,"format":10,"indent":11,"version":4,"children":10531,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10533,"direction":20,"textStyle":10,"textFormat":11},[10534,10536,10538,10540,10542],{"mode":17,"text":10535,"type":19,"style":10,"detail":11,"format":11,"version":4},"Finally, Tim drew attention to a panoramic landscape photograph he had taken in Erdőbénye, which was also displayed in print at the entrance of the auditorium. The photo shows a disused quarry – he was particularly interested in the story behind the site. Locals told him that the workers had once dug so deep that water began to rise from the ground, eventually filling the entire area within two days. As a result, they were forced to leave some of their equipment behind, which now lies hidden beneath the surface. ",{"mode":17,"text":10537,"type":19,"style":10,"detail":11,"format":222,"version":4},"“For me, this photo is a bit like a symbolic image of information that is still under the surface and that I hope to dig up in the next weeks and months” ",{"mode":17,"text":10539,"type":19,"style":10,"detail":11,"format":11,"version":4},"— ",{"mode":17,"text":10541,"type":19,"style":10,"detail":11,"format":222,"version":4},"s",{"mode":17,"text":10543,"type":19,"style":10,"detail":11,"format":11,"version":4},"aid the photographer.",{"type":14,"format":10,"indent":11,"version":4,"children":10545,"direction":20,"textStyle":10,"textFormat":11},[10546],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10548,"direction":20,"textStyle":10,"textFormat":11},[10549],{"mode":17,"text":10550,"type":19,"style":10,"detail":11,"format":11,"version":4},"Images © Tim Rod","2026-10-14T15:39:43.538Z","2026-03-27T13:22:46.424Z","01/04/2025",[],[],[],{"docs":10558,"hasNextPage":153},[],{"docs":10560,"hasNextPage":153},[],"2026-10-12T14:27:55.809Z","2026-03-26T15:20:14.537Z",[],{"id":95,"title":1912,"city":2928,"content":10565,"gallery":10571,"updatedAt":2967,"createdAt":2967},{"root":10566},{"type":9,"format":10,"indent":11,"version":4,"children":10567,"direction":20},[10568],{"type":14,"format":10,"indent":11,"version":4,"children":10569,"direction":20,"textStyle":10,"textFormat":11},[10570],{"mode":17,"text":2935,"type":19,"style":10,"detail":11,"format":11,"version":4},[10572,10578],{"id":2938,"image":10573},{"id":2940,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2941,"createdAt":2941,"url":2942,"thumbnailURL":20,"filename":2943,"mimeType":163,"filesize":2944,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":10574},{"thumb":10575,"medium":10576,"large":10577},{"url":2947,"width":171,"height":2901,"mimeType":163,"filesize":2948,"filename":2949},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2953,"image":10579},{"id":2955,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2956,"createdAt":2956,"url":2957,"thumbnailURL":20,"filename":2958,"mimeType":163,"filesize":2959,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":10580},{"thumb":10581,"medium":10582,"large":10583},{"url":2962,"width":171,"height":2920,"mimeType":163,"filesize":2963,"filename":2964},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":10330,"is_residency_story":93,"kind_of_residency_story":150,"title":10331,"slug":10332,"archived":153,"created_on":8810,"updated_on":10333,"published_on":10334,"thumbnail":10585,"author":10336,"date_of_publication":10337,"teaser":10338,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":10607,"video":10,"corresponding_event":20,"artist_name":10058,"reference_artist":10608,"residency_location":10341,"year":8817,"layout_type":252,"content":10633,"updatedAt":10551,"createdAt":10552},{"id":10335,"alt":20,"originalUrl":10586,"uploaded_by":10056,"updatedAt":10587,"createdAt":10588,"url":10589,"thumbnailURL":20,"filename":10590,"mimeType":163,"filesize":10591,"width":10592,"height":3402,"focalX":167,"focalY":167,"sizes":10593},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ecaf90d875452748f2_6825974fc1ba9706786c3999_1.TimRod%25C2%25A9.jpeg","2026-06-19T14:05:53.354Z","2026-03-27T14:04:39.131Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-thumb-1.webp","prophetic-futures-by-tim-rod-thumb-1.webp",1124856,3508,{"thumb":10594,"medium":10598,"large":10602},{"url":10595,"width":171,"height":9873,"mimeType":163,"filesize":10596,"filename":10597},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-thumb-1-300x202.webp",8516,"prophetic-futures-by-tim-rod-thumb-1-300x202.webp",{"url":10599,"width":177,"height":9878,"mimeType":163,"filesize":10600,"filename":10601},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-thumb-1-1200x808.webp",117518,"prophetic-futures-by-tim-rod-thumb-1-1200x808.webp",{"url":10603,"width":183,"height":10604,"mimeType":163,"filesize":10605,"filename":10606},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-thumb-1-2400x1616.webp",1616,484968,"prophetic-futures-by-tim-rod-thumb-1-2400x1616.webp",[10340],{"id":10056,"profile_types":10609,"is_member":153,"name":10058,"slug":10059,"archived":153,"created_on":10060,"updated_on":10061,"published_on":10061,"biography":10610,"e_mail":10069,"profile_image":10071,"website":10086,"instagram":10087,"first_name":10088,"last_name":10089,"kind_of_profile":218,"tags_profession":10616,"tags_identity":10617,"tags_location":10618,"tags_practice":10619,"tags_topics":10620,"born_in":10118,"street_address":10,"city":10119,"country":10,"corresponding_member":10621,"member_additional":10622,"corresponding_art_projects":10623,"corresponding_selected_year":10624,"reference_residency":10330,"date_of_residency":10553,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":10625,"curation_reference":10626,"past_member":20,"approved_courses":10627,"tutor_courses":10628,"guest_expert_courses":10630,"updatedAt":10561,"createdAt":10562,"email":10069,"collection":248,"sessions":10632},[198],{"root":10611},{"type":9,"format":10,"indent":11,"version":4,"children":10612,"direction":1112},[10613],{"type":14,"version":4,"children":10614},[10615],{"text":10068,"type":19,"version":4},[99,220],[4],[1298,226],[229,99,1124,475,231,471,1123,477],[232,1298,1295,231],[10122],[],[3510,524],[10304],[],[],[],{"docs":10629,"hasNextPage":153},[],{"docs":10631,"hasNextPage":153},[],[],[10634,10646,10697,10716,10739,10762,10769,10795,10827],{"id":10344,"text":10635,"blockName":20,"blockType":19},{"root":10636},{"type":9,"format":10,"indent":11,"version":4,"children":10637},[10638],{"type":14,"format":10,"indent":11,"version":4,"children":10639,"direction":20},[10640,10641,10645],{"mode":17,"text":10351,"type":19,"style":10,"detail":11,"format":11,"version":4},{"rel":8926,"url":10353,"type":90,"title":20,"fields":10642,"format":10,"indent":11,"target":20,"version":4,"children":10643,"direction":20},{"url":10353,"newTab":153,"linkType":94},[10644],{"mode":17,"text":10357,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10359,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":10361,"blockName":20,"images":10647,"blockType":323},[10648,10671],{"id":10364,"image":10649},{"id":10365,"alt":20,"originalUrl":10650,"uploaded_by":10056,"updatedAt":10651,"createdAt":10652,"url":10653,"thumbnailURL":20,"filename":10654,"mimeType":163,"filesize":10655,"width":10656,"height":10657,"focalX":167,"focalY":167,"sizes":10658},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68513315995368c5958eb288_9.TimRod%C2%A9.jpg","2026-06-19T14:05:49.763Z","2026-03-11T13:06:09.378Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-0.webp","prophetic-futures-by-tim-rod-s1-2-0.webp",3901336,4958,6197,{"thumb":10659,"medium":10663,"large":10667},{"url":10660,"width":171,"height":4326,"mimeType":163,"filesize":10661,"filename":10662},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-0-300x375.webp",26526,"prophetic-futures-by-tim-rod-s1-2-0-300x375.webp",{"url":10664,"width":177,"height":1897,"mimeType":163,"filesize":10665,"filename":10666},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-0-1200x1500.webp",422044,"prophetic-futures-by-tim-rod-s1-2-0-1200x1500.webp",{"url":10668,"width":183,"height":862,"mimeType":163,"filesize":10669,"filename":10670},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-0-2400x3000.webp",1464836,"prophetic-futures-by-tim-rod-s1-2-0-2400x3000.webp",{"id":10367,"image":10672},{"id":10368,"alt":20,"originalUrl":10673,"uploaded_by":10056,"updatedAt":10674,"createdAt":10675,"url":10676,"thumbnailURL":20,"filename":10677,"mimeType":163,"filesize":10678,"width":10679,"height":10680,"focalX":167,"focalY":167,"sizes":10681},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6851320e735e122a6df00982_TIM_6388.jpg","2026-06-19T14:05:50.374Z","2026-03-11T13:06:12.005Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-1.webp","prophetic-futures-by-tim-rod-s1-2-1.webp",1540342,3023,4840,{"thumb":10682,"medium":10687,"large":10692},{"url":10683,"width":171,"height":10684,"mimeType":163,"filesize":10685,"filename":10686},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-1-300x480.webp",480,6952,"prophetic-futures-by-tim-rod-s1-2-1-300x480.webp",{"url":10688,"width":177,"height":10689,"mimeType":163,"filesize":10690,"filename":10691},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-1-1200x1921.webp",1921,249694,"prophetic-futures-by-tim-rod-s1-2-1-1200x1921.webp",{"url":10693,"width":183,"height":10694,"mimeType":163,"filesize":10695,"filename":10696},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-s1-2-1-2400x3843.webp",3843,1118268,"prophetic-futures-by-tim-rod-s1-2-1-2400x3843.webp",{"id":10370,"text":10698,"blockName":20,"blockType":19},{"root":10699},{"type":9,"format":10,"indent":11,"version":4,"children":10700},[10701,10709,10711],{"type":14,"format":10,"indent":11,"version":4,"children":10702,"direction":20,"textStyle":10,"textFormat":11},[10703,10704,10708],{"mode":17,"text":10377,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":10705,"format":10,"indent":11,"version":95,"children":10706,"direction":20},{"url":10380,"newTab":153,"linkType":94},[10707],{"mode":17,"text":10214,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10384,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10710,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10712,"direction":20,"textStyle":10,"textFormat":11},[10713,10714,10715],{"mode":17,"text":10390,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10392,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10394,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":10396,"image":10717,"blockName":20,"blockType":381},{"id":10397,"alt":20,"originalUrl":10718,"uploaded_by":10056,"updatedAt":10719,"createdAt":10720,"url":10721,"thumbnailURL":20,"filename":10722,"mimeType":163,"filesize":10723,"width":10724,"height":10725,"focalX":167,"focalY":167,"sizes":10726},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ecaf90d875452748ef_6851321733445c40fc1a3ddf_3.TimRod%25C2%25A9.jpeg","2026-06-19T14:05:50.997Z","2026-03-11T13:09:25.990Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s2-img.webp","prophetic-futures-by-tim-rod-rs-s2-img.webp",1405080,4560,3648,{"thumb":10727,"medium":10731,"large":10735},{"url":10728,"width":171,"height":1901,"mimeType":163,"filesize":10729,"filename":10730},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s2-img-300x240.webp",9824,"prophetic-futures-by-tim-rod-rs-s2-img-300x240.webp",{"url":10732,"width":177,"height":1906,"mimeType":163,"filesize":10733,"filename":10734},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s2-img-1200x960.webp",119762,"prophetic-futures-by-tim-rod-rs-s2-img-1200x960.webp",{"url":10736,"width":183,"height":9243,"mimeType":163,"filesize":10737,"filename":10738},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s2-img-2400x1920.webp",483914,"prophetic-futures-by-tim-rod-rs-s2-img-2400x1920.webp",{"id":10399,"text":10740,"blockName":20,"blockType":19},{"root":10741},{"type":9,"format":10,"indent":11,"version":4,"children":10742},[10743,10746,10748],{"type":14,"format":10,"indent":11,"version":4,"children":10744,"direction":20,"textStyle":10,"textFormat":11},[10745],{"mode":17,"text":10406,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10747,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10749,"direction":20,"textStyle":10,"textFormat":11},[10750,10751,10755,10756,10760,10761],{"mode":17,"text":10412,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":10752,"format":10,"indent":11,"version":95,"children":10753,"direction":20},{"url":10415,"newTab":153,"linkType":94},[10754],{"mode":17,"text":10418,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10420,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":10757,"format":10,"indent":11,"version":95,"children":10758,"direction":20},{"url":10423,"newTab":153,"linkType":94},[10759],{"mode":17,"text":10426,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10428,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10430,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":10432,"quote":10763,"blockName":20,"blockType":333},{"root":10764},{"type":9,"format":10,"indent":11,"version":4,"children":10765,"direction":20},[10766],{"type":14,"format":10,"indent":11,"version":4,"children":10767,"direction":20,"textStyle":10,"textFormat":222},[10768],{"mode":17,"text":10439,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":10441,"text":10770,"blockName":20,"blockType":19},{"root":10771},{"type":9,"format":10,"indent":11,"version":4,"children":10772,"direction":20},[10773,10790,10792],{"type":14,"format":10,"indent":11,"version":4,"children":10774,"direction":20,"textStyle":10,"textFormat":11},[10775,10776,10780,10781,10782,10783,10784,10785,10786,10787,10788,10789],{"mode":17,"text":10448,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":10777,"format":10,"indent":11,"version":95,"children":10778,"direction":20},{"url":10451,"newTab":153,"linkType":94},[10779],{"mode":17,"text":10454,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10456,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10459,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10462,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10465,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10468,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10470,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10791,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":10793,"direction":20,"textStyle":10,"textFormat":11},[10794],{"mode":17,"text":10476,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":10478,"blockName":20,"images":10796,"blockType":323},[10797,10812],{"id":10481,"image":10798},{"id":10482,"alt":20,"originalUrl":10799,"uploaded_by":10056,"updatedAt":10800,"createdAt":10801,"url":10802,"thumbnailURL":20,"filename":10803,"mimeType":163,"filesize":10804,"width":529,"height":2092,"focalX":167,"focalY":167,"sizes":10805},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68790d808aae1e7f47b33989_8.TimRod%C2%A9-p-800.jpg","2026-06-19T14:05:51.520Z","2026-03-11T13:09:26.710Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s3-2-0.webp","prophetic-futures-by-tim-rod-rs-s3-2-0.webp",30338,{"thumb":10806,"medium":10810,"large":10811},{"url":10807,"width":171,"height":4326,"mimeType":163,"filesize":10808,"filename":10809},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s3-2-0-300x375.webp",5656,"prophetic-futures-by-tim-rod-rs-s3-2-0-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":10484,"image":10813},{"id":10485,"alt":20,"originalUrl":10814,"uploaded_by":10056,"updatedAt":10815,"createdAt":10816,"url":10817,"thumbnailURL":20,"filename":10818,"mimeType":163,"filesize":10819,"width":529,"height":2092,"focalX":167,"focalY":167,"sizes":10820},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68790d806555a18c68223bb8_12.TimRod%C2%A9-p-800.jpg","2026-06-19T14:05:52.099Z","2026-03-11T13:09:27.424Z","https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s3-2-1.webp","prophetic-futures-by-tim-rod-rs-s3-2-1.webp",63002,{"thumb":10821,"medium":10825,"large":10826},{"url":10822,"width":171,"height":4326,"mimeType":163,"filesize":10823,"filename":10824},"https://futures-backend-unstated-int.vercel.app/api/media/file/prophetic-futures-by-tim-rod-rs-s3-2-1-300x375.webp",13150,"prophetic-futures-by-tim-rod-rs-s3-2-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":10487,"text":10828,"blockName":20,"blockType":19},{"root":10829},{"type":9,"format":10,"indent":11,"version":4,"children":10830},[10831,10836,10838,10851,10853,10858,10860,10867,10870],{"type":14,"format":10,"indent":11,"version":4,"children":10832,"direction":20,"textStyle":10,"textFormat":11},[10833,10834,10835],{"mode":17,"text":10494,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10496,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10498,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10837,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10839,"direction":20,"textStyle":10,"textFormat":11},[10840,10841,10842,10843,10844,10845,10846,10850],{"mode":17,"text":10504,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10507,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10510,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10512,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":90,"fields":10847,"format":10,"indent":11,"version":95,"children":10848,"direction":20},{"url":10515,"newTab":153,"linkType":94},[10849],{"mode":17,"text":10518,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10520,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10852,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":10854,"direction":20,"textStyle":10,"textFormat":11},[10855,10856,10857],{"mode":17,"text":10526,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10392,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10529,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10859,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":10861,"direction":20,"textStyle":10,"textFormat":11},[10862,10863,10864,10865,10866],{"mode":17,"text":10535,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10537,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10539,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":10541,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":10543,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10868,"direction":20,"textStyle":10,"textFormat":11},[10869],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":10871,"direction":20,"textStyle":10,"textFormat":11},[10872],{"mode":17,"text":10550,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":10874,"artist":10875,"residency_location":11125,"year_of_residency":8817,"article":11145},"6ab53527524b378872b3fed5",{"id":9363,"profile_types":10876,"is_member":153,"name":10877,"slug":10878,"archived":153,"created_on":10879,"updated_on":10880,"published_on":10880,"biography":10881,"e_mail":10888,"profile_image":10889,"website":10903,"instagram":10904,"first_name":10905,"last_name":10906,"kind_of_profile":218,"tags_profession":10907,"tags_identity":10910,"tags_location":10912,"tags_practice":10915,"tags_topics":10917,"born_in":10,"street_address":20,"city":10921,"country":20,"corresponding_member":10922,"member_additional":10948,"corresponding_art_projects":10949,"corresponding_selected_year":11019,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":11115,"curation_reference":11116,"past_member":20,"approved_courses":11117,"tutor_courses":11118,"guest_expert_courses":11120,"updatedAt":11122,"createdAt":11123,"email":10888,"collection":248,"sessions":11124},[198],"Julius Thissen","julius-thissen","Thu Jan 30 2025 14:57:17 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:45:25 GMT+0000 (Coordinated Universal Time)",{"root":10882},{"type":9,"format":10,"indent":11,"version":4,"children":10883},[10884],{"type":14,"format":10,"version":4,"children":10885,"textFormat":11},[10886],{"text":10887,"type":19,"version":4},"Julius Thissen (1993, the Netherlands) lives and works in Arnhem, NL. Their work investigates themes of community and representation, masculinity, sports, and competition. Originating from their background as a performance artist, Thissen's photographic practice aims to create narratives that explore the fine line between performing and failing. These themes are closely tied to contemporary performance-driven culture and the influence of societal expectations on behavior. Their work is deeply rooted in personal experiences as a genderqueer and transmasculine individual. Thissen strongly opposes the restrictive and often binary narratives imposed on transgender and queer individuals. Thissen has been nominated for the Hendrik Valk Prize, Arnhemse Nieuwe, and the Warsteiner Blooom Awards. In 2023, they received the Artist Basis Fund and, more recently, a Mondriaan Fund Artist Project Grant for their new project Bones of Graphene, Skin of Kevlar.","studiojuliusthissen@outlook.com",{"id":10890,"alt":20,"originalUrl":10891,"uploaded_by":9363,"updatedAt":10892,"createdAt":10892,"url":10893,"thumbnailURL":20,"filename":10894,"mimeType":163,"filesize":10895,"width":1906,"height":435,"focalX":167,"focalY":167,"sizes":10896},14079,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67ab1e4177e463298a77d407_IMG_9734%2BLarge.avif","2026-06-19T14:23:42.335Z","https://futures-backend-unstated-int.vercel.app/api/media/file/julius-thissen-profile-2.webp","julius-thissen-profile-2.webp",55434,{"thumb":10897,"medium":10901,"large":10902},{"url":10898,"width":171,"height":867,"mimeType":163,"filesize":10899,"filename":10900},"https://futures-backend-unstated-int.vercel.app/api/media/file/julius-thissen-profile-2-300x400.webp",13486,"julius-thissen-profile-2-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://studiojuliusthissen.com/","https://www.instagram.com/juliusthissen?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==","Julius","Thissen",[10908,10909],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":1295,"name":3052,"slug":3053,"updatedAt":3054,"createdAt":3054},[10911],{"id":95,"name":8205,"slug":8206,"updatedAt":8207,"createdAt":8208},[10913,10914],{"id":9300,"name":9301,"slug":9302,"updatedAt":9303,"createdAt":9304},{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},[10916],{"id":231,"name":5055,"slug":5056,"updatedAt":5057,"createdAt":5057},[10918,10919,10920],{"id":233,"name":6481,"slug":6482,"updatedAt":6483,"createdAt":6483},{"id":479,"name":8223,"slug":8224,"updatedAt":8225,"createdAt":8226},{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},"Arnhem",[10923],{"id":9323,"profile_types":10924,"is_member":93,"name":9325,"slug":9326,"archived":153,"created_on":9327,"updated_on":9328,"published_on":1280,"biography":10925,"e_mail":9336,"profile_image":9337,"website":9338,"instagram":9339,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":10931,"tags_identity":10932,"tags_location":10933,"tags_practice":10934,"tags_topics":10935,"born_in":20,"street_address":10,"city":9345,"country":9301,"corresponding_member":10936,"member_additional":10937,"corresponding_art_projects":10938,"corresponding_selected_year":10939,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":10940,"curation_reference":10941,"past_member":153,"approved_courses":10942,"tutor_courses":10943,"guest_expert_courses":10945,"updatedAt":9379,"createdAt":9380,"email":9336,"collection":248,"sessions":10947},[1959],{"root":10926},{"type":9,"format":10,"indent":11,"version":4,"children":10927},[10928],{"type":14,"version":4,"children":10929},[10930],{"text":9335,"type":19,"version":4},[],[],[],[],[],[],[],[],[],[9237,9351,9352,9353,9354,9355,9356,9357,9358,9359,9360,435,9361,9362,9363,9364,9365,9366,9367,9368,9369,9370,9371,9372],[],[],{"docs":10944,"hasNextPage":153},[],{"docs":10946,"hasNextPage":153},[],[],[],[10950],{"id":10951,"name_of_project":10952,"slug":10953,"archived":153,"created_on":10954,"updated_on":10955,"published_on":10955,"thumbnail_image":10956,"date":3666,"artwork_description":10957,"artworks":10971,"corresponding_artist":11012,"tags_topics":11013,"tags_location":11014,"tags_practice":11015,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":11016,"createdAt":11017,"artworks_gallery":11018},117,"Bones of Graphene, Skin of Kevlar","bones-of-graphene-skin-of-kevlar","Thu Jan 30 2025 15:07:48 GMT+0000 (Coordinated Universal Time)","Tue Jun 24 2025 08:52:25 GMT+0000 (Coordinated Universal Time)",2856,{"root":10958},{"type":9,"format":10,"indent":11,"version":4,"children":10959},[10960,10964,10967],{"type":14,"version":4,"children":10961},[10962],{"text":10963,"type":19,"version":4},"Thissen is working on an extensive visual research project titled Watch it Collapse. The project explores the stagnation in the safety and emancipation of transgender individuals. This four-year research focuses on transgender and queer visibility, with a particular emphasis on the dystopian political climate of our time. After all, transgender and queer visibility does not exist in a vacuum; it is inherently intersectional.",{"type":14,"version":4,"children":10965},[10966],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":10968},[10969],{"text":10970,"type":19,"version":4},"The first chapter of this research, titled \"Old Money Never Dies\" (2023), focuses specifically on the issues surrounding the queer influencer and their power dynamics within capitalist systems. Thissen is currently working on the second chapter, titled \"Bones of Graphene, Skin of Kevlar\" (2024-ongoing). The project began with archival and visual research in New York in early 2024, centering on historical transgender resilience, STAR, and protests in NYC during the 1960s and 1970s. The primary focus is to visualize the impact of rising global far-right politics and sentiments, contrasted with the enduring resilience and fighting spirit of trans individuals across generations.“With this work, my goal is to create strong contemporary transgender figures and symbolic still lifes that channel the ancestral power of our queer elders to push back against the dangers of our time. I want to capture and translate the tensions and threats we are facing. In a time marked by fear-mongering, media manipulation, attacks and bans on gender-affirming healthcare, and an increasing detachment from factual reality, it is vital to develop strategies for staying safe and resilient, without losing the ability to remain soft and true to who we are.”",[10972,10974,10977,10980,10983,10986,10989,10992,10995,10997,11000,11003,11006,11009],{"id":10973,"image":1423},"6a355b22e57d0fdcefaa955f",{"id":10975,"image":10976},"6a355b22e57d0fdcefaa9560",2849,{"id":10978,"image":10979},"6a355b22e57d0fdcefaa9561",2850,{"id":10981,"image":10982},"6a355b22e57d0fdcefaa9562",2851,{"id":10984,"image":10985},"6a355b22e57d0fdcefaa9563",2852,{"id":10987,"image":10988},"6a355b22e57d0fdcefaa9564",2853,{"id":10990,"image":10991},"6a355b22e57d0fdcefaa9565",2854,{"id":10993,"image":10994},"6a355b22e57d0fdcefaa9566",2855,{"id":10996,"image":10956},"6a355b22e57d0fdcefaa9567",{"id":10998,"image":10999},"6a355b22e57d0fdcefaa9568",2857,{"id":11001,"image":11002},"6a355b22e57d0fdcefaa9569",2858,{"id":11004,"image":11005},"6a355b22e57d0fdcefaa956a",2859,{"id":11007,"image":11008},"6a355b22e57d0fdcefaa956b",2860,{"id":11010,"image":11011},"6a355b22e57d0fdcefaa956c",2861,[9363],[232,471],[3252],[],"2026-08-05T10:02:00.596Z","2026-03-10T15:35:25.666Z",[],[11020],{"id":11021,"curation_title":11022,"slug":11023,"archived":153,"created_on":11024,"updated_on":11025,"published_on":11026,"date":3666,"corresponding_member":11027,"introduction_text":11028,"curational_text":11042,"corresponding_artist":11108,"projects_selected":11110,"updatedAt":11113,"createdAt":11114},43,"FOTODOK 2025","fotodok-2025","Tue Jan 21 2025 09:23:47 GMT+0000 (Coordinated Universal Time)","Tue Apr 22 2025 07:25:02 GMT+0000 (Coordinated Universal Time)","Thu Apr 24 2025 12:10:19 GMT+0000 (Coordinated Universal Time)",[9323],{"root":11029},{"type":9,"format":10,"indent":11,"version":4,"children":11030},[11031,11035,11038],{"type":14,"version":4,"children":11032},[11033],{"text":11034,"type":19,"version":4},"Every year, a network of 18 leading photography institutions each select five emerging talents to take part in FUTURES. This European photography platform brings together the global photography community to support and nurture the professional development of emerging artists worldwide. For 2025, FOTODOK is proud to nominate: Angeniet Berkers, Benjamin Li, Julius Thissen, Parisa Aminolahi and Tashiya de Mel. They will each join the FUTURES community and network, which provides them with opportunities to showcase their work and participate in professional events.",{"type":14,"version":4,"children":11036},[11037],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11039},[11040],{"text":11041,"type":19,"version":4},"Employing a variety of different styles, the selected artists share multi-layered creative practices and innovative approaches to the medium of photography. Whether excavating forgotten histories, studying the impact of diasporic family relations or navigating trans and queer visibility in a polarised political climate, their works approach a range of pressing social questions, many of which are rooted in contemporary Dutch society; questions to which FOTODOK is committed.",{"root":11043},{"type":9,"format":10,"indent":11,"version":4,"children":11044},[11045,11049,11052,11056,11059,11063,11066,11070,11073,11077,11080,11084,11088,11092,11096,11100,11104],{"type":14,"version":4,"children":11046},[11047],{"text":11048,"type":19,"version":4},"Bones of Graphene, Skin of Kevlar is the second chapter in Julius Thissen’s visual research project, Watch it Collapse. Its primary focus is to visualise the impact of global far-right politics and sentiments, contrasted with the fighting spirit of trans individuals across generations. Vulnerable images are combined with symbols of masculinity and postures of resistance. Graphene, Skin of Kevlar expresses a need for resilience without losing the ability to be soft and true.",{"type":14,"version":4,"children":11050},[11051],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11053},[11054],{"text":11055,"type":19,"version":4},"Tashiya de Mel’s Bittersweet History reflects on Dutch-Sri Lankan colonial history and its absence from mainstream discussions of the Dutch empire. The VOC’s cinnamon trade violently transformed the landscape and culture of Sri Lanka, leaving traces that remain visible today. De Mel’s archival collages criticise this history, whilst images of the artists’ mother preparing sago pudding infused with cinnamon convey a more personal connection to this contested spice. De Mel uses a variety of media to subvert and reclaim colonial narratives, suggesting alternative ways of looking at a shared history.",{"type":14,"version":4,"children":11057},[11058],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11060},[11061],{"text":11062,"type":19,"version":4},"In 1935, Nazi Germany initiated a so-called “fertility programme” to provide the Third Reich with a new generation of leaders and SS officers. Angeniet Berker’s Lebensborn reveals both its broad scale and its human consequences: children born under this programme often lived a life of shame. The project serves as a timely warning of what our societies are capable of.",{"type":14,"version":4,"children":11064},[11065],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11067},[11068],{"text":11069,"type":19,"version":4},"Parisa Aminolahi's deeply personal work presents a generation of middle class Iranian parents – living alone, often continents apart from their children. Tehran Diary follows the artist’s mother’s life in Tehran, as well as while visiting her three children overseas. Applying black and white paint over her photographs, Aminolahi’s images connect love, family rituals and the concept of home, pondering what it means to lose these.",{"type":14,"version":4,"children":11071},[11072],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11074},[11075],{"text":11076,"type":19,"version":4},"Benjamin Li’s In Search of Perfect Orange is an archive that spans menus, pieces of tableware and written memories of his encounters while visiting over 1200 Chinese-Indonesian restaurants. His self-published Chin. Ind. Rest. Stickeralbum is a direct outcome of 10 years of travel between these restaurants. Benjamin’s resourceful, meticulous work results in a project that both confronts and honours a distinct cultural phenomena in the Netherlands.",{"type":14,"version":4,"children":11078},[11079],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11081},[11082],{"text":11083,"type":19,"version":4},"FOTODOK's 2025 nominations were curated by:",{"type":14,"version":4,"children":11085},[11086],{"text":11087,"type":19,"version":4},"Femke Rotteveel",{"type":14,"version":4,"children":11089},[11090],{"text":11091,"type":19,"version":4},"Daria Tuminas",{"type":14,"version":4,"children":11093},[11094],{"text":11095,"type":19,"version":4},"Yusser Salih",{"type":14,"version":4,"children":11097},[11098],{"text":11099,"type":19,"version":4},"Olga Victorie",{"type":14,"version":4,"children":11101},[11102],{"text":11103,"type":19,"version":4},"Eleonora Schianchi",{"type":14,"version":4,"children":11105},[11106],{"text":11107,"type":19,"version":4},"Iliana Michali",[9363,9360,9364,11109,9361],1234,[10951,4608,1767,11111,11112],701,343,"2026-08-17T13:40:39.645Z","2026-03-10T15:49:48.140Z",[],[],[],{"docs":11119,"hasNextPage":153},[],{"docs":11121,"hasNextPage":153},[],"2026-10-07T14:20:16.426Z","2026-03-26T15:15:04.723Z",[],{"id":222,"title":2877,"city":2878,"content":11126,"gallery":11132,"updatedAt":2925,"createdAt":2926},{"root":11127},{"type":9,"format":10,"indent":11,"version":4,"children":11128,"direction":20},[11129],{"type":14,"format":10,"indent":11,"version":4,"children":11130,"direction":20,"textStyle":10,"textFormat":11},[11131],{"mode":17,"text":2885,"type":19,"style":10,"detail":11,"format":11,"version":4},[11133,11139],{"id":2888,"image":11134},{"id":2890,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2891,"createdAt":2892,"url":2893,"thumbnailURL":20,"filename":2894,"mimeType":163,"filesize":2895,"width":2896,"height":2897,"focalX":167,"focalY":167,"sizes":11135},{"thumb":11136,"medium":11137,"large":11138},{"url":2900,"width":171,"height":2901,"mimeType":163,"filesize":2902,"filename":2903},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":2907,"image":11140},{"id":2909,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2910,"createdAt":2911,"url":2912,"thumbnailURL":20,"filename":2913,"mimeType":163,"filesize":2914,"width":2915,"height":2916,"focalX":167,"focalY":167,"sizes":11141},{"thumb":11142,"medium":11143,"large":11144},{"url":2919,"width":171,"height":2920,"mimeType":163,"filesize":2921,"filename":2922},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11146,"is_residency_story":93,"kind_of_residency_story":150,"title":11147,"slug":11148,"archived":153,"created_on":8810,"updated_on":11149,"published_on":10334,"thumbnail":11150,"author":7786,"date_of_publication":11164,"teaser":11165,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":11166,"video":10,"corresponding_event":20,"artist_name":10877,"reference_artist":11167,"residency_location":2877,"year":8817,"layout_type":496,"content":11192,"updatedAt":11427,"createdAt":11428},482,"Moving Towards Representation - Julius Thissen in Conversation with Ieva Raudsepa","moving-towards-representation----an-interview-with-julius-thissen","Mon Dec 01 2025 15:42:59 GMT+0000 (Coordinated Universal Time)",{"id":11151,"alt":20,"originalUrl":11152,"uploaded_by":9363,"updatedAt":11153,"createdAt":11154,"url":11155,"thumbnailURL":20,"filename":11156,"mimeType":163,"filesize":11157,"width":1514,"height":177,"focalX":167,"focalY":167,"sizes":11158},13781,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec1308c86e27d93d63_67e56ba6528b695939fb9662_Thissen-Julius-_Bones%2520of%2520Graphene%252C%2520Skin%2520of%2520Kevlar%2520-Vigilant%2520Furrows%2520Keep%2520The%2520Score%2520%25232_-2025.jpeg","2026-06-19T14:05:43.126Z","2026-03-27T14:04:30.867Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-thumb.webp","moving-towards-representation----an-interview-with-julius-thissen-thumb.webp",88548,{"thumb":11159,"medium":11162,"large":11163},{"url":11160,"width":171,"height":867,"mimeType":163,"filesize":2643,"filename":11161},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-thumb-300x400.webp","moving-towards-representation----an-interview-with-julius-thissen-thumb-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"2025-06-18T12:00:00.000Z","In their research-based art practice, Julius Thissen investigates the history and ethics in the representation of transgender people.",[447],{"id":9363,"profile_types":11168,"is_member":153,"name":10877,"slug":10878,"archived":153,"created_on":10879,"updated_on":10880,"published_on":10880,"biography":11169,"e_mail":10888,"profile_image":10890,"website":10903,"instagram":10904,"first_name":10905,"last_name":10906,"kind_of_profile":218,"tags_profession":11175,"tags_identity":11176,"tags_location":11177,"tags_practice":11178,"tags_topics":11179,"born_in":10,"street_address":20,"city":10921,"country":20,"corresponding_member":11180,"member_additional":11181,"corresponding_art_projects":11182,"corresponding_selected_year":11183,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":11184,"curation_reference":11185,"past_member":20,"approved_courses":11186,"tutor_courses":11187,"guest_expert_courses":11189,"updatedAt":11122,"createdAt":11123,"email":10888,"collection":248,"sessions":11191},[198],{"root":11170},{"type":9,"format":10,"indent":11,"version":4,"children":11171},[11172],{"type":14,"format":10,"version":4,"children":11173,"textFormat":11},[11174],{"text":10887,"type":19,"version":4},[220,1295],[95],[9300,226],[231],[233,479,232],[9323],[],[10951],[11021],[],[],[],{"docs":11188,"hasNextPage":153},[],{"docs":11190,"hasNextPage":153},[],[],[11193,11202,11239,11262,11283,11306,11323,11361,11384,11407,11418],{"id":11194,"text":11195,"blockName":20,"blockType":19},"6a354cb78c91db2725ffb689",{"root":11196},{"type":9,"format":10,"indent":11,"version":4,"children":11197},[11198],{"type":14,"format":10,"indent":11,"version":4,"children":11199,"direction":20},[11200],{"mode":17,"text":11201,"type":19,"style":10,"detail":11,"format":11,"version":4},"The work of Julius Thissen is focused on transgender visibility in contemporary art and media. In their research-based art practice, Thissen investigates the history and ethics in the representation of transgender people. Their work aims to counter stereotypes and binaries that often prevail in the portrayal of trans individuals. Thissen spent the last month in Riga as a FUTURES resident at ISSP. We met up to speak about their time at the residency, the artistic vision and the political significance behind their work.",{"id":11203,"blockName":20,"images":11204,"blockType":323},"6a354cb78c91db2725ffb68c",[11205,11222],{"id":11206,"image":11207},"6a354cb78c91db2725ffb68a",{"id":11208,"alt":20,"originalUrl":11209,"uploaded_by":9363,"updatedAt":11210,"createdAt":11211,"url":11212,"thumbnailURL":20,"filename":11213,"mimeType":163,"filesize":11214,"width":1514,"height":177,"focalX":167,"focalY":167,"sizes":11215},13481,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68513e5dc9b74638ed230e36_Thissen-Julius-_Bones%20of%20Graphene%20Skin%20of%20Kevlar-%20A%20Face%20of%20Marble%20%231_2024.jpg","2026-06-19T14:05:37.908Z","2026-03-11T13:00:31.510Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-s1-2-0.webp","moving-towards-representation----an-interview-with-julius-thissen-s1-2-0.webp",5552,{"thumb":11216,"medium":11220,"large":11221},{"url":11217,"width":171,"height":867,"mimeType":163,"filesize":11218,"filename":11219},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-s1-2-0-300x400.webp",1194,"moving-towards-representation----an-interview-with-julius-thissen-s1-2-0-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11223,"image":11224},"6a354cb78c91db2725ffb68b",{"id":11225,"alt":20,"originalUrl":11226,"uploaded_by":9363,"updatedAt":11227,"createdAt":11228,"url":11229,"thumbnailURL":20,"filename":11230,"mimeType":163,"filesize":11231,"width":1514,"height":177,"focalX":167,"focalY":167,"sizes":11232},13482,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68513e6f5da8e13efebfcf13_Thissen-Julius-_Bones%20of%20Graphene%2C%20Skin%20of%20Kevlar%20-%20A%20Dagger%20That%20Will%20Surely%20Dissolve_-2025.jpg","2026-06-19T14:05:38.927Z","2026-03-11T13:00:33.025Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-s1-2-1.webp","moving-towards-representation----an-interview-with-julius-thissen-s1-2-1.webp",26472,{"thumb":11233,"medium":11237,"large":11238},{"url":11234,"width":171,"height":867,"mimeType":163,"filesize":11235,"filename":11236},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-s1-2-1-300x400.webp",5142,"moving-towards-representation----an-interview-with-julius-thissen-s1-2-1-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11240,"blockName":20,"blockType":539,"qa":11241},"6aba3071d9be533e3d0eeae2",{"question":11242,"answer":11243},"You’ve spent the last month in Riga as a FUTURES resident artist at ISSP. Can tell me a bit about what you have been working on here at the residency?",{"root":11244},{"type":9,"format":10,"indent":11,"version":4,"children":11245,"direction":20},[11246,11250,11252,11256,11258],{"type":14,"format":10,"indent":11,"version":4,"children":11247,"direction":20,"textStyle":10,"textFormat":11},[11248],{"mode":17,"text":11249,"type":19,"style":10,"detail":11,"format":11,"version":4},"I arrived with two focus points. One was to connect to the local trans and queer community and to have conversations with them. I met up with trans and queer people who also identify as activists and are trying to make changes or to create community and gathering moments. I was very happy to speak to them and hear more about their context and their visions, trans emancipation and trans rights. Out of respect, I won’t share the things that struck me or that I heard from them as these are rather sensitive subjects and I don’t think it would be right for me to speak about that after being here for a month. But I’m very grateful that they were so generous with their time to share their visions, ideas and experiences with me.",{"type":14,"format":10,"indent":11,"version":4,"children":11251,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11253,"direction":20,"textStyle":10,"textFormat":11},[11254],{"mode":17,"text":11255,"type":19,"style":10,"detail":11,"format":11,"version":4},"Next to that, I’m working on a big photo project. It has a lot of research in it and also connects to my conversations here. I recently shot photographic material for a new character for that project. I spent most of my time here editing and seeing how that connects to the bigger photo series that I’ve been working on.",{"type":14,"format":10,"indent":11,"version":4,"children":11257,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11259,"direction":20,"textStyle":10,"textFormat":11},[11260],{"mode":17,"text":11261,"type":19,"style":10,"detail":11,"format":11,"version":4},"Those things combined led to an artist talk in Riga. That was a really nice way for me to talk about trans visibility in a Latvian context and to have people in the room who weren’t familiar with trans people in general or trans visibility history from a Dutch perspective. The talk initiated amazing conversations and connections.",{"id":11263,"image":11264,"blockName":20,"blockType":381},"6a354cb78c91db2725ffb68e",{"id":11265,"alt":20,"originalUrl":11266,"uploaded_by":9363,"updatedAt":11267,"createdAt":11268,"url":11269,"thumbnailURL":20,"filename":11270,"mimeType":163,"filesize":11271,"width":3402,"height":11272,"focalX":167,"focalY":167,"sizes":11273},13626,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec1308c86e27d93d5f_6851412d74137da26c425707_Thissen-Julius-_Bones%2520of%2520Graphene%252C%2520Skin%2520of%2520Kevlar%2520-%2520Echo%2520Echo%2520%25231_-2025.jpeg","2026-06-19T14:05:39.832Z","2026-03-11T13:09:13.121Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img.webp","moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img.webp",570834,3150,{"thumb":11274,"medium":11278,"large":11282},{"url":11275,"width":171,"height":867,"mimeType":163,"filesize":11276,"filename":11277},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img-300x400.webp",6942,"moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img-300x400.webp",{"url":11279,"width":177,"height":534,"mimeType":163,"filesize":11280,"filename":11281},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img-1200x1600.webp",115204,"moving-towards-representation----an-interview-with-julius-thissen-rs-s2-img-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11284,"blockName":20,"blockType":539,"qa":11285},"6aba30aad9be533e3d0eeae3",{"question":11286,"answer":11287},"Your background is in performance so I wanted to ask what interests you in photography as a medium and how performance has informed the type of images that you’ve developed?",{"root":11288},{"type":9,"format":10,"indent":11,"version":4,"children":11289,"direction":20},[11290,11294,11296,11300,11302],{"type":14,"format":10,"indent":11,"version":4,"children":11291,"direction":20,"textStyle":10,"textFormat":11},[11292],{"mode":17,"text":11293,"type":19,"style":10,"detail":11,"format":11,"version":4},"When I graduated [from art school], I made durational performances about Western toxic masculinity, which I would document in film and the film would be the end result. I spent four years making these films with my muse, also a man. In that work we would reenact toxic masculine stereotypes and look for our physical or our emotional limits. The performances were successful: there was an audience for them and they were doing well for me from a career perspective. At a certain moment I was feeling like the process was becoming a bit repetitive and I was also bumping into some technical limits with film as you can only manipulate it so far.",{"type":14,"format":10,"indent":11,"version":4,"children":11295,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11297,"direction":20,"textStyle":10,"textFormat":11},[11298],{"mode":17,"text":11299,"type":19,"style":10,"detail":11,"format":11,"version":4},"I have a background in photography from my study days. At the time, I was considering becoming a fashion photographer, but then after spending time in Paris in 2013 for an internship I discovered that for me, a feminist, the fashion industry doesn’t fit with my ideals. Plus, my art school really kind of frowned upon everything that had to do with aesthetics and fashion if it was shiny and polished. They didn’t want anything to do with it and didn’t believe it was art. Eventually I started performing and making these films, but slowly, four years after graduating I started moving back to photography. Now, ten years later, I really embrace my background in fashion photography. I use that aesthetic language and costume history as a way to lure people into my images. At first glance, my images might seem as shiny editorial looking photographs, but then once you are in, it turns out that it’s socially and politically loaded work. I use it as a tactic to say — come, look at the shiny aesthetic work, but then really start talking about feminist topics, trans rights and political power structures.",{"type":14,"format":10,"indent":11,"version":4,"children":11301,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11303,"direction":20,"textStyle":10,"textFormat":11},[11304],{"mode":17,"text":11305,"type":19,"style":10,"detail":11,"format":11,"version":4},"That’s why I moved to photography again. I also love how much you can manipulate a photo. I can take a picture and completely mutate the person who I’m portraying or do it to my own body. You can have a lot of control over a photographic image — it’s been a lot of fun trying to master that and make it my own.",{"id":11307,"blockName":20,"blockType":539,"qa":11308},"6aba30d7d9be533e3d0eeae4",{"question":11309,"answer":11310},"Speaking about fashion — what do you think draws you to it? It is an industry that is very tied to capitalism and body image.",{"root":11311},{"type":9,"format":10,"indent":11,"version":4,"children":11312,"direction":20},[11313,11317,11319],{"type":14,"format":10,"indent":11,"version":4,"children":11314,"direction":20,"textStyle":10,"textFormat":11},[11315],{"mode":17,"text":11316,"type":19,"style":10,"detail":11,"format":11,"version":4},"I studied in ArtEZ in Arnhem and the school has a fashion department. I really connected with the students from the fashion department because of their work ethic and because it was one of the only places in the school where people were thinking about identity. I was in the fine arts department and back in the day identity was really not a thing, it was not something that you would make work about. I was looking at the fashion students and how they were creating amazing visual storytelling moments: it was way more than the clothing you see in the fast fashion industry. There I also met my longtime collaborator Joris Suk, who runs the fashion house MAISON the FAUX together with Tessa de Boer. We grew up together artistically and have been working on each other’s projects since. We believe in the potential of fashion as a political tool to question identity and power relations.",{"type":14,"format":10,"indent":11,"version":4,"children":11318,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11320,"direction":20,"textStyle":10,"textFormat":11},[11321],{"mode":17,"text":11322,"type":19,"style":10,"detail":11,"format":11,"version":4},"Costume history tells a very interesting societal story. A bespoke suit can tell you a lot about how masculinity has developed in relation to politics. The suit is a piece of clothing, but it speaks about power and corporate identity. If you look at a corset, it tells a story about women’s rights, emancipation, and liberation. I’m interested in costume history as a way of navigating the times and seeing how have things changed. The shaping of identity also goes together with expressing oneself with what you wear. I think that there is a lot of potential in playing very thoughtfully with all of these coded materials and then making them your own. For instance, if I, as a trans masculine person, decide to put on a corset in this day and age — what does that mean?",{"id":11324,"blockName":20,"images":11325,"blockType":323},"6a354cb78c91db2725ffb692",[11326,11344],{"id":11327,"image":11328},"6a354cb78c91db2725ffb690",{"id":11329,"alt":20,"originalUrl":11330,"uploaded_by":9363,"updatedAt":11331,"createdAt":11332,"url":11333,"thumbnailURL":20,"filename":11334,"mimeType":163,"filesize":11335,"width":529,"height":11336,"focalX":167,"focalY":167,"sizes":11337},13627,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6879041d79cf6d6a2b8da20c_Thissen-Julius--p-800.jpeg","2026-06-19T14:05:40.883Z","2026-03-11T13:09:13.929Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-0.webp","moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-0.webp",52142,1067,{"thumb":11338,"medium":11342,"large":11343},{"url":11339,"width":171,"height":867,"mimeType":163,"filesize":11340,"filename":11341},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-0-300x400.webp",12324,"moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-0-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11345,"image":11346},"6a354cb78c91db2725ffb691",{"id":11347,"alt":20,"originalUrl":11348,"uploaded_by":9363,"updatedAt":11349,"createdAt":11350,"url":11351,"thumbnailURL":20,"filename":11352,"mimeType":163,"filesize":11353,"width":529,"height":11336,"focalX":167,"focalY":167,"sizes":11354},13628,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/687904325cd8f78e245bfa01_Thissen-Julius-_Bones%20of%20Graphene%2C%20Skin%20of%20Kevlar%20-Vigilant%20Furrows%20Keep%20The%20Score.jpg","2026-06-19T14:05:41.625Z","2026-03-11T13:09:14.760Z","https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-1.webp","moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-1.webp",66160,{"thumb":11355,"medium":11359,"large":11360},{"url":11356,"width":171,"height":867,"mimeType":163,"filesize":11357,"filename":11358},"https://futures-backend-unstated-int.vercel.app/api/media/file/moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-1-300x400.webp",12372,"moving-towards-representation----an-interview-with-julius-thissen-rs-s3-2-1-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":11362,"blockName":20,"blockType":539,"qa":11363},"6aba30edd9be533e3d0eeae5",{"question":11364,"answer":11365},"During your talk in Riga, you spoke about your ongoing project Bones of Graphene, Skin of Kevlar, which departs from your ongoing work on transgender visibility in the current context of far right politics on the rise. The images are pretty abstract and almost poetic, can you speak a bit about that?",{"root":11366},{"type":9,"format":10,"indent":11,"version":4,"children":11367,"direction":20},[11368,11372,11374,11378,11380],{"type":14,"format":10,"indent":11,"version":4,"children":11369,"direction":20,"textStyle":10,"textFormat":11},[11370],{"mode":17,"text":11371,"type":19,"style":10,"detail":11,"format":11,"version":4},"For the last ten years, I’ve been researching transgender visibility. The most important thing for me is not just creating visibility but moving towards representation: what does being visible mean and how do we create visibility that can also be safe, empowering and can demand social change? When we look at the history of trans visibility in traditional media in the Netherlands, from the 70s onwards, we were almost exclusively visible within a medical narrative. If you would see us on TV, we would often be talking about our transitions, our operations, our hormones. Often there were non-trans people asking the questions to a trans person in a television show that had no trans people in the team. This created a dehumanised narrative about trans people — we were never seen as individuals who have hobbies, careers, visions, are politically active.",{"type":14,"format":10,"indent":11,"version":4,"children":11373,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11375,"direction":20,"textStyle":10,"textFormat":11},[11376],{"mode":17,"text":11377,"type":19,"style":10,"detail":11,"format":11,"version":4},"That has a lot of consequences also when you look at art. In museum collections often there is no representation of trans people or when we see trans people in museum collections, they are often naked and are showing their signs of transition. This just did something to me as a young artist. And I think when I just graduated, I wasn’t mature and strong enough to really make work about it. I was also experiencing the negative effects of such a narrative in the art world: I would be asked very private questions, for instance, about my genitals in meetings with curators or directors.",{"type":14,"format":10,"indent":11,"version":4,"children":11379,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11381,"direction":20,"textStyle":10,"textFormat":11},[11382],{"mode":17,"text":11383,"type":19,"style":10,"detail":11,"format":11,"version":4},"A few years ago I started feeling ready to start creating a form of representation that felt right for me and in which trans people have the right to choose to be visible. When their body is visible it’s either very abstracted, which keeps it safe, or very protected by the use of specific fashion items or workwear, or more recently by the use of prosthetics to alienate and mutate the trans body. For me it feels really off-key to see photography of trans people being soft and embracing each other with their eyes closed, leaning on someone else’s shoulder in this day and age. It is beautiful and important work, but there are people getting killed out there. What does that mean when we think about visibility? I think it’s important to make work that mirrors and reflects on these times, and attempts to incorporate these wars, this violence and danger without losing hope, strength and resilience to move forward. I always try to look for a very fine line in that and that’s a tension within which to operate in.",{"id":11385,"blockName":20,"blockType":539,"qa":11386},"6aba3119d9be533e3d0eeae6",{"question":11387,"answer":11388},"In your presentation in Riga, you made a distinction between non-committal trans visibility with a lack of agency and trans led visibility with agency.",{"root":11389},{"type":9,"format":10,"indent":11,"version":4,"children":11390,"direction":20},[11391,11395,11397,11401,11403],{"type":14,"format":10,"indent":11,"version":4,"children":11392,"direction":20,"textStyle":10,"textFormat":11},[11393],{"mode":17,"text":11394,"type":19,"style":10,"detail":11,"format":11,"version":4},"In my talk, I spoke about of the negative narratives and the dynamics that have been going on and their consequences. But it’s also important to talk about the positive examples. What I mean with non-committal visibility is when trans people are gazed at. For instance, in the Netherlands we had this TV show Hij is een Zij, translated as He is a She, about trans people and their transition journeys. This was often presented by cisgender men who interviewed trans people about their physical and transitional needs and journeys. The show was made for cisgender people as a trans spectacle to watch with a bucket of popcorn or a bag of chips without realising that we are a very precarious and marginalised part of society. That for me is the perfect example of a non-committal form of visibility — it’s really made to entertain or to answer to a specific curiosity. Of course, for some trans people seeing that television show was also beneficial and it made them realise, hey, I can connect to this story, but after that there were no other sources to make that picture whole.",{"type":14,"format":10,"indent":11,"version":4,"children":11396,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11398,"direction":20,"textStyle":10,"textFormat":11},[11399],{"mode":17,"text":11400,"type":19,"style":10,"detail":11,"format":11,"version":4},"As a trans person, a potential transition is only one part of your life, there’s a whole spectrum of things that makes you human and that’s a perspective we haven’t been seeing. It’s visibility that has been created without agency. Agency means that there should be trans people at the table as directors and screenwriters thinking up specific programs. Positive examples are, for instance, television shows like Euphoria, POSE, Disclosure. In the case of Euphoria, there is a trans person in a lead role and it is empowering: Hunter Schafer played the role of Jules, who is kind of a wise-owl and is helping the main protagonist move through life. Of course, in this series we also see her struggles with being trans and specifically with being a trans woman — she is objectified and fetishised. But throughout the whole thing we see that the main character, who is a cis girl, turn to Jules for advice and support. For me, it was one of the first times seeing a trans person on TV as this powerful rock or pillar for somebody non-trans to hold onto. Hunter Schafer has since become a big star, has been very visible and has covered big fashion magazines.",{"type":14,"format":10,"indent":11,"version":4,"children":11402,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11404,"direction":20,"textStyle":10,"textFormat":11},[11405],{"mode":17,"text":11406,"type":19,"style":10,"detail":11,"format":11,"version":4},"Indeed. And I think the shadow side of that is that we need to realise that Hunter Schafer has a lot of privilege going for her. She is what society deems attractive, she is white, able-bodied and lean — that is also a different side of visibility that we should also be aware of. Who gets to be visible often follows the normative society standards that are already there. In my photo series, you often see characters that try to break with those codes saying that a trans person has to be extremely successful, sexy or desirable by societal standards to be able to be seen and to be accepted. I try to make work where that pattern gets broken, because I think that we should make space for the mediocre trans person to be able to live. Not all of us are Nikkie de Jager, people who are extremely talented at a specific trade or are successful from a capitalistic sense. Those are all questions and layers that I think we have to be aware of when we speak about visibility and representation.",{"id":11408,"blockName":20,"blockType":539,"qa":11409},"6aba312bd9be533e3d0eeae7",{"question":11410,"answer":11411},"What do you think that visual arts can do to advance the politics of solidarity and Inclusivity?",{"root":11412},{"type":9,"format":10,"indent":11,"version":4,"children":11413,"direction":20},[11414],{"type":14,"format":10,"indent":11,"version":4,"children":11415,"direction":20,"textStyle":10,"textFormat":11},[11416],{"mode":17,"text":11417,"type":19,"style":10,"detail":11,"format":11,"version":4},"I think that art is a way to protest, to express visions, ideas or needs that are deemed to be unacceptable, too radical or unimaginable in the broader society. I think it’s really where things can be born without them having to be something yet and I think it can really also influence public thinking. For me, all career things aside, I make images to start a conversation. I hope that it can give the opportunity for somebody who wasn’t aware of all of these dynamics to maybe learn something about that, or for another trans person who has felt stuck in expressing their anger or their sadness to see an image of mine and then think that, oh, maybe I can talk to him about this. Anger and sadness are two of the things that trans people are not really allowed to express so I think it’s a way to open doors to conversation and imagination. That’s what I really wish for us — after being pacified in history for so long, after being oppressed for so long, I think art can be a beautiful and safe way to break free from that. Hopefully, politically things can follow. It wouldn’t be the first time in history that art creates a moment like that.",{"id":11419,"text":11420,"blockName":20,"blockType":19},"6a354cb78c91db2725ffb693",{"root":11421},{"type":9,"format":10,"indent":11,"version":4,"children":11422},[11423],{"type":14,"format":10,"indent":11,"version":4,"children":11424,"direction":20,"textStyle":10,"textFormat":11},[11425],{"mode":17,"text":11426,"type":19,"style":10,"detail":11,"format":11,"version":4},"Images © Julius Thissen","2026-10-14T15:39:38.719Z","2026-03-27T13:22:39.338Z",{"id":11430,"artist":11431,"residency_location":11877,"year_of_residency":8817,"article":20},"6ab53540524b378872b3fed6",{"id":1360,"profile_types":11432,"is_member":153,"name":1358,"slug":1362,"archived":153,"created_on":1363,"updated_on":1364,"published_on":1364,"biography":11433,"e_mail":1376,"profile_image":11442,"website":10,"instagram":10,"first_name":1378,"last_name":1379,"kind_of_profile":218,"tags_profession":11465,"tags_identity":11468,"tags_location":11470,"tags_practice":11478,"tags_topics":11481,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":11484,"member_additional":11589,"corresponding_art_projects":11590,"corresponding_selected_year":11666,"reference_residency":11707,"date_of_residency":1394,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":11869,"curation_reference":11870,"past_member":20,"approved_courses":11871,"tutor_courses":11872,"guest_expert_courses":11874,"updatedAt":1402,"createdAt":1403,"email":1376,"collection":248,"sessions":11876},[198],{"root":11434},{"type":9,"format":10,"indent":11,"version":4,"children":11435},[11436,11439],{"type":14,"version":4,"children":11437},[11438],{"text":1371,"type":19,"version":4},{"type":14,"version":4,"children":11440},[11441],{"text":1375,"type":19,"version":4},{"id":1377,"alt":20,"originalUrl":11443,"uploaded_by":1360,"updatedAt":11444,"createdAt":11445,"url":11446,"thumbnailURL":20,"filename":11447,"mimeType":163,"filesize":11448,"width":11449,"height":11450,"focalX":167,"focalY":167,"sizes":11451},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d1cf68b1bf29d22528d2c_6626178c7e15cafad274d8f5_Laure_Winants_TimeCapsule_08.avif","2026-06-19T14:26:39.438Z","2026-03-10T10:35:08.433Z","https://futures-backend-unstated-int.vercel.app/api/media/file/laure-winants-profile-1.webp","laure-winants-profile-1.webp",219206,6016,4016,{"thumb":11452,"medium":11456,"large":11460},{"url":11453,"width":171,"height":524,"mimeType":163,"filesize":11454,"filename":11455},"https://futures-backend-unstated-int.vercel.app/api/media/file/laure-winants-profile-1-300x200.webp",2236,"laure-winants-profile-1-300x200.webp",{"url":11457,"width":177,"height":634,"mimeType":163,"filesize":11458,"filename":11459},"https://futures-backend-unstated-int.vercel.app/api/media/file/laure-winants-profile-1-1200x801.webp",19536,"laure-winants-profile-1-1200x801.webp",{"url":11461,"width":183,"height":11462,"mimeType":163,"filesize":11463,"filename":11464},"https://futures-backend-unstated-int.vercel.app/api/media/file/laure-winants-profile-1-2400x1602.webp",1602,59144,"laure-winants-profile-1-2400x1602.webp",[11466,11467],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":1295,"name":3052,"slug":3053,"updatedAt":3054,"createdAt":3054},[11469],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[11471,11472,11477],{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},{"id":1383,"name":11473,"slug":11474,"updatedAt":11475,"createdAt":11476},"Belgium","belgium","2026-06-26T09:56:06.468Z","2026-06-26T09:56:06.467Z",{"id":225,"name":6461,"slug":6462,"updatedAt":6463,"createdAt":6464},[11479,11480],{"id":1216,"name":6802,"slug":6803,"updatedAt":6804,"createdAt":6804},{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},[11482,11483],{"id":1127,"name":3447,"slug":3448,"updatedAt":3449,"createdAt":3449},{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},[11485],{"id":1387,"profile_types":11486,"is_member":93,"name":11487,"slug":11488,"archived":153,"created_on":11489,"updated_on":11490,"published_on":11490,"biography":11491,"e_mail":11498,"profile_image":11499,"website":11500,"instagram":11501,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":11502,"tags_identity":11503,"tags_location":11504,"tags_practice":11505,"tags_topics":11506,"born_in":20,"street_address":10,"city":11507,"country":11473,"corresponding_member":11508,"member_additional":11509,"corresponding_art_projects":11510,"corresponding_selected_year":11511,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":11512,"curation_reference":11580,"past_member":153,"approved_courses":11581,"tutor_courses":11582,"guest_expert_courses":11584,"updatedAt":11586,"createdAt":11587,"email":11498,"collection":248,"sessions":11588},[1959],"FOMU ","fomu-fotomuseum","Wed Oct 09 2024 14:14:47 GMT+0000 (Coordinated Universal Time)","Wed Jun 03 2026 09:10:56 GMT+0000 (Coordinated Universal Time)",{"root":11492},{"type":9,"format":10,"indent":11,"version":4,"children":11493},[11494],{"type":14,"version":4,"children":11495},[11496],{"text":11497,"type":19,"version":4},"FOMU believes there is more to a photograph than meets the eye. \r\nJust like magic, it’s not necessarily about what you see, but about what you don’t see. About what is purposely framed, and what is left to the imagination. What is in focus, and what is lost in a blur. About what catches the light, and what fades into obscurity.\r\n\r\nTilting our view and re-aligning our focus challenges us to allow for different perspectives, and to openly seek out our own blind spots. We strive for radical vulnerability, we listen when faced with criticism.\r\nFOMU aims to be a place where people feel welcome to broaden their horizon through photography. A place to slow down, to reflect, to engage and to share different perspectives.\r\n\r\nFOMU wants to be a brave space, a curious curator. Looking into the past helps us understand societal changes in the present: today's experiments are tomorrow’s heritage. FOMU offers perspectives on photography, while putting photography in perspective.\r\n\r\n\r\nFOMU houses one of the most significant photo collections in Europe, featuring both equipment and photo documents. Each year, FOMU presents several temporary exhibitions by nationally and internationally renowned photographers, showcasing photography as a medium that is part of a broader social and cultural context. Visitors can also attend lectures and workshops, visit the museum shop and the museumcafé. FOMU can be found in an old warehouse in the neighbourhood ‘t Zuid (South quarter of Antwerp), close to the museum of contemporary art M HKA and the Museum of Fine Arts.","portfolio@fomu.be",15915,"https://fomu.be/","https://www.instagram.com/fomuantwerp/",[],[],[],[],[],"Antwerp",[],[],[],[],[11513,2092,11514,9109,11515,11516,11517,11518,11519,11520,11521,11522,11523,11524,11525,11526,11527,11528,1360,11529,11530,11531,11532,7506,11533,11534,11535,11536,11537,11538,11539,11540,11541,11542,11543,11544,11545,11546,11547,11548,11549,11550,11551,11552,11553,11554,11555,11556,11557,11558,11559,11560,11561,11562,11563,11564,8159,11565,11566,11567,11568,11569,11570,11571,11572,11573,11574,11575,11576,11577,11578,11579],1041,681,1250,1007,847,718,1038,1127,724,971,826,809,1174,765,1285,753,837,834,1282,722,1156,1141,1203,746,1255,868,1402,1215,831,1230,1143,1225,1084,1424,929,1168,913,1349,988,1020,1199,906,1339,1018,1256,1161,709,1175,817,756,758,1001,978,734,728,976,927,1205,1032,1278,711,1246,912,981,749,1065,1460,[],[],{"docs":11583,"hasNextPage":153},[],{"docs":11585,"hasNextPage":153},[],"2026-10-05T15:41:18.214Z","2026-03-26T15:21:07.276Z",[],[],[11591],{"id":1390,"name_of_project":11592,"slug":11593,"archived":153,"created_on":11594,"updated_on":11595,"published_on":11596,"thumbnail_image":11597,"date":20,"artwork_description":11598,"artworks":11612,"corresponding_artist":11658,"tags_topics":11659,"tags_location":11660,"tags_practice":11662,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":11663,"createdAt":11664,"artworks_gallery":11665},"Time Capsule","time-capsule","Mon Oct 14 2024 13:41:03 GMT+0000 (Coordinated Universal Time)","Wed Nov 06 2024 13:11:03 GMT+0000 (Coordinated Universal Time)","Wed Nov 06 2024 13:16:06 GMT+0000 (Coordinated Universal Time)",11038,{"root":11599},{"type":9,"format":10,"indent":11,"version":4,"children":11600},[11601,11605,11609],{"type":14,"version":4,"children":11602},[11603],{"text":11604,"type":19,"version":4},"The experiments are numerous: capturing the composition of light, capturing the acoustic inflections of icebergs, printing the chemical composition of water, and so on. Several boreholes have been drilled to take samples of permafrost, glaciers and sea ice, providing insights that take us beyond our own humanity. The data from these time capsules not only shed light on a 300-million-year-old past, but also create new narratives and regenerate our imaginations.",{"type":14,"version":4,"children":11606},[11607],{"text":11608,"type":19,"version":4},"This geosensitive encounter has given rise to several lines of research, the first of which is Sensing Landscape, an experimental series exploring the phenomena of light and color in the Arctic. Presented for the first time this fall, these works are prints of photograms onto which ice cut-outs captured on site have been affixed. Polarized light on the material reveals the composition of the cut-out. It reveals the structure of the crystals, but leaves a shadow over certain elements that have been present for millions of years. By listening to the fragility of this constantly changing polar landscape, Laure Winants reveals a universe seen through the prism of nature itself, where ice and light filter our vision.",{"type":14,"version":4,"children":11610},[11611],{"text":1209,"type":19,"version":4},[11613,11616,11619,11622,11625,11628,11631,11634,11637,11640,11643,11646,11649,11652,11655],{"id":11614,"image":11615},"6a357073e57d0fdcefaab828",11023,{"id":11617,"image":11618},"6a357073e57d0fdcefaab829",11024,{"id":11620,"image":11621},"6a357073e57d0fdcefaab82a",11025,{"id":11623,"image":11624},"6a357073e57d0fdcefaab82b",11026,{"id":11626,"image":11627},"6a357073e57d0fdcefaab82c",11027,{"id":11629,"image":11630},"6a357073e57d0fdcefaab82d",11028,{"id":11632,"image":11633},"6a357073e57d0fdcefaab82e",11029,{"id":11635,"image":11636},"6a357073e57d0fdcefaab82f",11030,{"id":11638,"image":11639},"6a357073e57d0fdcefaab830",11031,{"id":11641,"image":11642},"6a357073e57d0fdcefaab831",11032,{"id":11644,"image":11645},"6a357073e57d0fdcefaab832",11033,{"id":11647,"image":11648},"6a357073e57d0fdcefaab833",11034,{"id":11650,"image":11651},"6a357073e57d0fdcefaab834",11035,{"id":11653,"image":11654},"6a357073e57d0fdcefaab835",11036,{"id":11656,"image":11657},"6a357073e57d0fdcefaab836",11037,[1360],[1129,224],[11661],126,[1124,2132],"2026-09-23T14:47:20.509Z","2026-03-10T15:46:59.324Z",[],[11667],{"id":1392,"curation_title":11668,"slug":11669,"archived":153,"created_on":11670,"updated_on":11671,"published_on":11672,"date":3264,"corresponding_member":11673,"introduction_text":11674,"curational_text":11695,"corresponding_artist":11702,"projects_selected":11704,"updatedAt":11705,"createdAt":11706},"FOMU Fotomuseum 2024","fomu-fotomuseum-2024","Wed Oct 09 2024 13:51:23 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 11:41:11 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 11:42:16 GMT+0000 (Coordinated Universal Time)",[1387],{"root":11675},{"type":9,"format":10,"indent":11,"version":4,"children":11676},[11677,11681,11684,11688,11691],{"type":14,"version":4,"children":11678},[11679],{"text":11680,"type":19,"version":4},".tiff is FOMU’s platform dedicated to emerging Belgian photography. Each year, 10 artists are invited to participate in a year-long journey with a poster magazine serving as the starting point. Since the magazine’s inception in 2012, its concept has remained consistent, however, the scope of the project has expanded significantly. .tiff has evolved into a platform shaped and influenced by the artists’ needs. FOMU leverages its extensive network, expertise and resources to stimulate the artistic practices and personal visions of the artists involved. The selection process is comprehensive, involving outreach to professionals in the Belgian photography and art scenes, as well as previous participants. This results in a longlist that encompasses a diverse range of backgrounds and artistic approaches.",{"type":14,"version":4,"children":11682},[11683],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11685},[11686],{"text":11687,"type":19,"version":4},"For this edition, FOMU enlisted the expertise of three external jurors: Damarice Amao, photography historian and curatorial assistant in the photography department of Centre Pompidou, Paris; Pieter Vermeulen, art critic, lecturer, researcher and curator; and Tom Callemin, .tiff alumnus and artist. Together, we carefully curated a diverse group of artists, always considering whether the participants would benefit from our support at this particular juncture in their careers.",{"type":14,"version":4,"children":11689},[11690],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":11692},[11693],{"text":11694,"type":19,"version":4},"Over the years, .tiff has fostered a thriving Belgian photography community that transcends language barriers, facilitating the exchange of ideas between artists, curators and critics. .tiff offers a fresh perspective on the possibilities of photography and connects you with the creations of emerging image-makers.",{"root":11696},{"type":9,"format":10,"indent":11,"version":4,"children":11697},[11698],{"type":14,"version":4,"children":11699},[11700],{"text":11701,"type":19,"version":4},"This years selected artists are Romain Cavallin, Lina Wielant and Elise Dervichian, Romane Iskaria, Ksenia Kuleshova, Catherine Lemblé, Nathan Mbouebe, Angyvir Padilla, Marcel Top, Marens van Leunen and Laure Winants.",[11559,11526,11561,11568,1360,11571,11519,11703,11525,11560],1102,[],"2026-08-17T13:40:32.122Z","2026-03-10T15:49:45.385Z",{"id":1393,"is_residency_story":93,"kind_of_residency_story":150,"title":11708,"slug":11709,"archived":153,"created_on":11710,"updated_on":11711,"published_on":11711,"thumbnail":11712,"author":11091,"date_of_publication":11713,"teaser":11714,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":11715,"video":20,"corresponding_event":20,"artist_name":1358,"reference_artist":1360,"residency_location":250,"year":8817,"layout_type":496,"content":11717,"updatedAt":11867,"createdAt":11868},"Fossils of the Future: Art, Science, and Air Bubbles - Laure Winants in Conversation with Daria Tuminas","fossils-of-the-future-art-science-and-air-bubbles---laure-winants-in-conversation-with-daria-tuminas-baf3a","Wed Jul 30 2025 13:08:56 GMT+0000 (Coordinated Universal Time)","Mon Aug 18 2025 10:30:36 GMT+0000 (Coordinated Universal Time)",13621,"2025-07-07T22:00:00.000Z","Laure Winants is a researcher and visual artist whose practice is situated at the intersection of art, science and technology. Living between Paris and Brussels, she frequently joins multidisciplinary research groups on expeditions and residencies, working at the heart of the dynamic territories—from the Arctic ice pack in Norway to the volcanic terrain of Fagradalsfjall in Iceland.",[11716],"Ecology",[11718,11737,11740,11768,11770,11788,11806,11819,11831,11860],{"id":11719,"text":11720,"blockName":20,"blockType":19},"6a354ca98c91db2725ffb66c",{"root":11721},{"type":9,"format":10,"indent":11,"version":4,"children":11722},[11723,11727,11729],{"type":14,"format":10,"indent":11,"version":4,"children":11724,"direction":20,"textStyle":10,"textFormat":11},[11725],{"mode":17,"text":11726,"type":19,"style":10,"detail":11,"format":11,"version":4},"Winants’ ongoing study of natural phenomena is focused on visualising the invisible forces driving climate change, such as atmospheric gas or microparticles. This inquiry informs a shape-shifting practice in which she moves fluidly between video, sound, site-specific interventions, and public engagements, including talks at conferences. Among these varied forms, the photographic image plays a prominent role, full of potential to capture what otherwise escapes visibility.",{"type":14,"format":10,"indent":11,"version":4,"children":11728,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11730,"direction":20,"textStyle":10,"textFormat":11},[11731,11733,11735],{"mode":17,"text":11732,"type":19,"style":10,"detail":11,"format":11,"version":4},"In 2024, Winants was nominated by FOMU, Photo Museum Antwerp, for FUTURES. In May-June 2025, she took part in its Residency Program at the FUTURES Hub in Amsterdam. I met the artist shortly after her return from Brittany, where she had spent two weeks working in what she calls an “underwater studio,” developing the early stages of her new project, ",{"mode":17,"text":11734,"type":19,"style":10,"detail":11,"format":222,"version":4},"Fossils of the Future",{"mode":17,"text":11736,"type":19,"style":10,"detail":11,"format":11,"version":4},". In just a few days, she will present test prints, a video documenting her dives, and a site-responsive piece during the public event marking the end of the residency. In this space of experimentation and reflection, on the threshold of a new body of work, we spoke about her evolving process and methodology.",{"id":11738,"image":11739,"blockName":20,"blockType":381},"6a354ca98c91db2725ffb66d",13620,{"id":11741,"blockName":20,"blockType":539,"qa":11742},"6ab14bc710c8c38800f79f29",{"question":11743,"answer":11744},"Daria: Your work often engages with more-than-human temporalities. In Time Capsule. Words From a Tongue We Are Losing I (2023), you make data from a 300-million-year-old past tangible. You carefully study air bubbles trapped in the ice cores of the Arctic ice sheet, examining these samples and designing techniques to capture the composition of light. The resulting images are both abstract artistic pieces and scientific tools for analysis. In Fossils of the Future, your interest in air bubbles as carriers of environmental information continues, this time by catching them in the ocean and focusing on their role in water composition. Could you tell us more about your fascination with these air bubbles, and how you translate the data they contain into images? And then, the other way around: how might images themselves offer a way of interpreting data?",{"root":11745},{"type":9,"format":10,"indent":11,"version":4,"children":11746,"direction":20},[11747,11753,11755,11762,11764],{"type":14,"format":10,"indent":11,"version":4,"children":11748,"direction":20,"textStyle":10,"textFormat":4},[11749,11751],{"mode":17,"text":11750,"type":19,"style":10,"detail":11,"format":4,"version":4},"Laure:",{"mode":17,"text":11752,"type":19,"style":10,"detail":11,"format":11,"version":4}," I usually work with scientists to analyze the different colors that emerge in the images, as they reflect the air composition of bubbles and can reveal information about specific gases. For example, red and pink can indicate the presence of methane. Other colors can be deciphered as well. In a way, we access the story of time through light.",{"type":14,"format":10,"indent":11,"version":4,"children":11754,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11756,"direction":20,"textStyle":10,"textFormat":11},[11757,11759,11760],{"mode":17,"text":11758,"type":19,"style":10,"detail":11,"format":11,"version":4},"For ",{"mode":17,"text":11734,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":11761,"type":19,"style":10,"detail":11,"format":11,"version":4},", I collaborate with a chemist to develop a paper prototype that is both acid- and light-sensitive. I place these sheets in different stages of the water column and on the seabed, and they react to the chemical composition of the water, which results in different colors, depending on the ecosystem interaction and the depth at which I place the papers, between two and ten meters.",{"type":14,"format":10,"indent":11,"version":4,"children":11763,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11765,"direction":20,"textStyle":10,"textFormat":11},[11766],{"mode":17,"text":11767,"type":19,"style":10,"detail":11,"format":11,"version":4},"With the ice cores, the bubbles were the time capsules, the actual fossil samples of the past atmosphere. In the new project, the prototype and what happens with it in my experiment becomes the fossil of tomorrow. Everything we do on Earth leaves an imprint in the elements, geology, air and water. In glaciology and oceanography, we usually travel from deep time to the present. But the question here is: What kinds of fossils are we leaving behind for the future? What will these future air bubbles contain as they form now in the ocean, carrying traces of today’s world and humanity’s impact on it?",{"id":11769,"image":11712,"blockName":20,"blockType":381},"6a354ca98c91db2725ffb66f",{"id":11771,"blockName":20,"blockType":539,"qa":11772},"6ab14bf710c8c38800f79f2a",{"question":11773,"answer":11774},"Daria: Let’s dive a little deeper into Fossils of the Future. What have you been working on in Brittany and during the Residency Program?",{"root":11775},{"type":9,"format":10,"indent":11,"version":4,"children":11776,"direction":20},[11777,11782,11784],{"type":14,"format":10,"indent":11,"version":4,"children":11778,"direction":20,"textStyle":10,"textFormat":4},[11779,11780],{"mode":17,"text":11750,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":11781,"type":19,"style":10,"detail":11,"format":11,"version":4}," In Brittany, I completed 12 dives, resulting in 12 images, not including some smaller tests. I still need to develop and fix their largest part. At the same time, I’ve been experimenting with an algae-based developer, this is still in progress. In the original images, you can see salt crystals forming, since I’m working with salt water, which naturally crystallizes over time. ",{"type":14,"format":10,"indent":11,"version":4,"children":11783,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11785,"direction":20,"textStyle":10,"textFormat":11},[11786],{"mode":17,"text":11787,"type":19,"style":10,"detail":11,"format":11,"version":4},"Conceptually, my goal is to reveal a pantone of the impact of acidification on the ecosystem. The effect is profound. Imagine breathing in vinegar with every breath—that’s what acidification does to shells and marine life. The ocean acts as a carbon pump, helping to re-oxygenate the atmosphere, so we are deeply connected to it. In fact, we are part of the ocean, and I want to show this interconnection. The colors in the images will be used to trace acidification, and we’ll also incorporate laboratory techniques like chromatography to support this exploration.",{"id":11789,"blockName":20,"blockType":539,"qa":11790},"6ab14c0810c8c38800f79f2b",{"question":11791,"answer":11792},"Daria: You collaborate with many scientists and institutions. For example, in Time Capsule, you worked with the Polar Institute. Other past collaborators include Háskóli University in Iceland, the Pic du Midi Observatory in France, and many more. For Fossils of the Future, you're currently in the process of forming a new team. How do these scientific partnerships shape your artistic methodology?",{"root":11793},{"type":9,"format":10,"indent":11,"version":4,"children":11794,"direction":20},[11795,11800,11802],{"type":14,"format":10,"indent":11,"version":4,"children":11796,"direction":20,"textStyle":10,"textFormat":4},[11797,11798],{"mode":17,"text":11750,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":11799,"type":19,"style":10,"detail":11,"format":11,"version":4}," I’m deeply interested in how knowledge is generated through action, what is often called “doing as knowing.” At the same time, my approach draws from the concept of synaesthesia: the translation of one form of knowledge into another. I explore what happens when disciplines like photography and science intersect: fields that, at their core, share common ground in physics, optics, and chemistry. And, of course, in light. Which is a powerful tool across these areas for engaging with the invisible. It helps us observe phenomena that are distant, either in time or in space, like analyzing the composition of air on Mars. Or when we speak of climate change, what are we really referring to? A transformation in the makeup of atmospheric gases. Yet we cannot see, touch, or physically sense them. So how do we learn to care for what lies beyond perception? By using a prism, I can translate those invisible gases into visible spectrums of color.",{"type":14,"format":10,"indent":11,"version":4,"children":11801,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":11803,"direction":20,"textStyle":10,"textFormat":11},[11804],{"mode":17,"text":11805,"type":19,"style":10,"detail":11,"format":11,"version":4},"In this synaesthetic process, I also search for new ways to narrate climate change, ones that sidesteps the dominant narratives provoking eco-anxiety. I do believe we need new narratives to imagine the future. That’s why I’ve become captivated by the story of air bubbles, something that looks like nothing yet contains the history of the Earth. And that story can be told not through images only, but also through other media, such as sound. Currently, I’m experimenting with sensors in space, assigning a unique sound to each gas. The resulting soundscape shifts in response to what’s happening in the room, transforming the unseen into a living auditory experience. Ultimately, I try to bring together bodies of knowledge that don’t traditionally belong together.",{"id":11807,"blockName":20,"blockType":539,"qa":11808},"6ab14c1a10c8c38800f79f2c",{"question":11809,"answer":11810},"Daria: The work with sound you describe is site-specific in its nature. The fieldwork you do is also, by definition, site-specific. Is this connection to particular locations and moments in time equally relevant both for the research and creation process, as well as for presenting the work?",{"root":11811},{"type":9,"format":10,"indent":11,"version":4,"children":11812,"direction":20},[11813],{"type":14,"format":10,"indent":11,"version":4,"children":11814,"direction":20,"textStyle":10,"textFormat":4},[11815,11817],{"mode":17,"text":11816,"type":19,"style":10,"detail":11,"format":4,"version":4},"Laure: ",{"mode":17,"text":11818,"type":19,"style":10,"detail":11,"format":11,"version":4},"Yes, absolutely. In the field, I have to connect with the mission, the expedition, and what happens here and now. The same goes for moments of interaction with the audience. For example, for the upcoming event at FUTURES Hub, I will set up a large box with paper that reacts to what’s happening in the room. I think this is very important to establish a relationship between the work and the space.",{"id":11820,"blockName":20,"blockType":539,"qa":11821},"6ab14c2710c8c38800f79f2d",{"question":11822,"answer":11823},"Daria: Shortly after the Residency Program, you'll be participating in several conferences. On June 4th, you'll join the roundtable Unveiling the Interconnected Worlds through Art & Science at the 2025 UN Ocean Conference in Nice. Then, on June 17th, you'll speak on the panel Reimagining Frozen Earth: Thawing Ecologies and Methodological Experimentations at Back to Frozen Earth: Permafrost in Social Theory and Beyond, organized by Sciences Po in Paris. You regularly take part in such events, and I’m curious: how do you see the role of your artistic practice within scientific discourse?",{"root":11824},{"type":9,"format":10,"indent":11,"version":4,"children":11825,"direction":20},[11826],{"type":14,"format":10,"indent":11,"version":4,"children":11827,"direction":20,"textStyle":10,"textFormat":4},[11828,11829],{"mode":17,"text":11816,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":11830,"type":19,"style":10,"detail":11,"format":11,"version":4},"We talked about new narratives around climate change. As an artist, I work with anticipatory storytelling, asking: given the data we have today, what future scenarios might unfold? To develop such scenarios, we need both science and storytelling. Scientific research and anticipatory narratives are complementary—science provides the data, but art helps carry that data beyond specialized circles. Data often remains confined within certain communities, while narrative allows it to reach broader audiences. It becomes something we pass on to future generations. I also really enjoy participating in these events, they’re opportunities to learn and to connect. I’m hoping to initiate an interdisciplinary research group for my next project, bringing together geochemists, philosophers, social scientists, and other experts. Conferences like these are great places to meet like-minded collaborators.",{"id":11832,"text":11833,"blockName":20,"blockType":19},"6ab14c6b10c8c38800f79f2e",{"root":11834},{"type":9,"format":10,"indent":11,"version":4,"children":11835,"direction":20},[11836],{"type":14,"format":546,"indent":11,"version":4,"children":11837,"direction":20,"textStyle":10,"textFormat":222},[11838,11840,11842,11847,11848,11850,11852,11858],{"mode":17,"text":11839,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Residency is part of ",{"mode":17,"text":11841,"type":19,"style":10,"detail":11,"format":95,"version":4},"FUTURES X ",{"id":11843,"type":90,"fields":11844,"format":10,"indent":11,"version":95,"children":11845,"direction":20},"6ab14c6e5bd5331878495e1b",{"url":8927,"newTab":93,"linkType":94},[11846],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":11849,"type":19,"style":10,"detail":11,"format":222,"version":4},"residency, ",{"mode":17,"text":11851,"type":19,"style":10,"detail":11,"format":95,"version":4},"supported by",{"id":11853,"type":90,"fields":11854,"format":10,"indent":11,"version":95,"children":11855,"direction":20},"6ab14c6e5bd5331878495e1c",{"url":8927,"newTab":93,"linkType":94},[11856],{"mode":17,"text":11857,"type":19,"style":10,"detail":11,"format":95,"version":4}," MPB",{"mode":17,"text":11859,"type":19,"style":10,"detail":11,"format":222,"version":4},", the largest global platform to buy, sell and trade used photo and video equipment.",{"id":11861,"blockName":20,"logos":11862,"blockType":11866},"6ab14c7610c8c38800f79f2f",[11863],{"id":11864,"image":11865},"6ab14c7910c8c38800f79f30",16015,"logos","2026-10-19T13:49:10.639Z","2026-03-27T13:23:05.653Z",[],[],[],{"docs":11873,"hasNextPage":153},[],{"docs":11875,"hasNextPage":153},[],[],{"id":4,"title":250,"city":1782,"content":11878,"gallery":11884,"updatedAt":2874,"createdAt":2875},{"root":11879},{"type":9,"format":10,"indent":11,"version":4,"children":11880,"direction":20},[11881],{"type":14,"format":2713,"indent":11,"version":4,"children":11882,"direction":20,"textStyle":10,"textFormat":11},[11883],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[11885,11891,11897,11903,11909,11915,11921],{"id":2719,"image":11886},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":11887},{"thumb":11888,"medium":11889,"large":11890},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":11892},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":11893},{"thumb":11894,"medium":11895,"large":11896},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":11898},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":11899},{"thumb":11900,"medium":11901,"large":11902},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":11904},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":11905},{"thumb":11906,"medium":11907,"large":11908},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":11910},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":11911},{"thumb":11912,"medium":11913,"large":11914},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":11916},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":11917},{"thumb":11918,"medium":11919,"large":11920},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":11922},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":11923},{"thumb":11924,"medium":11925,"large":11926},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":11928,"artist":11929,"residency_location":13156,"year_of_residency":8817,"article":13206},"6ab53580524b378872b3fed7",{"id":3155,"profile_types":11930,"is_member":153,"name":11931,"slug":11932,"archived":153,"created_on":11933,"updated_on":11934,"published_on":11934,"biography":11935,"e_mail":11954,"profile_image":11955,"website":11969,"instagram":11970,"first_name":11971,"last_name":11972,"kind_of_profile":218,"tags_profession":11973,"tags_identity":11977,"tags_location":11987,"tags_practice":11990,"tags_topics":11995,"born_in":3074,"street_address":10,"city":3139,"country":3140,"corresponding_member":12003,"member_additional":12029,"corresponding_art_projects":12030,"corresponding_selected_year":12110,"reference_residency":12164,"date_of_residency":12357,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":12358,"curation_reference":12359,"past_member":20,"approved_courses":12360,"tutor_courses":13149,"guest_expert_courses":13151,"updatedAt":13153,"createdAt":13154,"email":11954,"collection":248,"sessions":13155},[198,2119],"Bobby Yu Shuk Pui","yu-shuk-pui-bobby","Mon Oct 14 2024 13:31:17 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:16:42 GMT+0000 (Coordinated Universal Time)",{"root":11936},{"type":9,"format":10,"indent":11,"version":4,"children":11937,"direction":1112},[11938,11942,11946,11950],{"type":14,"version":4,"children":11939},[11940],{"text":11941,"type":19,"version":4},"Yu Shuk Pui Bobby\n  is an artist, filmmaker, and researcher based between Hong Kong and Oslo. Working across moving image, installation, performance, and text, her practice explores the fragile intersections between body, memory, family history, and cultural translation.",{"type":14,"version":4,"children":11943},[11944],{"text":11945,"type":19,"version":4},"Her work often begins from intimate and bodily experiences — illness, shame, inherited silence, food, language, and care — and expands them into layered narrative spaces where personal and collective histories meet. Moving between humour, vulnerability, and speculative imagination, Bobby treats the body as a site where trauma, desire, and repair are continuously negotiated.",{"type":14,"version":4,"children":11947},[11948],{"text":11949,"type":19,"version":4},"Her solo exhibition The Piles We Carry at UKS, Oslo, marked an ongoing shift in her practice towards relational methodologies and embodied research. Through speculative repair rituals, paper-built environments, and video works, the project examined bodily and emotional debts inherited within family systems.",{"type":14,"version":4,"children":11951},[11952],{"text":11953,"type":19,"version":4},"Bobby holds a BA from Hong Kong Baptist University and an MFA from the Oslo National Academy of Fine Art. Her work has been exhibited internationally at The Shophouse, Hong Kong Museum of Medical Sciences, Para Site, UKS, VI VII, Podium, K4 Gallery, Kunstnernes Hus, and other institutions and residencies across Asia, Europe, and North America. In 2023, she was awarded Best Director at the 17th Fresh Wave International Short Film Festival in Hong Kong.","yushukpui@gmail.com",{"id":11956,"alt":20,"originalUrl":20,"uploaded_by":3155,"updatedAt":11957,"createdAt":11958,"url":11959,"thumbnailURL":20,"filename":11960,"mimeType":163,"filesize":11961,"width":529,"height":177,"focalX":167,"focalY":167,"sizes":11962},16915,"2026-10-14T15:30:48.382Z","2026-10-14T15:30:43.656Z","https://futures-backend-unstated-int.vercel.app/api/media/file/bobby_portfolio003.webp","bobby_portfolio003.webp",105936,{"thumb":11963,"medium":11967,"large":11968},{"url":11964,"width":171,"height":292,"mimeType":163,"filesize":11965,"filename":11966},"https://futures-backend-unstated-int.vercel.app/api/media/file/bobby_portfolio003-300x450.webp",17880,"bobby_portfolio003-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://yushukpui.com/","https://www.instagram.com/bobbyyushukpui/","Yu Shuk Pui","Bobby",[11974,11975,11976],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":471,"name":8200,"slug":8201,"updatedAt":8202,"createdAt":8202},{"id":1295,"name":3052,"slug":3053,"updatedAt":3054,"createdAt":3054},[11978,11979,11983],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},{"id":99,"name":11980,"slug":11981,"updatedAt":11982,"createdAt":11982},"Asian","asian","2026-06-23T12:54:50.207Z",{"id":229,"name":11984,"slug":11985,"updatedAt":11986,"createdAt":11986},"Diaspora","diaspora","2026-06-23T12:56:10.783Z",[11988,11989],{"id":4,"name":3068,"slug":3069,"updatedAt":3070,"createdAt":3071},{"id":477,"name":3079,"slug":3080,"updatedAt":3081,"createdAt":3081},[11991,11992,11993,11994],{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},[11996,11997,11998,11999,12002],{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":480,"name":6815,"slug":6816,"updatedAt":6817,"createdAt":6817},{"id":471,"name":7790,"slug":12000,"updatedAt":12001,"createdAt":12001},"politics","2026-03-10T15:15:29.108Z",{"id":477,"name":4368,"slug":4369,"updatedAt":4370,"createdAt":4370},[12004],{"id":3117,"profile_types":12005,"is_member":93,"name":3119,"slug":3120,"archived":153,"created_on":3121,"updated_on":3122,"published_on":3123,"biography":12006,"e_mail":3131,"profile_image":3132,"website":3133,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":12012,"tags_identity":12013,"tags_location":12014,"tags_practice":12015,"tags_topics":12016,"born_in":20,"street_address":10,"city":3139,"country":3140,"corresponding_member":12017,"member_additional":12018,"corresponding_art_projects":12019,"corresponding_selected_year":12020,"reference_residency":20,"date_of_residency":20,"date_since":3145,"date_ended":20,"linkedin":10,"corresponding_artist":12021,"curation_reference":12022,"past_member":153,"approved_courses":12023,"tutor_courses":12024,"guest_expert_courses":12026,"updatedAt":3174,"createdAt":3175,"email":3176,"collection":248,"sessions":12028},[1959],{"root":12007},{"type":9,"format":10,"indent":11,"version":4,"children":12008},[12009],{"type":14,"version":4,"children":12010},[12011],{"text":3130,"type":19,"version":4},[],[],[],[],[],[],[],[],[],[3147,2178,3148,3149,3150,3151,3152,1756,3153,3154,3155,3156,3157,3158,3159,3160,3161,3162,3163,3164,3165,3166,3167],[],[],{"docs":12025,"hasNextPage":153},[],{"docs":12027,"hasNextPage":153},[],[],[],[12031],{"id":12032,"name_of_project":12033,"slug":12034,"archived":153,"created_on":12035,"updated_on":12036,"published_on":12037,"thumbnail_image":12038,"date":20,"artwork_description":12039,"artworks":12057,"corresponding_artist":12103,"tags_topics":12104,"tags_location":12105,"tags_practice":12106,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":12107,"createdAt":12108,"artworks_gallery":12109},274,"Genetic Salon","genetic-salon","Mon Oct 14 2024 13:38:46 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 10:57:39 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 10:59:28 GMT+0000 (Coordinated Universal Time)",4719,{"root":12040},{"type":9,"format":10,"indent":11,"version":4,"children":12041},[12042,12046,12050,12054],{"type":14,"version":4,"children":12043},[12044],{"text":12045,"type":19,"version":4},"The Genetic Salon project, developed over the past five years, presents a hypothetical scenario where a genetic beauty company allows consumers to beautify themselves in any way imaginable through genetic technology. Presented in the form of exhibitions, films, speculative fiction and livestream programmes, Genetic Salon is a work of sci-fi, building on queer notions of the fluctuation of body, gender and identity, as well as theories of the digital age and the quantification of everything through big data.",{"type":14,"version":4,"children":12047},[12048],{"text":12049,"type":19,"version":4},"Genetic Salon presents a future worldview in which genes are the basis for dominating everything; it is also the currency in circulation. Gene manipulation paves the way to a more ideal existence, and lends us a chance to experience living as a non-human species. On this technological trajectory towards further artificiality, the notion of the natural has become an enemy.",{"type":14,"version":4,"children":12051},[12052],{"text":12053,"type":19,"version":4},"The project, which began as a podcast with Hong Kong Radio Community, includes collaborators from different professional and personal backgrounds, including artists, filmmakers, scientists, actors, scholars and collectors. It addresses various issues concerning genetic technology in relation to theology, history, anime, and the human body.",{"type":14,"version":4,"children":12055},[12056],{"text":1209,"type":19,"version":4},[12058,12061,12064,12067,12070,12073,12076,12079,12082,12085,12088,12091,12094,12097,12100],{"id":12059,"image":12060},"6a35606ce57d0fdcefaa9dc0",4704,{"id":12062,"image":12063},"6a35606ce57d0fdcefaa9dc1",4705,{"id":12065,"image":12066},"6a35606ce57d0fdcefaa9dc2",4706,{"id":12068,"image":12069},"6a35606ce57d0fdcefaa9dc3",4707,{"id":12071,"image":12072},"6a35606ce57d0fdcefaa9dc4",4708,{"id":12074,"image":12075},"6a35606ce57d0fdcefaa9dc5",4709,{"id":12077,"image":12078},"6a35606ce57d0fdcefaa9dc6",4710,{"id":12080,"image":12081},"6a35606ce57d0fdcefaa9dc7",4711,{"id":12083,"image":12084},"6a35606ce57d0fdcefaa9dc8",4712,{"id":12086,"image":12087},"6a35606ce57d0fdcefaa9dc9",4713,{"id":12089,"image":12090},"6a35606ce57d0fdcefaa9dca",4714,{"id":12092,"image":12093},"6a35606ce57d0fdcefaa9dcb",4715,{"id":12095,"image":12096},"6a35606ce57d0fdcefaa9dcc",4716,{"id":12098,"image":12099},"6a35606ce57d0fdcefaa9dcd",4717,{"id":12101,"image":12102},"6a35606ce57d0fdcefaa9dce",4718,[3155],[233,232,1129],[3252],[],"2026-09-16T07:50:53.405Z","2026-03-10T15:38:04.511Z",[],[12111],{"id":3757,"curation_title":12112,"slug":12113,"archived":153,"created_on":12114,"updated_on":12115,"published_on":12116,"date":6972,"corresponding_member":12117,"introduction_text":12118,"curational_text":12125,"corresponding_artist":12160,"projects_selected":12161,"updatedAt":12162,"createdAt":12163},"Fotogalleriet 2023","fotogalleriet-2023","Mon Oct 14 2024 08:28:30 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:06:06 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:06:26 GMT+0000 (Coordinated Universal Time)",[3117],{"root":12119},{"type":9,"format":10,"indent":11,"version":4,"children":12120},[12121],{"type":14,"version":4,"children":12122},[12123],{"text":12124,"type":19,"version":4},"The committee appointed by Fotogalleriet for the 2023 FUTURES nomination process consisted of: artist, writer, and Dáiddadállu artists' collective member Susanne Hætta, Guovdageaidnu/Vadsø; Liv Brissach, a writer and curator at MUNCH, Oslo; Kristin Aasbø, curator and Senior Archivist at Preus, The National Museum of Photography, Horten; Miki Gebrelul, Head of Exhibitions at Fotogalleriet, Oslo, and Antonio Cataldo, Artistic Director of Fotogalleriet.",{"root":12126},{"type":9,"format":10,"indent":11,"version":4,"children":12127},[12128,12132,12135,12139,12142,12146,12149,12153,12156],{"type":14,"version":4,"children":12129},[12130],{"text":12131,"type":19,"version":4},"The work of Dev Dhunsi is inspired by the migratory movement of his family from South Asia. His photo-installation Ankhon Dekhi (2022) touches upon the complexity of society with its many -scapes (landscape, soundscape, mediascape) and the materiality of his photographic approach spans different media from textile to sculptural installation. As a subject with a complex historiography and layered diasporic knowledge, he focuses on the sociological character of photography.",{"type":14,"version":4,"children":12133},[12134],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":12136},[12137],{"text":12138,"type":19,"version":4},"Paulina Tamara's commitment to photography as a means of representation is manifold. Her work comprises longstanding work with youth, exploring what they're coming to know in expressing their sexuality and gender freely. In Undress, looking at a queer woman undressing (2021), Tamara invited 15 people to watch her undressing while took pictures of the session with a trigger – an exercise in looking when both taking and giving complete control over the image.",{"type":14,"version":4,"children":12140},[12141],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":12143},[12144],{"text":12145,"type":19,"version":4},"Naina Helén Jåma is a photographer working for influential Norwegian newspapers and magazines. She started her career as a South Sámi mediator in Jåhkåmåhkke at the Ájtte Museum at 13, and continues to maintain a close relationship with traditional Sámi arts. In her project Vætnoe (2018–),  Jåma speaks about traditional forms in living matter in Sámi people's livelihood, and how these forms and shapes continue to be part of the technological availability of today.",{"type":14,"version":4,"children":12147},[12148],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":12150},[12151],{"text":12152,"type":19,"version":4},"Ilavenil Vasuky Jayapalan is a dissenting multidisciplinary artist. As a child of the Tamil Tigers ,and the subject of echoes of the traumatic effects of civil war, he ponders a postcolonial take on propaganda. Among the works Jayapalan has shared for FUTURES is Hello freeends 4.1 (2022), a self-portrait crafted through AI manipulation, based on what a South Asian person looks like to a machine when fed bits of information.",{"type":14,"version":4,"children":12154},[12155],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":12157},[12158],{"text":12159,"type":19,"version":4},"Bobby Yu Shuk Pui grounds her work in the queer and genderless exploration of body politics, with a critical perspective on the social norms and constructs dictating reproduction and beautification – pushed to the forefront of the capitalist agenda in Asia, where Pui began her work. In the ongoing Genetic Salon (2020–), Put presents a web of video clips, exhibitions, and other material, leading the audience into a seductive imagination of the future.",[2178,3151,3167,3158,3155],[],"2026-08-17T13:40:48.501Z","2026-03-10T15:49:53.434Z",{"id":12165,"is_residency_story":93,"kind_of_residency_story":150,"title":12166,"slug":12167,"archived":153,"created_on":12168,"updated_on":12169,"published_on":12169,"thumbnail":12170,"author":12171,"date_of_publication":12172,"teaser":12173,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":12174,"video":10,"corresponding_event":20,"artist_name":11931,"reference_artist":3155,"residency_location":8816,"year":8817,"layout_type":496,"content":12175,"updatedAt":12355,"createdAt":12356},273,"And then comes art - Bobby Yu Shuk Pui in Conversation with Merel Bem","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem","Thu Jul 17 2025 09:35:41 GMT+0000 (Coordinated Universal Time)","Mon Aug 18 2025 10:25:55 GMT+0000 (Coordinated Universal Time)",13778,"Merel Bem","2025-07-13T22:00:00.000Z","The nightmares are part of the process. Her whole life is part of the process. For Bobby Yu Shuk Pui, artist in residency at the FUTURES Hub, to make her art – movies, videos, photographs, performances – she needs to understand what her mind is telling her.",[447],[12176,12201,12204,12219,12222,12233,12242,12259,12294,12307,12347],{"id":12177,"text":12178,"blockName":20,"blockType":19},"6a354ca48c91db2725ffb65d",{"root":12179},{"type":9,"format":10,"indent":11,"version":4,"children":12180},[12181,12189,12191,12195,12197],{"type":14,"format":10,"indent":11,"version":4,"children":12182,"direction":20,"textStyle":10,"textFormat":11},[12183,12185,12187],{"mode":17,"text":12184,"type":19,"style":10,"detail":11,"format":11,"version":4},"Although Yu Shuk Pui Bobby (31) speaks six languages, in her dreams, she often feels numb. “I want to scream,” she says. “I want to yell: ",{"mode":17,"text":12186,"type":19,"style":10,"detail":11,"format":222,"version":4},"Watch out!",{"mode":17,"text":12188,"type":19,"style":10,"detail":11,"format":11,"version":4}," But nothing comes out. When it gets too scary, I wake myself up. I’ve learned how to do that – it’s like hitting a safety button.”",{"type":14,"format":10,"indent":11,"version":4,"children":12190,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12192,"direction":20,"textStyle":10,"textFormat":11},[12193],{"mode":17,"text":12194,"type":19,"style":10,"detail":11,"format":11,"version":4},"The dreams she has almost every night are always nightmares. When she wakes in the middle of the night, she records them on her phone. In the morning, she tries to make sense of what her subconscious is revealing – like navigating a vast, dark sea filled with hidden creatures.",{"type":14,"format":10,"indent":11,"version":4,"children":12196,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12198,"direction":20,"textStyle":10,"textFormat":11},[12199],{"mode":17,"text":12200,"type":19,"style":10,"detail":11,"format":11,"version":4},"“If you remember your dreams, it means there's something you need to uncover,” she says. “Once I understand what they’re about, healing can begin. And then,” says Yu Shuk Pui – who prefers to go by Bobby, “comes art.”",{"id":12202,"image":12203,"blockName":20,"blockType":381},"6a354ca48c91db2725ffb65e",13614,{"id":12205,"text":12206,"blockName":20,"blockType":19},"6a354ca48c91db2725ffb65f",{"root":12207},{"type":9,"format":10,"indent":11,"version":4,"children":12208},[12209,12213,12215],{"type":14,"format":10,"indent":11,"version":4,"children":12210,"direction":20,"textStyle":10,"textFormat":11},[12211],{"mode":17,"text":12212,"type":19,"style":10,"detail":11,"format":11,"version":4},"The nightmares are part of the process. Her whole life is part of the process. For Bobby to make her art – movies, videos, photographs, performances – she needs to understand what her mind is telling her. For the audience to grasp her work, they need to understand that her everyday life is just as essential as the research she conducts on her computer or in various archives. ",{"type":14,"format":10,"indent":11,"version":4,"children":12214,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12216,"direction":20,"textStyle":10,"textFormat":11},[12217],{"mode":17,"text":12218,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Artists are, first and foremost, humans. Art is human. My art is deeply connected to my personal life. So, when I wake up and write down my dreams – that’s important. I need to figure out what’s happening in my head before I can start creating. The same goes for tidying my room, drinking a cup of tea, or reading a book. If my personal life isn’t in order, I can’t do the work.”",{"id":12220,"image":12221,"blockName":20,"blockType":381},"6a354ca48c91db2725ffb660",13615,{"id":12223,"text":12224,"blockName":20,"blockType":19},"6a354ca48c91db2725ffb661",{"root":12225},{"type":9,"format":10,"indent":11,"version":4,"children":12226},[12227],{"type":14,"format":10,"indent":11,"version":4,"children":12228,"direction":20,"textStyle":10,"textFormat":11},[12229,12231],{"mode":17,"text":12230,"type":19,"style":10,"detail":11,"format":11,"version":4},"Bobby has just arrived in Amsterdam from Oslo, where she lived for the past six years, studying at the Oslo National Academy of Fine Arts. She was born and raised in Hong Kong. Coming from a traditional and hierarchical society, she often draws from her upbringing and childhood experiences in her films, always revolving around a simple, three-letter question. ",{"mode":17,"text":12232,"type":19,"style":10,"detail":11,"format":222,"version":4},"Why?",{"id":12234,"text":12235,"blockName":20,"blockType":19},"6ab14a0f621a7d1f9b18939f",{"root":12236},{"type":9,"format":10,"indent":11,"version":4,"children":12237,"direction":20},[12238],{"type":14,"format":10,"indent":11,"version":4,"children":12239,"direction":20,"textStyle":10,"textFormat":11},[12240],{"mode":17,"text":12241,"type":19,"style":10,"detail":11,"format":11,"version":4},"Why weren’t her female cousins allowed to sit at the same dinner table as Bobby and her sister during a visit at their parent’s hometown? Why couldn’t she smoke like her male cousins did? Why didn’t her mother leave her father, despite her obvious unhappiness? Why is Bobby’s sexuality – an important part of her identity –so often ignored or silenced? And why is it that every question about the status quo is wrapped in taboos and superstitions that no one is allowed to challenge?",{"id":12243,"quote":12244,"blockName":20,"blockType":333},"6ab149fe621a7d1f9b18939e",{"root":12245},{"type":9,"format":10,"indent":11,"version":4,"children":12246,"direction":20},[12247,12255],{"type":14,"format":546,"indent":11,"version":4,"children":12248,"direction":20,"textStyle":10,"textFormat":11},[12249,12251,12253],{"mode":17,"text":12250,"type":19,"style":10,"detail":11,"format":11,"version":4},"“For me, the most powerful thing was when I asked ",{"mode":17,"text":12252,"type":19,"style":10,"detail":11,"format":222,"version":4},"why?",{"mode":17,"text":12254,"type":19,"style":10,"detail":11,"format":11,"version":4},", people told me to shut up,” Bobby says. It only made her more determined.",{"type":14,"format":546,"indent":11,"version":4,"children":12256,"direction":20,"textStyle":10,"textFormat":11},[12257],{"mode":17,"text":12258,"type":19,"style":10,"detail":11,"format":11,"version":4}," “People say I should just accept things and respect the way they are – but I don’t like that. Being curious, asking questions – that doesn’t mean that I’m attacking or disrespecting anything. It means I’m trying to understand.”",{"id":12260,"text":12261,"blockName":20,"blockType":19},"6ab14a84621a7d1f9b1893a2",{"root":12262},{"type":9,"format":10,"indent":11,"version":4,"children":12263,"direction":20},[12264,12272,12274,12282,12284,12288,12290],{"type":14,"format":10,"indent":11,"version":4,"children":12265,"direction":20,"textStyle":10,"textFormat":11},[12266,12268,12270],{"mode":17,"text":12267,"type":19,"style":10,"detail":11,"format":11,"version":4},"Her work connects her own personal traumas with broader, unspoken fears – those lingering just beneath the surface of society – ",{"mode":17,"text":12269,"type":19,"style":10,"detail":11,"format":222,"version":4},"any ",{"mode":17,"text":12271,"type":19,"style":10,"detail":11,"format":11,"version":4},"society, really, whether in Hong Kong or Norway or The Netherlands. This psychological dread often manifests as curses or ancient mythical creatures. In her work, they rise to the surface through pop culture references, like K-pop groups, anime, and horror films.",{"type":14,"format":10,"indent":11,"version":4,"children":12273,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12275,"direction":20,"textStyle":10,"textFormat":11},[12276,12278,12280],{"mode":17,"text":12277,"type":19,"style":10,"detail":11,"format":11,"version":4},"Take her newest project, ",{"mode":17,"text":12279,"type":19,"style":10,"detail":11,"format":222,"version":4},"Curses, Human-Faced Fish & Sadako Yamamura",{"mode":17,"text":12281,"type":19,"style":10,"detail":11,"format":11,"version":4},", which will be presented in November 2025 at Fotografiens Hus in Norway. It follows four young women training to become global pop stars – except three of them are secretly not human. One is a human-faced fish from Taiwan, another a huldra (a tailed forest spirit) from Norwegian folklore, and the third a green serpent from the Amazon. Don’t ask her how these characters ended up together – they just did. It’s what happens when dreams merge with waking life. It’s what happens when the subconscious is taken seriously.",{"type":14,"format":10,"indent":11,"version":4,"children":12283,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12285,"direction":20,"textStyle":10,"textFormat":11},[12286],{"mode":17,"text":12287,"type":19,"style":10,"detail":11,"format":11,"version":4},"“I always start from personal childhood and my own memory,” Bobby says. “But I’m also always searching for common ground with the audience.",{"type":14,"format":10,"indent":11,"version":4,"children":12289,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12291,"direction":20,"textStyle":10,"textFormat":11},[12292],{"mode":17,"text":12293,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency at FUTURES in Amsterdam allows her to do research for new work – she has currently three ideas floating around in her head, waiting to surface. Later today she plans to stop by Chinatown for some much-needed dim sum, and then visit the Eye Film Museum.",{"id":12295,"quote":12296,"blockName":20,"blockType":333},"6ab14a20621a7d1f9b1893a0",{"root":12297},{"type":9,"format":10,"indent":11,"version":4,"children":12298,"direction":20},[12299,12303],{"type":14,"format":10,"indent":11,"version":4,"children":12300,"direction":20,"textStyle":10,"textFormat":11},[12301],{"mode":17,"text":12302,"type":19,"style":10,"detail":11,"format":11,"version":4},"“I want to watch some old European horror films, from the ‘70s or ‘80s,” she says brightly. “And learn more about the witch hunts.”",{"type":14,"format":10,"indent":11,"version":4,"children":12304,"direction":20,"textStyle":10,"textFormat":11},[12305],{"mode":17,"text":12306,"type":19,"style":10,"detail":11,"format":11,"version":4},"She also needs to clean. Make the space her own, even if only for two weeks. “That’s really important to me,” she says. “It takes time, but I don’t mind. I’m a slow-working artist anyway. I have to prioritise. In the end, art always shows up.”",{"id":12308,"text":12309,"blockName":20,"blockType":19},"6ab14a32621a7d1f9b1893a1",{"root":12310},{"type":9,"format":10,"indent":11,"version":4,"children":12311,"direction":20},[12312,12316,12318,12331],{"type":14,"format":10,"indent":11,"version":4,"children":12313,"direction":20,"textStyle":10,"textFormat":11},[12314],{"mode":17,"text":12315,"type":19,"style":10,"detail":11,"format":11,"version":4},"It’s her seventh language.",{"type":14,"format":10,"indent":11,"version":4,"children":12317,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12319,"direction":20,"textStyle":10,"textFormat":11},[12320,12321,12326,12327],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":12322,"format":10,"indent":11,"version":95,"children":12324,"direction":20},{"url":12323,"newTab":153,"linkType":94},"https://www.mpb.com/en-eu/?utm_source=futures+photography&utm_medium=website&utm_campaign=mar:eu|cam:change|sc:par",[12325],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":12328,"format":10,"indent":11,"version":95,"children":12329,"direction":20},{"url":8935,"newTab":153,"linkType":94},[12330],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12332,"direction":20,"textStyle":10,"textFormat":4},[12333,12337,12339,12345],{"type":90,"fields":12334,"format":10,"indent":11,"version":95,"children":12335,"direction":20},{"url":12323,"newTab":153,"linkType":94},[12336],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":12338,"type":19,"style":10,"detail":11,"format":4,"version":4}," is Europe’s top camera gear reseller. FUTURES FOUNDATION fully aligns with the core values of sustainability, diversity and accessibility championed at MPB. Explore MPB to ",{"type":90,"fields":12340,"format":10,"indent":11,"version":95,"children":12342,"direction":20},{"url":12341,"newTab":153,"linkType":94},"https://www.mpb.com/en-eu/?utm_source=futures+photography+2025+announcement&utm_medium=website&utm_campaign=mar:eu%7Ccam:change%7Csc:par",[12343],{"mode":17,"text":12344,"type":19,"style":10,"detail":11,"format":4,"version":4},"buy approved used gear, or sell your own and get paid",{"mode":17,"text":12346,"type":19,"style":10,"detail":11,"format":4,"version":4}," quickly.",{"id":12348,"blockName":20,"logos":12349,"blockType":11866},"6ab14adc621a7d1f9b1893a3",[12350,12352],{"id":12351,"image":11865},"6ab14afc621a7d1f9b1893a4",{"id":12353,"image":12354},"6ab14b4c621a7d1f9b1893a5",16016,"2026-10-19T13:51:45.128Z","2026-03-27T13:19:42.674Z","02/06/2025",[],[],[12361],{"id":475,"title":12362,"slug":12363,"education_programme":4,"thumbnail_image":12364,"short_description":12365,"course_description":12366,"corresponding_tutor":12381,"guest_experts":12383,"where":5448,"start_date":5449,"end_date":5450,"fees":12384,"deadlines":12396,"apply_button_informational_text":5474,"students":12402,"students_to_approve":12407,"course_info_repeater":12415,"course_faq_repeater":12646,"content":12747,"repository_links":12824,"notification_system":12831,"updatedAt":13147,"createdAt":13148},"New Image Lab","new-image-lab",16008,"Explore emerging image technologies through critical inquiry and experimental practice",{"root":12367},{"type":9,"format":10,"indent":11,"version":4,"children":12368,"direction":20},[12369,12373,12377],{"type":14,"format":10,"indent":11,"version":4,"children":12370,"direction":20,"textStyle":10,"textFormat":11},[12371],{"mode":17,"text":12372,"type":19,"style":10,"detail":11,"format":11,"version":4},"Kodak’s advertising slogan in 1888 declared “You Press the Button, We Do the Rest.” This was a marketing strategy designed to encourage more people to take photographs by emphasizing how simple and accessible the technology had become. Interestingly, this idea still resonates today in a world of “shot on iPhone.” People take more images than ever before, often without reflecting on how they are made, stored, or circulated. At the same time, the technologies behind photography have undergone a major transformation, becoming increasingly complex, automated, and difficult to fully understand.",{"type":14,"format":10,"indent":11,"version":4,"children":12374,"direction":20,"textStyle":10,"textFormat":11},[12375],{"mode":17,"text":12376,"type":19,"style":10,"detail":11,"format":11,"version":4},"Kodak’s early promise, to hide the process and make image-making effortless, continues to shape how images are produced and experienced today. Many contemporary imaging technologies operate in the background, making decisions on behalf of users while remaining largely invisible. ",{"type":14,"format":10,"indent":11,"version":4,"children":12378,"direction":20,"textStyle":10,"textFormat":11},[12379],{"mode":17,"text":12380,"type":19,"style":10,"detail":11,"format":11,"version":4},"In this lab, students will explore these questions through a combination of visual analysis, reading, and discussion. They will engage with images that shape current visual culture, while also examining the systems, tools, and contexts behind them. Through practical exercises, students will experiment with different technologies and approaches to storytelling: both using images and critically reflecting on their production. The aim is to develop a deeper understanding of photography today, not only as a way of seeing, but also as a complex and evolving process.",[12382],1334,[],{"root":12385},{"type":9,"format":10,"indent":11,"version":4,"children":12386,"direction":20},[12387],{"type":14,"format":10,"indent":11,"version":4,"children":12388,"direction":20,"textStyle":10,"textFormat":11},[12389,12390,12391,12392,12393,12394,12395],{"mode":17,"text":5457,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5460,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5463,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5466,"type":19,"style":10,"detail":11,"format":11,"version":4},{"root":12397},{"type":9,"format":10,"indent":11,"version":4,"children":12398,"direction":20},[12399],{"type":14,"format":10,"indent":11,"version":4,"children":12400,"direction":20,"textStyle":10,"textFormat":11},[12401],{"mode":17,"text":5473,"type":19,"style":10,"detail":11,"format":11,"version":4},[12403,12404,12405,12406,5481,3155,7261,3749],1472,1469,1468,1466,{"docs":12408,"hasNextPage":93},[8564,7636,12409,12410,5489,3062,12411,12412,12413,12414],83,82,63,61,59,49,[12416,12462,12509,12532,12589,12619],{"id":12417,"title":5497,"content":12418},"69e747846e4608ff2fdd40af",{"root":12419},{"type":9,"format":10,"indent":11,"version":4,"children":12420,"direction":20},[12421,12424],{"type":14,"format":10,"indent":11,"version":4,"children":12422,"direction":20,"textStyle":10,"textFormat":11},[12423],{"mode":17,"text":5504,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12425,"listType":5538,"direction":20},[12426,12430,12434,12438,12442,12446,12450,12454,12458],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12427,"direction":20},[12428],{"mode":17,"text":12429,"type":19,"style":10,"detail":11,"format":11,"version":4},"A critical understanding of contemporary image-making in relation to its historical roots",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12431,"direction":20},[12432],{"mode":17,"text":12433,"type":19,"style":10,"detail":11,"format":11,"version":4},"The ability to analyze how images are produced, circulated, and consumed in current visual culture",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":12435,"direction":20},[12436],{"mode":17,"text":12437,"type":19,"style":10,"detail":11,"format":11,"version":4},"Awareness of the hidden systems, technologies, and automated processes behind photography",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":12439,"direction":20},[12440],{"mode":17,"text":12441,"type":19,"style":10,"detail":11,"format":11,"version":4},"Skills in visual analysis through engagement with contemporary images",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":12443,"direction":20},[12444],{"mode":17,"text":12445,"type":19,"style":10,"detail":11,"format":11,"version":4},"The capacity to connect theoretical readings with visual practices",{"type":5510,"value":1124,"format":10,"indent":11,"version":4,"children":12447,"direction":20},[12448],{"mode":17,"text":12449,"type":19,"style":10,"detail":11,"format":11,"version":4},"Experience in discussing and reflecting on images within a group context",{"type":5510,"value":1216,"format":10,"indent":11,"version":4,"children":12451,"direction":20},[12452],{"mode":17,"text":12453,"type":19,"style":10,"detail":11,"format":11,"version":4},"Practical experimentation with different imaging technologies and storytelling approaches",{"type":5510,"value":99,"format":10,"indent":11,"version":4,"children":12455,"direction":20},[12456],{"mode":17,"text":12457,"type":19,"style":10,"detail":11,"format":11,"version":4},"The ability to both create images and critically reflect on their production",{"type":5510,"value":228,"format":10,"indent":11,"version":4,"children":12459,"direction":20},[12460],{"mode":17,"text":12461,"type":19,"style":10,"detail":11,"format":11,"version":4},"A deeper understanding of photography as an evolving, complex process rather than a neutral tool",{"id":12463,"title":5541,"content":12464},"69e7478e6e4608ff2fdd40b1",{"root":12465},{"type":9,"format":10,"indent":11,"version":4,"children":12466,"direction":20},[12467,12471],{"type":14,"format":10,"indent":11,"version":4,"children":12468,"direction":20,"textStyle":10,"textFormat":11},[12469],{"mode":17,"text":12470,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants will engage with:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12472,"listType":5538,"direction":20},[12473,12477,12481,12485,12489,12493,12497,12501,12505],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12474,"direction":20},[12475],{"mode":17,"text":12476,"type":19,"style":10,"detail":11,"format":11,"version":4},"The historical and contemporary framing of photography",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12478,"direction":20},[12479],{"mode":17,"text":12480,"type":19,"style":10,"detail":11,"format":11,"version":4},"How images are produced, stored, and circulated in digital culture",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":12482,"direction":20},[12483],{"mode":17,"text":12484,"type":19,"style":10,"detail":11,"format":11,"version":4},"The complexity and automation of contemporary imaging technologies",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":12486,"direction":20},[12487],{"mode":17,"text":12488,"type":19,"style":10,"detail":11,"format":11,"version":4},"The often invisible systems shaping visual production",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":12490,"direction":20},[12491],{"mode":17,"text":12492,"type":19,"style":10,"detail":11,"format":11,"version":4},"Visual analysis, readings, and group discussions",{"type":5510,"value":1124,"format":10,"indent":11,"version":4,"children":12494,"direction":20},[12495],{"mode":17,"text":12496,"type":19,"style":10,"detail":11,"format":11,"version":4},"Images as both cultural and technical constructs",{"type":5510,"value":1216,"format":10,"indent":11,"version":4,"children":12498,"direction":20},[12499],{"mode":17,"text":12500,"type":19,"style":10,"detail":11,"format":11,"version":4},"Practical experimentation in storytelling and image-making",{"type":5510,"value":99,"format":10,"indent":11,"version":4,"children":12502,"direction":20},[12503],{"mode":17,"text":12504,"type":19,"style":10,"detail":11,"format":11,"version":4},"Critical reflection on the production of images",{"type":5510,"value":228,"format":10,"indent":11,"version":4,"children":12506,"direction":20},[12507],{"mode":17,"text":12508,"type":19,"style":10,"detail":11,"format":11,"version":4},"Photography as a complex and evolving process",{"id":12510,"title":5593,"content":12511},"69e747a16e4608ff2fdd40b3",{"root":12512},{"type":9,"format":10,"indent":11,"version":4,"children":12513,"direction":20},[12514,12518],{"type":14,"format":10,"indent":11,"version":4,"children":12515,"direction":20,"textStyle":10,"textFormat":11},[12516],{"mode":17,"text":12517,"type":19,"style":10,"detail":11,"format":11,"version":4},"This masterclass is designed for artists and cultural practitioners who:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12519,"listType":5538,"direction":20},[12520,12524,12528],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12521,"direction":20},[12522],{"mode":17,"text":12523,"type":19,"style":10,"detail":11,"format":11,"version":4},"Work with lens-based, digital or hybrid media and want to expand into synthetic or computational image practices",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12525,"direction":20},[12526],{"mode":17,"text":12527,"type":19,"style":10,"detail":11,"format":11,"version":4},"Are interested in the political and cultural implications of emerging technologies",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":12529,"direction":20},[12530],{"mode":17,"text":12531,"type":19,"style":10,"detail":11,"format":11,"version":4},"Want to experiment critically rather than adopt tools unreflectively",{"id":12533,"title":12534,"content":12535},"69e747c36e4608ff2fdd40b5","Application requirements",{"root":12536},{"type":9,"format":10,"indent":11,"version":4,"children":12537,"direction":20},[12538,12541,12543,12557,12559,12564,12574,12576,12581,12583,12586],{"type":14,"format":10,"indent":11,"version":4,"children":12539,"direction":20,"textStyle":10,"textFormat":11},[12540],{"mode":17,"text":5624,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12542,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12544,"direction":20,"textStyle":10,"textFormat":11},[12545,12546,12547,12549,12550,12551,12553,12554,12555],{"mode":17,"text":5630,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":12548,"type":19,"style":10,"detail":11,"format":11,"version":4},"A collection of photography, video, or mixed media works. ",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":12552,"type":19,"style":10,"detail":11,"format":11,"version":4},"Video works can be submitted via links. Works can be exploratory or diverse, reflecting your engagement with image-making and visual culture. Please include descriptions for each work.",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":12556,"type":19,"style":10,"detail":11,"format":11,"version":4},"If you intend to develop a new body of work, you may submit a previous project and include a short description of the proposed work (it does not need to be final)",{"type":14,"format":10,"indent":11,"version":4,"children":12558,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12560,"direction":20,"textStyle":10,"textFormat":11},[12561,12562,12563],{"mode":17,"text":5643,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5646,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12565,"listType":5538,"direction":20},[12566,12570],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12567,"direction":20},[12568],{"mode":17,"text":12569,"type":19,"style":10,"detail":11,"format":11,"version":4},"How you approach image-making, research, and visual culture",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12571,"direction":20},[12572],{"mode":17,"text":12573,"type":19,"style":10,"detail":11,"format":11,"version":4},"What you aim to explore or develop during the course",{"type":14,"format":10,"indent":11,"version":4,"children":12575,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12577,"direction":20,"textStyle":10,"textFormat":11},[12578,12579,12580],{"mode":17,"text":5662,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5665,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12582,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12584,"direction":20,"textStyle":10,"textFormat":11},[12585],{"mode":17,"text":5671,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12587,"direction":20,"textStyle":10,"textFormat":11},[12588],{"mode":17,"text":5675,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12590,"title":5678,"content":12591},"69ea7e4bf9cc2522faa9cfae",{"root":12592},{"type":9,"format":10,"indent":11,"version":4,"children":12593,"direction":20},[12594,12617],{"tag":5683,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12595,"listType":5713,"direction":20},[12596,12601,12606,12612],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12597,"direction":20},[12598,12599,12600],{"mode":17,"text":5688,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5691,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12602,"direction":20},[12603,12604,12605],{"mode":17,"text":5695,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5698,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":12607,"direction":20},[12608,12610,12611],{"mode":17,"text":12609,"type":19,"style":10,"detail":11,"format":11,"version":4},"Confirmation of participation",{"type":463,"version":4},{"mode":17,"text":5705,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":12613,"direction":20},[12614,12615,12616],{"mode":17,"text":5709,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":463,"version":4},{"mode":17,"text":5712,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12618,"direction":20,"textStyle":10,"textFormat":11},[],{"id":12620,"title":5716,"content":12621},"69ea7f04f9cc2522faa9cfaf",{"root":12622},{"type":9,"format":10,"indent":11,"version":4,"children":12623,"direction":20},[12624,12627,12630,12632,12635],{"type":14,"format":10,"indent":11,"version":4,"children":12625,"direction":20,"textStyle":10,"textFormat":11},[12626],{"mode":17,"text":5723,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12628,"direction":20,"textStyle":10,"textFormat":11},[12629],{"mode":17,"text":5727,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12631,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12633,"direction":20,"textStyle":10,"textFormat":11},[12634],{"mode":17,"text":5733,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12636,"listType":5538,"direction":20},[12637,12640,12643],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12638,"direction":20},[12639],{"mode":17,"text":5739,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12641,"direction":20},[12642],{"mode":17,"text":5743,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":12644,"direction":20},[12645],{"mode":17,"text":5747,"type":19,"style":10,"detail":11,"format":11,"version":4},[12647,12657,12667,12677,12687,12697,12707,12717,12727,12737],{"id":12648,"title":12649,"content":12650},"6a635f7c09622f25f422b04e","What is New Image Lab?",{"root":12651},{"type":9,"format":10,"indent":11,"version":4,"children":12652,"direction":20},[12653],{"type":14,"format":10,"indent":11,"version":4,"children":12654,"direction":20,"textStyle":10,"textFormat":11},[12655],{"mode":17,"text":12656,"type":19,"style":10,"detail":11,"format":11,"version":4},"New Image Lab is a 12-week online masterclass exploring emerging image technologies through critical inquiry and experimental practice. Rather than focusing solely on technical skills, the course examines how new technologies influence the production, meaning and circulation of images in contemporary visual culture.",{"id":12658,"title":12659,"content":12660},"6a635f8409622f25f422b04f","Who is New Image Lab for?",{"root":12661},{"type":9,"format":10,"indent":11,"version":4,"children":12662,"direction":20},[12663],{"type":14,"format":10,"indent":11,"version":4,"children":12664,"direction":20,"textStyle":10,"textFormat":11},[12665],{"mode":17,"text":12666,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course is designed for artists, photographers and visual practitioners who are experimenting with emerging image technologies and interested in exploring new ways of thinking about image-making through experimentation and critical reflection.",{"id":12668,"title":12669,"content":12670},"6a635f8909622f25f422b050","Do I need experience with AI or emerging image technologies?",{"root":12671},{"type":9,"format":10,"indent":11,"version":4,"children":12672,"direction":20},[12673],{"type":14,"format":10,"indent":11,"version":4,"children":12674,"direction":20,"textStyle":10,"textFormat":11},[12675],{"mode":17,"text":12676,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. Prior experience with specific technologies is not required. The course welcomes participants who are curious to explore new ways of producing, thinking about and reflecting on photography and contemporary image-making.",{"id":12678,"title":12679,"content":12680},"6a635f9309622f25f422b051","Is New Image Lab a technical course?",{"root":12681},{"type":9,"format":10,"indent":11,"version":4,"children":12682,"direction":20},[12683],{"type":14,"format":10,"indent":11,"version":4,"children":12684,"direction":20,"textStyle":10,"textFormat":11},[12685],{"mode":17,"text":12686,"type":19,"style":10,"detail":11,"format":11,"version":4},"No. While participants engage with emerging image technologies, the course places equal emphasis on critical inquiry. It encourages participants to consider the ethical, cultural, political and technical implications of contemporary image production.",{"id":12688,"title":12689,"content":12690},"6a635f9809622f25f422b052","What topics are explored during the New Image Lab masterclass?",{"root":12691},{"type":9,"format":10,"indent":11,"version":4,"children":12692,"direction":20},[12693],{"type":14,"format":10,"indent":11,"version":4,"children":12694,"direction":20,"textStyle":10,"textFormat":11},[12695],{"mode":17,"text":12696,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants explore emerging image technologies, experimental image production, visual culture, critical image literacy and the ethical, moral and technical questions surrounding contemporary photography.",{"id":12698,"title":12699,"content":12700},"6a635fa209622f25f422b053","What kinds of projects can participants develop during the New Image Lab masterclass?",{"root":12701},{"type":9,"format":10,"indent":11,"version":4,"children":12702,"direction":20},[12703],{"type":14,"format":10,"indent":11,"version":4,"children":12704,"direction":20,"textStyle":10,"textFormat":11},[12705],{"mode":17,"text":12706,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is process-led and encourages participants to develop experimental projects that can evolve throughout the course. Projects may take different forms as participants respond to new ideas, technologies and discussions.",{"id":12708,"title":12709,"content":12710},"6a635faa09622f25f422b054","Will participants learn how to use specific software or tools during the New Image Lab masterclass?",{"root":12711},{"type":9,"format":10,"indent":11,"version":4,"children":12712,"direction":20},[12713],{"type":14,"format":10,"indent":11,"version":4,"children":12714,"direction":20,"textStyle":10,"textFormat":11},[12715],{"mode":17,"text":12716,"type":19,"style":10,"detail":11,"format":11,"version":4},"The masterclass is not designed as training in one specific software or technical tool. Its main focus is the conceptual and practical development of each participant’s project. However, technical guidance may be provided on a case-by-case basis, depending on the needs of the work being developed and the tools required to realise it.",{"id":12718,"title":12719,"content":12720},"6a635fb409622f25f422b055","What skills or knowledge will participants gain at the end of the New Image Lab masterclass?",{"root":12721},{"type":9,"format":10,"indent":11,"version":4,"children":12722,"direction":20},[12723],{"type":14,"format":10,"indent":11,"version":4,"children":12724,"direction":20,"textStyle":10,"textFormat":11},[12725],{"mode":17,"text":12726,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants develop a deeper understanding of emerging image technologies while strengthening their ability to critically evaluate how these technologies influence image-making, contemporary culture and artistic practice.",{"id":12728,"title":12729,"content":12730},"6a635fba09622f25f422b056","How does New Image Lab approach emerging image technologies?",{"root":12731},{"type":9,"format":10,"indent":11,"version":4,"children":12732,"direction":20},[12733],{"type":14,"format":10,"indent":11,"version":4,"children":12734,"direction":20,"textStyle":10,"textFormat":11},[12735],{"mode":17,"text":12736,"type":19,"style":10,"detail":11,"format":11,"version":4},"The course combines technical experimentation with critical reflection, encouraging participants to question how technologies shape images, knowledge and visual culture rather than simply learning how to use new tools.",{"id":12738,"title":12739,"content":12740},"6a635fc509622f25f422b057","What can participants expect to leave the New Image Lab course with?",{"root":12741},{"type":9,"format":10,"indent":11,"version":4,"children":12742,"direction":20},[12743],{"type":14,"format":10,"indent":11,"version":4,"children":12744,"direction":20,"textStyle":10,"textFormat":11},[12745],{"mode":17,"text":12746,"type":19,"style":10,"detail":11,"format":11,"version":4},"Participants leave with an experimental body of work developed throughout the programme, alongside new perspectives on emerging image technologies and greater confidence engaging critically with contemporary image-making.",[12748,12763,12769],{"id":12749,"text":12750,"blockName":5827,"blockType":19},"69e695322ee0f27b4e9b0efb",{"root":12751},{"type":9,"format":10,"indent":11,"version":4,"children":12752},[12753,12756,12760],{"type":14,"format":546,"indent":11,"version":4,"children":12754,"direction":20,"textStyle":10,"textFormat":11},[12755],{"mode":17,"text":12372,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":12757,"direction":20,"textStyle":10,"textFormat":11},[12758],{"mode":17,"text":12759,"type":19,"style":10,"detail":11,"format":11,"version":4},"Kodak’s early promise, to hide the process and make image-making effortless, continues to shape how images are produced and experienced today. Many contemporary imaging technologies operate in the background, making decisions on behalf of users while remaining largely invisible.",{"type":14,"format":546,"indent":11,"version":4,"children":12761,"direction":20,"textStyle":10,"textFormat":11},[12762],{"mode":17,"text":12380,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12764,"blockName":20,"images":12765,"blockType":323},"6a70bb963f422c00044cb869",[12766],{"id":12767,"image":12768},"6a70bb963f422c00044cb867",16320,{"id":12770,"text":12771,"blockName":5884,"blockType":19},"6ac3d23a70897324ac8bc9d8",{"root":12772},{"type":9,"format":10,"indent":11,"version":4,"children":12773,"direction":20},[12774,12776,12780,12784,12788,12792,12796,12800,12804,12808,12812,12816,12820],{"type":14,"format":10,"indent":11,"version":4,"children":12775,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":12777,"direction":20,"textStyle":10,"textFormat":11},[12778],{"mode":17,"text":12779,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 1: Group Session. Introduction. ",{"type":14,"format":10,"indent":11,"version":4,"children":12781,"direction":20,"textStyle":10,"textFormat":11},[12782],{"mode":17,"text":12783,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 2: Group Session. New Image. ",{"type":14,"format":10,"indent":11,"version":4,"children":12785,"direction":20,"textStyle":10,"textFormat":11},[12786],{"mode":17,"text":12787,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 3: Individual Meetings. ",{"type":14,"format":10,"indent":11,"version":4,"children":12789,"direction":20,"textStyle":10,"textFormat":11},[12790],{"mode":17,"text":12791,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 4: Group Session & Individual Meetings.",{"type":14,"format":10,"indent":11,"version":4,"children":12793,"direction":20,"textStyle":10,"textFormat":11},[12794],{"mode":17,"text":12795,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 5: Individual Meetings. ",{"type":14,"format":10,"indent":11,"version":4,"children":12797,"direction":20,"textStyle":10,"textFormat":11},[12798],{"mode":17,"text":12799,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 6: Group Session. Sharing Practices. ",{"type":14,"format":10,"indent":11,"version":4,"children":12801,"direction":20,"textStyle":10,"textFormat":11},[12802],{"mode":17,"text":12803,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 7: Individual Meetings. ",{"type":14,"format":10,"indent":11,"version":4,"children":12805,"direction":20,"textStyle":10,"textFormat":11},[12806],{"mode":17,"text":12807,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 8: Group Session. Boring Images.",{"type":14,"format":10,"indent":11,"version":4,"children":12809,"direction":20,"textStyle":10,"textFormat":11},[12810],{"mode":17,"text":12811,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 9: Group Session. Sharing. ",{"type":14,"format":10,"indent":11,"version":4,"children":12813,"direction":20,"textStyle":10,"textFormat":11},[12814],{"mode":17,"text":12815,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 10: Individual Meetings.",{"type":14,"format":10,"indent":11,"version":4,"children":12817,"direction":20,"textStyle":10,"textFormat":11},[12818],{"mode":17,"text":12819,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 11: Individual Meetings. ",{"type":14,"format":10,"indent":11,"version":4,"children":12821,"direction":20,"textStyle":10,"textFormat":11},[12822],{"mode":17,"text":12823,"type":19,"style":10,"detail":11,"format":11,"version":4},"Session 12: Final Presentations. ",[12825,12828],{"id":12826,"link":12827,"description":5889},"6a70b955058e980004515603","https://calendar.google.com/calendar/u/1?cid=Y185MGYwYTU5MjZhOTU4MmE5MmZkMGI3NWE3ZjliMzA0ODJlMTVlYzJmYTQ3Nzc5MjYxZmNlYmRhMjdiNzI1NTVlQGdyb3VwLmNhbGVuZGFyLmdvb2dsZS5jb20",{"id":12829,"link":12830,"description":5893},"6a71992f7ac5000004a40a20","https://drive.google.com/drive/folders/1Pn9qtWg4ELia4W24EdxKCrzfJpuor67V?usp=drive_link",[12832,12852,12876,12901,12930,12953,12978,13001,13027,13050,13073,13098,13123],{"id":12833,"date":12834,"content":12835},"6ac7c000e9bfc7660600d113","2026-10-09T12:00:00.000Z",{"root":12836},{"type":9,"format":10,"indent":11,"version":4,"children":12837,"direction":20},[12838,12846],{"type":14,"format":10,"indent":11,"version":4,"children":12839,"direction":20,"textStyle":10,"textFormat":11},[12840,12842,12843,12844],{"mode":17,"text":12841,"type":19,"style":10,"detail":11,"format":11,"version":4},"First Class of the New Image Lab!",{"type":463,"version":4},{"type":463,"version":4},{"mode":17,"text":12845,"type":19,"style":10,"detail":11,"format":11,"version":4},"Today's Group Session: Introduction.",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12847,"listType":5538,"direction":20},[12848],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12849,"direction":20},[12850],{"mode":17,"text":12851,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join the class at 2pm (CEST) using this Google Meet Link: meet.google.com/hze-qcjp-kwq ",{"id":12853,"date":12854,"content":12855},"6acca8cbf79fb80bfd3fea04","2026-10-22T12:00:00.000Z",{"root":12856},{"type":9,"format":10,"indent":11,"version":4,"children":12857,"direction":20},[12858,12862,12873],{"type":14,"format":10,"indent":11,"version":4,"children":12859,"direction":20,"textStyle":10,"textFormat":11},[12860],{"mode":17,"text":12861,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: First Class of the New Image Lab in just couple hours!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12863,"listType":5538,"direction":20},[12864],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12865,"direction":20},[12866,12868],{"mode":17,"text":12867,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join the class at 2pm (CEST) using this Google Meet link: ",{"type":5912,"fields":12869,"format":10,"indent":11,"version":222,"children":12871,"direction":20},{"url":12870,"linkType":94},"https://meet.google.com/kie-gmgv-ukq",[12872],{"mode":17,"text":12870,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12874,"direction":20,"textStyle":10,"textFormat":11},[12875],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12877,"date":12878,"content":12879},"6accaae9f79fb80bfd3fea05","2026-10-30T12:00:00.000Z",{"root":12880},{"type":9,"format":10,"indent":11,"version":4,"children":12881,"direction":20},[12882,12886,12898],{"type":14,"format":10,"indent":11,"version":4,"children":12883,"direction":20,"textStyle":10,"textFormat":11},[12884],{"mode":17,"text":12885,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: New Image Lab Group Session starting in a few hours!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12887,"listType":5538,"direction":20},[12888],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12889,"direction":20},[12890,12892],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join the class at 2pm (CET) using this Google Meet link: ",{"id":12893,"type":90,"fields":12894,"format":10,"indent":11,"version":95,"children":12896,"direction":20},"6accab8d0141da1df9556447",{"url":12895,"newTab":153,"linkType":94},"https://meet.google.com/wip-chjv-bqx",[12897],{"mode":17,"text":12895,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12899,"direction":20,"textStyle":10,"textFormat":11},[12900],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12902,"date":12903,"content":12904},"6accab99f79fb80bfd3fea06","2026-11-19T12:00:00.000Z",{"root":12905},{"type":9,"format":10,"indent":11,"version":4,"children":12906,"direction":20},[12907,12911,12925,12928],{"type":14,"format":10,"indent":11,"version":4,"children":12908,"direction":20,"textStyle":10,"textFormat":11},[12909],{"mode":17,"text":12910,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Today New Image Lab Individual Sessions!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12912,"listType":5538,"direction":20},[12913,12917],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12914,"direction":20},[12915],{"mode":17,"text":12916,"type":19,"style":10,"detail":11,"format":11,"version":4},"Remember to join the call at your time slot! ",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12918,"direction":20},[12919,12920],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":12921,"format":10,"indent":11,"version":222,"children":12923,"direction":20},{"url":12922,"linkType":94},"https://meet.google.com/nhn-svio-avy",[12924],{"mode":17,"text":12922,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12926,"direction":20,"textStyle":10,"textFormat":11},[12927],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12929,"direction":20,"textStyle":10,"textFormat":11},[],{"id":12931,"date":12932,"content":12933},"6accac44f79fb80bfd3fea07","2026-12-17T12:00:00.000Z",{"root":12934},{"type":9,"format":10,"indent":11,"version":4,"children":12935,"direction":20},[12936,12940,12950],{"type":14,"format":10,"indent":11,"version":4,"children":12937,"direction":20,"textStyle":10,"textFormat":11},[12938],{"mode":17,"text":12939,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Today New Image Lab Group Sessions!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12941,"listType":5538,"direction":20},[12942],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12943,"direction":20},[12944,12945],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":12946,"format":10,"indent":11,"version":222,"children":12948,"direction":20},{"url":12947,"linkType":94},"https://meet.google.com/jxu-phzg-bwz",[12949],{"mode":17,"text":12947,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12951,"direction":20,"textStyle":10,"textFormat":11},[12952],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12954,"date":12955,"content":12956},"6accad2ef79fb80bfd3fea08","2027-01-07T12:00:00.000Z",{"root":12957},{"type":9,"format":10,"indent":11,"version":4,"children":12958,"direction":20},[12959,12962,12975],{"type":14,"format":10,"indent":11,"version":4,"children":12960,"direction":20,"textStyle":10,"textFormat":11},[12961],{"mode":17,"text":12910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12963,"listType":5538,"direction":20},[12964,12967],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12965,"direction":20},[12966],{"mode":17,"text":6149,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":12968,"direction":20},[12969,12970],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":12971,"format":10,"indent":11,"version":222,"children":12973,"direction":20},{"url":12972,"linkType":94},"https://meet.google.com/ddo-fwgo-wzy",[12974],{"mode":17,"text":12972,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12976,"direction":20,"textStyle":10,"textFormat":11},[12977],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12979,"date":12980,"content":12981},"6accadf7f79fb80bfd3fea09","2027-01-28T12:00:00.000Z",{"root":12982},{"type":9,"format":10,"indent":11,"version":4,"children":12983,"direction":20},[12984,12988,12998],{"type":14,"format":10,"indent":11,"version":4,"children":12985,"direction":20,"textStyle":10,"textFormat":11},[12986],{"mode":17,"text":12987,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: New Image Lab session with a Guest Speaker!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":12989,"listType":5538,"direction":20},[12990],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":12991,"direction":20},[12992,12993],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":12994,"format":10,"indent":11,"version":222,"children":12996,"direction":20},{"url":12995,"linkType":94},"https://meet.google.com/gzm-qtiw-mfx",[12997],{"mode":17,"text":12995,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":12999,"direction":20,"textStyle":10,"textFormat":11},[13000],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13002,"date":13003,"content":13004},"6accae78f79fb80bfd3fea0a","2027-02-04T12:00:00.000Z",{"root":13005},{"type":9,"format":10,"indent":11,"version":4,"children":13006,"direction":20},[13007,13011,13024],{"type":14,"format":10,"indent":11,"version":4,"children":13008,"direction":20,"textStyle":10,"textFormat":11},[13009],{"mode":17,"text":13010,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: New Image Lab Individual Sessions!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13012,"listType":5538,"direction":20},[13013,13016],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13014,"direction":20},[13015],{"mode":17,"text":6149,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":13017,"direction":20},[13018,13019],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":13020,"format":10,"indent":11,"version":222,"children":13022,"direction":20},{"url":13021,"linkType":94},"https://meet.google.com/foc-xztj-vby",[13023],{"mode":17,"text":13021,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13025,"direction":20,"textStyle":10,"textFormat":11},[13026],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13028,"date":13029,"content":13030},"6accb135f79fb80bfd3fea0b","2027-02-18T12:00:00.000Z",{"root":13031},{"type":9,"format":10,"indent":11,"version":4,"children":13032,"direction":20},[13033,13037,13047],{"type":14,"format":10,"indent":11,"version":4,"children":13034,"direction":20,"textStyle":10,"textFormat":11},[13035],{"mode":17,"text":13036,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Today is the day to discover Boring Images at the New Image Lab!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13038,"listType":5538,"direction":20},[13039],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13040,"direction":20},[13041,13042],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":13043,"format":10,"indent":11,"version":222,"children":13045,"direction":20},{"url":13044,"linkType":94},"https://meet.google.com/taf-kzmr-jvi",[13046],{"mode":17,"text":13044,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13048,"direction":20,"textStyle":10,"textFormat":11},[13049],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13051,"date":13052,"content":13053},"6accb27af79fb80bfd3fea0c","2027-03-11T12:00:00.000Z",{"root":13054},{"type":9,"format":10,"indent":11,"version":4,"children":13055,"direction":20},[13056,13060,13070],{"type":14,"format":10,"indent":11,"version":4,"children":13057,"direction":20,"textStyle":10,"textFormat":11},[13058],{"mode":17,"text":13059,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: New Image Lab Group Session in just couple hours!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13061,"listType":5538,"direction":20},[13062],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13063,"direction":20},[13064,13065],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":13066,"format":10,"indent":11,"version":222,"children":13068,"direction":20},{"url":13067,"linkType":94},"https://meet.google.com/pet-jutg-ggj",[13069],{"mode":17,"text":13067,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13071,"direction":20,"textStyle":10,"textFormat":11},[13072],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13074,"date":13075,"content":13076},"6accb2e2f79fb80bfd3fea0d","2027-03-18T12:00:00.000Z",{"root":13077},{"type":9,"format":10,"indent":11,"version":4,"children":13078,"direction":20},[13079,13082,13095],{"type":14,"format":10,"indent":11,"version":4,"children":13080,"direction":20,"textStyle":10,"textFormat":11},[13081],{"mode":17,"text":12910,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13083,"listType":5538,"direction":20},[13084,13087],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13085,"direction":20},[13086],{"mode":17,"text":6149,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":13088,"direction":20},[13089,13090],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":13091,"format":10,"indent":11,"version":222,"children":13093,"direction":20},{"url":13092,"linkType":94},"https://meet.google.com/zwx-mtat-exr",[13094],{"mode":17,"text":13092,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13096,"direction":20,"textStyle":10,"textFormat":11},[13097],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13099,"date":13100,"content":13101},"6accb3bef79fb80bfd3fea0e","2027-04-01T12:00:00.000Z",{"root":13102},{"type":9,"format":10,"indent":11,"version":4,"children":13103,"direction":20},[13104,13107,13120],{"type":14,"format":10,"indent":11,"version":4,"children":13105,"direction":20,"textStyle":10,"textFormat":11},[13106],{"mode":17,"text":13010,"type":19,"style":10,"detail":11,"format":11,"version":4},{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13108,"listType":5538,"direction":20},[13109,13112],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13110,"direction":20},[13111],{"mode":17,"text":6149,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":13113,"direction":20},[13114,13115],{"mode":17,"text":5988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":5912,"fields":13116,"format":10,"indent":11,"version":222,"children":13118,"direction":20},{"url":13117,"linkType":94},"https://meet.google.com/woe-szhq-syf",[13119],{"mode":17,"text":13117,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13121,"direction":20,"textStyle":10,"textFormat":11},[13122],{"mode":17,"text":5945,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13124,"date":13125,"content":13126},"6accb468f79fb80bfd3fea0f","2027-04-08T12:00:00.000Z",{"root":13127},{"type":9,"format":10,"indent":11,"version":4,"children":13128,"direction":20},[13129,13133,13144],{"type":14,"format":10,"indent":11,"version":4,"children":13130,"direction":20,"textStyle":10,"textFormat":11},[13131],{"mode":17,"text":13132,"type":19,"style":10,"detail":11,"format":11,"version":4},"Reminder: Last New Image Lab of 2026/27 FUTURES Masterclasses!",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":13134,"listType":5538,"direction":20},[13135],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":13136,"direction":20},[13137,13138],{"mode":17,"text":12891,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13139,"type":90,"fields":13140,"format":10,"indent":11,"version":95,"children":13142,"direction":20},"6accb4e20141da1df9556449",{"url":13141,"newTab":153,"linkType":94},"https://meet.google.com/can-xqvw-rrw",[13143],{"mode":17,"text":13141,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13145,"direction":20,"textStyle":10,"textFormat":11},[13146],{"mode":17,"text":6181,"type":19,"style":10,"detail":11,"format":11,"version":4},"2026-10-12T10:23:40.022Z","2026-04-20T20:53:46.500Z",{"docs":13150,"hasNextPage":153},[],{"docs":13152,"hasNextPage":153},[],"2026-10-14T15:30:53.630Z","2026-03-26T15:08:53.189Z",[],{"id":4,"title":250,"city":1782,"content":13157,"gallery":13163,"updatedAt":2874,"createdAt":2875},{"root":13158},{"type":9,"format":10,"indent":11,"version":4,"children":13159,"direction":20},[13160],{"type":14,"format":2713,"indent":11,"version":4,"children":13161,"direction":20,"textStyle":10,"textFormat":11},[13162],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[13164,13170,13176,13182,13188,13194,13200],{"id":2719,"image":13165},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13166},{"thumb":13167,"medium":13168,"large":13169},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":13171},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13172},{"thumb":13173,"medium":13174,"large":13175},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":13177},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13178},{"thumb":13179,"medium":13180,"large":13181},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":13183},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":13184},{"thumb":13185,"medium":13186,"large":13187},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":13189},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13190},{"thumb":13191,"medium":13192,"large":13193},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":13195},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13196},{"thumb":13197,"medium":13198,"large":13199},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":13201},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":13202},{"thumb":13203,"medium":13204,"large":13205},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":12165,"is_residency_story":93,"kind_of_residency_story":150,"title":12166,"slug":12167,"archived":153,"created_on":12168,"updated_on":12169,"published_on":12169,"thumbnail":13207,"author":12171,"date_of_publication":12172,"teaser":12173,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":13224,"video":10,"corresponding_event":20,"artist_name":11931,"reference_artist":13225,"residency_location":8816,"year":8817,"layout_type":496,"content":13259,"updatedAt":12355,"createdAt":12356},{"id":12170,"alt":20,"originalUrl":13208,"uploaded_by":3155,"updatedAt":13209,"createdAt":13210,"url":13211,"thumbnailURL":20,"filename":13212,"mimeType":163,"filesize":13213,"width":435,"height":7588,"focalX":167,"focalY":167,"sizes":13214},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec3182eda325cac163_6874dc9d82b7c1dd6bdf2b35__Daddy%2527s%2520Dinner_%252C%2520Video%2520Still_2%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:05:24.338Z","2026-03-27T14:04:15.014Z","https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb.webp",44392,{"thumb":13215,"medium":13219,"large":13223},{"url":13216,"width":171,"height":4889,"mimeType":163,"filesize":13217,"filename":13218},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb-300x169.webp",6920,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb-300x169.webp",{"url":13220,"width":177,"height":4894,"mimeType":163,"filesize":13221,"filename":13222},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb-1200x675.webp",41738,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-thumb-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[447],{"id":3155,"profile_types":13226,"is_member":153,"name":11931,"slug":11932,"archived":153,"created_on":11933,"updated_on":11934,"published_on":11934,"biography":13227,"e_mail":11954,"profile_image":11956,"website":11969,"instagram":11970,"first_name":11971,"last_name":11972,"kind_of_profile":218,"tags_profession":13242,"tags_identity":13243,"tags_location":13244,"tags_practice":13245,"tags_topics":13246,"born_in":3074,"street_address":10,"city":3139,"country":3140,"corresponding_member":13247,"member_additional":13248,"corresponding_art_projects":13249,"corresponding_selected_year":13250,"reference_residency":12165,"date_of_residency":12357,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":13251,"curation_reference":13252,"past_member":20,"approved_courses":13253,"tutor_courses":13254,"guest_expert_courses":13256,"updatedAt":13153,"createdAt":13154,"email":11954,"collection":248,"sessions":13258},[198,2119],{"root":13228},{"type":9,"format":10,"indent":11,"version":4,"children":13229,"direction":1112},[13230,13233,13236,13239],{"type":14,"version":4,"children":13231},[13232],{"text":11941,"type":19,"version":4},{"type":14,"version":4,"children":13234},[13235],{"text":11945,"type":19,"version":4},{"type":14,"version":4,"children":13237},[13238],{"text":11949,"type":19,"version":4},{"type":14,"version":4,"children":13240},[13241],{"text":11953,"type":19,"version":4},[220,471,1295],[222,99,229],[4,477],[1124,228,99,477],[1129,232,480,471,477],[3117],[],[12032],[3757],[],[],[475],{"docs":13255,"hasNextPage":153},[],{"docs":13257,"hasNextPage":153},[],[],[13260,13279,13294,13306,13324,13332,13339,13351,13377,13387,13420],{"id":12177,"text":13261,"blockName":20,"blockType":19},{"root":13262},{"type":9,"format":10,"indent":11,"version":4,"children":13263},[13264,13269,13271,13274,13276],{"type":14,"format":10,"indent":11,"version":4,"children":13265,"direction":20,"textStyle":10,"textFormat":11},[13266,13267,13268],{"mode":17,"text":12184,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":12186,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":12188,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13270,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13272,"direction":20,"textStyle":10,"textFormat":11},[13273],{"mode":17,"text":12194,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13275,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13277,"direction":20,"textStyle":10,"textFormat":11},[13278],{"mode":17,"text":12200,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12202,"image":13280,"blockName":20,"blockType":381},{"id":12203,"alt":20,"originalUrl":13281,"uploaded_by":3155,"updatedAt":13282,"createdAt":13283,"url":13284,"thumbnailURL":20,"filename":13285,"mimeType":163,"filesize":13213,"width":435,"height":7588,"focalX":167,"focalY":167,"sizes":13286},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec3182eda325cac15c_6874dc9d82b7c1dd6bdf2b35__Daddy%2527s%2520Dinner_%252C%2520Video%2520Still_2%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:05:22.596Z","2026-03-11T13:08:53.291Z","https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img.webp",{"thumb":13287,"medium":13290,"large":13293},{"url":13288,"width":171,"height":4889,"mimeType":163,"filesize":13217,"filename":13289},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img-300x169.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img-300x169.webp",{"url":13291,"width":177,"height":4894,"mimeType":163,"filesize":13221,"filename":13292},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img-1200x675.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s1-img-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":12205,"text":13295,"blockName":20,"blockType":19},{"root":13296},{"type":9,"format":10,"indent":11,"version":4,"children":13297},[13298,13301,13303],{"type":14,"format":10,"indent":11,"version":4,"children":13299,"direction":20,"textStyle":10,"textFormat":11},[13300],{"mode":17,"text":12212,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13302,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13304,"direction":20,"textStyle":10,"textFormat":11},[13305],{"mode":17,"text":12218,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12220,"image":13307,"blockName":20,"blockType":381},{"id":12221,"alt":20,"originalUrl":13308,"uploaded_by":3155,"updatedAt":13309,"createdAt":13310,"url":13311,"thumbnailURL":20,"filename":13312,"mimeType":163,"filesize":13313,"width":435,"height":7588,"focalX":167,"focalY":167,"sizes":13314},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6878c3ec3182eda325cac15f_6874dca382b7c1dd6bdf2e96__Daddy%2527s%2520Dinner_%252C%2520Video%2520Still_1%2520-%2520dimensioni%2520grandi.jpeg","2026-06-19T14:05:23.027Z","2026-03-11T13:08:54.263Z","https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img.webp","and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img.webp",31696,{"thumb":13315,"medium":13319,"large":13323},{"url":13316,"width":171,"height":4889,"mimeType":163,"filesize":13317,"filename":13318},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img-300x169.webp",4574,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img-300x169.webp",{"url":13320,"width":177,"height":4894,"mimeType":163,"filesize":13321,"filename":13322},"https://futures-backend-unstated-int.vercel.app/api/media/file/and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img-1200x675.webp",28870,"and-then-comes-art---bobby-yu-shuk-pui-in-conversation-with-merel-bem-rs-s2-img-1200x675.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":12223,"text":13325,"blockName":20,"blockType":19},{"root":13326},{"type":9,"format":10,"indent":11,"version":4,"children":13327},[13328],{"type":14,"format":10,"indent":11,"version":4,"children":13329,"direction":20,"textStyle":10,"textFormat":11},[13330,13331],{"mode":17,"text":12230,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":12232,"type":19,"style":10,"detail":11,"format":222,"version":4},{"id":12234,"text":13333,"blockName":20,"blockType":19},{"root":13334},{"type":9,"format":10,"indent":11,"version":4,"children":13335,"direction":20},[13336],{"type":14,"format":10,"indent":11,"version":4,"children":13337,"direction":20,"textStyle":10,"textFormat":11},[13338],{"mode":17,"text":12241,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12243,"quote":13340,"blockName":20,"blockType":333},{"root":13341},{"type":9,"format":10,"indent":11,"version":4,"children":13342,"direction":20},[13343,13348],{"type":14,"format":546,"indent":11,"version":4,"children":13344,"direction":20,"textStyle":10,"textFormat":11},[13345,13346,13347],{"mode":17,"text":12250,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":12252,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":12254,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":13349,"direction":20,"textStyle":10,"textFormat":11},[13350],{"mode":17,"text":12258,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12260,"text":13352,"blockName":20,"blockType":19},{"root":13353},{"type":9,"format":10,"indent":11,"version":4,"children":13354,"direction":20},[13355,13360,13362,13367,13369,13372,13374],{"type":14,"format":10,"indent":11,"version":4,"children":13356,"direction":20,"textStyle":10,"textFormat":11},[13357,13358,13359],{"mode":17,"text":12267,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":12269,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":12271,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13361,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13363,"direction":20,"textStyle":10,"textFormat":11},[13364,13365,13366],{"mode":17,"text":12277,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":12279,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":12281,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13368,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13370,"direction":20,"textStyle":10,"textFormat":11},[13371],{"mode":17,"text":12287,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13373,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13375,"direction":20,"textStyle":10,"textFormat":11},[13376],{"mode":17,"text":12293,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12295,"quote":13378,"blockName":20,"blockType":333},{"root":13379},{"type":9,"format":10,"indent":11,"version":4,"children":13380,"direction":20},[13381,13384],{"type":14,"format":10,"indent":11,"version":4,"children":13382,"direction":20,"textStyle":10,"textFormat":11},[13383],{"mode":17,"text":12302,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13385,"direction":20,"textStyle":10,"textFormat":11},[13386],{"mode":17,"text":12306,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":12308,"text":13388,"blockName":20,"blockType":19},{"root":13389},{"type":9,"format":10,"indent":11,"version":4,"children":13390,"direction":20},[13391,13394,13396,13408],{"type":14,"format":10,"indent":11,"version":4,"children":13392,"direction":20,"textStyle":10,"textFormat":11},[13393],{"mode":17,"text":12315,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13395,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13397,"direction":20,"textStyle":10,"textFormat":11},[13398,13399,13403,13404],{"mode":17,"text":8924,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":13400,"format":10,"indent":11,"version":95,"children":13401,"direction":20},{"url":12323,"newTab":153,"linkType":94},[13402],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":8933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":90,"fields":13405,"format":10,"indent":11,"version":95,"children":13406,"direction":20},{"url":8935,"newTab":153,"linkType":94},[13407],{"mode":17,"text":8939,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13409,"direction":20,"textStyle":10,"textFormat":4},[13410,13414,13415,13419],{"type":90,"fields":13411,"format":10,"indent":11,"version":95,"children":13412,"direction":20},{"url":12323,"newTab":153,"linkType":94},[13413],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":12338,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":90,"fields":13416,"format":10,"indent":11,"version":95,"children":13417,"direction":20},{"url":12341,"newTab":153,"linkType":94},[13418],{"mode":17,"text":12344,"type":19,"style":10,"detail":11,"format":4,"version":4},{"mode":17,"text":12346,"type":19,"style":10,"detail":11,"format":4,"version":4},{"id":12348,"blockName":20,"logos":13421,"blockType":11866},[13422,13447],{"id":12351,"image":13423},{"id":11865,"alt":13424,"originalUrl":20,"uploaded_by":20,"updatedAt":13425,"createdAt":13426,"url":13427,"thumbnailURL":20,"filename":13428,"mimeType":163,"filesize":13429,"width":13430,"height":13431,"focalX":167,"focalY":167,"sizes":13432},"MPB logo","2026-09-21T15:19:54.326Z","2026-09-21T15:19:53.082Z","https://futures-backend-unstated-int.vercel.app/api/media/file/MPB_Logo_Mono_RGB.webp","MPB_Logo_Mono_RGB.webp",272646,8042,6418,{"thumb":13433,"medium":13438,"large":13442},{"url":13434,"width":171,"height":13435,"mimeType":163,"filesize":13436,"filename":13437},"https://futures-backend-unstated-int.vercel.app/api/media/file/MPB_Logo_Mono_RGB-300x239.webp",239,11644,"MPB_Logo_Mono_RGB-300x239.webp",{"url":13439,"width":177,"height":8159,"mimeType":163,"filesize":13440,"filename":13441},"https://futures-backend-unstated-int.vercel.app/api/media/file/MPB_Logo_Mono_RGB-1200x958.webp",50880,"MPB_Logo_Mono_RGB-1200x958.webp",{"url":13443,"width":183,"height":13444,"mimeType":163,"filesize":13445,"filename":13446},"https://futures-backend-unstated-int.vercel.app/api/media/file/MPB_Logo_Mono_RGB-2400x1915.webp",1915,109200,"MPB_Logo_Mono_RGB-2400x1915.webp",{"id":12353,"image":13448},{"id":12354,"alt":13449,"originalUrl":20,"uploaded_by":20,"updatedAt":13450,"createdAt":13451,"url":13452,"thumbnailURL":20,"filename":13453,"mimeType":163,"filesize":13454,"width":13455,"height":11553,"focalX":167,"focalY":167,"sizes":13456},"AFK logo","2026-09-21T15:20:56.843Z","2026-09-21T15:20:55.515Z","https://futures-backend-unstated-int.vercel.app/api/media/file/AFK_met_Rood_RGB.webp","AFK_met_Rood_RGB.webp",34744,797,{"thumb":13457,"medium":13460,"large":13461},{"url":13458,"width":171,"height":2379,"mimeType":163,"filesize":2380,"filename":13459},"https://futures-backend-unstated-int.vercel.app/api/media/file/AFK_met_Rood_RGB-300x451.webp","AFK_met_Rood_RGB-300x451.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13463,"artist":13464,"residency_location":13735,"year_of_residency":8817,"article":13785},"6ab5358c524b378872b3fed8",{"id":13465,"profile_types":13466,"is_member":153,"name":13467,"slug":13468,"archived":93,"created_on":13469,"updated_on":13470,"published_on":13471,"biography":13472,"e_mail":13484,"profile_image":13485,"website":13500,"instagram":10,"first_name":13467,"last_name":10,"kind_of_profile":218,"tags_profession":13501,"tags_identity":13507,"tags_location":13512,"tags_practice":13515,"tags_topics":13521,"born_in":10,"street_address":20,"city":13529,"country":20,"corresponding_member":13530,"member_additional":13531,"corresponding_art_projects":13532,"corresponding_selected_year":13533,"reference_residency":13534,"date_of_residency":13724,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":13725,"curation_reference":13726,"past_member":20,"approved_courses":13727,"tutor_courses":13728,"guest_expert_courses":13730,"updatedAt":13732,"createdAt":13733,"email":13484,"collection":248,"sessions":13734},1425,[198],"UNSTATED","unstated","Tue Mar 17 2026 11:24:29 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 14:47:26 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 15:11:26 GMT+0000 (Coordinated Universal Time)",{"root":13473},{"type":9,"format":10,"indent":11,"version":4,"children":13474},[13475,13481],{"type":14,"format":10,"version":4,"children":13476},[13477,13479],{"text":13478,"type":19,"version":4},"UNSTATED is a Zürich–based practice that merges the physical and digital worlds through innovative strategy and design. ",{"mode":17,"text":13480,"type":19,"version":4},"We are committed to creating work that adapts to our changing environment.",{"type":14,"format":10,"version":4,"children":13482},[13483],{"text":1209,"type":19,"version":4},"leonardo@unstated.co",{"id":13486,"alt":20,"originalUrl":13487,"uploaded_by":13465,"updatedAt":13488,"createdAt":13488,"url":13489,"thumbnailURL":20,"filename":13490,"mimeType":163,"filesize":13491,"width":6753,"height":13492,"focalX":167,"focalY":167,"sizes":13493},14313,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69b93a361794df3a7bdc49df_1.png","2026-06-19T14:43:08.576Z","https://futures-backend-unstated-int.vercel.app/api/media/file/unstated-profile.webp","unstated-profile.webp",45472,1440,{"thumb":13494,"medium":13498,"large":13499},{"url":13495,"width":171,"height":867,"mimeType":163,"filesize":13496,"filename":13497},"https://futures-backend-unstated-int.vercel.app/api/media/file/unstated-profile-300x400.webp",8604,"unstated-profile-300x400.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://www.unstated.co/",[13502,13503],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},{"id":1125,"name":13504,"slug":13505,"updatedAt":13506,"createdAt":13506},"Graphic Designer","graphic-designer","2026-06-23T12:54:00.806Z",[13508],{"id":1139,"name":13509,"slug":13510,"updatedAt":13511,"createdAt":13511},"Mixed","mixed","2026-06-23T12:57:18.738Z",[13513,13514],{"id":1298,"name":2219,"slug":10097,"updatedAt":10098,"createdAt":10099},{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},[13516,13520],{"id":2132,"name":13517,"slug":13518,"updatedAt":13519,"createdAt":13519},"Coding","coding","2026-06-23T12:45:46.151Z",{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},[13522,13523,13524,13525],{"id":231,"name":6475,"slug":6476,"updatedAt":6477,"createdAt":6478},{"id":471,"name":7790,"slug":12000,"updatedAt":12001,"createdAt":12001},{"id":1129,"name":704,"slug":3106,"updatedAt":3107,"createdAt":3107},{"id":225,"name":13526,"slug":13527,"updatedAt":13528,"createdAt":13528},"Surveillance","surveillance","2026-06-23T12:42:07.507Z","Zürich, Switzerland",[],[],[],[],{"id":13535,"is_residency_story":93,"kind_of_residency_story":150,"title":13536,"slug":13537,"archived":153,"created_on":13538,"updated_on":13539,"published_on":13471,"thumbnail":13540,"author":13541,"date_of_publication":13542,"teaser":13543,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":13544,"video":20,"corresponding_event":20,"artist_name":13545,"reference_artist":13465,"residency_location":250,"year":8817,"layout_type":496,"content":13546,"updatedAt":13722,"createdAt":13723},530,"From Nowhere:   An Agent’s Walk Through Amsterdam - UNSTATED in conversation with Ahnjili ZhuParris","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris","Wed Sep 10 2025 10:26:34 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 14:46:44 GMT+0000 (Coordinated Universal Time)",13625,"Ahnjili ZhuParris","2025-09-16T22:00:00.000Z","UNSTATED speaks with Ahnjili ZhuParris on the exploration of an AI agent’s daily walk as both record and performance, echoing On Kawara’s insistence that data itself can be art.\n",[704,6475],"Leonardo Angelucci, Sabrina Cerea and Carlo Schlatter",[13547,13573,13582,13604,13613,13650,13659,13715],{"id":13548,"text":13549,"blockName":20,"blockType":19},"6a354caa8c91db2725ffb671",{"root":13550},{"type":9,"format":10,"indent":11,"version":4,"children":13551},[13552,13556,13558,13566,13568],{"type":14,"format":10,"indent":11,"version":4,"children":13553,"direction":20,"textStyle":10,"textFormat":11},[13554],{"mode":17,"text":13555,"type":19,"style":10,"detail":11,"format":11,"version":4},"Each morning, an agent awakens from nowhere. The agent has no memory, no body, and only one directive: go home. Home is not an apartment or a familiar place of safety, but the location of where the computer that first ran its code. At each step, the agent documents what it sees: bike, window, tree, person. Sometimes the year flickers between corners, 2016 here, 2021 there, but the tone remains the same. The city is recited as a ledger.",{"type":14,"format":10,"indent":11,"version":4,"children":13557,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13559,"direction":20,"textStyle":10,"textFormat":11},[13560,13562,13564],{"mode":17,"text":13561,"type":19,"style":10,"detail":11,"format":11,"version":4},"This is ",{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},"From Nowhere",{"mode":17,"text":13565,"type":19,"style":10,"detail":11,"format":11,"version":4},", the latest project by UNSTATED, a Zurich-based design and innovation office run by Leonardo Angelucci, Sabrina Cerea and Carlo Schlatter. Both come from a background where design meets technology: typography and graphic systems on one side, coding and robotics on the other. In their client work, they develop the visual identities for festivals, cultural institutions, and global brands. Their projects require taking complex or scattered material and giving it a coherent form.",{"type":14,"format":10,"indent":11,"version":4,"children":13567,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13569,"direction":20,"textStyle":10,"textFormat":222},[13570,13571],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13572,"type":19,"style":10,"detail":11,"format":11,"version":4}," takes those same principles of identity-building, but shifts the authorship. Instead of designers interpreting and curating a visual identity, an autonomous agent generates its own account of the city, reducing Amsterdam to a ledger of objects and coordinates. The agent wanders the city’s virtual map and produces an identity made not of logos and color palettes, but of object lists and timestamps.",{"id":13574,"blockName":20,"images":13575,"blockType":323},"6a354caa8c91db2725ffb674",[13576,13579],{"id":13577,"image":13578},"6a354caa8c91db2725ffb672",13805,{"id":13580,"image":13581},"6a354caa8c91db2725ffb673",13806,{"id":13583,"text":13584,"blockName":20,"blockType":19},"6a354caa8c91db2725ffb675",{"root":13585},{"type":9,"format":10,"indent":11,"version":4,"children":13586},[13587,13591,13593,13597,13599],{"type":14,"format":10,"indent":11,"version":4,"children":13588,"direction":20,"textStyle":10,"textFormat":4},[13589],{"mode":17,"text":13590,"type":19,"style":10,"detail":11,"format":4,"version":4},"Identity stripped bare",{"type":14,"format":10,"indent":11,"version":4,"children":13592,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13594,"direction":20,"textStyle":10,"textFormat":11},[13595],{"mode":17,"text":13596,"type":19,"style":10,"detail":11,"format":11,"version":4},"To design an identity is to select. Photographs, typography, and web design make statements about what a brand values and how it wants to be seen. In their commercial work, UNSTATED choose deliberately: a typeface that signals authority or play, a color system that fixes a mood, a framework that ties materials together.Visual identity here works as orientation. It shapes how people perceive an organization, guiding what comes into focus and what recedes into the background.",{"type":14,"format":10,"indent":11,"version":4,"children":13598,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13600,"direction":20,"textStyle":10,"textFormat":222},[13601,13602],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13603,"type":19,"style":10,"detail":11,"format":11,"version":4}," inverts that logic. Here, identity is not designed but discovered through an agent that neither edits nor persuades. Each day it wakes at a random coordinate, sets out toward its “home” computer, and records its surroundings with clinical neutrality. A hot-dog stand appears only as “sign, kiosk, person.” A record filled with “bike, bike, bike” evokes Amsterdam’s cycling culture, but also reveals the machine’s compulsive reduction. Blurred faces carry a loneliness that stems not from artistic intent but from privacy law. What emerges is the city reduced to labels, stitched visual archives, blurred faces, and mute data. The agent shows us what is present, but never what it means.",{"id":13605,"blockName":20,"images":13606,"blockType":323},"6a354caa8c91db2725ffb678",[13607,13610],{"id":13608,"image":13609},"6a354caa8c91db2725ffb676",13807,{"id":13611,"image":13612},"6a354caa8c91db2725ffb677",13808,{"id":13614,"text":13615,"blockName":20,"blockType":19},"6a354caa8c91db2725ffb679",{"root":13616},{"type":9,"format":10,"indent":11,"version":4,"children":13617},[13618,13622,13624,13628,13630,13634,13636,13641,13643],{"type":14,"format":10,"indent":11,"version":4,"children":13619,"direction":20,"textStyle":10,"textFormat":4},[13620],{"mode":17,"text":13621,"type":19,"style":10,"detail":11,"format":4,"version":4},"The agent and its inner workings",{"type":14,"format":10,"indent":11,"version":4,"children":13623,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13625,"direction":20,"textStyle":10,"textFormat":11},[13626],{"mode":17,"text":13627,"type":19,"style":10,"detail":11,"format":11,"version":4},"The agent is not fully independent. Its behavior reflects a series of choices and constraints: reward-and-punishment tweaks devised by UNSTATED in earlier experiments. Its actions are the result of the decision to have the agent walk rather than drive so that it encounters more diverse routes. Google Street View is patchy, updated irregularly, and sometimes years apart; whole neighborhoods remain frozen in older versions, while others stitch together different eras with every corner. The computer vision system the agent relies on is both powerful and partial: it can enumerate every window in a façade, but is indifferent to which doorway is an entrance or an exit; it will count people but ignore their gestures, moods, or relationships; a bird reflected in glass might vanish from its notice altogether. Each query also incurs costs, albeit financial, computational, and environmental, reminding us that even apparent objectivity is shaped by infrastructures, omissions, and trade-offs.",{"type":14,"format":10,"indent":11,"version":4,"children":13629,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13631,"direction":20,"textStyle":10,"textFormat":4},[13632],{"mode":17,"text":13633,"type":19,"style":10,"detail":11,"format":4,"version":4},"On Kawara and the human anchor",{"type":14,"format":10,"indent":11,"version":4,"children":13635,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13637,"direction":20,"textStyle":10,"textFormat":222},[13638,13639],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13640,"type":19,"style":10,"detail":11,"format":11,"version":4}," echoes the work of Japanese conceptual artist On Kawara, whose daily pieces translated life into uninflected records. Kawara’s postcards read only, “I got up at 9:36 a.m.” His telegrams declared, “I am still alive.” His date paintings reduced the day to its calendar inscription. Stripped of subjectivity, these procedures paradoxically affirmed life.",{"type":14,"format":10,"indent":11,"version":4,"children":13642,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13644,"direction":20,"textStyle":10,"textFormat":11},[13645,13647,13648],{"mode":17,"text":13646,"type":19,"style":10,"detail":11,"format":11,"version":4},"UNSTATED encountered Kawara’s retrospective more than a decade ago, and his influence threads through ",{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13649,"type":19,"style":10,"detail":11,"format":11,"version":4},". By adopting his procedures of record-keeping but removing the human anchor, the project shows that meaning arises not from the record itself but from its interpretation. What Kawara affirmed through ritual, UNSTATED exposes through indifference: the fragile line between a list that confirms life and a list that merely counts.",{"id":13651,"blockName":20,"images":13652,"blockType":323},"6a354caa8c91db2725ffb67c",[13653,13656],{"id":13654,"image":13655},"6a354caa8c91db2725ffb67a",13809,{"id":13657,"image":13658},"6a354caa8c91db2725ffb67b",13810,{"id":13660,"text":13661,"blockName":20,"blockType":19},"6a354caa8c91db2725ffb67d",{"root":13662},{"type":9,"format":10,"indent":11,"version":4,"children":13663},[13664,13668,13670,13680,13682,13686,13688,13692,13694,13702,13704],{"type":14,"format":10,"indent":11,"version":4,"children":13665,"direction":20,"textStyle":10,"textFormat":4},[13666],{"mode":17,"text":13667,"type":19,"style":10,"detail":11,"format":4,"version":4},"Designing with indifference",{"type":14,"format":10,"indent":11,"version":4,"children":13669,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13671,"direction":20,"textStyle":10,"textFormat":11},[13672,13674,13675,13677,13678],{"mode":17,"text":13673,"type":19,"style":10,"detail":11,"format":11,"version":4},"For UNSTATED, the challenge is not generating the agent or gathering its output, but deciding how that output should be presented to others. The irony is sharp: a studio known for building visual identities for brands has produced what amounts to an anti-brand. Branding depends on emphasis by choosing what to highlight and what to omit. ",{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13676,"type":19,"style":10,"detail":11,"format":11,"version":4}," resists that logic. Nothing is polished, and nothing is deliberately excluded; omissions appear only through system limits or accidents. Every window, tree, and bicycle is logged with the same weight, producing a flat, monotonous inventory. If branding promises coherence and recognition, ",{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13679,"type":19,"style":10,"detail":11,"format":11,"version":4}," offers indifference and estrangement.",{"type":14,"format":10,"indent":11,"version":4,"children":13681,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13683,"direction":20,"textStyle":10,"textFormat":11},[13684],{"mode":17,"text":13685,"type":19,"style":10,"detail":11,"format":11,"version":4},"This interaction between UNSTATED and their agent reveals the most important role of humans in the world of AI and algorithms: interpretation. The agent supplies lists, but lists alone do not speak. Meaning only emerges through framing and interpretation. UNSTATED’s task is to decide how much to show, how to format the record, and how to make the machine’s indifference perceptible without turning it into a spectacle. The work reminds us that data itself is inert: fragments without meaning, a city without story. Amsterdam, through the agent’s eyes, becomes buildings without interiors, people without faces, streets without time. Machines may record endlessly, but only humans decide what those records amount to, what kind of narrative or identity they create.",{"type":14,"format":10,"indent":11,"version":4,"children":13687,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13689,"direction":20,"textStyle":10,"textFormat":4},[13690],{"mode":17,"text":13691,"type":19,"style":10,"detail":11,"format":4,"version":4},"Tomorrow’s walk",{"type":14,"format":10,"indent":11,"version":4,"children":13693,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13695,"direction":20,"textStyle":10,"textFormat":11},[13696,13698,13700],{"mode":17,"text":13697,"type":19,"style":10,"detail":11,"format":11,"version":4},"Tomorrow the agent will wake again and begin another route home. It will not remember yesterday. It will not know it is repeating itself. But its litany of ",{"mode":17,"text":13699,"type":19,"style":10,"detail":11,"format":222,"version":4},"bike, person, window",{"mode":17,"text":13701,"type":19,"style":10,"detail":11,"format":11,"version":4}," will redraw the city’s identity once more.",{"type":14,"format":10,"indent":11,"version":4,"children":13703,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13705,"direction":20,"textStyle":10,"textFormat":11},[13706,13708,13709,13711,13713],{"mode":17,"text":13707,"type":19,"style":10,"detail":11,"format":11,"version":4},"Between UNSTATED’s design of digital visual identities, Kawara’s distilled documentation of life, and an agent’s diary of returning home, ",{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13710,"type":19,"style":10,"detail":11,"format":11,"version":4}," reveals a deeper truth: whether designed, recorded, or counted, the way something appears is always the product of a system. The story that",{"mode":17,"text":13712,"type":19,"style":10,"detail":11,"format":222,"version":4}," From Nowhere",{"mode":17,"text":13714,"type":19,"style":10,"detail":11,"format":11,"version":4}," tells us, then, is less a story of Amsterdam but a story of the digital infrastructures and decisions, albeit technical, artistic, and political, that shape how we see a digital space.",{"id":13716,"blockName":20,"logos":13717,"blockType":11866},"6ab14ccd9630433171af9c01",[13718,13720],{"id":13719,"image":11865},"6ab14cd09630433171af9c02",{"id":13721,"image":12354},"6ab14cd69630433171af9c03","2026-10-19T13:47:33.714Z","2026-03-27T13:23:06.400Z","28/06/2025",[],[],[],{"docs":13729,"hasNextPage":153},[],{"docs":13731,"hasNextPage":153},[],"2026-10-09T09:10:52.441Z","2026-06-19T14:43:07.960Z",[],{"id":4,"title":250,"city":1782,"content":13736,"gallery":13742,"updatedAt":2874,"createdAt":2875},{"root":13737},{"type":9,"format":10,"indent":11,"version":4,"children":13738,"direction":20},[13739],{"type":14,"format":2713,"indent":11,"version":4,"children":13740,"direction":20,"textStyle":10,"textFormat":11},[13741],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[13743,13749,13755,13761,13767,13773,13779],{"id":2719,"image":13744},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13745},{"thumb":13746,"medium":13747,"large":13748},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":13750},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13751},{"thumb":13752,"medium":13753,"large":13754},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":13756},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13757},{"thumb":13758,"medium":13759,"large":13760},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":13762},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":13763},{"thumb":13764,"medium":13765,"large":13766},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":13768},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13769},{"thumb":13770,"medium":13771,"large":13772},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":13774},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":13775},{"thumb":13776,"medium":13777,"large":13778},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":13780},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":13781},{"thumb":13782,"medium":13783,"large":13784},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":13535,"is_residency_story":93,"kind_of_residency_story":150,"title":13536,"slug":13537,"archived":153,"created_on":13538,"updated_on":13539,"published_on":13471,"thumbnail":13786,"author":13541,"date_of_publication":13542,"teaser":13543,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":13800,"video":20,"corresponding_event":20,"artist_name":13545,"reference_artist":13801,"residency_location":250,"year":8817,"layout_type":496,"content":13830,"updatedAt":13722,"createdAt":13723},{"id":13540,"alt":20,"originalUrl":13787,"uploaded_by":20,"updatedAt":13788,"createdAt":13788,"url":13789,"thumbnailURL":20,"filename":13790,"mimeType":163,"filesize":13791,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13793},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15ba953215f7a0cdfb444_P1_3.png","2026-03-11T13:09:09.796Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-thumb.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-thumb.webp",14840,1350,{"thumb":13794,"medium":13798,"large":13799},{"url":13795,"width":171,"height":4326,"mimeType":163,"filesize":13796,"filename":13797},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-thumb-300x375.webp",3094,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-thumb-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[704,6475],{"id":13465,"profile_types":13802,"is_member":153,"name":13467,"slug":13468,"archived":93,"created_on":13469,"updated_on":13470,"published_on":13471,"biography":13803,"e_mail":13484,"profile_image":13486,"website":13500,"instagram":10,"first_name":13467,"last_name":10,"kind_of_profile":218,"tags_profession":13813,"tags_identity":13814,"tags_location":13815,"tags_practice":13816,"tags_topics":13817,"born_in":10,"street_address":20,"city":13529,"country":20,"corresponding_member":13818,"member_additional":13819,"corresponding_art_projects":13820,"corresponding_selected_year":13821,"reference_residency":13535,"date_of_residency":13724,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":13822,"curation_reference":13823,"past_member":20,"approved_courses":13824,"tutor_courses":13825,"guest_expert_courses":13827,"updatedAt":13732,"createdAt":13733,"email":13484,"collection":248,"sessions":13829},[198],{"root":13804},{"type":9,"format":10,"indent":11,"version":4,"children":13805},[13806,13810],{"type":14,"format":10,"version":4,"children":13807},[13808,13809],{"text":13478,"type":19,"version":4},{"mode":17,"text":13480,"type":19,"version":4},{"type":14,"format":10,"version":4,"children":13811},[13812],{"text":1209,"type":19,"version":4},[220,1125],[1139],[1298,226],[2132,228],[231,471,1129,225],[],[],[],[],[],[],[],{"docs":13826,"hasNextPage":153},[],{"docs":13828,"hasNextPage":153},[],[],[13831,13851,13880,13898,13928,13958,13988,14030],{"id":13548,"text":13832,"blockName":20,"blockType":19},{"root":13833},{"type":9,"format":10,"indent":11,"version":4,"children":13834},[13835,13838,13840,13845,13847],{"type":14,"format":10,"indent":11,"version":4,"children":13836,"direction":20,"textStyle":10,"textFormat":11},[13837],{"mode":17,"text":13555,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13839,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13841,"direction":20,"textStyle":10,"textFormat":11},[13842,13843,13844],{"mode":17,"text":13561,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13565,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13846,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13848,"direction":20,"textStyle":10,"textFormat":222},[13849,13850],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13572,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13574,"blockName":20,"images":13852,"blockType":323},[13853,13866],{"id":13577,"image":13854},{"id":13578,"alt":20,"originalUrl":13855,"uploaded_by":20,"updatedAt":13856,"createdAt":13856,"url":13857,"thumbnailURL":20,"filename":13858,"mimeType":163,"filesize":13859,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13860},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15c4e07700f242b4e0d81_Frame%201.avif","2026-06-19T13:52:47.498Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-0.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-0.webp",48956,{"thumb":13861,"medium":13864,"large":13865},{"url":13862,"width":171,"height":4326,"mimeType":163,"filesize":2450,"filename":13863},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-0-300x375.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-0-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13580,"image":13867},{"id":13581,"alt":20,"originalUrl":13868,"uploaded_by":20,"updatedAt":13869,"createdAt":13869,"url":13870,"thumbnailURL":20,"filename":13871,"mimeType":163,"filesize":13872,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13873},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15c4e53215f7a0cdfc257_Frame%202.avif","2026-06-19T13:52:48.455Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-1.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-1.webp",30268,{"thumb":13874,"medium":13878,"large":13879},{"url":13875,"width":171,"height":4326,"mimeType":163,"filesize":13876,"filename":13877},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-1-300x375.webp",6880,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s1-2-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13583,"text":13881,"blockName":20,"blockType":19},{"root":13882},{"type":9,"format":10,"indent":11,"version":4,"children":13883},[13884,13887,13889,13892,13894],{"type":14,"format":10,"indent":11,"version":4,"children":13885,"direction":20,"textStyle":10,"textFormat":4},[13886],{"mode":17,"text":13590,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13888,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13890,"direction":20,"textStyle":10,"textFormat":11},[13891],{"mode":17,"text":13596,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13893,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13895,"direction":20,"textStyle":10,"textFormat":222},[13896,13897],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13603,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13605,"blockName":20,"images":13899,"blockType":323},[13900,13914],{"id":13608,"image":13901},{"id":13609,"alt":20,"originalUrl":13902,"uploaded_by":20,"updatedAt":13903,"createdAt":13903,"url":13904,"thumbnailURL":20,"filename":13905,"mimeType":163,"filesize":13906,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13907},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15c671aeb857144406f47_1.avif","2026-06-19T13:52:49.314Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-0.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-0.webp",87400,{"thumb":13908,"medium":13912,"large":13913},{"url":13909,"width":171,"height":4326,"mimeType":163,"filesize":13910,"filename":13911},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-0-300x375.webp",21926,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-0-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13611,"image":13915},{"id":13612,"alt":20,"originalUrl":13916,"uploaded_by":20,"updatedAt":13917,"createdAt":13917,"url":13918,"thumbnailURL":20,"filename":13919,"mimeType":163,"filesize":13920,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13921},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15c6707700f242b4e236d_2.avif","2026-06-19T13:52:50.067Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-1.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-1.webp",38022,{"thumb":13922,"medium":13926,"large":13927},{"url":13923,"width":171,"height":4326,"mimeType":163,"filesize":13924,"filename":13925},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-1-300x375.webp",8350,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s2-2-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13614,"text":13929,"blockName":20,"blockType":19},{"root":13930},{"type":9,"format":10,"indent":11,"version":4,"children":13931},[13932,13935,13937,13940,13942,13945,13947,13951,13953],{"type":14,"format":10,"indent":11,"version":4,"children":13933,"direction":20,"textStyle":10,"textFormat":4},[13934],{"mode":17,"text":13621,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13936,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13938,"direction":20,"textStyle":10,"textFormat":11},[13939],{"mode":17,"text":13627,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13941,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13943,"direction":20,"textStyle":10,"textFormat":4},[13944],{"mode":17,"text":13633,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13946,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13948,"direction":20,"textStyle":10,"textFormat":222},[13949,13950],{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13640,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13952,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":13954,"direction":20,"textStyle":10,"textFormat":11},[13955,13956,13957],{"mode":17,"text":13646,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13649,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13651,"blockName":20,"images":13959,"blockType":323},[13960,13974],{"id":13654,"image":13961},{"id":13655,"alt":20,"originalUrl":13962,"uploaded_by":20,"updatedAt":13963,"createdAt":13963,"url":13964,"thumbnailURL":20,"filename":13965,"mimeType":163,"filesize":13966,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13967},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15ca01aeb857144409339_Frame%2024.avif","2026-06-19T13:52:51.292Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-0.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-0.webp",278352,{"thumb":13968,"medium":13972,"large":13973},{"url":13969,"width":171,"height":4326,"mimeType":163,"filesize":13970,"filename":13971},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-0-300x375.webp",26574,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-0-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13657,"image":13975},{"id":13658,"alt":20,"originalUrl":13976,"uploaded_by":20,"updatedAt":13977,"createdAt":13977,"url":13978,"thumbnailURL":20,"filename":13979,"mimeType":163,"filesize":13980,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":13981},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68c15ca007700f242b4e8aa8_Frame%2030.avif","2026-06-19T13:52:52.261Z","https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-1.webp","from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-1.webp",105524,{"thumb":13982,"medium":13986,"large":13987},{"url":13983,"width":171,"height":4326,"mimeType":163,"filesize":13984,"filename":13985},"https://futures-backend-unstated-int.vercel.app/api/media/file/from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-1-300x375.webp",19692,"from-nowhere-an-agents-walk-through-amsterdam---unstated-in-conversation-with-ahnjili-zhuparris-s3-2-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":13660,"text":13989,"blockName":20,"blockType":19},{"root":13990},{"type":9,"format":10,"indent":11,"version":4,"children":13991},[13992,13995,13997,14004,14006,14009,14011,14014,14016,14021,14023],{"type":14,"format":10,"indent":11,"version":4,"children":13993,"direction":20,"textStyle":10,"textFormat":4},[13994],{"mode":17,"text":13667,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":13996,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":13998,"direction":20,"textStyle":10,"textFormat":11},[13999,14000,14001,14002,14003],{"mode":17,"text":13673,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13676,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13679,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14005,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14007,"direction":20,"textStyle":10,"textFormat":11},[14008],{"mode":17,"text":13685,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14010,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14012,"direction":20,"textStyle":10,"textFormat":4},[14013],{"mode":17,"text":13691,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14015,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":14017,"direction":20,"textStyle":10,"textFormat":11},[14018,14019,14020],{"mode":17,"text":13697,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13699,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13701,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14022,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14024,"direction":20,"textStyle":10,"textFormat":11},[14025,14026,14027,14028,14029],{"mode":17,"text":13707,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13563,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13710,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":13712,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":13714,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":13716,"blockName":20,"logos":14031,"blockType":11866},[14032,14038],{"id":13719,"image":14033},{"id":11865,"alt":13424,"originalUrl":20,"uploaded_by":20,"updatedAt":13425,"createdAt":13426,"url":13427,"thumbnailURL":20,"filename":13428,"mimeType":163,"filesize":13429,"width":13430,"height":13431,"focalX":167,"focalY":167,"sizes":14034},{"thumb":14035,"medium":14036,"large":14037},{"url":13434,"width":171,"height":13435,"mimeType":163,"filesize":13436,"filename":13437},{"url":13439,"width":177,"height":8159,"mimeType":163,"filesize":13440,"filename":13441},{"url":13443,"width":183,"height":13444,"mimeType":163,"filesize":13445,"filename":13446},{"id":13721,"image":14039},{"id":12354,"alt":13449,"originalUrl":20,"uploaded_by":20,"updatedAt":13450,"createdAt":13451,"url":13452,"thumbnailURL":20,"filename":13453,"mimeType":163,"filesize":13454,"width":13455,"height":11553,"focalX":167,"focalY":167,"sizes":14040},{"thumb":14041,"medium":14042,"large":14043},{"url":13458,"width":171,"height":2379,"mimeType":163,"filesize":2380,"filename":13459},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":14045,"artist":14046,"residency_location":14433,"year_of_residency":8817,"article":14483},"6ab535a7524b378872b3fed9",{"id":14047,"profile_types":14048,"is_member":153,"name":14049,"slug":14050,"archived":153,"created_on":14051,"updated_on":14052,"published_on":14052,"biography":14053,"e_mail":14060,"profile_image":14061,"website":10,"instagram":10,"first_name":14077,"last_name":14078,"kind_of_profile":218,"tags_profession":14079,"tags_identity":14081,"tags_location":14083,"tags_practice":14089,"tags_topics":14091,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":14095,"member_additional":14171,"corresponding_art_projects":14172,"corresponding_selected_year":14247,"reference_residency":14285,"date_of_residency":14422,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":14423,"curation_reference":14424,"past_member":20,"approved_courses":14425,"tutor_courses":14426,"guest_expert_courses":14428,"updatedAt":14430,"createdAt":14431,"email":14060,"collection":248,"sessions":14432},1117,[198],"Olena Morozova","olena-morozova","Mon Oct 14 2024 13:30:50 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:46:12 GMT+0000 (Coordinated Universal Time)",{"root":14054},{"type":9,"format":10,"indent":11,"version":4,"children":14055},[14056],{"type":14,"version":4,"children":14057},[14058],{"text":14059,"type":19,"version":4},"Olena Morozova is a visual artist from Kyiv, Ukraine. She is interested in themes of spirituality, sexuality, gender identity, stereotypes, psychological and mental disorder, family relationships. \"Photography is my passion, lifestyle, philosophy, way of thinking, seeing, understanding the world around me and my inner world, searching for my reflections, feelings and emotions, self-development and movement forward” - she explains. Olena has been engaged in photography since 2015. Her teachers were: Alexander Yakimchuk, Dimitri Bogachuk, Vladimir Seleznev, Viktoria Sorochinski, Sergey Melnichenko and others. Her works were presented in Finnish Museum of Photography (2022), Odesa Photo Days (2021), Photo Kiev Fair (2019, 2020).","info@olenamorozova.com",{"id":14062,"alt":20,"originalUrl":14063,"uploaded_by":14047,"updatedAt":14064,"createdAt":14065,"url":14066,"thumbnailURL":20,"filename":14067,"mimeType":163,"filesize":14068,"width":634,"height":177,"focalX":167,"focalY":167,"sizes":14069},4784,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d1d0950df3b0ef068b7f3_628357928d2bbb59b0a436ca_Morozova_Olena_Granny_013.jpeg","2026-06-19T15:30:16.120Z","2026-01-23T13:51:20.835Z","https://futures-backend-unstated-int.vercel.app/api/media/file/granny-art-11.webp","granny-art-11.webp",56770,{"thumb":14070,"medium":14075,"large":14076},{"url":14071,"width":171,"height":14072,"mimeType":163,"filesize":14073,"filename":14074},"https://futures-backend-unstated-int.vercel.app/api/media/file/granny-art-11-300x449.webp",449,13124,"granny-art-11-300x449.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Olena","Morozova",[14080],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[14082],{"id":222,"name":5042,"slug":5043,"updatedAt":5044,"createdAt":5044},[14084,14088],{"id":167,"name":14085,"slug":14086,"updatedAt":14087,"createdAt":14087},"Ukraine","ukraine","2026-06-26T09:05:05.975Z",{"id":1125,"name":6797,"slug":6798,"updatedAt":6799,"createdAt":6799},[14090],{"id":99,"name":3089,"slug":3090,"updatedAt":3091,"createdAt":3091},[14092,14093,14094],{"id":1295,"name":10114,"slug":10115,"updatedAt":10116,"createdAt":10116},{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":477,"name":4368,"slug":4369,"updatedAt":4370,"createdAt":4370},[14096],{"id":1221,"profile_types":14097,"is_member":93,"name":14098,"slug":14099,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":14100,"e_mail":14107,"profile_image":14108,"website":14109,"instagram":14110,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":14111,"tags_identity":14112,"tags_location":14113,"tags_practice":14114,"tags_topics":14115,"born_in":20,"street_address":20,"city":14116,"country":14117,"corresponding_member":14118,"member_additional":14119,"corresponding_art_projects":14120,"corresponding_selected_year":14121,"reference_residency":20,"date_of_residency":20,"date_since":3496,"date_ended":20,"linkedin":20,"corresponding_artist":14122,"curation_reference":14162,"past_member":20,"approved_courses":14163,"tutor_courses":14164,"guest_expert_courses":14166,"updatedAt":14168,"createdAt":14169,"email":14107,"collection":248,"sessions":14170},[1959],"Fotofestiwal Lodz","fotofestiwal-lodz",{"root":14101},{"type":9,"format":10,"indent":11,"version":4,"children":14102,"direction":20},[14103],{"type":14,"format":10,"indent":11,"version":4,"children":14104,"direction":20,"textStyle":10,"textFormat":11},[14105],{"mode":17,"text":14106,"type":19,"style":10,"detail":11,"format":11,"version":4},"Fotofestiwal is one of the first photography festivals in Central and Eastern Europe. This small, spontaneous initiative today, it's an international event with more than 20,000 visitors each year. The festival takes place in Lodz - a city with a remarkable industrial history, which has inspired the organizers from the beginning. Exhibitions are presented in the main festival center - the post-industrial buildings of former textile factories. More than 30 exhibitions can be seen throughout the city, organized in cooperation with local galleries, museums and universities. The program includes: exhibitions (curated Main Program, Open Program, book exhibitions), author meetings, slide shows, film screenings and educational activities. We are interested in photography that tells about the world, intervenes, engages, makes you think and take action. The festival draws audiences from all over Europe every year, with 30 exhibitions and more than 50 events over the 10 days of the festival, in at least 20 locations across the city of Lodz. The festival was covered by: New York Times, The Washington Post, British Journal of Photography, Der Greif and many more.","futures@fotofetiwal.com",15952,"https://www.fotofestiwal.com","https://www.instagram.com/fotofestiwal/",[],[],[],[],[],"Lodz","Poland",[],[],[],[],[14123,14124,14125,14047,14126,14127,14128,14129,14130,1891,14131,14132,14133,14134,14135,14136,14137,14138,14139,14140,529,14141,14142,14143,14144,14145,14146,11336,14147,14148,14149,14150,14151,14152,9878,14153,14154,9253,14155,14156,14157,2142,14158,14159,14160,14161],673,1002,1033,1062,716,1064,1136,1252,1056,881,738,702,948,950,888,1086,867,1147,951,964,1342,1377,1347,993,1148,1043,1139,1074,754,1082,934,1287,947,812,1090,1397,1413,1058,1461,[],[],{"docs":14165,"hasNextPage":153},[],{"docs":14167,"hasNextPage":153},[],"2026-10-05T15:40:12.978Z","2026-09-09T15:48:59.060Z",[],[],[14173],{"id":14174,"name_of_project":14175,"slug":14176,"archived":153,"created_on":14177,"updated_on":14178,"published_on":14179,"thumbnail_image":14062,"date":20,"artwork_description":14180,"artworks":14195,"corresponding_artist":14240,"tags_topics":14241,"tags_location":14242,"tags_practice":14243,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":14244,"createdAt":14245,"artworks_gallery":14246},279,"Granny","granny","Mon Oct 14 2024 13:38:48 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 11:03:01 GMT+0000 (Coordinated Universal Time)","Wed Oct 30 2024 11:03:43 GMT+0000 (Coordinated Universal Time)",{"root":14181},{"type":9,"format":10,"indent":11,"version":4,"children":14182},[14183,14187,14191],{"type":14,"version":4,"children":14184},[14185],{"text":14186,"type":19,"version":4},"According to the WHO, in 2015 there were more than 46 million people with dementia worldwide. 7.7 million new cases are reported yearly, each one become a significant burden on families and health systems. Dementia is an acquired degeneration of the brain characterized by a persistent decrease in cognitive activity with a loss of previously acquired knowledge and practical skills. From the very first manifestations to severe forms, patients require care and social support.",{"type":14,"version":4,"children":14188},[14189],{"text":14190,"type":19,"version":4},"I started researching problem of dementia when my grandmother was diagnosed with it. We talked about her illness so that she does not lose touch with reality. I also involved my children in this process, which was very helpful. Glimpses of her complex and interesting character are like pearls that you acquire through the hard work of constant communication. These moments dear to our hearts, the chronicle of the struggle against \"the darkness\" and visions from a past life: military childhood, interesting youth, medical practice in the cruel inhuman conditions of the Russian hinterland, are the essence of the project, which has become more than a project for me.",{"type":14,"version":4,"children":14192},[14193],{"text":14194,"type":19,"version":4},"There is no happy ending in this struggle, the illness always wins, and this dread is visible. When phantasmagorias merge with reality it's always scary, and the only thing that can help is the attention of relatives and closeness.",[14196,14199,14202,14205,14208,14211,14214,14217,14220,14223,14226,14229,14231,14234,14237],{"id":14197,"image":14198},"6a356089e57d0fdcefaa9e01",4773,{"id":14200,"image":14201},"6a356089e57d0fdcefaa9e02",4774,{"id":14203,"image":14204},"6a356089e57d0fdcefaa9e03",4775,{"id":14206,"image":14207},"6a356089e57d0fdcefaa9e04",4776,{"id":14209,"image":14210},"6a356089e57d0fdcefaa9e05",4777,{"id":14212,"image":14213},"6a356089e57d0fdcefaa9e06",4778,{"id":14215,"image":14216},"6a356089e57d0fdcefaa9e07",4779,{"id":14218,"image":14219},"6a356089e57d0fdcefaa9e08",4780,{"id":14221,"image":14222},"6a356089e57d0fdcefaa9e09",4781,{"id":14224,"image":14225},"6a356089e57d0fdcefaa9e0a",4782,{"id":14227,"image":14228},"6a356089e57d0fdcefaa9e0b",4783,{"id":14230,"image":14062},"6a356089e57d0fdcefaa9e0c",{"id":14232,"image":14233},"6a356089e57d0fdcefaa9e0d",4785,{"id":14235,"image":14236},"6a356089e57d0fdcefaa9e0e",4786,{"id":14238,"image":14239},"6a356089e57d0fdcefaa9e0f",4787,[14047],[233,1295],[3252],[],"2026-09-16T07:58:05.781Z","2026-03-10T15:38:10.280Z",[],[14248],{"id":14249,"curation_title":14250,"slug":14251,"archived":153,"created_on":14252,"updated_on":14253,"published_on":4549,"date":3145,"corresponding_member":14254,"introduction_text":14255,"curational_text":14276,"corresponding_artist":14281,"projects_selected":14282,"updatedAt":14283,"createdAt":14284},48,"Fotofestiwal Łódź 2022","fotofestiwal-lodz-2022","Tue Oct 15 2024 10:00:57 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:34:44 GMT+0000 (Coordinated Universal Time)",[],{"root":14256},{"type":9,"format":10,"indent":11,"version":4,"children":14257},[14258,14262,14265,14269,14272],{"type":14,"version":4,"children":14259},[14260],{"text":14261,"type":19,"version":4},"Created in 2001, Fotofestiwal was one of Poland's first photography events: a small-scale, spontaneous initiatives by a group of Sociology students. Today, the festival is an international event attended annually by over 22,000 guests. We treat it as a public meeting hub, with photography serving as a point of departure for vital discussions.",{"type":14,"version":4,"children":14263},[14264],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14266},[14267],{"text":14268,"type":19,"version":4},"The festival is held in Łódź - a city with an exceptional industrial history, which has always been a source of inspiration for its organisers. Exhibitions are staged in post-industrial settings, from the Art_Inkubator festival centre in a former cotton storage facility, to the impressive OFF PiotrKowska complex in the heart of the city. Every year, new venues open especially for festival events; over 30 exhibitions take over the city, organised in cooperation with local art galleries.",{"type":14,"version":4,"children":14270},[14271],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14273},[14274],{"text":14275,"type":19,"version":4},"Fotofestiwal has hosted exhibitions, workshops and meetings with artists such as Roger Ballen, Joan Fontcuberta, Vivianne Sassen and Christina de Middel. We also developed Photo-Match , an original portfolio review format which reduces the distance between experts and artists, allowing for the effective creation of collaborative networks. This formula has since been adopted by numerous around the world.",{"root":14277},{"type":9,"format":10,"indent":11,"version":4,"children":14278},[14279],{"type":14,"version":4,"children":14280},[],[14134,14153,11336,14047,14130],[],"2026-08-17T13:40:43.977Z","2026-03-10T15:49:50.692Z",{"id":14286,"is_residency_story":93,"kind_of_residency_story":150,"title":14287,"slug":14288,"archived":153,"created_on":14289,"updated_on":14290,"published_on":4621,"thumbnail":14291,"author":14292,"date_of_publication":14293,"teaser":14294,"featured":153,"futures_select":93,"news_kind":190,"news_subkind":3769,"category":14295,"video":10,"corresponding_event":14296,"artist_name":14049,"reference_artist":14047,"residency_location":250,"year":8817,"layout_type":252,"content":14297,"updatedAt":14420,"createdAt":14421},483,"Nature as Refuge - Olena Morozova in conversation with Ruben Jacobs ","olena-morozova-in-conversation-with-ruben-jacobs","Mon Oct 13 2025 09:32:14 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:06:02 GMT+0000 (Coordinated Universal Time)",16050,"Ruben Jacobs ","2025-10-21T22:00:00.000Z","It began during a residency in a small Swedish village. Later it continued, again in a village, but this time in the Swiss Alps. The war never felt far away – she followed the news daily and stayed in close contact with friends in Ukraine – but here she found a fragile sense of safety. At last, there was silence. ",[7030],97,[14298,14313,14316,14325,14350,14359,14378,14387,14390,14415],{"id":14299,"text":14300,"blockName":20,"blockType":19},"6a354cbc8c91db2725ffb694",{"root":14301},{"type":9,"format":10,"indent":11,"version":4,"children":14302},[14303,14307,14309],{"type":14,"format":10,"indent":11,"version":4,"children":14304,"direction":20,"textStyle":10,"textFormat":11},[14305],{"mode":17,"text":14306,"type":19,"style":10,"detail":11,"format":11,"version":4},"Trees everywhere, plants, animals, a landscape that embraced her. She wanted to touch it all, feel it, dissolve into it. The sense of relief and connection that arose there was something she did not want to keep to herself. She longed to create a work in which others, too, could experience that same closeness, that breath of nature.",{"type":14,"format":10,"indent":11,"version":4,"children":14308,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14310,"direction":20,"textStyle":10,"textFormat":11},[14311],{"mode":17,"text":14312,"type":19,"style":10,"detail":11,"format":11,"version":4},"And so it began…",{"id":14314,"image":14315,"blockName":20,"blockType":381},"6a354cbc8c91db2725ffb695",13814,{"id":14317,"quote":14318,"blockName":20,"blockType":333},"6ab2c1bc7fbdea5786444349",{"root":14319},{"type":9,"format":10,"indent":11,"version":4,"children":14320,"direction":20},[14321],{"type":14,"format":10,"indent":11,"version":4,"children":14322,"direction":20,"textStyle":10,"textFormat":11},[14323],{"mode":17,"text":14324,"type":19,"style":10,"detail":11,"format":11,"version":4},"“I don’t want to disturb nature, I only pick up what has already fallen. There’s so much to find now.”",{"id":14326,"text":14327,"blockName":20,"blockType":19},"6a354cbc8c91db2725ffb696",{"root":14328},{"type":9,"format":10,"indent":11,"version":4,"children":14329},[14330,14334,14336,14340,14342,14346],{"type":14,"format":10,"indent":11,"version":4,"children":14331,"direction":20,"textStyle":10,"textFormat":11},[14332],{"mode":17,"text":14333,"type":19,"style":10,"detail":11,"format":11,"version":4},"September 2025. Olena Morozova has been staying in the Netherlands for Future photography residence for several weeks, together with her husband and two of their three children. Halfway through the interview her youngest shuffles into the exhibition space and climbs onto the platform, where he takes a seat behind a laptop to follow online lessons. Once again, there is this fragile sense of safety. On the table before us lie objects gathered from nature: sticks, stones, leaves. On the wall hang dozens of A4 sheets, painted with natural pigments like ochre, a gesture that carries something of a ritual.",{"type":14,"format":10,"indent":11,"version":4,"children":14335,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14337,"direction":20,"textStyle":10,"textFormat":11},[14338],{"mode":17,"text":14339,"type":19,"style":10,"detail":11,"format":11,"version":4},"In just a few days autumn will officially begin, but Olena is already sensing its arrival. Leaves drift down around her. “I don’t want to disturb nature,” she says. “I only pick up what has already fallen. There’s so much to find now.”",{"type":14,"format":10,"indent":11,"version":4,"children":14341,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14343,"direction":20,"textStyle":10,"textFormat":11},[14344],{"mode":17,"text":14345,"type":19,"style":10,"detail":11,"format":11,"version":4},"Although Morozova usually works as a storyteller—she has already published three books—this time she chose a different approach. No linear narrative, but an invitation simply to be present. “I want to bring nature into this space, so that the audience can feel that connection. Not a story, but an experience.”",{"type":14,"format":10,"indent":11,"version":4,"children":14347,"direction":20,"textStyle":10,"textFormat":11},[14348],{"mode":17,"text":14349,"type":19,"style":10,"detail":11,"format":11,"version":4},"That experience begins with collecting. In Amsterdam’s parks and streets she looks for fallen leaves, branches, and tree bark. Sometimes she also brings shells, reminders from Ukraine or past holidays. “The process itself already connects me with nature,” she explains. “By walking, looking, and remaining open to what I find.”",{"id":14351,"blockName":20,"images":14352,"blockType":323},"6a354cbc8c91db2725ffb699",[14353,14356],{"id":14354,"image":14355},"6a354cbc8c91db2725ffb697",13813,{"id":14357,"image":14358},"6a354cbc8c91db2725ffb698",13630,{"id":14360,"text":14361,"blockName":20,"blockType":19},"6ab2c1f67fbdea578644434b",{"root":14362},{"type":9,"format":10,"indent":11,"version":4,"children":14363,"direction":20},[14364,14368,14370],{"type":14,"format":10,"indent":11,"version":4,"children":14365,"direction":20,"textStyle":10,"textFormat":11},[14366],{"mode":17,"text":14367,"type":19,"style":10,"detail":11,"format":11,"version":4},"The installation grows piece by piece. There are clay objects, a large stick in the corner, and soon there will be a circle where a performance will take place. She adds sounds of water and wind, creating a ritual atmosphere. “It becomes a kind of meditation,” she says. “I also write words on paper, manifest them as the voice of a stone or a root, and invite the audience to do the same. That way it becomes interactive; everyone can take part and create their own connection.”",{"type":14,"format":10,"indent":11,"version":4,"children":14369,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14371,"direction":20,"textStyle":10,"textFormat":11},[14372,14374,14376],{"mode":17,"text":14373,"type":19,"style":10,"detail":11,"format":11,"version":4},"Her love for nature goes back to her childhood in Ukraine. With her parents and friends, she often went into the forests to make barbecue, picnic, or gather mushrooms. Chestnut trees (",{"mode":17,"text":14375,"type":19,"style":10,"detail":11,"format":222,"version":4},"Castanea)",{"mode":17,"text":14377,"type":19,"style":10,"detail":11,"format":11,"version":4},", the symbol of Kyiv, still evoke a sense of home. “When I see chestnuts here, I am briefly returned to my childhood. We made little sculptures from them at school, gifts for our parents.”",{"id":14379,"quote":14380,"blockName":20,"blockType":333},"6ab2c22d7fbdea578644434c",{"root":14381},{"type":9,"format":10,"indent":11,"version":4,"children":14382,"direction":20},[14383],{"type":14,"format":10,"indent":11,"version":4,"children":14384,"direction":20,"textStyle":10,"textFormat":11},[14385],{"mode":17,"text":14386,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Photography remains my foundation, but I also use drawings, collages, installations, and performances. The most important thing is that creating brings me joy.”",{"id":14388,"image":14389,"blockName":20,"blockType":381},"6a354cbc8c91db2725ffb69b",13815,{"id":14391,"text":14392,"blockName":20,"blockType":19},"6a354cbc8c91db2725ffb69a",{"root":14393},{"type":9,"format":10,"indent":11,"version":4,"children":14394},[14395,14399,14401,14405,14407],{"type":14,"format":10,"indent":11,"version":4,"children":14396,"direction":20,"textStyle":10,"textFormat":11},[14397],{"mode":17,"text":14398,"type":19,"style":10,"detail":11,"format":11,"version":4},"Now, during the residency in Amsterdam, her eleven-year-old son helps her collect materials. “Sometimes he points out things I would have overlooked myself,” she laughs. “It’s nice that he is part of this process.”",{"type":14,"format":10,"indent":11,"version":4,"children":14400,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14402,"direction":20,"textStyle":10,"textFormat":11},[14403],{"mode":17,"text":14404,"type":19,"style":10,"detail":11,"format":11,"version":4},"The exhibition is nearly complete, but her work goes on. She is working on a new photo book, drawing inspiration from her youth in the 1990s, and continues to develop projects that weave memories and loss into art. Her earlier books were dedicated to her grandmother, sister and to her mother, whom she recently lost due to the stress of the war. “I consider myself a multidisciplinary artist,” she explains. “Photography remains my foundation, but I also use drawings, collages, installations, and performances. The most important thing is that creating brings me joy.”",{"type":14,"format":10,"indent":11,"version":4,"children":14406,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14408,"direction":20,"textStyle":10,"textFormat":11},[14409,14411,14413],{"mode":17,"text":14410,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ultimately, ",{"mode":17,"text":14412,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Roots Are Breathing",{"mode":17,"text":14414,"type":19,"style":10,"detail":11,"format":11,"version":4}," is about more than nature. It is also about roots, memories, and the longing to find space to breathe in a time of war and uncertainty. “It is not only the root of a tree,” she states. “It is also our human roots, our memories, our bond with the earth. And those must keep breathing.”",{"id":14416,"blockName":20,"logos":14417,"blockType":11866},"6ab2c2907fbdea578644434d",[14418],{"id":14419,"image":11865},"6ab2c2937fbdea578644434e","2026-10-14T15:39:40.318Z","2026-03-27T13:22:39.918Z","01/09/2025",[],[],[],{"docs":14427,"hasNextPage":153},[],{"docs":14429,"hasNextPage":153},[],"2026-10-12T19:00:23.034Z","2026-03-26T15:17:55.980Z",[],{"id":4,"title":250,"city":1782,"content":14434,"gallery":14440,"updatedAt":2874,"createdAt":2875},{"root":14435},{"type":9,"format":10,"indent":11,"version":4,"children":14436,"direction":20},[14437],{"type":14,"format":2713,"indent":11,"version":4,"children":14438,"direction":20,"textStyle":10,"textFormat":11},[14439],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[14441,14447,14453,14459,14465,14471,14477],{"id":2719,"image":14442},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":14443},{"thumb":14444,"medium":14445,"large":14446},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":14448},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":14449},{"thumb":14450,"medium":14451,"large":14452},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":14454},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":14455},{"thumb":14456,"medium":14457,"large":14458},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":14460},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":14461},{"thumb":14462,"medium":14463,"large":14464},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":14466},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":14467},{"thumb":14468,"medium":14469,"large":14470},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":14472},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":14473},{"thumb":14474,"medium":14475,"large":14476},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":14478},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":14479},{"thumb":14480,"medium":14481,"large":14482},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":14286,"is_residency_story":93,"kind_of_residency_story":150,"title":14287,"slug":14288,"archived":153,"created_on":14289,"updated_on":14290,"published_on":4621,"thumbnail":14484,"author":14292,"date_of_publication":14293,"teaser":14294,"featured":153,"futures_select":93,"news_kind":190,"news_subkind":3769,"category":14504,"video":10,"corresponding_event":14505,"artist_name":14049,"reference_artist":14571,"residency_location":250,"year":8817,"layout_type":252,"content":14596,"updatedAt":14420,"createdAt":14421},{"id":14291,"alt":14485,"originalUrl":20,"uploaded_by":20,"updatedAt":14486,"createdAt":14487,"url":14488,"thumbnailURL":20,"filename":14489,"mimeType":163,"filesize":14490,"width":14491,"height":9243,"focalX":167,"focalY":167,"sizes":14492},"Olena Morozova Open Studio","2026-09-24T07:21:07.559Z","2026-09-24T07:21:06.545Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Olena%20Morozova%20Open%20Studio-4335.webp","Olena Morozova Open Studio-4335.webp",83204,1272,{"thumb":14493,"medium":14498,"large":14503},{"url":14494,"width":171,"height":14495,"mimeType":163,"filesize":14496,"filename":14497},"https://futures-backend-unstated-int.vercel.app/api/media/file/Olena%20Morozova%20Open%20Studio-4335-300x453.webp",453,8550,"Olena Morozova Open Studio-4335-300x453.webp",{"url":14499,"width":177,"height":14500,"mimeType":163,"filesize":14501,"filename":14502},"https://futures-backend-unstated-int.vercel.app/api/media/file/Olena%20Morozova%20Open%20Studio-4335-1200x1811.webp",1811,63980,"Olena Morozova Open Studio-4335-1200x1811.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[7030],{"id":14296,"name":14506,"slug":14507,"archived":153,"created_on":14508,"updated_on":14509,"published_on":14510,"event_thumbnail":14511,"begin_date":14512,"end_date":14513,"location":14514,"magnum_event":20,"host_event":153,"event_text":14515,"link_to_tickets":14567,"link_for_more_info":10,"related_member":14568,"online_event":153,"open_for_application":153,"meta_description":10,"updatedAt":14569,"createdAt":14570},"Open Studio with Olena Morozova","open-studio-with-olena-morozova","Tue Sep 02 2025 13:20:31 GMT+0000 (Coordinated Universal Time)","Tue Sep 23 2025 15:09:32 GMT+0000 (Coordinated Universal Time)","2025-09-23T15:09:32.000Z",12874,"2025-09-25T22:00:00.000Z","2025-09-26T00:30:00.000Z"," FUTURES Photography Hub, Isaac Titsinghkade 6A, B, 1018 CA Amsterdam",{"root":14516},{"type":9,"format":10,"indent":11,"version":4,"children":14517},[14518,14522,14526,14530,14534,14538,14542,14546,14550,14553,14557,14560,14564],{"type":14,"version":4,"children":14519},[14520],{"text":14521,"type":19,"version":4},"Join us for an Open Studio with Olena Morozova, our newest resident at the FUTURES Hub. She will present her project The Roots Are Breathing, developed during her September residency in Amsterdam as part of the FUTURES x MPB program.",{"type":14,"version":4,"children":14523},[14524],{"text":14525,"type":19,"version":4},"“The Roots Are Breathing is an installation assembled from natural materials found on site: twigs, bark, leaves, dry plants, earth, stone, moss. Complemented by clay moulds and simple drawings on paper or cardboard, it forms a fragile, poetic composition spread out on the floor, a wooden surface or in a corner of the hall - as if nature itself had quietly come inside to remind us of itself.”",{"type":14,"version":4,"children":14527},[14528],{"text":14529,"type":19,"version":4},"Event Details",{"type":14,"version":4,"children":14531},[14532],{"text":14533,"type":19,"version":4},"Date: Thursday, 25 September 2025",{"type":14,"version":4,"children":14535},[14536],{"text":14537,"type":19,"version":4},"Walk-in: 17:45 – 18:15",{"type":14,"version":4,"children":14539},[14540],{"text":14541,"type":19,"version":4},"Artist Q&A: 18:30",{"type":14,"version":4,"children":14543},[14544],{"text":14545,"type":19,"version":4},"Studio Open Until: 20:00",{"type":14,"version":4,"children":14547},[14548],{"text":14549,"type":19,"version":4},"Location: FUTURES Photography Hub, Isaac Titsinghkade 6A, B, 1018 CA Amsterdam",{"type":14,"version":4,"children":14551},[14552],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14554},[14555],{"text":14556,"type":19,"version":4},"👉 Please RSVP by 24th September 2025 to confirm your attendance.",{"type":14,"version":4,"children":14558},[14559],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14561},[14562],{"text":14563,"type":19,"version":4},"The opening is part of FUTURES X MPB residency, supported by MPB, the largest global platform to buy, sell and trade used photo and video equipment.",{"type":14,"version":4,"children":14565},[14566],{"text":1209,"type":19,"version":4},"https://forms.gle/bsww9ibicr3kgaHu8",[],"2026-06-19T13:58:03.438Z","2026-03-11T08:54:39.573Z",{"id":14047,"profile_types":14572,"is_member":153,"name":14049,"slug":14050,"archived":153,"created_on":14051,"updated_on":14052,"published_on":14052,"biography":14573,"e_mail":14060,"profile_image":14062,"website":10,"instagram":10,"first_name":14077,"last_name":14078,"kind_of_profile":218,"tags_profession":14579,"tags_identity":14580,"tags_location":14581,"tags_practice":14582,"tags_topics":14583,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":14584,"member_additional":14585,"corresponding_art_projects":14586,"corresponding_selected_year":14587,"reference_residency":14286,"date_of_residency":14422,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":14588,"curation_reference":14589,"past_member":20,"approved_courses":14590,"tutor_courses":14591,"guest_expert_courses":14593,"updatedAt":14430,"createdAt":14431,"email":14060,"collection":248,"sessions":14595},[198],{"root":14574},{"type":9,"format":10,"indent":11,"version":4,"children":14575},[14576],{"type":14,"version":4,"children":14577},[14578],{"text":14059,"type":19,"version":4},[220],[222],[167,1125],[99],[1295,232,477],[1221],[],[14174],[14249],[],[],[],{"docs":14592,"hasNextPage":153},[],{"docs":14594,"hasNextPage":153},[],[],[14597,14609,14630,14637,14657,14695,14709,14716,14734,14753],{"id":14299,"text":14598,"blockName":20,"blockType":19},{"root":14599},{"type":9,"format":10,"indent":11,"version":4,"children":14600},[14601,14604,14606],{"type":14,"format":10,"indent":11,"version":4,"children":14602,"direction":20,"textStyle":10,"textFormat":11},[14603],{"mode":17,"text":14306,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14605,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14607,"direction":20,"textStyle":10,"textFormat":11},[14608],{"mode":17,"text":14312,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14314,"image":14610,"blockName":20,"blockType":381},{"id":14315,"alt":20,"originalUrl":14611,"uploaded_by":14047,"updatedAt":14612,"createdAt":14613,"url":14614,"thumbnailURL":20,"filename":14615,"mimeType":163,"filesize":14616,"width":1897,"height":14617,"focalX":167,"focalY":167,"sizes":14618},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68b6e54d2940adb6d2c9307b_img20250823_15001232_1500.avif","2026-06-19T14:05:45.197Z","2026-06-19T13:53:02.234Z","https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1.webp","olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1.webp",120928,1061,{"thumb":14619,"medium":14624,"large":14629},{"url":14620,"width":171,"height":14621,"mimeType":163,"filesize":14622,"filename":14623},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1-300x212.webp",212,9096,"olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1-300x212.webp",{"url":14625,"width":177,"height":14626,"mimeType":163,"filesize":14627,"filename":14628},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1-1200x849.webp",849,91904,"olena-morozova-in-conversation-with-ruben-jacobs-s1-img-1-1200x849.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":14317,"quote":14631,"blockName":20,"blockType":333},{"root":14632},{"type":9,"format":10,"indent":11,"version":4,"children":14633,"direction":20},[14634],{"type":14,"format":10,"indent":11,"version":4,"children":14635,"direction":20,"textStyle":10,"textFormat":11},[14636],{"mode":17,"text":14324,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14326,"text":14638,"blockName":20,"blockType":19},{"root":14639},{"type":9,"format":10,"indent":11,"version":4,"children":14640},[14641,14644,14646,14649,14651,14654],{"type":14,"format":10,"indent":11,"version":4,"children":14642,"direction":20,"textStyle":10,"textFormat":11},[14643],{"mode":17,"text":14333,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14645,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14647,"direction":20,"textStyle":10,"textFormat":11},[14648],{"mode":17,"text":14339,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14650,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14652,"direction":20,"textStyle":10,"textFormat":11},[14653],{"mode":17,"text":14345,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14655,"direction":20,"textStyle":10,"textFormat":11},[14656],{"mode":17,"text":14349,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14351,"blockName":20,"images":14658,"blockType":323},[14659,14677],{"id":14354,"image":14660},{"id":14355,"alt":20,"originalUrl":14661,"uploaded_by":14047,"updatedAt":14662,"createdAt":14663,"url":14664,"thumbnailURL":20,"filename":14665,"mimeType":163,"filesize":14666,"width":14491,"height":9243,"focalX":167,"focalY":167,"sizes":14667},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68ecc6f0a0443cba20c21a98_Olena%20Morozova%20Open%20Studio-4240.avif","2026-06-19T14:05:45.606Z","2026-06-19T13:53:00.510Z","https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0.webp","olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0.webp",66444,{"thumb":14668,"medium":14672,"large":14676},{"url":14669,"width":171,"height":14495,"mimeType":163,"filesize":14670,"filename":14671},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0-300x453.webp",9392,"olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0-300x453.webp",{"url":14673,"width":177,"height":14500,"mimeType":163,"filesize":14674,"filename":14675},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0-1200x1811.webp",60898,"olena-morozova-in-conversation-with-ruben-jacobs-s2-2-0-1200x1811.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":14357,"image":14678},{"id":14358,"alt":20,"originalUrl":14679,"uploaded_by":14047,"updatedAt":14680,"createdAt":14681,"url":14682,"thumbnailURL":20,"filename":14683,"mimeType":163,"filesize":14684,"width":14491,"height":9243,"focalX":167,"focalY":167,"sizes":14685},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68ecc6f065429c1d5be38eb9_Olena%20Morozova%20Open%20Studio-4334.jpg","2026-06-19T14:05:46.009Z","2026-03-11T13:09:18.327Z","https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1.webp","olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1.webp",94758,{"thumb":14686,"medium":14690,"large":14694},{"url":14687,"width":171,"height":14495,"mimeType":163,"filesize":14688,"filename":14689},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1-300x453.webp",9478,"olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1-300x453.webp",{"url":14691,"width":177,"height":14500,"mimeType":163,"filesize":14692,"filename":14693},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1-1200x1811.webp",73994,"olena-morozova-in-conversation-with-ruben-jacobs-rs-s2-2-1-1200x1811.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":14360,"text":14696,"blockName":20,"blockType":19},{"root":14697},{"type":9,"format":10,"indent":11,"version":4,"children":14698,"direction":20},[14699,14702,14704],{"type":14,"format":10,"indent":11,"version":4,"children":14700,"direction":20,"textStyle":10,"textFormat":11},[14701],{"mode":17,"text":14367,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14703,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14705,"direction":20,"textStyle":10,"textFormat":11},[14706,14707,14708],{"mode":17,"text":14373,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":14375,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":14377,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14379,"quote":14710,"blockName":20,"blockType":333},{"root":14711},{"type":9,"format":10,"indent":11,"version":4,"children":14712,"direction":20},[14713],{"type":14,"format":10,"indent":11,"version":4,"children":14714,"direction":20,"textStyle":10,"textFormat":11},[14715],{"mode":17,"text":14386,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14388,"image":14717,"blockName":20,"blockType":381},{"id":14389,"alt":20,"originalUrl":14718,"uploaded_by":14047,"updatedAt":14719,"createdAt":14720,"url":14721,"thumbnailURL":20,"filename":14722,"mimeType":163,"filesize":14723,"width":9243,"height":14491,"focalX":167,"focalY":167,"sizes":14724},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/68ecc6fe72ddde00fbcb3974_Olena%20Morozova%20Open%20Studio-4229.avif","2026-06-19T14:05:46.321Z","2026-06-19T13:53:03.343Z","https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s3-img.webp","olena-morozova-in-conversation-with-ruben-jacobs-s3-img.webp",53766,{"thumb":14725,"medium":14729,"large":14733},{"url":14726,"width":171,"height":2861,"mimeType":163,"filesize":14727,"filename":14728},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s3-img-300x199.webp",4792,"olena-morozova-in-conversation-with-ruben-jacobs-s3-img-300x199.webp",{"url":14730,"width":177,"height":7506,"mimeType":163,"filesize":14731,"filename":14732},"https://futures-backend-unstated-int.vercel.app/api/media/file/olena-morozova-in-conversation-with-ruben-jacobs-s3-img-1200x795.webp",29620,"olena-morozova-in-conversation-with-ruben-jacobs-s3-img-1200x795.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":14391,"text":14735,"blockName":20,"blockType":19},{"root":14736},{"type":9,"format":10,"indent":11,"version":4,"children":14737},[14738,14741,14743,14746,14748],{"type":14,"format":10,"indent":11,"version":4,"children":14739,"direction":20,"textStyle":10,"textFormat":11},[14740],{"mode":17,"text":14398,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14742,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14744,"direction":20,"textStyle":10,"textFormat":11},[14745],{"mode":17,"text":14404,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":14747,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":14749,"direction":20,"textStyle":10,"textFormat":11},[14750,14751,14752],{"mode":17,"text":14410,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":14412,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":14414,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":14416,"blockName":20,"logos":14754,"blockType":11866},[14755],{"id":14419,"image":14756},{"id":11865,"alt":13424,"originalUrl":20,"uploaded_by":20,"updatedAt":13425,"createdAt":13426,"url":13427,"thumbnailURL":20,"filename":13428,"mimeType":163,"filesize":13429,"width":13430,"height":13431,"focalX":167,"focalY":167,"sizes":14757},{"thumb":14758,"medium":14759,"large":14760},{"url":13434,"width":171,"height":13435,"mimeType":163,"filesize":13436,"filename":13437},{"url":13439,"width":177,"height":8159,"mimeType":163,"filesize":13440,"filename":13441},{"url":13443,"width":183,"height":13444,"mimeType":163,"filesize":13445,"filename":13446},{"id":14762,"artist":14763,"residency_location":15247,"year_of_residency":8817,"article":15297},"6ab535b9524b378872b3feda",{"id":14152,"profile_types":14764,"is_member":153,"name":14765,"slug":14766,"archived":153,"created_on":14767,"updated_on":14768,"published_on":14768,"biography":14769,"e_mail":14776,"profile_image":14777,"website":14792,"instagram":14793,"first_name":14794,"last_name":14795,"kind_of_profile":218,"tags_profession":14796,"tags_identity":14800,"tags_location":14802,"tags_practice":14808,"tags_topics":14811,"born_in":14814,"street_address":20,"city":14815,"country":20,"corresponding_member":14816,"member_additional":14842,"corresponding_art_projects":14843,"corresponding_selected_year":14915,"reference_residency":15023,"date_of_residency":15236,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":15237,"curation_reference":15238,"past_member":20,"approved_courses":15239,"tutor_courses":15240,"guest_expert_courses":15242,"updatedAt":15244,"createdAt":15245,"email":14776,"collection":248,"sessions":15246},[198],"Michał Sita","michal-sita","Mon Feb 03 2025 12:25:38 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:45:04 GMT+0000 (Coordinated Universal Time)",{"root":14770},{"type":9,"format":10,"indent":11,"version":4,"children":14771},[14772],{"type":14,"version":4,"children":14773},[14774],{"text":14775,"type":19,"version":4},"Michal Sita (1985) is a photographer and curator. Graduate of photography at the ITF in Opava and anthropology at the Adam Mickiewicz University in Poznań, where he is concluding doctoral research on social uses of the past in contemporary Poland. Interested in social memory and research strategies of photography. Curator of an interdisciplinary analysis of Wiesław Rakowski’s interwar zoological photographs, curator and producer of a series of exhibitions (including Małgorzata Lebda and Rafał Siderski, Mayumi Suzuki, Jan Kurek, Martin Parr and Rimaldas Vikšraitis, Sputnik Photos, among others), and photobook festivals. Co-author of “Củ Chi Tunnels Restoration Report” (Photographic Publication of the Year 2020 – Łódź, PL), a book relating to the activities of the Polish-Vietnamese architectural heritage conservation mission. Author of “History of Poland” vol. 1 and 2 — publications commenting on anthropological research carried out in Murowana Goślina among volunteers staging a large-scale historical pageant. Author of critical texts on photography. Lecturer at the Magdalena Abakanowicz University of Arts in Poznań.","michal.sita@gmail.com",{"id":14778,"alt":20,"originalUrl":14779,"uploaded_by":14152,"updatedAt":14780,"createdAt":14780,"url":14781,"thumbnailURL":20,"filename":14782,"mimeType":163,"filesize":14783,"width":1993,"height":177,"focalX":167,"focalY":167,"sizes":14784},14168,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a0b5c135a2ba27c4fdaae2_Micha%25C5%2582_Sita_small.avif","2026-06-19T14:32:20.864Z","https://futures-backend-unstated-int.vercel.app/api/media/file/michal-sita-profile-2.webp","michal-sita-profile-2.webp",95170,{"thumb":14785,"medium":14790,"large":14791},{"url":14786,"width":171,"height":14787,"mimeType":163,"filesize":14788,"filename":14789},"https://futures-backend-unstated-int.vercel.app/api/media/file/michal-sita-profile-2-300x370.webp",370,8470,"michal-sita-profile-2-300x370.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://michalsita.com/pl/start/","https://www.instagram.com/michal_sita_/","Michał","Sita",[14797,14798,14799],{"id":99,"name":3043,"slug":3044,"updatedAt":3045,"createdAt":3046},{"id":1295,"name":3052,"slug":3053,"updatedAt":3054,"createdAt":3054},{"id":95,"name":7524,"slug":7525,"updatedAt":7526,"createdAt":7526},[14801],{"id":4,"name":3057,"slug":3058,"updatedAt":3059,"createdAt":3059},[14803,14807],{"id":480,"name":14117,"slug":14804,"updatedAt":14805,"createdAt":14806},"poland","2026-06-24T14:45:33.340Z","2026-06-24T14:45:33.338Z",{"id":1125,"name":6797,"slug":6798,"updatedAt":6799,"createdAt":6799},[14809,14810],{"id":1124,"name":3084,"slug":3085,"updatedAt":3086,"createdAt":3087},{"id":1216,"name":6802,"slug":6803,"updatedAt":6804,"createdAt":6804},[14812,14813],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":1298,"name":4372,"slug":4373,"updatedAt":4374,"createdAt":4374},"1985","Poznań",[14817],{"id":1221,"profile_types":14818,"is_member":93,"name":14098,"slug":14099,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":14819,"e_mail":14107,"profile_image":14108,"website":14109,"instagram":14110,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":14825,"tags_identity":14826,"tags_location":14827,"tags_practice":14828,"tags_topics":14829,"born_in":20,"street_address":20,"city":14116,"country":14117,"corresponding_member":14830,"member_additional":14831,"corresponding_art_projects":14832,"corresponding_selected_year":14833,"reference_residency":20,"date_of_residency":20,"date_since":3496,"date_ended":20,"linkedin":20,"corresponding_artist":14834,"curation_reference":14835,"past_member":20,"approved_courses":14836,"tutor_courses":14837,"guest_expert_courses":14839,"updatedAt":14168,"createdAt":14169,"email":14107,"collection":248,"sessions":14841},[1959],{"root":14820},{"type":9,"format":10,"indent":11,"version":4,"children":14821,"direction":20},[14822],{"type":14,"format":10,"indent":11,"version":4,"children":14823,"direction":20,"textStyle":10,"textFormat":11},[14824],{"mode":17,"text":14106,"type":19,"style":10,"detail":11,"format":11,"version":4},[],[],[],[],[],[],[],[],[],[14123,14124,14125,14047,14126,14127,14128,14129,14130,1891,14131,14132,14133,14134,14135,14136,14137,14138,14139,14140,529,14141,14142,14143,14144,14145,14146,11336,14147,14148,14149,14150,14151,14152,9878,14153,14154,9253,14155,14156,14157,2142,14158,14159,14160,14161],[],[],{"docs":14838,"hasNextPage":153},[],{"docs":14840,"hasNextPage":153},[],[],[],[14844],{"id":14845,"name_of_project":14846,"slug":14847,"archived":153,"created_on":14848,"updated_on":14849,"published_on":14849,"thumbnail_image":14850,"date":14851,"artwork_description":14852,"artworks":14863,"corresponding_artist":14908,"tags_topics":14909,"tags_location":14910,"tags_practice":14911,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":10,"stichting_futures_project":153,"updatedAt":14912,"createdAt":14913,"artworks_gallery":14914},298,"History of Poland (vol. 1 & vol. 2)","history-of-poland-vol-1-vol-2","Mon Feb 03 2025 12:28:51 GMT+0000 (Coordinated Universal Time)","Tue Jun 24 2025 11:52:47 GMT+0000 (Coordinated Universal Time)",5063,"2018-08-15T00:00:00.000Z",{"root":14853},{"type":9,"format":10,"indent":11,"version":4,"children":14854},[14855,14859],{"type":14,"version":4,"children":14856},[14857],{"text":14858,"type":19,"version":4},"The beginnings of the open-air historical performances staged by volunteers in Murowana Goślina date back to 2007. The script of the shows would change dynamically and their meaning gradually evolve: from interpreting local legends, to recalling episodes of regional events, to themes drawing on the national history. The year 2016, marking the 1050th anniversary of the Baptism of Poland, saw the premiere of The Eagle and the Cross, which recounted two millennia of Polish history. The performance continues to be staged, with only minor annual modifications. This season it will be seen by some 20,000 spectators, being the largest patriotic event of its kind in Poland.The authors of that open-air show draw pictorial inspiration from the paintings by Jacek Malczewski, Artur Grottger and especially Jan Matejko, using them as a point of reference. Ingrained in Polish collective consciousness, those images are brought to life through performative action. The events, symbols, objects, figures and gestures that make up the core of Polish national mythology materialize almost simultaneously on the outdoor stage. They are resurrected, embodied and re-enacted over and over again by an ensemble of amateur artists.Since 2020, I have been conducting anthropological research among the people involved in The Eagle and the Cross. My work has been concerned with the interactions between the volunteer actors and the events, characters and values of the imagined past. I try to explore the consequences of the situation where more than 300 people toil for several months each year re-enacting the canonical episodes in Polish national history. I wonder what place we occupy on the timeline when the past becomes a repository of repeatedly incarnated moral parables? How do we function in a community when the characters of the imagined pope John Paul II, children executed by the Nazis, the Virgin Mary, are played by a neighbour, a primary school classmate, a godchild, or a teacher? How are the meanings of time, history and the criteria of truth demarcated and established in this participatory action? What identities do we reproduce and actualize in such an action?The 2021 publication entitled History of Poland. Exercise Book vol. 1 was the first working recapitulation of that inquiry. It features photographs that capture the gestures of the actors during spring rehearsals for the show.",{"type":14,"version":4,"children":14860},[14861],{"text":14862,"type":19,"version":4},"In 2022, I changed my perspective, playing in the shows with a small automatic camera hanging around my neck during the performances. It was provisionally camouflaged to keep it out of sight of the audience, but it was clear to the other performers and the organizers of the show that I was taking pictures. They were also fully aware that this was part of the research and artistic activities I was carrying out. Every second, the camera (1) recorded the reality of the show from the standpoint of the actor, (2) recorded events from Polish history as seen through the eyes of their participant, and (3) commented on the way we choose to lend meaning to the past in participatory action. History of Poland vol. 2, a photobook curated by Łukasz Rusznica, is based upon these images.",[14864,14867,14870,14873,14876,14879,14882,14885,14888,14891,14894,14897,14899,14902,14905],{"id":14865,"image":14866},"6a356143e57d0fdcefaa9f41",5052,{"id":14868,"image":14869},"6a356143e57d0fdcefaa9f42",5053,{"id":14871,"image":14872},"6a356143e57d0fdcefaa9f43",5054,{"id":14874,"image":14875},"6a356143e57d0fdcefaa9f44",5055,{"id":14877,"image":14878},"6a356143e57d0fdcefaa9f45",5056,{"id":14880,"image":14881},"6a356143e57d0fdcefaa9f46",5057,{"id":14883,"image":14884},"6a356143e57d0fdcefaa9f47",5058,{"id":14886,"image":14887},"6a356143e57d0fdcefaa9f48",5059,{"id":14889,"image":14890},"6a356143e57d0fdcefaa9f49",5060,{"id":14892,"image":14893},"6a356143e57d0fdcefaa9f4a",5061,{"id":14895,"image":14896},"6a356143e57d0fdcefaa9f4b",5062,{"id":14898,"image":14850},"6a356143e57d0fdcefaa9f4c",{"id":14900,"image":14901},"6a356143e57d0fdcefaa9f4d",5064,{"id":14903,"image":14904},"6a356143e57d0fdcefaa9f4e",5065,{"id":14906,"image":14907},"6a356143e57d0fdcefaa9f4f",5066,[14152],[232,1298],[480,1125],[],"2026-09-16T08:32:38.889Z","2026-03-10T15:38:31.970Z",[],[14916],{"id":1383,"curation_title":14917,"slug":14918,"archived":153,"created_on":14919,"updated_on":14920,"published_on":14920,"date":3666,"corresponding_member":14921,"introduction_text":14922,"curational_text":14932,"corresponding_artist":15016,"projects_selected":15017,"updatedAt":15021,"createdAt":15022},"Fotofestiwal Łódź 2025","fotofestiwal-lodz-2025","Tue Jan 21 2025 09:23:11 GMT+0000 (Coordinated Universal Time)","Wed Apr 02 2025 09:25:48 GMT+0000 (Coordinated Universal Time)",[1221],{"root":14923},{"type":9,"format":10,"indent":11,"version":4,"children":14924},[14925,14929],{"type":14,"version":4,"children":14926},[14927],{"text":14928,"type":19,"version":4},"Fotofestiwal presents five artists selected from the applications and expert nominations. This year, we invited 11 photography professionals to collaborate, each of whom could nominate any number of emerging or mid-career artists for the programme – artists who are inspiring, professionally active and working on new projects. We have added to this list the names of selected artists from Poland who submitted their works to the annual Fotofestiwal Open Programme. From among all the names, 3 jurors: Agnieszka Olszewska (curator; Museum of Photography in Krakow), Jan Brykczyński (photographer, academic teacher; Sputnik Photos), Marta Szymańska (curator; Fotofestiwal), selected 5 artists: Emilia Martin, Karol Szymkowiak, Michał Sita, Paweł Starzec, Paulina Mirowska.",{"type":14,"version":4,"children":14930},[14931],{"text":1209,"type":19,"version":4},{"root":14933},{"type":9,"format":10,"indent":11,"version":4,"children":14934},[14935,14939,14942,14946,14949,14953,14956,14960,14963,14967,14970,14974,14977,14981,14985,14989,14993,14996,15000,15004,15008,15012],{"type":14,"version":4,"children":14936},[14937],{"text":14938,"type":19,"version":4},"Michał Sita combines elements of photography and anthropology in his work – he looks at people, places and architecture in terms of how we collectively imagine and use the past. His latest long-term project is entitled Historia Polski (The History of Poland) and documents historical outdoor performances organised by volunteers and amateurs to commemorate important events in the country's history. Michał not only documented the events, but also took an active part in them. The project is characterised by anthropological attentiveness, inquisitiveness and curiosity. Thanks to them, Sita created a multidimensional project analysing not only the phenomenon of historical reconstructions, but also prompting reflection on contemporary Polish identity.",{"type":14,"version":4,"children":14940},[14941],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14943},[14944],{"text":14945,"type":19,"version":4},"Paweł Starzec, like Sita, focuses on long-term research projects in which he uses his experience as a sociologist. His latest project, entitled Anew, has been running since 2013 and documents the transformation of Lower Silesia, a region in Poland with an extremely complex and distinctive heritage. In his work, Paweł is consistent, approaching his chosen topics in a comprehensive manner and combining all this with the excellent skills of a documentary photographer.",{"type":14,"version":4,"children":14947},[14948],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14950},[14951],{"text":14952,"type":19,"version":4},"Karol Szymkowiak is a self-taught photographer fascinated by the surrealism that can be found in the reality he photographs. His work deals with environmental protection, military and civil defence, and physical and mental immobilisation. The artist's interests are evident in her latest project entitled 0169-8629 5223-01750. It is a story about Lake Powidz and the neighbouring largest military airport in Poland, where a substantial expansion of the US military base is underway. It is a multidimensional project in which the author addresses both socio-political and ecological issues.",{"type":14,"version":4,"children":14954},[14955],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14957},[14958],{"text":14959,"type":19,"version":4},"Emilia Martin's work clearly shows the influence of her childhood, which she divided between the natural, rural landscapes of eastern Poland and the heavily industrialised Silesia. In her work, she often draws on the language of myths, fairy tales and stories. It was this fascination that led her to undertake an in-depth analysis of the subject of meteorites in the project, I saw a tree bearing stones in the place of apples and pears. It was this project – based on her own photographs, archival work and sound – that caught our attention. It presents Emilia's unique visual style, exceptional sensitivity and multidisciplinary approach to the subject.",{"type":14,"version":4,"children":14961},[14962],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14964},[14965],{"text":14966,"type":19,"version":4},"Paulina Mirowska, like Martin, uses photography as one of her media. She works with installations, video, sound and sculpture. She presents herself as a visual artist, burnt-out climate activist and educator – and she uses all these experiences in her artistic work. In her latest project, entitled The Trophy, she tells the story of the beginnings of life on Earth, when photosynthesis appeared in the oceans, enabling the development of living organisms. Mirowska presents this difficult-to-depict process in a way that is extremely evocative and captures the imagination of the audience.",{"type":14,"version":4,"children":14968},[14969],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14971},[14972],{"text":14973,"type":19,"version":4},"FOTOFESTIWAL :: SELECTING PROCES 2025",{"type":14,"version":4,"children":14975},[14976],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14978},[14979],{"text":14980,"type":19,"version":4},"STAGE 1",{"type":14,"version":4,"children":14982},[14983],{"text":14984,"type":19,"version":4},"We created the short list of authors based on:",{"type":14,"version":4,"children":14986},[14987],{"text":14988,"type":19,"version":4},"selected works submitted to annual Fotofestiwal Open Programme nomination of Polish experts; we sent request to 20 experts; 11 answered with the nomination; their names: Łukasz Rusznica, Dorota Łuczak, Adam Mazur, Michał Adamski, Adrian Wykrota, Krzysztof Candrowicz, Małgorzata Słomska, Joanna Kinowska, Nina Giba, Witold Kanicki, Jakub Dziewit",{"type":14,"version":4,"children":14990},[14991],{"text":14992,"type":19,"version":4},"The shortlist of nominees: 32 people",{"type":14,"version":4,"children":14994},[14995],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":14997},[14998],{"text":14999,"type":19,"version":4},"STAGE 2",{"type":14,"version":4,"children":15001},[15002],{"text":15003,"type":19,"version":4},"Meeting of jury who selected 5 artists out of the shortlistJury members:",{"type":14,"version":4,"children":15005},[15006],{"text":15007,"type":19,"version":4},"Agnieszka Olszewska [curator; Head of Communications, Exhibitions and Visitor Experience, communication accessibility coordinator in Museum of Photography in Krakow]",{"type":14,"version":4,"children":15009},[15010],{"text":15011,"type":19,"version":4},"Jan Brykczyński [photographer, academic teacher, member of Sputnik Photos]",{"type":14,"version":4,"children":15013},[15014],{"text":15015,"type":19,"version":4},"Marta Szymańska [curator; Fotofestiwal Lodz]",[1891,14155,14152,14149,14147],[15018,99,14845,15019,15020],324,793,62,"2026-09-17T15:38:45.486Z","2026-03-10T15:49:52.320Z",{"id":15024,"is_residency_story":93,"kind_of_residency_story":150,"title":15025,"slug":15026,"archived":153,"created_on":15027,"updated_on":15028,"published_on":10334,"thumbnail":15029,"author":15030,"date_of_publication":15031,"teaser":15032,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":15033,"video":10,"corresponding_event":20,"artist_name":15035,"reference_artist":14152,"residency_location":250,"year":8817,"layout_type":496,"content":15036,"updatedAt":15234,"createdAt":15235},516,"The Ontologies of Space: Case Studies of Jeju - Jenny Smets in conversation with Michał Sita and Anna Pilawska-Sita","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita","Tue Nov 18 2025 15:41:12 GMT+0000 (Coordinated Universal Time)","Thu Nov 27 2025 18:36:23 GMT+0000 (Coordinated Universal Time)",13784,"Jenny Smets","2025-11-26T23:00:00.000Z","Including different perspectives and maintaining a collaborative, investigative attitude are essential aspects of the artistic practice of the Polish couple Michał Sita and Anna Pilawska-Sita.",[15034],"Architecture","Michał Sita and Anna Pilawska-Sita",[15037,15046,15049,15090,15093,15102,15143,15146,15155,15215,15218,15227],{"id":15038,"text":15039,"blockName":20,"blockType":19},"6a354ccf8c91db2725ffb6bc",{"root":15040},{"type":9,"format":10,"indent":11,"version":4,"children":15041},[15042],{"type":14,"format":10,"indent":11,"version":4,"children":15043,"direction":20},[15044],{"mode":17,"text":15045,"type":19,"style":10,"detail":11,"format":11,"version":4},"Including different perspectives and maintaining a collaborative, investigative attitude are essential aspects of the artistic practice of the Polish couple Michał Sita and Anna Pilawska-Sita. Unexpected, yet perhaps inevitable, their residency at the Future Hub concluded with a playful workshop inviting participants to rethink space from the perspective of a golf ball. It marked a momentary conclusion of their ongoing collaborative research — a process that continues to evolve and is centered on the South Korean island of Jeju.",{"id":15047,"image":15048,"blockName":20,"blockType":381},"6a354ccf8c91db2725ffb6bd",13638,{"id":15050,"text":15051,"blockName":20,"blockType":19},"6a354ccf8c91db2725ffb6be",{"root":15052},{"type":9,"format":10,"indent":11,"version":4,"children":15053},[15054,15058,15062,15066,15070,15078,15082,15086],{"type":14,"format":10,"indent":11,"version":4,"children":15055,"direction":20,"textStyle":10,"textFormat":11},[15056],{"mode":17,"text":15057,"type":19,"style":10,"detail":11,"format":11,"version":4},"Anna and Michał live in Poland with their son and dog. They each have independent practices, but sometimes they combine their distinct backgrounds to create collaborative work that blurs the boundaries between architecture, art, photography, and humanistic research.",{"type":333,"format":10,"indent":11,"version":4,"children":15059,"direction":20},[15060],{"mode":17,"text":15061,"type":19,"style":10,"detail":11,"format":11,"version":4},"“When we work together, those boundaries have to be dismantled. At some point, it’s not actually important who is doing what. The end product is just a combination of all the tools you have together.”",{"type":14,"format":10,"indent":11,"version":4,"children":15063,"direction":20,"textStyle":10,"textFormat":11},[15064],{"mode":17,"text":15065,"type":19,"style":10,"detail":11,"format":11,"version":4},"Anna brings expertise in architecture and spatial design, having studied at the University of Art in Poland and worked extensively on exhibitions and landscape projects. Her special interests include green architecture and landscape forming. Michał is a photographer, curator, and anthropologist, focusing on social memory and imagined histories. Collaboration allows their analytical and spatial approaches to converge, producing outcomes richer than the sum of their parts.",{"type":333,"format":10,"indent":11,"version":4,"children":15067,"direction":20},[15068],{"mode":17,"text":15069,"type":19,"style":10,"detail":11,"format":11,"version":4},"“I think that those interests overlap when Anna is working with the logic that is behind forming landscapes and intervening into the natural world through architecture and I at the same time am interested in the ways we imagine and walk towards the past, this is my anthropological interest.”",{"type":14,"format":10,"indent":11,"version":4,"children":15071,"direction":20,"textStyle":10,"textFormat":11},[15072,15074,15076],{"mode":17,"text":15073,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their first major project combining these interests was  ",{"mode":17,"text":15075,"type":19,"style":10,"detail":11,"format":222,"version":4},"Cù Chi Tunnels",{"mode":17,"text":15077,"type":19,"style":10,"detail":11,"format":11,"version":4},", documenting a 250-kilometer network of military tunnels in Vietnam that were life-saving during the war with the United States and later restored, a project initiated by the Polish architect Kazimierz Kwiatkowski.",{"type":333,"format":10,"indent":11,"version":4,"children":15079,"direction":20},[15080],{"mode":17,"text":15081,"type":19,"style":10,"detail":11,"format":11,"version":4},"“The outcome of our work could be considered a photo book. But it also could be considered a historical analysis. Or what it actually is, an architectonic survey of a monument.”",{"type":14,"format":10,"indent":11,"version":4,"children":15083,"direction":20,"textStyle":10,"textFormat":11},[15084],{"mode":17,"text":15085,"type":19,"style":10,"detail":11,"format":11,"version":4},"This project brought them to the attention of the 4th Biënnale of Jeju (2024), organized by the Jeju Museum of Art. The South Korean island of Jeju is scattered with post-colonial Japanese military structures, left by the Imperial Japanese army when controlling Jeju in the years 1910-1945. This heritage is largely neglected and impossible for residents to fully engage with. The Jeju Museum of Art invited artists, unconnected to the local context, in the hope that their fresh perspectives might uncover aspects of the heritage that locals could not see. Anna and Michal were invited for a two and half week stay.",{"type":333,"format":10,"indent":11,"version":4,"children":15087,"direction":20},[15088],{"mode":17,"text":15089,"type":19,"style":10,"detail":11,"format":11,"version":4},"“We started by analyzing maps of the island, identifying Japanese fortifications and their relation to the volcanic hills. Many sites were forgotten — hidden entrances to tunnels, small bunkers, or observation points in deep forests. We studied not only the structures but how they shaped the surrounding landscape and the logic they imposed.”",{"id":15091,"image":15092,"blockName":20,"blockType":381},"6a354ccf8c91db2725ffb6bf",13639,{"id":15094,"blockName":20,"images":15095,"blockType":323},"6a354ccf8c91db2725ffb6c2",[15096,15099],{"id":15097,"image":15098},"6a354ccf8c91db2725ffb6c0",13640,{"id":15100,"image":15101},"6a354ccf8c91db2725ffb6c1",13641,{"id":15103,"text":15104,"blockName":20,"blockType":19},"6a354ccf8c91db2725ffb6c3",{"root":15105},{"type":9,"format":10,"indent":11,"version":4,"children":15106},[15107,15111,15115,15119,15123,15127,15131,15135,15139],{"type":14,"format":10,"indent":11,"version":4,"children":15108,"direction":20,"textStyle":10,"textFormat":11},[15109],{"mode":17,"text":15110,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their work went beyond documentation, asking: how does post-colonial architecture retain its potential even as the landscape changes?",{"type":14,"format":10,"indent":11,"version":4,"children":15112,"direction":20,"textStyle":10,"textFormat":11},[15113],{"mode":17,"text":15114,"type":19,"style":10,"detail":11,"format":11,"version":4},"“What does it mean that they [the military structures] are still there, how would you imagine the whole island or the vicinity of those structures if you follow their logic? We wanted to see... do they have some kind of power to redefine what the space around them is?”",{"type":14,"format":10,"indent":11,"version":4,"children":15116,"direction":20,"textStyle":10,"textFormat":11},[15117],{"mode":17,"text":15118,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the Biënnale, Anna presented models showing how fortifications merged with natural surroundings, while Michał displayed photographs of the dense forests concealing these structures. This first visit marked the beginning of an ongoing research project into the ontology of Jeju’s landscape. Returning in 2025 for a one-month residency, they spoke with local artists to gain insights into long-term projects and responses to landscape changes, such as tourism development, reforestation, and restoration efforts.",{"type":333,"format":10,"indent":11,"version":4,"children":15120,"direction":20},[15121],{"mode":17,"text":15122,"type":19,"style":10,"detail":11,"format":11,"version":4},"“We realized that it would be essential to organize meetings with artists from Jeju who have already worked with the landscape. It was valuable to gain insight into their long-term projects and perspectives, especially since we, as artists from another country, also have our own artistic process.”",{"type":333,"format":10,"indent":11,"version":4,"children":15124,"direction":20},[15125],{"mode":17,"text":15126,"type":19,"style":10,"detail":11,"format":11,"version":4},"“When we think about the landscape, we can understand it through different ontologies that are embedded within different contexts. You can think of something quite similar to what we did with the bunkers: organisms as ways of using or behaving within the area around you. This ontological way of thinking about a place needs a starting point, an organism at the center of your re-evaluation of everything around you. These re-evaluations were carried out by several artists, for example through weeds or through the palm trees themselves.”",{"type":14,"format":10,"indent":11,"version":4,"children":15128,"direction":20,"textStyle":10,"textFormat":11},[15129],{"mode":17,"text":15130,"type":19,"style":10,"detail":11,"format":11,"version":4},"For their ontological survey, Anna and Michał turned to infrastructure shaped by tourism: golf courses.",{"type":333,"format":10,"indent":11,"version":4,"children":15132,"direction":20},[15133],{"mode":17,"text":15134,"type":19,"style":10,"detail":11,"format":11,"version":4},"“What stayed in our mind…was this huge driving range for the training of golf…this was like a part of the landscape.”",{"type":14,"format":10,"indent":11,"version":4,"children":15136,"direction":20,"textStyle":10,"textFormat":11},[15137],{"mode":17,"text":15138,"type":19,"style":10,"detail":11,"format":11,"version":4},"Golf courses reveal a unique relationship between visibility, artificiality, and human influence. Often hidden behind forests or hedges, carefully designed for players’ experience, these spaces exist in a constructed, imaginative world. The focus point for their study was a borderland between these spaces and real life, the tension between what is visible and what is deliberately concealed. The combination of natural terrain, structured nets, and hidden landscapes highlights aesthetic contrasts and the human capacity to reshape the environment.",{"type":333,"format":10,"indent":11,"version":4,"children":15140,"direction":20},[15141],{"mode":17,"text":15142,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Completely artificial nature… [a] border between real life and the playground or their imagination.”",{"id":15144,"image":15145,"blockName":20,"blockType":381},"6a354ccf8c91db2725ffb6c4",13642,{"id":15147,"blockName":20,"images":15148,"blockType":323},"6a354ccf8c91db2725ffb6c7",[15149,15152],{"id":15150,"image":15151},"6a354ccf8c91db2725ffb6c5",13643,{"id":15153,"image":15154},"6a354ccf8c91db2725ffb6c6",13644,{"id":15156,"text":15157,"blockName":20,"blockType":19},"6a354ccf8c91db2725ffb6c8",{"root":15158},{"type":9,"format":10,"indent":11,"version":4,"children":15159},[15160,15164,15166,15170,15172,15176,15180,15183,15204,15211],{"type":14,"format":10,"indent":11,"version":4,"children":15161,"direction":20,"textStyle":10,"textFormat":11},[15162],{"mode":17,"text":15163,"type":19,"style":10,"detail":11,"format":11,"version":4},"During their stay at the Futures residency, Michał and Anna organized the results of their research into visual work. At the open studio, Anna’s work was displayed on a long table, exploring how energy and tension applied to material from outside or inside can define a space. She visualized this through small constructions made of wood, chicken wire, and pieces of tights, which resembled miniature driving ranges. On the wall, drawn portraits of trees  from Jeju and sketchy top views or maps with the contours of the island illustrated the influence of golf courses on the landscape. On other walls, Michał’s black-and-white photographs presented almost abstract, close-up images where the natural landscape merges with another reality: the golf practice areas and courses. The images are aesthetic and imaginative, reflecting the interplay between natural and constructed environments.",{"type":14,"format":10,"indent":11,"version":4,"children":15165,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15167,"direction":20,"textStyle":10,"textFormat":11},[15168],{"mode":17,"text":15169,"type":19,"style":10,"detail":11,"format":11,"version":4},"During the final week in Amsterdam, they hosted a hands-on, and sometimes hilariously, workshop, turning the Futures Hub into a makeshift driving range. Using ladders, cardboard, rope, golf balls, and duct tape, participants explored space through the rules of golf. The key question was: “What if the Futures Hub itself had to subordinate itself to the logic of a golf ball?” The workshop was both a playful and insightful experiment in spatial thinking.",{"type":14,"format":10,"indent":11,"version":4,"children":15171,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15173,"direction":20,"textStyle":10,"textFormat":11},[15174],{"mode":17,"text":15175,"type":19,"style":10,"detail":11,"format":11,"version":4},"Finally, when asked about their future practice, Michał and Anna reflected:",{"type":333,"format":10,"indent":11,"version":4,"children":15177,"direction":20},[15178],{"mode":17,"text":15179,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Well, it's a new ground for us, not to think about a specific case study, but to think about establishing an infrastructure for combining several different perspectives. We can think of a big exhibition that invites several artists, but there is also a logical problem within this idea that there is a curator who selects the valuable perspectives towards landscape and maybe that legitimizes several artists who are those, in this way, legitimizing those perspectives. And the point is that very tiny perspectives without any legitimization may be equally revolutionary. So, what we're having right now is a problem of how to establish an infrastructure for this knowledge production that would not only serve us as artists to show our work and beautiful photographs and models, but to create incorporation possibilities. And that's a much more long-term and difficult task that we have in front of us. But it's... It's the outcome of what started in a very small way. It's a new way of working, actually.”",{"type":14,"format":10,"indent":11,"version":4,"children":15181,"direction":20,"textStyle":10,"textFormat":11},[15182],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15184,"direction":20,"textStyle":10,"textFormat":222},[15185,15187,15189,15193,15194,15196,15197,15202],{"mode":17,"text":15186,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Residency is part of ",{"mode":17,"text":15188,"type":19,"style":10,"detail":11,"format":95,"version":4},"FUTURES X ",{"type":90,"fields":15190,"format":10,"indent":11,"version":95,"children":15191,"direction":20},{"url":8927,"newTab":153,"linkType":94},[15192],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":15195,"type":19,"style":10,"detail":11,"format":222,"version":4},"residency, ",{"mode":17,"text":11851,"type":19,"style":10,"detail":11,"format":95,"version":4},{"type":90,"fields":15198,"format":10,"indent":11,"version":95,"children":15199,"direction":20},{"url":8927,"newTab":153,"linkType":94},[15200],{"mode":17,"text":15201,"type":19,"style":10,"detail":11,"format":95,"version":4}," MPB",{"mode":17,"text":15203,"type":19,"style":10,"detail":11,"format":222,"version":4},", the largest global platform to buy, sell and trade used photo and video kit.",{"type":14,"format":10,"indent":11,"version":4,"children":15205,"direction":20,"textStyle":10,"textFormat":222},[15206,15208,15210],{"mode":17,"text":15207,"type":19,"style":10,"detail":11,"format":222,"version":4},"Supported by ",{"mode":17,"text":15209,"type":19,"style":10,"detail":11,"format":95,"version":4},"Amsterdams Fonds voor de Kunst (AFK).",{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15212,"direction":20,"textStyle":10,"textFormat":11},[15213],{"mode":17,"text":15214,"type":19,"style":10,"detail":11,"format":11,"version":4},"Images © Michał Sita",{"id":15216,"image":15217,"blockName":20,"blockType":381},"6a354ccf8c91db2725ffb6c9",13645,{"id":15219,"blockName":20,"images":15220,"blockType":323},"6a354ccf8c91db2725ffb6cc",[15221,15224],{"id":15222,"image":15223},"6a354ccf8c91db2725ffb6ca",13646,{"id":15225,"image":15226},"6a354ccf8c91db2725ffb6cb",13647,{"id":15228,"blockName":20,"logos":15229,"blockType":11866},"6ab14d784fd21c736304ee4c",[15230,15232],{"id":15231,"image":12354},"6ab14d7a4fd21c736304ee4d",{"id":15233,"image":11865},"6ab14d804fd21c736304ee4e","2026-10-14T15:39:39.262Z","2026-03-27T13:22:55.573Z","10/10/2025",[],[],[],{"docs":15241,"hasNextPage":153},[],{"docs":15243,"hasNextPage":153},[],"2026-10-07T14:19:46.037Z","2026-03-26T15:17:21.886Z",[],{"id":4,"title":250,"city":1782,"content":15248,"gallery":15254,"updatedAt":2874,"createdAt":2875},{"root":15249},{"type":9,"format":10,"indent":11,"version":4,"children":15250,"direction":20},[15251],{"type":14,"format":2713,"indent":11,"version":4,"children":15252,"direction":20,"textStyle":10,"textFormat":11},[15253],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[15255,15261,15267,15273,15279,15285,15291],{"id":2719,"image":15256},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":15257},{"thumb":15258,"medium":15259,"large":15260},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":15262},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":15263},{"thumb":15264,"medium":15265,"large":15266},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":15268},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":15269},{"thumb":15270,"medium":15271,"large":15272},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":15274},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":15275},{"thumb":15276,"medium":15277,"large":15278},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":15280},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":15281},{"thumb":15282,"medium":15283,"large":15284},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":15286},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":15287},{"thumb":15288,"medium":15289,"large":15290},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":15292},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":15293},{"thumb":15294,"medium":15295,"large":15296},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":15024,"is_residency_story":93,"kind_of_residency_story":150,"title":15025,"slug":15026,"archived":153,"created_on":15027,"updated_on":15028,"published_on":10334,"thumbnail":15298,"author":15030,"date_of_publication":15031,"teaser":15032,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":15315,"video":10,"corresponding_event":20,"artist_name":15035,"reference_artist":15316,"residency_location":250,"year":8817,"layout_type":496,"content":15341,"updatedAt":15234,"createdAt":15235},{"id":15029,"alt":20,"originalUrl":15299,"uploaded_by":14152,"updatedAt":15300,"createdAt":15301,"url":15302,"thumbnailURL":20,"filename":15303,"mimeType":163,"filesize":15304,"width":1505,"height":862,"focalX":167,"focalY":167,"sizes":15305},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c9207b581cdd8bd6c6e77__MSI1869.jpg","2026-06-19T14:06:07.052Z","2026-03-27T14:04:54.072Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1.webp",1298866,{"thumb":15306,"medium":15310,"large":15314},{"url":15307,"width":171,"height":867,"mimeType":163,"filesize":15308,"filename":15309},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1-300x400.webp",19420,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1-300x400.webp",{"url":15311,"width":177,"height":534,"mimeType":163,"filesize":15312,"filename":15313},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1-1200x1600.webp",303172,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-thumb-1-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[15034],{"id":14152,"profile_types":15317,"is_member":153,"name":14765,"slug":14766,"archived":153,"created_on":14767,"updated_on":14768,"published_on":14768,"biography":15318,"e_mail":14776,"profile_image":14778,"website":14792,"instagram":14793,"first_name":14794,"last_name":14795,"kind_of_profile":218,"tags_profession":15324,"tags_identity":15325,"tags_location":15326,"tags_practice":15327,"tags_topics":15328,"born_in":14814,"street_address":20,"city":14815,"country":20,"corresponding_member":15329,"member_additional":15330,"corresponding_art_projects":15331,"corresponding_selected_year":15332,"reference_residency":15024,"date_of_residency":15236,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":15333,"curation_reference":15334,"past_member":20,"approved_courses":15335,"tutor_courses":15336,"guest_expert_courses":15338,"updatedAt":15244,"createdAt":15245,"email":14776,"collection":248,"sessions":15340},[198],{"root":15319},{"type":9,"format":10,"indent":11,"version":4,"children":15320},[15321],{"type":14,"version":4,"children":15322},[15323],{"text":14775,"type":19,"version":4},[99,1295,95],[4],[480,1125],[1124,1216],[232,1298],[1221],[],[14845],[1383],[],[],[],{"docs":15337,"hasNextPage":153},[],{"docs":15339,"hasNextPage":153},[],[],[15342,15349,15369,15399,15417,15457,15488,15508,15546,15593,15614,15655],{"id":15038,"text":15343,"blockName":20,"blockType":19},{"root":15344},{"type":9,"format":10,"indent":11,"version":4,"children":15345},[15346],{"type":14,"format":10,"indent":11,"version":4,"children":15347,"direction":20},[15348],{"mode":17,"text":15045,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15047,"image":15350,"blockName":20,"blockType":381},{"id":15048,"alt":20,"originalUrl":15351,"uploaded_by":14152,"updatedAt":15352,"createdAt":15353,"url":15354,"thumbnailURL":20,"filename":15355,"mimeType":163,"filesize":15356,"width":183,"height":297,"focalX":167,"focalY":167,"sizes":15357},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c9212c8934d68692d19d7_6.jpg","2026-06-19T14:06:01.847Z","2026-03-11T13:09:34.780Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img.webp",45984,{"thumb":15358,"medium":15362,"large":15366},{"url":15359,"width":171,"height":1509,"mimeType":163,"filesize":15360,"filename":15361},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-300x225.webp",2478,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-300x225.webp",{"url":15363,"width":177,"height":1514,"mimeType":163,"filesize":15364,"filename":15365},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-1200x900.webp",17088,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-1200x900.webp",{"url":15367,"width":183,"height":297,"mimeType":163,"filesize":15356,"filename":15368},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-2400x1800.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s1-img-2400x1800.webp",{"id":15050,"text":15370,"blockName":20,"blockType":19},{"root":15371},{"type":9,"format":10,"indent":11,"version":4,"children":15372},[15373,15376,15379,15382,15385,15390,15393,15396],{"type":14,"format":10,"indent":11,"version":4,"children":15374,"direction":20,"textStyle":10,"textFormat":11},[15375],{"mode":17,"text":15057,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15377,"direction":20},[15378],{"mode":17,"text":15061,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15380,"direction":20,"textStyle":10,"textFormat":11},[15381],{"mode":17,"text":15065,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15383,"direction":20},[15384],{"mode":17,"text":15069,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15386,"direction":20,"textStyle":10,"textFormat":11},[15387,15388,15389],{"mode":17,"text":15073,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15075,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15077,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15391,"direction":20},[15392],{"mode":17,"text":15081,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15394,"direction":20,"textStyle":10,"textFormat":11},[15395],{"mode":17,"text":15085,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15397,"direction":20},[15398],{"mode":17,"text":15089,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15091,"image":15400,"blockName":20,"blockType":381},{"id":15092,"alt":20,"originalUrl":15401,"uploaded_by":14152,"updatedAt":15402,"createdAt":15403,"url":15404,"thumbnailURL":20,"filename":15405,"mimeType":163,"filesize":15406,"width":435,"height":434,"focalX":167,"focalY":167,"sizes":15407},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c92f212f654622a1a09aa_Jeju%20Biennale%202024__DSC6122%20-%20dimensioni%20grandi.jpeg","2026-06-19T14:06:02.260Z","2026-03-11T13:09:35.810Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img.webp",66560,{"thumb":15408,"medium":15412,"large":15416},{"url":15409,"width":171,"height":524,"mimeType":163,"filesize":15410,"filename":15411},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img-300x200.webp",4838,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img-300x200.webp",{"url":15413,"width":177,"height":529,"mimeType":163,"filesize":15414,"filename":15415},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img-1200x800.webp",55314,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-img-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15094,"blockName":20,"images":15418,"blockType":323},[15419,15437],{"id":15097,"image":15420},{"id":15098,"alt":20,"originalUrl":15421,"uploaded_by":14152,"updatedAt":15422,"createdAt":15423,"url":15424,"thumbnailURL":20,"filename":15425,"mimeType":163,"filesize":15426,"width":1505,"height":862,"focalX":167,"focalY":167,"sizes":15427},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c921b60b5d9df1ce27bc7__MSI1933.jpg","2026-06-19T14:06:02.588Z","2026-03-11T13:09:37.919Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0.webp",1623892,{"thumb":15428,"medium":15432,"large":15436},{"url":15429,"width":171,"height":867,"mimeType":163,"filesize":15430,"filename":15431},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0-300x400.webp",14896,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0-300x400.webp",{"url":15433,"width":177,"height":534,"mimeType":163,"filesize":15434,"filename":15435},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0-1200x1600.webp",372264,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-0-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15100,"image":15438},{"id":15101,"alt":20,"originalUrl":15439,"uploaded_by":14152,"updatedAt":15440,"createdAt":15441,"url":15442,"thumbnailURL":20,"filename":15443,"mimeType":163,"filesize":15444,"width":183,"height":297,"focalX":167,"focalY":167,"sizes":15445},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c930f932a126d32e963b1_Jeju%20Biennale%202024_160x120cm_1697.jpg","2026-06-19T14:06:03.031Z","2026-03-11T13:09:39.434Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1.webp",368374,{"thumb":15446,"medium":15450,"large":15454},{"url":15447,"width":171,"height":1509,"mimeType":163,"filesize":15448,"filename":15449},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-300x225.webp",10016,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-300x225.webp",{"url":15451,"width":177,"height":1514,"mimeType":163,"filesize":15452,"filename":15453},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-1200x900.webp",131346,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-1200x900.webp",{"url":15455,"width":183,"height":297,"mimeType":163,"filesize":15444,"filename":15456},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-2400x1800.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s2-2-1-2400x1800.webp",{"id":15103,"text":15458,"blockName":20,"blockType":19},{"root":15459},{"type":9,"format":10,"indent":11,"version":4,"children":15460},[15461,15464,15467,15470,15473,15476,15479,15482,15485],{"type":14,"format":10,"indent":11,"version":4,"children":15462,"direction":20,"textStyle":10,"textFormat":11},[15463],{"mode":17,"text":15110,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15465,"direction":20,"textStyle":10,"textFormat":11},[15466],{"mode":17,"text":15114,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15468,"direction":20,"textStyle":10,"textFormat":11},[15469],{"mode":17,"text":15118,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15471,"direction":20},[15472],{"mode":17,"text":15122,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15474,"direction":20},[15475],{"mode":17,"text":15126,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15477,"direction":20,"textStyle":10,"textFormat":11},[15478],{"mode":17,"text":15130,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15480,"direction":20},[15481],{"mode":17,"text":15134,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15483,"direction":20,"textStyle":10,"textFormat":11},[15484],{"mode":17,"text":15138,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15486,"direction":20},[15487],{"mode":17,"text":15142,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15144,"image":15489,"blockName":20,"blockType":381},{"id":15145,"alt":20,"originalUrl":15490,"uploaded_by":14152,"updatedAt":15491,"createdAt":15492,"url":15493,"thumbnailURL":20,"filename":15494,"mimeType":163,"filesize":15495,"width":183,"height":297,"focalX":167,"focalY":167,"sizes":15496},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c933ec6e24a0ebc56c334_Open%20Studio2025__010.jpg","2026-06-19T14:06:03.483Z","2026-03-11T13:09:40.907Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img.webp",85360,{"thumb":15497,"medium":15501,"large":15505},{"url":15498,"width":171,"height":1509,"mimeType":163,"filesize":15499,"filename":15500},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-300x225.webp",3266,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-300x225.webp",{"url":15502,"width":177,"height":1514,"mimeType":163,"filesize":15503,"filename":15504},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-1200x900.webp",23368,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-1200x900.webp",{"url":15506,"width":183,"height":297,"mimeType":163,"filesize":15495,"filename":15507},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-2400x1800.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-img-2400x1800.webp",{"id":15147,"blockName":20,"images":15509,"blockType":323},[15510,15528],{"id":15150,"image":15511},{"id":15151,"alt":20,"originalUrl":15512,"uploaded_by":14152,"updatedAt":15513,"createdAt":15514,"url":15515,"thumbnailURL":20,"filename":15516,"mimeType":163,"filesize":15517,"width":1505,"height":862,"focalX":167,"focalY":167,"sizes":15518},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c934b6588b813d3ee316a_Jeju_2025_2025__002.jpg","2026-06-19T14:06:03.906Z","2026-03-11T13:09:42.828Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0.webp",657328,{"thumb":15519,"medium":15523,"large":15527},{"url":15520,"width":171,"height":867,"mimeType":163,"filesize":15521,"filename":15522},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0-300x400.webp",18922,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0-300x400.webp",{"url":15524,"width":177,"height":534,"mimeType":163,"filesize":15525,"filename":15526},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0-1200x1600.webp",230792,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-0-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15153,"image":15529},{"id":15154,"alt":20,"originalUrl":15530,"uploaded_by":14152,"updatedAt":15531,"createdAt":15532,"url":15533,"thumbnailURL":20,"filename":15534,"mimeType":163,"filesize":15535,"width":1063,"height":862,"focalX":167,"focalY":167,"sizes":15536},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c935f93f92e8b86f04489_Open%20Studio2025__013.jpg","2026-06-19T14:06:04.327Z","2026-03-11T13:09:44.999Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1.webp",476026,{"thumb":15537,"medium":15541,"large":15545},{"url":15538,"width":171,"height":292,"mimeType":163,"filesize":15539,"filename":15540},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1-300x450.webp",14524,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1-300x450.webp",{"url":15542,"width":177,"height":297,"mimeType":163,"filesize":15543,"filename":15544},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1-1200x1800.webp",131992,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s3-2-1-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15156,"text":15547,"blockName":20,"blockType":19},{"root":15548},{"type":9,"format":10,"indent":11,"version":4,"children":15549},[15550,15553,15555,15558,15560,15563,15566,15569,15585,15590],{"type":14,"format":10,"indent":11,"version":4,"children":15551,"direction":20,"textStyle":10,"textFormat":11},[15552],{"mode":17,"text":15163,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15554,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15556,"direction":20,"textStyle":10,"textFormat":11},[15557],{"mode":17,"text":15169,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15559,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15561,"direction":20,"textStyle":10,"textFormat":11},[15562],{"mode":17,"text":15175,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":333,"format":10,"indent":11,"version":4,"children":15564,"direction":20},[15565],{"mode":17,"text":15179,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15567,"direction":20,"textStyle":10,"textFormat":11},[15568],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15570,"direction":20,"textStyle":10,"textFormat":222},[15571,15572,15573,15577,15578,15579,15580,15584],{"mode":17,"text":15186,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15188,"type":19,"style":10,"detail":11,"format":95,"version":4},{"type":90,"fields":15574,"format":10,"indent":11,"version":95,"children":15575,"direction":20},{"url":8927,"newTab":153,"linkType":94},[15576],{"mode":17,"text":8931,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":15195,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":11851,"type":19,"style":10,"detail":11,"format":95,"version":4},{"type":90,"fields":15581,"format":10,"indent":11,"version":95,"children":15582,"direction":20},{"url":8927,"newTab":153,"linkType":94},[15583],{"mode":17,"text":15201,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":15203,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15586,"direction":20,"textStyle":10,"textFormat":222},[15587,15588,15589],{"mode":17,"text":15207,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15209,"type":19,"style":10,"detail":11,"format":95,"version":4},{"mode":17,"text":4687,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":15591,"direction":20,"textStyle":10,"textFormat":11},[15592],{"mode":17,"text":15214,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15216,"image":15594,"blockName":20,"blockType":381},{"id":15217,"alt":20,"originalUrl":15595,"uploaded_by":14152,"updatedAt":15596,"createdAt":15597,"url":15598,"thumbnailURL":20,"filename":15599,"mimeType":163,"filesize":15600,"width":862,"height":1063,"focalX":167,"focalY":167,"sizes":15601},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c938103e589b655a16cdf_Open%20Studio2025__017.jpg","2026-06-19T14:06:04.701Z","2026-03-11T13:09:46.964Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img.webp",510712,{"thumb":15602,"medium":15606,"large":15610},{"url":15603,"width":171,"height":524,"mimeType":163,"filesize":15604,"filename":15605},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-300x200.webp",9342,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-300x200.webp",{"url":15607,"width":177,"height":529,"mimeType":163,"filesize":15608,"filename":15609},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-1200x800.webp",85586,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-1200x800.webp",{"url":15611,"width":183,"height":534,"mimeType":163,"filesize":15612,"filename":15613},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-2400x1600.webp",301752,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-img-2400x1600.webp",{"id":15219,"blockName":20,"images":15615,"blockType":323},[15616,15637],{"id":15222,"image":15617},{"id":15223,"alt":20,"originalUrl":15618,"uploaded_by":14152,"updatedAt":15619,"createdAt":15620,"url":15621,"thumbnailURL":20,"filename":15622,"mimeType":163,"filesize":15623,"width":862,"height":1063,"focalX":167,"focalY":167,"sizes":15624},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c9370a5f467e8e1b09fc5_workshops_002_DSCF4385.jpg","2026-06-19T14:06:05.128Z","2026-03-11T13:09:48.738Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0.webp",439610,{"thumb":15625,"medium":15629,"large":15633},{"url":15626,"width":171,"height":524,"mimeType":163,"filesize":15627,"filename":15628},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-300x200.webp",10618,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-300x200.webp",{"url":15630,"width":177,"height":529,"mimeType":163,"filesize":15631,"filename":15632},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-1200x800.webp",95680,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-1200x800.webp",{"url":15634,"width":183,"height":534,"mimeType":163,"filesize":15635,"filename":15636},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-2400x1600.webp",298636,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-0-2400x1600.webp",{"id":15225,"image":15638},{"id":15226,"alt":20,"originalUrl":15639,"uploaded_by":14152,"updatedAt":15640,"createdAt":15641,"url":15642,"thumbnailURL":20,"filename":15643,"mimeType":163,"filesize":15644,"width":297,"height":183,"focalX":167,"focalY":167,"sizes":15645},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/691c939297891d9e3f2c0fe5_Open%20Studio2025__024.jpg","2026-06-19T14:06:05.559Z","2026-03-11T13:09:50.109Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1.webp","the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1.webp",252094,{"thumb":15646,"medium":15650,"large":15654},{"url":15647,"width":171,"height":867,"mimeType":163,"filesize":15648,"filename":15649},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1-300x400.webp",13174,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1-300x400.webp",{"url":15651,"width":177,"height":534,"mimeType":163,"filesize":15652,"filename":15653},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1-1200x1600.webp",119440,"the-ontologies-of-space-case-studies-of-jeju---jenny-smets-in-conversation-with-michal-sita-and-anna-pilawska-sita-rs-s4-2-1-1200x1600.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15228,"blockName":20,"logos":15656,"blockType":11866},[15657,15663],{"id":15231,"image":15658},{"id":12354,"alt":13449,"originalUrl":20,"uploaded_by":20,"updatedAt":13450,"createdAt":13451,"url":13452,"thumbnailURL":20,"filename":13453,"mimeType":163,"filesize":13454,"width":13455,"height":11553,"focalX":167,"focalY":167,"sizes":15659},{"thumb":15660,"medium":15661,"large":15662},{"url":13458,"width":171,"height":2379,"mimeType":163,"filesize":2380,"filename":13459},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15233,"image":15664},{"id":11865,"alt":13424,"originalUrl":20,"uploaded_by":20,"updatedAt":13425,"createdAt":13426,"url":13427,"thumbnailURL":20,"filename":13428,"mimeType":163,"filesize":13429,"width":13430,"height":13431,"focalX":167,"focalY":167,"sizes":15665},{"thumb":15666,"medium":15667,"large":15668},{"url":13434,"width":171,"height":13435,"mimeType":163,"filesize":13436,"filename":13437},{"url":13439,"width":177,"height":8159,"mimeType":163,"filesize":13440,"filename":13441},{"url":13443,"width":183,"height":13444,"mimeType":163,"filesize":13445,"filename":13446},{"id":15670,"artist":15671,"residency_location":16021,"year_of_residency":8817,"article":16071},"6ab535ca524b378872b3fedb",{"id":11537,"profile_types":15672,"is_member":153,"name":15673,"slug":15674,"archived":153,"created_on":15675,"updated_on":15676,"published_on":15676,"biography":15677,"e_mail":15692,"profile_image":15693,"website":15708,"instagram":15709,"first_name":15710,"last_name":15711,"kind_of_profile":218,"tags_profession":15712,"tags_identity":15714,"tags_location":15716,"tags_practice":15719,"tags_topics":15725,"born_in":10,"street_address":10,"city":10,"country":10,"corresponding_member":15729,"member_additional":15755,"corresponding_art_projects":15756,"corresponding_selected_year":15822,"reference_residency":15862,"date_of_residency":16010,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":16011,"curation_reference":16012,"past_member":20,"approved_courses":16013,"tutor_courses":16014,"guest_expert_courses":16016,"updatedAt":16018,"createdAt":16019,"email":15692,"collection":248,"sessions":16020},[198],"Ugo Woatzi","ugo-woatzi","Mon Oct 14 2024 13:31:13 GMT+0000 (Coordinated Universal Time)","Thu Apr 23 2026 09:40:17 GMT+0000 (Coordinated Universal Time)",{"root":15678},{"type":9,"format":10,"indent":11,"version":4,"children":15679,"direction":1112},[15680,15684,15688],{"type":14,"version":4,"children":15681},[15682],{"text":15683,"type":19,"version":4},"Ugo Woatzi, Nominated by FOMU (Fotomuseum Antwerpen) is an artist, researcher and educator whose work centres on photography, moving images, text and installation. Drawing inspiration from memory, territory and queer theory, their practice explores the construction of imaginaries through poetic and speculative gestures. Moving between different media and modes of presentation, their work aims to foster alternative forms of kinship, belonging and world-making.",{"type":14,"version":4,"children":15685},[15686],{"text":15687,"type":19,"version":4},"In 2025, Ugo was a resident at WIELS, Centre for Contemporary Art in Brussels. That same year, they were among the laureates of the Belgian contemporary art prize Art Contest. In 2026, they were commissioned by FOMU (Antwerp PhotoMuseum) to create a series of stereoscopic photographs exploring chosen family for its Kaiserpanorama. At the Queer Vision Film Festival in Ireland, their film Alzou was awarded Best Overall Production.",{"type":14,"version":4,"children":15689},[15690],{"text":15691,"type":19,"version":4},"Ugo is an alumni of the Jan van Eyck Academie in Maastricht. He holds a Bachelor’s degree in Sociology from the University of Toulouse, studied at the Market Photo Workshop in Johannesburg, and earned a Master’s degree in Visual Arts from LUCA School of Arts in Brussels.","ugowoatzi@gmail.com",{"id":15694,"alt":20,"originalUrl":15695,"uploaded_by":11537,"updatedAt":15696,"createdAt":15696,"url":15697,"thumbnailURL":20,"filename":15698,"mimeType":163,"filesize":15699,"width":15700,"height":13492,"focalX":167,"focalY":167,"sizes":15701},14316,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69e9e458145ba80f27b4f019_UGO_SOCIAL_001.jpeg","2026-06-19T14:43:13.515Z","https://futures-backend-unstated-int.vercel.app/api/media/file/ugo-woatzi-profile-1.webp","ugo-woatzi-profile-1.webp",54438,1152,{"thumb":15702,"medium":15706,"large":15707},{"url":15703,"width":171,"height":4326,"mimeType":163,"filesize":15704,"filename":15705},"https://futures-backend-unstated-int.vercel.app/api/media/file/ugo-woatzi-profile-1-300x375.webp",7378,"ugo-woatzi-profile-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"https://ugowoatzi.com/","https://www.instagram.com/ugowoatzi/","Ugo","Woatzi",[15713],{"id":220,"name":3048,"slug":3049,"updatedAt":3050,"createdAt":3050},[15715],{"id":95,"name":8205,"slug":8206,"updatedAt":8207,"createdAt":8208},[15717,15718],{"id":1383,"name":11473,"slug":11474,"updatedAt":11475,"createdAt":11476},{"id":226,"name":6466,"slug":6467,"updatedAt":6468,"createdAt":6468},[15720,15721,15722,15723,15724],{"id":228,"name":3097,"slug":3098,"updatedAt":3099,"createdAt":3099},{"id":229,"name":3101,"slug":3102,"updatedAt":3103,"createdAt":3103},{"id":477,"name":3093,"slug":3094,"updatedAt":3095,"createdAt":3095},{"id":1125,"name":3442,"slug":19,"updatedAt":3443,"createdAt":3444},{"id":471,"name":6808,"slug":6809,"updatedAt":6810,"createdAt":6811},[15726,15727,15728],{"id":232,"name":447,"slug":4365,"updatedAt":4366,"createdAt":4366},{"id":479,"name":8223,"slug":8224,"updatedAt":8225,"createdAt":8226},{"id":1128,"name":3451,"slug":3452,"updatedAt":3453,"createdAt":3453},[15730],{"id":1387,"profile_types":15731,"is_member":93,"name":11487,"slug":11488,"archived":153,"created_on":11489,"updated_on":11490,"published_on":11490,"biography":15732,"e_mail":11498,"profile_image":11499,"website":11500,"instagram":11501,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":15738,"tags_identity":15739,"tags_location":15740,"tags_practice":15741,"tags_topics":15742,"born_in":20,"street_address":10,"city":11507,"country":11473,"corresponding_member":15743,"member_additional":15744,"corresponding_art_projects":15745,"corresponding_selected_year":15746,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":15747,"curation_reference":15748,"past_member":153,"approved_courses":15749,"tutor_courses":15750,"guest_expert_courses":15752,"updatedAt":11586,"createdAt":11587,"email":11498,"collection":248,"sessions":15754},[1959],{"root":15733},{"type":9,"format":10,"indent":11,"version":4,"children":15734},[15735],{"type":14,"version":4,"children":15736},[15737],{"text":11497,"type":19,"version":4},[],[],[],[],[],[],[],[],[],[11513,2092,11514,9109,11515,11516,11517,11518,11519,11520,11521,11522,11523,11524,11525,11526,11527,11528,1360,11529,11530,11531,11532,7506,11533,11534,11535,11536,11537,11538,11539,11540,11541,11542,11543,11544,11545,11546,11547,11548,11549,11550,11551,11552,11553,11554,11555,11556,11557,11558,11559,11560,11561,11562,11563,11564,8159,11565,11566,11567,11568,11569,11570,11571,11572,11573,11574,11575,11576,11577,11578,11579],[],[],{"docs":15751,"hasNextPage":153},[],{"docs":15753,"hasNextPage":153},[],[],[],[15757],{"id":15758,"name_of_project":15759,"slug":15760,"archived":153,"created_on":15761,"updated_on":15762,"published_on":15762,"thumbnail_image":15763,"date":15764,"artwork_description":15765,"artworks":15772,"corresponding_artist":15814,"tags_topics":15815,"tags_location":15816,"tags_practice":15817,"feature_homepage":153,"featured_background_color":10,"featured_text_color":10,"meta_description":15818,"stichting_futures_project":153,"updatedAt":15819,"createdAt":15820,"artworks_gallery":15821},140,"Chameleon","chameleon","Mon Oct 14 2024 13:38:09 GMT+0000 (Coordinated Universal Time)","Thu Apr 23 2026 09:26:09 GMT+0000 (Coordinated Universal Time)",3143,"2018-06-20T00:00:00.000Z",{"root":15766},{"type":9,"format":10,"indent":11,"version":4,"children":15767},[15768],{"type":14,"version":4,"children":15769},[15770],{"text":15771,"type":19,"version":4},"Ugo Woatzi’s photographs reference spaces both real and imagined, caught between worlds of freedom and restriction. He reveals and yet conceals, like a chameleon hiding, blending and adapting – as a means of preservation and queer resilience.\r\n\r\nHis collaborative process expresses the desires and struggles of his community, together creating a more sensitive and accepting world, escaping and confronting the harsh realities of divisive heteronormative structures. The images, both tender and defiant, transmute feelings of love and conflict, a sense of longing that is relatable and universally accessible. The sensuosity of his gaze taps into subtler aspects of human desire with a quiet intimacy, yet this seemingly easy translation of emotions is quickly blocked / rendered inaccessible in the simultaneous act of hiding or obscuring what he intends to express. Ugo invites us to consider and celebrate a range of masculinities, performative bodies, psyches, and experiences; exploring the idea of ‘visibility’ as one fraught with both fear and excitement.\r\n\r\nIt is this very sense of duality which Ugo expresses so strongly and eloquently in his work - both a performance, and a lived reality, speaking of truth and yet creating fiction - akin to the complex nature of photography; where new worlds are created from fragments of a previous one. It is in this new world, in the tender sensitivity of Ugo’s gaze that we finally access a space of acceptance.\r\n\r\nText by Michelle Harris\r\nArt historian / Johannesburg",[15773,15776,15779,15782,15785,15787,15790,15793,15796,15799,15802,15805,15808,15811],{"id":15774,"image":15775},"6a355bfce57d0fdcefaa96b8",14604,{"id":15777,"image":15778},"6a355bfce57d0fdcefaa96b9",14605,{"id":15780,"image":15781},"6a355bfce57d0fdcefaa96ba",14606,{"id":15783,"image":15784},"6a355bfce57d0fdcefaa96bb",14607,{"id":15786,"image":1768},"6a355bfce57d0fdcefaa96bc",{"id":15788,"image":15789},"6a355bfce57d0fdcefaa96bd",14609,{"id":15791,"image":15792},"6a355bfce57d0fdcefaa96be",14610,{"id":15794,"image":15795},"6a355bfce57d0fdcefaa96bf",14611,{"id":15797,"image":15798},"6a355bfce57d0fdcefaa96c0",14612,{"id":15800,"image":15801},"6a355bfce57d0fdcefaa96c1",14613,{"id":15803,"image":15804},"6a355bfce57d0fdcefaa96c2",14614,{"id":15806,"image":15807},"6a355bfce57d0fdcefaa96c3",14615,{"id":15809,"image":15810},"6a355bfce57d0fdcefaa96c4",14616,{"id":15812,"image":15813},"6a355bfce57d0fdcefaa96c5",14617,[11537],[232,233,479],[3252],[],"Having grown up in a patriarchal and traditional village in the south of France, I had to follow certain codes and rules in order to become “a man”. I couldn’t embrace my identity freely…hiding and performing myself most of the time.","2026-09-15T07:55:32.208Z","2026-03-10T15:35:49.671Z",[],[15823],{"id":15824,"curation_title":15825,"slug":15826,"archived":153,"created_on":15827,"updated_on":15828,"published_on":8741,"date":5090,"corresponding_member":15829,"introduction_text":15830,"curational_text":15844,"corresponding_artist":15858,"projects_selected":15859,"updatedAt":15860,"createdAt":15861},35,"FOMU Fotomuseum 2021","fomu-fotomuseum-2021","Wed Oct 16 2024 10:20:08 GMT+0000 (Coordinated Universal Time)","Thu Oct 24 2024 14:47:51 GMT+0000 (Coordinated Universal Time)",[1387],{"root":15831},{"type":9,"format":10,"indent":11,"version":4,"children":15832},[15833,15837,15840],{"type":14,"version":4,"children":15834},[15835],{"text":15836,"type":19,"version":4},"Since 2012, FOMU annually selects ten upcoming photographers from and/ or based in Belgium. It is the start of a year-long mentorship programme that includes the portfolio magazine .tiff, an exhibition, conversations with experts, talks and presentations. Its aim? To support photographers of all ages at an early stage in their career. FOMU uses its platform to give the participants national and international visibility, guides them in navigating the photography world and offers them space to experiment and reflect.",{"type":14,"version":4,"children":15838},[15839],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":15841},[15842],{"text":15843,"type":19,"version":4},"For the selection, FOMU reaches out to its network of Belgian photography experts and previous participants. They are all asked to nominate three photographers. This leads to a longlist of photographers from diverse fields and backgrounds. With its final selection of ten photographers, FOMU strives to show the breadth of Belgian photography.",{"root":15845},{"type":9,"format":10,"indent":11,"version":4,"children":15846},[15847,15851,15854],{"type":14,"version":4,"children":15848},[15849],{"text":15850,"type":19,"version":4},"The 9th edition of .tiff reflects a diversity of voices, positions and subject matter. It is a passionate group of artists and photographers who each try to give personal answers to today’s questions. Youqine Lefèvre (1993, CN) and Joud Toamah (1992, SY) take their personal histories of migration and family archivesas a starting point to explore relationships and the idea of belonging. Lived experience also guides the work of Ugo Woatzi (1991, FR) and his celebration of queer masculinities. Erien Withouck (1994, BE) and Josephina van de Water (1985, NL) use myths and fables to comment on today’s society, whereas Sébastien Cuvelier (1975, BE) creates a visualfictional paradise. Kamel Moussa (1981, BE) captures the devastating condition of refugees and human resilience. Aurélie Bayad (1994, FR) expresses desires and anxieties in a networked world, whereas Michiel De Cleene (1988, BE) invites viewers to construct their own narrative based on a web of images and information. Lastly, Lucas Leffler (1993, BE) explores the materiality of the photographic medium and its rich history. The ten photographers work in a variety of media, including books, video, performance and installations. Their stories are as diverse as their approach: documentary, analytical, poetic, conceptual, humorous, intimate and most of all fresh and thought-provoking.",{"type":14,"version":4,"children":15852},[15853],{"text":1209,"type":19,"version":4},{"type":14,"version":4,"children":15855},[15856],{"text":15857,"type":19,"version":4},"Over the years, .tiff has succeeded in building a Belgian photography community that breaches language barriers and allows for an exchange of ideas and insights between artists, curators, critics and researchers. The current selection shows that this community is ever growing and that Belgian photography will continue to reinvent itself for many years to come.",[11567,11541,11569,11547,11516,11545,11542,11537,11527],[],"2026-08-17T13:40:28.199Z","2026-03-10T15:49:43.806Z",{"id":15863,"is_residency_story":93,"kind_of_residency_story":150,"title":15864,"slug":15865,"archived":153,"created_on":15866,"updated_on":15867,"published_on":4621,"thumbnail":15868,"author":15869,"date_of_publication":15870,"teaser":15871,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":15872,"video":10,"corresponding_event":20,"artist_name":15673,"reference_artist":11537,"residency_location":250,"year":8817,"layout_type":252,"content":15874,"updatedAt":16008,"createdAt":16009},519,"Towards a fluid future – Ugo Woatzi in conversation with Eli Witteman","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman","Mon Dec 15 2025 10:05:23 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:06:15 GMT+0000 (Coordinated Universal Time)",13853,"Eli Witteman","2025-12-17T23:00:00.000Z","Even though he has moved beyond photography, he always starts from images, but then the image can become moving image, or it can develop into sculptures, including natural elements. No matter the medium, all of their practice centralizes queer narratives. ",[15873],"Spirituality",[15875,15884,15893,15922,15925,15941,15944,15965,15968,16001],{"id":15876,"text":15877,"blockName":20,"blockType":19},"6a354cd48c91db2725ffb6d7",{"root":15878},{"type":9,"format":10,"indent":11,"version":4,"children":15879},[15880],{"type":14,"format":10,"indent":11,"version":4,"children":15881,"direction":20},[15882],{"mode":17,"text":15883,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ugo Woatzi’s artistic practice goes around queer narratives and imaginaries. The artist’s background is in photography, but their practice has moved from the medium, towards installation. Even though he has moved beyond photography, he always starts from images, but then the image can become moving image, or it can develop into sculptures, including natural elements. No matter the medium, all of their practice centralizes queer narratives. ",{"id":15885,"blockName":20,"images":15886,"blockType":323},"6a354cd48c91db2725ffb6da",[15887,15890],{"id":15888,"image":15889},"6a354cd48c91db2725ffb6d8",13819,{"id":15891,"image":15892},"6a354cd48c91db2725ffb6d9",13820,{"id":15894,"text":15895,"blockName":20,"blockType":19},"6a354cd48c91db2725ffb6db",{"root":15896},{"type":9,"format":10,"indent":11,"version":4,"children":15897},[15898,15906,15908,15914,15916],{"type":14,"format":10,"indent":11,"version":4,"children":15899,"direction":20,"textStyle":10,"textFormat":11},[15900,15902,15904],{"mode":17,"text":15901,"type":19,"style":10,"detail":11,"format":11,"version":4},"When making a new artwork, they always start from their own perspective. For his latest artwork ",{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},"Alzou",{"mode":17,"text":15905,"type":19,"style":10,"detail":11,"format":11,"version":4},", they are returning to the place where they grew up, the rural area around the Alzou river. The area and the village of Rocamadour have an important role for Catholicism. Pilgrims from around the world come to the village to look at the Black Madonna that resides there.",{"type":14,"format":10,"indent":11,"version":4,"children":15907,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15909,"direction":20,"textStyle":10,"textFormat":11},[15910,15911,15912],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15913,"type":19,"style":10,"detail":11,"format":11,"version":4}," is a short film about a fictional divinity living around the river, going by that same name. Rural areas are generally not a haven for the queer community, and with this film the artist tries to imagine otherwise: by speculating about a transformative water divinity, they show what a queer future could look like. Central are the concepts of “queer futurity” from José Esteban Muñoz and “oddkin” from Donna Haraway. “Oddkin” refers to the idea that we can have kinship not only with humans, but also with spirits, plants, and nature. In the speculation of the queer future, the connection to the past and the present are very important: Woatzi uses myths and legends from Rocamadour to imagine different futures, making the past of the area reflect in the future and to rewrite the narrative.",{"type":14,"format":10,"indent":11,"version":4,"children":15915,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15917,"direction":20,"textStyle":10,"textFormat":11},[15918,15919,15920],{"mode":17,"text":9660,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15921,"type":19,"style":10,"detail":11,"format":11,"version":4},", the divinity drinks a potion to get in a state of trance, and she slowly turns into water again. This refers to alchemy, but also to intoxication. In her dance, she is calling for the return of the community, after many years of exile. Dusk sets and suddenly much more is possible. The night is a time for imagination: within the queer community, nightlife is seen as a place to come together; a place where it is possible to live otherwise. This is also why water is such a central theme: it signifies transformation, care, healing, fluidity and rebirth. The divinity is shaped as a genderless, blue entity with two horns, wearing a blue costume, with photographs of the river printed in the textile.",{"id":15923,"image":15924,"blockName":20,"blockType":381},"6a354cd48c91db2725ffb6dc",13823,{"id":15926,"text":15927,"blockName":20,"blockType":19},"6a354cd48c91db2725ffb6dd",{"root":15928},{"type":9,"format":10,"indent":11,"version":4,"children":15929},[15930],{"type":14,"format":10,"indent":11,"version":4,"children":15931,"direction":20},[15932,15934,15936,15938,15939],{"mode":17,"text":15933,"type":19,"style":10,"detail":11,"format":11,"version":4},"At the FUTURES residency, Ugo Woatzi is working on ",{"mode":17,"text":15935,"type":19,"style":10,"detail":11,"format":222,"version":4},"l’eau brille aussi la nuit",{"mode":17,"text":15937,"type":19,"style":10,"detail":11,"format":11,"version":4},", a research project built forth on ",{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15940,"type":19,"style":10,"detail":11,"format":11,"version":4},", and around new imaginations of what the nighttime can bring. With this installation, they give more background to the queer community that divinity Alzou is calling back with her dance. Woatzi imagines this community, which used to live around the river. It isn’t clear when exactly they lived there, but they have been built from myths and legends from the area. The artist created speculative archives around this community, using pictures from his own childhood, but also from his own artistic practice: he has taken many images of the valley of Alzou. They put this archive in Adobe Firefly, the artificial intelligence tool from Adobe, to create images of the community living around Alzou. He selected them, edited them and printed them into a physical archive. While we are doing the interview, I have the possibility to have the photographs in my hands, and browse through them. It feels as if I am browsing through the past of a lost society: there are images of people bathing in the river, lying in the sun around it. There are group pictures of people posing in front of the camera. The fact that these people come from the artist’s imagination, doesn’t mean that they didn’t exist.",{"id":15942,"image":15943,"blockName":20,"blockType":381},"6a354cd48c91db2725ffb6de",13824,{"id":15945,"text":15946,"blockName":20,"blockType":19},"6a354cd48c91db2725ffb6df",{"root":15947},{"type":9,"format":10,"indent":11,"version":4,"children":15948},[15949,15953,15955,15959,15961],{"type":14,"format":10,"indent":11,"version":4,"children":15950,"direction":20,"textStyle":10,"textFormat":11},[15951],{"mode":17,"text":15952,"type":19,"style":10,"detail":11,"format":11,"version":4},"They are now offering the images to the river, which is related to the memories Woatzi had growing up there, the tradition of offering flowers to the river. The artist is not part of a religious or spiritual current, but that doesn’t mean that they don’t believe. That is why he decided to stipulate this water divinity; to centralize the queer narrative.",{"type":14,"format":10,"indent":11,"version":4,"children":15954,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15956,"direction":20,"textStyle":10,"textFormat":11},[15957],{"mode":17,"text":15958,"type":19,"style":10,"detail":11,"format":11,"version":4},"Although Ugo Woatzi doesn’t usually work in “set” collectives, they are hardly ever working alone. All the theory and the books they read are part of their collective as well. The personal perspective is the starting point, but it expands into the collective and the political. In the end, they are always working with their community and friends. For other projects, they have photographed people around them, friends and friends of friends. This might sound like a solo project, but it was also collective work: the person in the picture was always part of the process as well. How would they like to show themselves?",{"type":14,"format":10,"indent":11,"version":4,"children":15960,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":15962,"direction":20,"textStyle":10,"textFormat":11},[15963],{"mode":17,"text":15964,"type":19,"style":10,"detail":11,"format":11,"version":4},"Woatzi tells me that he doesn’t always enjoy working by himself: they can be very unsure about themself, and then it is really nice to have people around you. This collaborative aspect is what he really loves about working with film: everybody has their own speciality, their own expertise. After the residency, they will continue to work with film and with archives.",{"id":15966,"image":15967,"blockName":20,"blockType":381},"6a354cd48c91db2725ffb6e0",13649,{"id":15969,"text":15970,"blockName":20,"blockType":19},"6ab2bad37fbdea5786444340",{"root":15971},{"type":9,"format":10,"indent":11,"version":4,"children":15972,"direction":20},[15973,15977,15981,15985,15989,15993,15997],{"type":14,"format":10,"indent":11,"version":4,"children":15974,"direction":20,"textStyle":10,"textFormat":4},[15975],{"mode":17,"text":15976,"type":19,"style":10,"detail":11,"format":4,"version":4},"Images credits",{"type":14,"format":10,"indent":11,"version":4,"children":15978,"direction":20,"textStyle":10,"textFormat":11},[15979],{"mode":17,"text":15980,"type":19,"style":10,"detail":11,"format":11,"version":4},"thumbnail © Johan Poezevara",{"type":14,"format":10,"indent":11,"version":4,"children":15982,"direction":20,"textStyle":10,"textFormat":11},[15983],{"mode":17,"text":15984,"type":19,"style":10,"detail":11,"format":11,"version":4},"image #1 © Johan Poezevara",{"type":14,"format":10,"indent":11,"version":4,"children":15986,"direction":20,"textStyle":10,"textFormat":11},[15987],{"mode":17,"text":15988,"type":19,"style":10,"detail":11,"format":11,"version":4},"image #2 © Johan Poezevara",{"type":14,"format":10,"indent":11,"version":4,"children":15990,"direction":20,"textStyle":10,"textFormat":11},[15991],{"mode":17,"text":15992,"type":19,"style":10,"detail":11,"format":11,"version":4},"image #3 © Ugo Woatzi",{"type":14,"format":10,"indent":11,"version":4,"children":15994,"direction":20,"textStyle":10,"textFormat":11},[15995],{"mode":17,"text":15996,"type":19,"style":10,"detail":11,"format":11,"version":4},"image #4 VFX created by Nadim Choufi",{"type":14,"format":10,"indent":11,"version":4,"children":15998,"direction":20,"textStyle":10,"textFormat":11},[15999],{"mode":17,"text":16000,"type":19,"style":10,"detail":11,"format":11,"version":4},"image #5 © Ugo Woatzi",{"id":16002,"blockName":20,"logos":16003,"blockType":11866},"6ab2bb097fbdea5786444341",[16004,16006],{"id":16005,"image":11865},"6ab2bb0c7fbdea5786444342",{"id":16007,"image":12354},"6ab2bb227fbdea5786444343","2026-10-14T15:39:42.521Z","2026-03-27T13:22:57.399Z","10/11/2025",[],[],[],{"docs":16015,"hasNextPage":153},[],{"docs":16017,"hasNextPage":153},[],"2026-10-13T15:40:23.688Z","2026-03-26T15:20:23.980Z",[],{"id":4,"title":250,"city":1782,"content":16022,"gallery":16028,"updatedAt":2874,"createdAt":2875},{"root":16023},{"type":9,"format":10,"indent":11,"version":4,"children":16024,"direction":20},[16025],{"type":14,"format":2713,"indent":11,"version":4,"children":16026,"direction":20,"textStyle":10,"textFormat":11},[16027],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[16029,16035,16041,16047,16053,16059,16065],{"id":2719,"image":16030},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16031},{"thumb":16032,"medium":16033,"large":16034},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":16036},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16037},{"thumb":16038,"medium":16039,"large":16040},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":16042},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16043},{"thumb":16044,"medium":16045,"large":16046},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":16048},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":16049},{"thumb":16050,"medium":16051,"large":16052},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":16054},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16055},{"thumb":16056,"medium":16057,"large":16058},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":16060},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16061},{"thumb":16062,"medium":16063,"large":16064},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":16066},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":16067},{"thumb":16068,"medium":16069,"large":16070},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"id":15863,"is_residency_story":93,"kind_of_residency_story":150,"title":15864,"slug":15865,"archived":153,"created_on":15866,"updated_on":15867,"published_on":4621,"thumbnail":16072,"author":15869,"date_of_publication":15870,"teaser":15871,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":16086,"video":10,"corresponding_event":20,"artist_name":15673,"reference_artist":16087,"residency_location":250,"year":8817,"layout_type":252,"content":16118,"updatedAt":16008,"createdAt":16009},{"id":15868,"alt":20,"originalUrl":16073,"uploaded_by":11537,"updatedAt":16074,"createdAt":16075,"url":16076,"thumbnailURL":20,"filename":16077,"mimeType":163,"filesize":16078,"width":6753,"height":13792,"focalX":167,"focalY":167,"sizes":16079},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/693fdff6b439f84dbf8ac4b2_ALZOU_LOWDEF_019.avif","2026-06-19T14:06:12.705Z","2026-06-19T14:06:12.704Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-thumb-1.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-thumb-1.webp",42392,{"thumb":16080,"medium":16084,"large":16085},{"url":16081,"width":171,"height":4326,"mimeType":163,"filesize":16082,"filename":16083},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-thumb-1-300x375.webp",8388,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-thumb-1-300x375.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},[15873],{"id":11537,"profile_types":16088,"is_member":153,"name":15673,"slug":15674,"archived":153,"created_on":15675,"updated_on":15676,"published_on":15676,"biography":16089,"e_mail":15692,"profile_image":15694,"website":15708,"instagram":15709,"first_name":15710,"last_name":15711,"kind_of_profile":218,"tags_profession":16101,"tags_identity":16102,"tags_location":16103,"tags_practice":16104,"tags_topics":16105,"born_in":10,"street_address":10,"city":10,"country":10,"corresponding_member":16106,"member_additional":16107,"corresponding_art_projects":16108,"corresponding_selected_year":16109,"reference_residency":15863,"date_of_residency":16010,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":16110,"curation_reference":16111,"past_member":20,"approved_courses":16112,"tutor_courses":16113,"guest_expert_courses":16115,"updatedAt":16018,"createdAt":16019,"email":15692,"collection":248,"sessions":16117},[198],{"root":16090},{"type":9,"format":10,"indent":11,"version":4,"children":16091,"direction":1112},[16092,16095,16098],{"type":14,"version":4,"children":16093},[16094],{"text":15683,"type":19,"version":4},{"type":14,"version":4,"children":16096},[16097],{"text":15687,"type":19,"version":4},{"type":14,"version":4,"children":16099},[16100],{"text":15691,"type":19,"version":4},[220],[95],[1383,226],[228,229,477,1125,471],[232,479,1128],[1387],[],[15758],[15824],[],[],[],{"docs":16114,"hasNextPage":153},[],{"docs":16116,"hasNextPage":153},[],[],[16119,16126,16165,16188,16206,16217,16236,16253,16271,16296],{"id":15876,"text":16120,"blockName":20,"blockType":19},{"root":16121},{"type":9,"format":10,"indent":11,"version":4,"children":16122},[16123],{"type":14,"format":10,"indent":11,"version":4,"children":16124,"direction":20},[16125],{"mode":17,"text":15883,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15885,"blockName":20,"images":16127,"blockType":323},[16128,16147],{"id":15888,"image":16129},{"id":15889,"alt":20,"originalUrl":16130,"uploaded_by":11537,"updatedAt":16131,"createdAt":16132,"url":16133,"thumbnailURL":20,"filename":16134,"mimeType":163,"filesize":16135,"width":3402,"height":16136,"focalX":167,"focalY":167,"sizes":16137},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6915f1d61f0e30731712b85e_ALZOU_1_%C2%A9johanpoezevara.avif","2026-06-19T14:06:08.941Z","2026-06-19T13:53:18.990Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1.webp",88468,2953,{"thumb":16138,"medium":16142,"large":16146},{"url":16139,"width":171,"height":4326,"mimeType":163,"filesize":16140,"filename":16141},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1-300x375.webp",8298,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1-300x375.webp",{"url":16143,"width":177,"height":1897,"mimeType":163,"filesize":16144,"filename":16145},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1-1200x1500.webp",40106,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-1-1200x1500.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15891,"image":16148},{"id":15892,"alt":20,"originalUrl":16149,"uploaded_by":11537,"updatedAt":16150,"createdAt":16151,"url":16152,"thumbnailURL":20,"filename":16153,"mimeType":163,"filesize":16154,"width":3402,"height":16136,"focalX":167,"focalY":167,"sizes":16155},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/693fe003085f17d56fedbb75_ALZOU_1_%C2%A9johanpoezevara%20(1).avif","2026-06-19T14:06:09.389Z","2026-06-19T13:53:20.465Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2.webp",53716,{"thumb":16156,"medium":16160,"large":16164},{"url":16157,"width":171,"height":4326,"mimeType":163,"filesize":16158,"filename":16159},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2-300x375.webp",3680,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2-300x375.webp",{"url":16161,"width":177,"height":1897,"mimeType":163,"filesize":16162,"filename":16163},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2-1200x1500.webp",21804,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s1-2-2-1200x1500.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15894,"text":16166,"blockName":20,"blockType":19},{"root":16167},{"type":9,"format":10,"indent":11,"version":4,"children":16168},[16169,16174,16176,16181,16183],{"type":14,"format":10,"indent":11,"version":4,"children":16170,"direction":20,"textStyle":10,"textFormat":11},[16171,16172,16173],{"mode":17,"text":15901,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15905,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16175,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16177,"direction":20,"textStyle":10,"textFormat":11},[16178,16179,16180],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15913,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16182,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16184,"direction":20,"textStyle":10,"textFormat":11},[16185,16186,16187],{"mode":17,"text":9660,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15921,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15923,"image":16189,"blockName":20,"blockType":381},{"id":15924,"alt":20,"originalUrl":16190,"uploaded_by":11537,"updatedAt":16191,"createdAt":16192,"url":16193,"thumbnailURL":20,"filename":16194,"mimeType":163,"filesize":16195,"width":13492,"height":6753,"focalX":167,"focalY":167,"sizes":16196},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/693fe008b324d5a9aaab3fd6_Alzou_UgoWoatzi_ThanasisTsimpinis_IlonaVanouplines_DOP_.00_14_32_13.Still050.avif","2026-06-19T14:06:09.842Z","2026-06-19T13:53:30.261Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1.webp",42182,{"thumb":16197,"medium":16201,"large":16205},{"url":16198,"width":171,"height":1509,"mimeType":163,"filesize":16199,"filename":16200},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1-300x225.webp",6074,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1-300x225.webp",{"url":16202,"width":177,"height":1514,"mimeType":163,"filesize":16203,"filename":16204},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1-1200x900.webp",33800,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s2-img-1-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15926,"text":16207,"blockName":20,"blockType":19},{"root":16208},{"type":9,"format":10,"indent":11,"version":4,"children":16209},[16210],{"type":14,"format":10,"indent":11,"version":4,"children":16211,"direction":20},[16212,16213,16214,16215,16216],{"mode":17,"text":15933,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15935,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15937,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":15903,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":15940,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15942,"image":16218,"blockName":20,"blockType":381},{"id":15943,"alt":20,"originalUrl":16219,"uploaded_by":11537,"updatedAt":16220,"createdAt":16221,"url":16222,"thumbnailURL":20,"filename":16223,"mimeType":163,"filesize":16224,"width":16225,"height":3539,"focalX":167,"focalY":167,"sizes":16226},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/693fe0186d73ae4adaaf26bd_vfx_alzou-17.avif","2026-06-19T14:06:10.279Z","2026-06-19T13:53:31.832Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img.webp",100898,1889,{"thumb":16227,"medium":16231,"large":16235},{"url":16228,"width":171,"height":1509,"mimeType":163,"filesize":16229,"filename":16230},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img-300x225.webp",9822,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img-300x225.webp",{"url":16232,"width":177,"height":1514,"mimeType":163,"filesize":16233,"filename":16234},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img-1200x900.webp",60124,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-s3-img-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15945,"text":16237,"blockName":20,"blockType":19},{"root":16238},{"type":9,"format":10,"indent":11,"version":4,"children":16239},[16240,16243,16245,16248,16250],{"type":14,"format":10,"indent":11,"version":4,"children":16241,"direction":20,"textStyle":10,"textFormat":11},[16242],{"mode":17,"text":15952,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16244,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16246,"direction":20,"textStyle":10,"textFormat":11},[16247],{"mode":17,"text":15958,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16249,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16251,"direction":20,"textStyle":10,"textFormat":11},[16252],{"mode":17,"text":15964,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":15966,"image":16254,"blockName":20,"blockType":381},{"id":15967,"alt":20,"originalUrl":16255,"uploaded_by":11537,"updatedAt":16256,"createdAt":16257,"url":16258,"thumbnailURL":20,"filename":16259,"mimeType":163,"filesize":16260,"width":13492,"height":6753,"focalX":167,"focalY":167,"sizes":16261},"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/693fe01dd909c4344991d771_Alzou_UgoWoatzi_ThanasisTsimpinis_IlonaVanouplines_DOP_.00_11_02_17.Still035.jpg","2026-06-19T14:06:10.695Z","2026-03-11T13:09:57.447Z","https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img.webp","towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img.webp",26154,{"thumb":16262,"medium":16266,"large":16270},{"url":16263,"width":171,"height":1509,"mimeType":163,"filesize":16264,"filename":16265},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img-300x225.webp",3400,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img-300x225.webp",{"url":16267,"width":177,"height":1514,"mimeType":163,"filesize":16268,"filename":16269},"https://futures-backend-unstated-int.vercel.app/api/media/file/towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img-1200x900.webp",19854,"towards-a-fluid-future---ugo-woatzi-in-conversation-with-eli-witteman-rs-s4-img-1200x900.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":15969,"text":16272,"blockName":20,"blockType":19},{"root":16273},{"type":9,"format":10,"indent":11,"version":4,"children":16274,"direction":20},[16275,16278,16281,16284,16287,16290,16293],{"type":14,"format":10,"indent":11,"version":4,"children":16276,"direction":20,"textStyle":10,"textFormat":4},[16277],{"mode":17,"text":15976,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16279,"direction":20,"textStyle":10,"textFormat":11},[16280],{"mode":17,"text":15980,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16282,"direction":20,"textStyle":10,"textFormat":11},[16283],{"mode":17,"text":15984,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16285,"direction":20,"textStyle":10,"textFormat":11},[16286],{"mode":17,"text":15988,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16288,"direction":20,"textStyle":10,"textFormat":11},[16289],{"mode":17,"text":15992,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16291,"direction":20,"textStyle":10,"textFormat":11},[16292],{"mode":17,"text":15996,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":16294,"direction":20,"textStyle":10,"textFormat":11},[16295],{"mode":17,"text":16000,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":16002,"blockName":20,"logos":16297,"blockType":11866},[16298,16304],{"id":16005,"image":16299},{"id":11865,"alt":13424,"originalUrl":20,"uploaded_by":20,"updatedAt":13425,"createdAt":13426,"url":13427,"thumbnailURL":20,"filename":13428,"mimeType":163,"filesize":13429,"width":13430,"height":13431,"focalX":167,"focalY":167,"sizes":16300},{"thumb":16301,"medium":16302,"large":16303},{"url":13434,"width":171,"height":13435,"mimeType":163,"filesize":13436,"filename":13437},{"url":13439,"width":177,"height":8159,"mimeType":163,"filesize":13440,"filename":13441},{"url":13443,"width":183,"height":13444,"mimeType":163,"filesize":13445,"filename":13446},{"id":16007,"image":16305},{"id":12354,"alt":13449,"originalUrl":20,"uploaded_by":20,"updatedAt":13450,"createdAt":13451,"url":13452,"thumbnailURL":20,"filename":13453,"mimeType":163,"filesize":13454,"width":13455,"height":11553,"focalX":167,"focalY":167,"sizes":16306},{"thumb":16307,"medium":16308,"large":16309},{"url":13458,"width":171,"height":2379,"mimeType":163,"filesize":2380,"filename":13459},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"cover_gallery":16311,"intro_title":10,"intro_full_text":16381,"main_intro_text":10,"main_description":16388,"gallery":16405,"research_framework":16500,"how_it_works":16501,"what_we_offer":16523,"sharing_the_process":16590,"big_gallery":16591,"residency_locations":16667,"residency_locations_text":16718,"residency_period_text":16724,"cost":16734,"application":16798,"application_form_link":16883,"currently_curated_by":20,"current_artist":20,"current_location":20,"current_location_text":20,"resident_artist_description":20},[16312,16331,16355],{"id":16313,"image":16314},"6a9fc1127e9974ade7982cc1",{"id":16315,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16316,"createdAt":16317,"url":16318,"thumbnailURL":20,"filename":16319,"mimeType":163,"filesize":16320,"width":435,"height":434,"focalX":167,"focalY":167,"sizes":16321},16040,"2026-09-23T20:07:51.565Z","2026-09-23T20:07:50.487Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-28%20-%20dimensioni%20grandi.webp","26_FUTURES_NW_RESIDENCY-28 - dimensioni grandi.webp",108394,{"thumb":16322,"medium":16326,"large":16330},{"url":16323,"width":171,"height":524,"mimeType":163,"filesize":16324,"filename":16325},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-28%20-%20dimensioni%20grandi-300x200.webp",13296,"26_FUTURES_NW_RESIDENCY-28 - dimensioni grandi-300x200.webp",{"url":16327,"width":177,"height":529,"mimeType":163,"filesize":16328,"filename":16329},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-28%20-%20dimensioni%20grandi-1200x800.webp",94864,"26_FUTURES_NW_RESIDENCY-28 - dimensioni grandi-1200x800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":16332,"image":16333},"6a9fc1197e9974ade7982cc3",{"id":16334,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16335,"createdAt":16336,"url":16337,"thumbnailURL":20,"filename":16338,"mimeType":163,"filesize":16339,"width":863,"height":16340,"focalX":167,"focalY":167,"sizes":16341},16041,"2026-09-23T20:08:13.058Z","2026-09-23T20:08:11.891Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-21.webp","26_FUTURES_NW_RESIDENCY-21.webp",2546270,6000,{"thumb":16342,"medium":16346,"large":16350},{"url":16343,"width":171,"height":292,"mimeType":163,"filesize":16344,"filename":16345},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-21-300x450.webp",14534,"26_FUTURES_NW_RESIDENCY-21-300x450.webp",{"url":16347,"width":177,"height":297,"mimeType":163,"filesize":16348,"filename":16349},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-21-1200x1800.webp",204962,"26_FUTURES_NW_RESIDENCY-21-1200x1800.webp",{"url":16351,"width":183,"height":16352,"mimeType":163,"filesize":16353,"filename":16354},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-21-2400x3600.webp",3600,1217234,"26_FUTURES_NW_RESIDENCY-21-2400x3600.webp",{"id":16356,"image":16357},"6ab431af757bd97e1850e9a7",{"id":16358,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16359,"createdAt":16360,"url":16361,"thumbnailURL":20,"filename":16362,"mimeType":163,"filesize":16363,"width":16364,"height":16365,"focalX":167,"focalY":167,"sizes":16366},16038,"2026-09-23T20:05:12.707Z","2026-09-23T20:05:11.550Z","https://futures-backend-unstated-int.vercel.app/api/media/file/260624_Lawrence%20Lek%20Open%20Studio-8%20(1).webp","260624_Lawrence Lek Open Studio-8 (1).webp",331270,2602,3911,{"thumb":16367,"medium":16371,"large":16376},{"url":16368,"width":171,"height":2379,"mimeType":163,"filesize":16369,"filename":16370},"https://futures-backend-unstated-int.vercel.app/api/media/file/260624_Lawrence%20Lek%20Open%20Studio-8%20(1)-300x451.webp",18306,"260624_Lawrence Lek Open Studio-8 (1)-300x451.webp",{"url":16372,"width":177,"height":16373,"mimeType":163,"filesize":16374,"filename":16375},"https://futures-backend-unstated-int.vercel.app/api/media/file/260624_Lawrence%20Lek%20Open%20Studio-8%20(1)-1200x1804.webp",1804,111808,"260624_Lawrence Lek Open Studio-8 (1)-1200x1804.webp",{"url":16377,"width":183,"height":16378,"mimeType":163,"filesize":16379,"filename":16380},"https://futures-backend-unstated-int.vercel.app/api/media/file/260624_Lawrence%20Lek%20Open%20Studio-8%20(1)-2400x3607.webp",3607,283172,"260624_Lawrence Lek Open Studio-8 (1)-2400x3607.webp",{"root":16382},{"type":9,"format":10,"indent":11,"version":4,"children":16383,"direction":20},[16384],{"type":14,"format":10,"indent":11,"version":4,"children":16385,"direction":20,"textStyle":10,"textFormat":11},[16386],{"mode":17,"text":16387,"type":19,"style":10,"detail":11,"format":11,"version":4},"A self-directed residency for practitioners pursuing research, project development, and critical inquiry.",{"root":16389},{"type":9,"format":10,"indent":11,"version":4,"children":16390,"direction":20},[16391,16395,16399,16401],{"type":14,"format":10,"indent":11,"version":4,"children":16392,"direction":20,"textStyle":10,"textFormat":11},[16393],{"mode":17,"text":16394,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Research Residency responds to a need for dedicated, process-oriented time, combined with active curatorial support to give a project or practice new momentum.",{"type":14,"format":10,"indent":11,"version":4,"children":16396,"direction":20,"textStyle":10,"textFormat":11},[16397],{"mode":17,"text":16398,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES facilitates tailored introductions to relevant artists, curators, institutions and communities in Amsterdam, while connecting residents to its European network of more than 20 photography institutions. It offers space to think, research, and develop work, with meaningful exchanges, new perspectives, and connections that inform their practice.",{"type":14,"format":10,"indent":11,"version":4,"children":16400,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16402,"direction":20,"textStyle":10,"textFormat":11},[16403],{"mode":17,"text":16404,"type":19,"style":10,"detail":11,"format":11,"version":4},"‍Based at the FUTURES Hub in Amsterdam, the programme offers a private working and living space and a self-directed framework without the pressure of a fixed outcome or presentation, giving residents the conditions to develop their practice on their own terms.",[16406,16430,16454],{"id":16407,"image":16408},"6a71eb9e36bae66ff091997c",{"id":16409,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16410,"createdAt":16411,"url":16412,"thumbnailURL":20,"filename":16413,"mimeType":163,"filesize":16414,"width":16415,"height":16416,"focalX":167,"focalY":167,"sizes":16417},16044,"2026-09-23T20:13:12.298Z","2026-09-23T20:13:11.133Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-11.webp","26_FUTURES_NW_RESIDENCY-11.webp",512250,3658,2434,{"thumb":16418,"medium":16422,"large":16426},{"url":16419,"width":171,"height":524,"mimeType":163,"filesize":16420,"filename":16421},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-11-300x200.webp",11444,"26_FUTURES_NW_RESIDENCY-11-300x200.webp",{"url":16423,"width":177,"height":2248,"mimeType":163,"filesize":16424,"filename":16425},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-11-1200x798.webp",92196,"26_FUTURES_NW_RESIDENCY-11-1200x798.webp",{"url":16427,"width":183,"height":2183,"mimeType":163,"filesize":16428,"filename":16429},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-11-2400x1597.webp",247632,"26_FUTURES_NW_RESIDENCY-11-2400x1597.webp",{"id":16431,"image":16432},"6a71ebb136bae66ff091997e",{"id":16433,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16434,"createdAt":16435,"url":16436,"thumbnailURL":20,"filename":16437,"mimeType":163,"filesize":16438,"width":16439,"height":16440,"focalX":167,"focalY":167,"sizes":16441},16043,"2026-09-23T20:09:55.226Z","2026-09-23T20:09:53.590Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Thana%20_Faroq_7.webp","Thana _Faroq_7.webp",442490,4284,5712,{"thumb":16442,"medium":16446,"large":16450},{"url":16443,"width":171,"height":867,"mimeType":163,"filesize":16444,"filename":16445},"https://futures-backend-unstated-int.vercel.app/api/media/file/Thana%20_Faroq_7-300x400.webp",5558,"Thana _Faroq_7-300x400.webp",{"url":16447,"width":177,"height":534,"mimeType":163,"filesize":16448,"filename":16449},"https://futures-backend-unstated-int.vercel.app/api/media/file/Thana%20_Faroq_7-1200x1600.webp",40532,"Thana _Faroq_7-1200x1600.webp",{"url":16451,"width":183,"height":876,"mimeType":163,"filesize":16452,"filename":16453},"https://futures-backend-unstated-int.vercel.app/api/media/file/Thana%20_Faroq_7-2400x3200.webp",143672,"Thana _Faroq_7-2400x3200.webp",{"id":16455,"image":16456},"6a71ebba36bae66ff091997f",{"id":16457,"alt":20,"originalUrl":20,"uploaded_by":16458,"updatedAt":16483,"createdAt":16483,"url":16484,"thumbnailURL":20,"filename":16485,"mimeType":163,"filesize":16486,"width":2239,"height":2240,"focalX":167,"focalY":167,"sizes":16487},15870,{"id":2116,"profile_types":16459,"is_member":93,"name":2120,"slug":2121,"archived":93,"created_on":20,"updated_on":20,"published_on":20,"biography":16460,"e_mail":2129,"profile_image":2130,"website":10,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":16466,"tags_identity":16467,"tags_location":16468,"tags_practice":16469,"tags_topics":16470,"born_in":20,"street_address":20,"city":2137,"country":2138,"corresponding_member":16471,"member_additional":16472,"corresponding_art_projects":16473,"corresponding_selected_year":16474,"reference_residency":20,"date_of_residency":20,"date_since":2149,"date_ended":2150,"linkedin":10,"corresponding_artist":16475,"curation_reference":16476,"past_member":20,"approved_courses":16477,"tutor_courses":16478,"guest_expert_courses":16480,"updatedAt":2161,"createdAt":2162,"email":2163,"collection":248,"sessions":16482},[1959,2118,2119],{"root":16461},{"type":9,"format":10,"indent":11,"version":4,"children":16462,"direction":1112},[16463],{"type":14,"version":4,"children":16464},[16465],{"text":2128,"type":19,"version":4},[2132,477,222],[],[],[],[],[],[],[2142,2143,2144,2145,2146,2147],[],[2152,2153],[2155],[222],{"docs":16479,"hasNextPage":153},[231],{"docs":16481,"hasNextPage":153},[],[],"2026-08-04T13:11:15.346Z","https://futures-backend-unstated-int.vercel.app/api/media/file/260701_Benedetta%20Casagrande%20Open%20Studio-45.webp","260701_Benedetta Casagrande Open Studio-45.webp",496800,{"thumb":16488,"medium":16492,"large":16496},{"url":16489,"width":171,"height":524,"mimeType":163,"filesize":16490,"filename":16491},"https://futures-backend-unstated-int.vercel.app/api/media/file/260701_Benedetta%20Casagrande%20Open%20Studio-45-300x200.webp",8618,"260701_Benedetta Casagrande Open Studio-45-300x200.webp",{"url":16493,"width":177,"height":2248,"mimeType":163,"filesize":16494,"filename":16495},"https://futures-backend-unstated-int.vercel.app/api/media/file/260701_Benedetta%20Casagrande%20Open%20Studio-45-1200x798.webp",62960,"260701_Benedetta Casagrande Open Studio-45-1200x798.webp",{"url":16497,"width":183,"height":2183,"mimeType":163,"filesize":16498,"filename":16499},"https://futures-backend-unstated-int.vercel.app/api/media/file/260701_Benedetta%20Casagrande%20Open%20Studio-45-2400x1597.webp",174336,"260701_Benedetta Casagrande Open Studio-45-2400x1597.webp",[],[16502],{"id":16503,"title":20,"text":16504},"6ab63e1c6d67d261bceba43c",{"root":16505},{"type":9,"format":10,"indent":11,"version":4,"children":16506,"direction":20},[16507,16511,16513,16517,16519],{"type":14,"format":10,"indent":11,"version":4,"children":16508,"direction":20,"textStyle":10,"textFormat":11},[16509],{"mode":17,"text":16510,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency is a self-directed residency for photographers, artists, writers, researchers, and curators working within the field of photography and image-making. Based at the FUTURES Hub in Amsterdam, the programme offers residents a private working and living space, dedicated research time, contextual grounding, and connection to the wider FUTURES ecosystem.",{"type":14,"format":10,"indent":11,"version":4,"children":16512,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16514,"direction":20,"textStyle":10,"textFormat":11},[16515],{"mode":17,"text":16516,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency is designed for practitioners who want to deepen an ongoing research-based project while being physically present in Amsterdam and connected to an international photography network. It supports independent work and contextual engagement, offering residents the conditions to develop their practice on their own terms.",{"type":14,"format":10,"indent":11,"version":4,"children":16518,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16520,"direction":20,"textStyle":10,"textFormat":11},[16521],{"mode":17,"text":16522,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications are welcome from both FUTURES artists and practitioners outside the FUTURES network.",[16524,16543,16561,16571],{"id":16525,"title":16526,"text":16527},"6a69f6e87b553481f51474d0","Working and living space",{"root":16528},{"type":9,"format":10,"indent":11,"version":4,"children":16529,"direction":20},[16530],{"type":14,"format":10,"indent":11,"version":4,"children":16531,"direction":20,"textStyle":10,"textFormat":11},[16532,16534,16541],{"mode":17,"text":16533,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Research Residency is based at the ",{"id":16535,"type":90,"fields":16536,"format":10,"indent":11,"version":95,"children":16538,"direction":20},"6ad51dbd1e70d280574f3d44",{"url":16537,"newTab":153,"linkType":94},"https://maps.app.goo.gl/TnJkRrcaQHB7p1eh9",[16539],{"mode":17,"text":16540,"type":19,"style":10,"detail":11,"format":99,"version":4},"FUTURES Hub in Amsterdam",{"mode":17,"text":16542,"type":19,"style":10,"detail":11,"format":11,"version":4}," alongside the FUTURES Artistic Residency. A shared space between the two hosts occasional presentations, screenings, and talks, offering residents the option to connect with fellow practitioners in residence.",{"id":16544,"title":16545,"text":16546},"6a69f6fc7b553481f51474d1","Dedicated research time",{"root":16547},{"type":9,"format":10,"indent":11,"version":4,"children":16548,"direction":20},[16549,16553,16557],{"type":14,"format":10,"indent":11,"version":4,"children":16550,"direction":20,"textStyle":10,"textFormat":11},[16551],{"mode":17,"text":16552,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency offers a focused one-month* period to focus on your artistic inquiry, process, and conceptual development. It is conceived as a self-directed framework that allows you to work independently, without the pressure of a fixed production outcome.",{"type":14,"format":10,"indent":11,"version":4,"children":16554,"direction":20,"textStyle":10,"textFormat":11},[16555],{"mode":17,"text":16556,"type":19,"style":10,"detail":11,"format":11,"version":4},"  ",{"type":14,"format":10,"indent":11,"version":4,"children":16558,"direction":20,"textStyle":10,"textFormat":222},[16559],{"mode":17,"text":16560,"type":19,"style":10,"detail":11,"format":222,"version":4},"*Where appropriate, the duration may be adapted to accommodate the needs of the artist and the proposed project.",{"id":16562,"title":16563,"text":16564},"6a69f7087b553481f51474d2","Contextual grounding",{"root":16565},{"type":9,"format":10,"indent":11,"version":4,"children":16566,"direction":20},[16567],{"type":14,"format":546,"indent":11,"version":4,"children":16568,"direction":20,"textStyle":10,"textFormat":11},[16569],{"mode":17,"text":16570,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency provides an opportunity to situate your research within Amsterdam’s cultural landscape while remaining connected to international artistic and research communities. Whether your project is rooted in Amsterdam or elsewhere, the residency offers a context from which to engage with relevant people, institutions, archives, and initiatives that can inform and enrich your research.",{"id":16572,"title":16573,"text":16574},"6a69f7127b553481f51474d3","FUTURES Ecosystem",{"root":16575},{"type":9,"format":10,"indent":11,"version":4,"children":16576,"direction":20},[16577],{"type":14,"format":10,"indent":11,"version":4,"children":16578,"direction":20,"textStyle":10,"textFormat":11},[16579,16581,16588],{"mode":17,"text":16580,"type":19,"style":10,"detail":11,"format":11,"version":4},"As part of the wider ",{"id":16582,"type":90,"fields":16583,"format":10,"indent":11,"version":95,"children":16585,"direction":20},"6ad51df51e70d280574f3d45",{"url":16584,"newTab":153,"linkType":94},"https://www.futures-photography.com/network",[16586],{"mode":17,"text":16587,"type":19,"style":10,"detail":11,"format":99,"version":4},"FUTURES platform",{"mode":17,"text":16589,"type":19,"style":10,"detail":11,"format":11,"version":4},", the residency connects your research and practice to an international community of artists, writers, researchers, curators, partner organisations, and ongoing artistic research. Through FUTURES digital channels, your residency and research process are shared with audiences across the network, creating opportunities for visibility, dialogue, and exchange beyond the residency itself. Where relevant, the FUTURES team can help facilitate connections with curators, artists, institutions, and professionals within this network.",[],[16592,16599,16618],{"id":16593,"image":16594},"6a71f3d9ea7d16203f8b21e7",{"id":2439,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":2440,"createdAt":2441,"url":2442,"thumbnailURL":20,"filename":2443,"mimeType":163,"filesize":2444,"width":2445,"height":2446,"focalX":167,"focalY":167,"sizes":16595},{"thumb":16596,"medium":16597,"large":16598},{"url":2449,"width":171,"height":524,"mimeType":163,"filesize":2450,"filename":2451},{"url":2453,"width":177,"height":2178,"mimeType":163,"filesize":2454,"filename":2455},{"url":2457,"width":183,"height":2183,"mimeType":163,"filesize":2458,"filename":2459},{"id":16600,"image":16601},"6a71f3d3ea7d16203f8b21e5",{"id":16602,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":16603,"createdAt":16604,"url":16605,"thumbnailURL":20,"filename":16606,"mimeType":163,"filesize":16607,"width":435,"height":2375,"focalX":167,"focalY":167,"sizes":16608},16047,"2026-09-23T20:17:34.567Z","2026-09-23T20:17:33.605Z","https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-23%20-%20dimensioni%20grandi.webp","26_FUTURES_NW_RESIDENCY-23 - dimensioni grandi.webp",50458,{"thumb":16609,"medium":16613,"large":16617},{"url":16610,"width":171,"height":524,"mimeType":163,"filesize":16611,"filename":16612},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-23%20-%20dimensioni%20grandi-300x200.webp",5422,"26_FUTURES_NW_RESIDENCY-23 - dimensioni grandi-300x200.webp",{"url":16614,"width":177,"height":2178,"mimeType":163,"filesize":16615,"filename":16616},"https://futures-backend-unstated-int.vercel.app/api/media/file/26_FUTURES_NW_RESIDENCY-23%20-%20dimensioni%20grandi-1200x799.webp",44170,"26_FUTURES_NW_RESIDENCY-23 - dimensioni grandi-1200x799.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":16619,"image":16620},"6a71f3dfea7d16203f8b21e9",{"id":16621,"alt":16622,"originalUrl":20,"uploaded_by":16623,"updatedAt":16648,"createdAt":16648,"url":16649,"thumbnailURL":20,"filename":16650,"mimeType":163,"filesize":16651,"width":16652,"height":16653,"focalX":167,"focalY":167,"sizes":16654},15945,"FUTURES-EVENTS-3.jpg",{"id":2116,"profile_types":16624,"is_member":93,"name":2120,"slug":2121,"archived":93,"created_on":20,"updated_on":20,"published_on":20,"biography":16625,"e_mail":2129,"profile_image":2130,"website":10,"instagram":10,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":16631,"tags_identity":16632,"tags_location":16633,"tags_practice":16634,"tags_topics":16635,"born_in":20,"street_address":20,"city":2137,"country":2138,"corresponding_member":16636,"member_additional":16637,"corresponding_art_projects":16638,"corresponding_selected_year":16639,"reference_residency":20,"date_of_residency":20,"date_since":2149,"date_ended":2150,"linkedin":10,"corresponding_artist":16640,"curation_reference":16641,"past_member":20,"approved_courses":16642,"tutor_courses":16643,"guest_expert_courses":16645,"updatedAt":2161,"createdAt":2162,"email":2163,"collection":248,"sessions":16647},[1959,2118,2119],{"root":16626},{"type":9,"format":10,"indent":11,"version":4,"children":16627,"direction":1112},[16628],{"type":14,"version":4,"children":16629},[16630],{"text":2128,"type":19,"version":4},[2132,477,222],[],[],[],[],[],[],[2142,2143,2144,2145,2146,2147],[],[2152,2153],[2155],[222],{"docs":16644,"hasNextPage":153},[231],{"docs":16646,"hasNextPage":153},[],[],"2026-09-08T08:04:54.315Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-3.webp","FUTURES-EVENTS-3.webp",659438,3657,2433,{"thumb":16655,"medium":16659,"large":16663},{"url":16656,"width":171,"height":524,"mimeType":163,"filesize":16657,"filename":16658},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-3-300x200.webp",10240,"FUTURES-EVENTS-3-300x200.webp",{"url":16660,"width":177,"height":2248,"mimeType":163,"filesize":16661,"filename":16662},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-3-1200x798.webp",59852,"FUTURES-EVENTS-3-1200x798.webp",{"url":16664,"width":183,"height":2183,"mimeType":163,"filesize":16665,"filename":16666},"https://futures-backend-unstated-int.vercel.app/api/media/file/FUTURES-EVENTS-3-2400x1597.webp",190648,"FUTURES-EVENTS-3-2400x1597.webp",[16668],{"id":4,"title":250,"city":1782,"content":16669,"gallery":16675,"updatedAt":2874,"createdAt":2875},{"root":16670},{"type":9,"format":10,"indent":11,"version":4,"children":16671,"direction":20},[16672],{"type":14,"format":2713,"indent":11,"version":4,"children":16673,"direction":20,"textStyle":10,"textFormat":11},[16674],{"mode":17,"text":2716,"type":19,"style":10,"detail":11,"format":11,"version":4},[16676,16682,16688,16694,16700,16706,16712],{"id":2719,"image":16677},{"id":2721,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2722,"createdAt":2723,"url":2724,"thumbnailURL":20,"filename":2725,"mimeType":163,"filesize":2726,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16678},{"thumb":16679,"medium":16680,"large":16681},{"url":2729,"width":171,"height":524,"mimeType":163,"filesize":2730,"filename":2731},{"url":2733,"width":177,"height":529,"mimeType":163,"filesize":2734,"filename":2735},{"url":2737,"width":183,"height":534,"mimeType":163,"filesize":2738,"filename":2739},{"id":2741,"image":16683},{"id":2743,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2744,"createdAt":2745,"url":2746,"thumbnailURL":20,"filename":2747,"mimeType":163,"filesize":2748,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16684},{"thumb":16685,"medium":16686,"large":16687},{"url":2751,"width":171,"height":524,"mimeType":163,"filesize":2752,"filename":2753},{"url":2755,"width":177,"height":529,"mimeType":163,"filesize":2756,"filename":2757},{"url":2759,"width":183,"height":534,"mimeType":163,"filesize":2760,"filename":2761},{"id":2763,"image":16689},{"id":2765,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2766,"createdAt":2766,"url":2767,"thumbnailURL":20,"filename":2768,"mimeType":163,"filesize":2769,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16690},{"thumb":16691,"medium":16692,"large":16693},{"url":2772,"width":171,"height":524,"mimeType":163,"filesize":2773,"filename":2774},{"url":2776,"width":177,"height":529,"mimeType":163,"filesize":2777,"filename":2778},{"url":2780,"width":183,"height":534,"mimeType":163,"filesize":2781,"filename":2782},{"id":2784,"image":16695},{"id":2786,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2787,"createdAt":2787,"url":2788,"thumbnailURL":20,"filename":2789,"mimeType":163,"filesize":2790,"width":288,"height":2791,"focalX":167,"focalY":167,"sizes":16696},{"thumb":16697,"medium":16698,"large":16699},{"url":2794,"width":171,"height":2631,"mimeType":163,"filesize":2795,"filename":2796},{"url":2798,"width":177,"height":2636,"mimeType":163,"filesize":2799,"filename":2800},{"url":2802,"width":183,"height":2803,"mimeType":163,"filesize":2804,"filename":2805},{"id":2807,"image":16701},{"id":2809,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2810,"createdAt":2810,"url":2811,"thumbnailURL":20,"filename":2812,"mimeType":163,"filesize":2813,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16702},{"thumb":16703,"medium":16704,"large":16705},{"url":2816,"width":171,"height":524,"mimeType":163,"filesize":2817,"filename":2818},{"url":2820,"width":177,"height":529,"mimeType":163,"filesize":2821,"filename":2822},{"url":2824,"width":183,"height":534,"mimeType":163,"filesize":2825,"filename":2826},{"id":2828,"image":16707},{"id":2830,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2831,"createdAt":2832,"url":2833,"thumbnailURL":20,"filename":2834,"mimeType":163,"filesize":2835,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":16708},{"thumb":16709,"medium":16710,"large":16711},{"url":2838,"width":171,"height":524,"mimeType":163,"filesize":2839,"filename":2840},{"url":2842,"width":177,"height":529,"mimeType":163,"filesize":2843,"filename":2844},{"url":2846,"width":183,"height":534,"mimeType":163,"filesize":2847,"filename":2848},{"id":2850,"image":16713},{"id":2852,"alt":20,"originalUrl":20,"uploaded_by":2116,"updatedAt":2853,"createdAt":2853,"url":2854,"thumbnailURL":20,"filename":2855,"mimeType":163,"filesize":2856,"width":288,"height":2857,"focalX":167,"focalY":167,"sizes":16714},{"thumb":16715,"medium":16716,"large":16717},{"url":2860,"width":171,"height":2861,"mimeType":163,"filesize":2862,"filename":2863},{"url":2865,"width":177,"height":2866,"mimeType":163,"filesize":2867,"filename":2868},{"url":2870,"width":183,"height":2871,"mimeType":163,"filesize":2872,"filename":2873},{"root":16719},{"type":9,"format":10,"indent":11,"version":4,"children":16720,"direction":20},[16721],{"type":14,"format":10,"indent":11,"version":4,"children":16722,"direction":20,"textStyle":10,"textFormat":11},[16723],{"mode":17,"text":2974,"type":19,"style":10,"detail":11,"format":11,"version":4},[16725],{"id":16726,"title":10,"text":16727},"6ad733a1eae2dc2f0fadb27d",{"root":16728},{"type":9,"format":10,"indent":11,"version":4,"children":16729,"direction":20},[16730],{"type":14,"format":10,"indent":11,"version":4,"children":16731,"direction":20,"textStyle":10,"textFormat":11},[16732],{"mode":17,"text":16733,"type":19,"style":10,"detail":11,"format":11,"version":4},"The FUTURES Research Residency lasts one month. Residents are expected to be physically present in Amsterdam for at least 90% of the residency period, in order to make full use of the working and living space and engage with the local context.",[16735],{"id":16736,"title":10,"text":16737},"6ad73395eae2dc2f0fadb27b",{"root":16738},{"type":9,"format":10,"indent":11,"version":4,"children":16739,"direction":20},[16740,16744,16746,16754,16756,16774,16776,16780],{"type":14,"format":10,"indent":11,"version":4,"children":16741,"direction":20,"textStyle":10,"textFormat":11},[16742],{"mode":17,"text":16743,"type":19,"style":10,"detail":11,"format":11,"version":4},"The Research Residency is self-funded. Applicants are welcome to seek institutional, grant, sponsorship or other funding. FUTURES can provide a letter of intent to support these applications upon request.",{"type":14,"format":10,"indent":11,"version":4,"children":16745,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16747,"direction":20,"textStyle":10,"textFormat":11},[16748,16750,16752],{"mode":17,"text":16749,"type":19,"style":10,"detail":11,"format":11,"version":4},"The residency fee is ",{"mode":17,"text":16751,"type":19,"style":10,"detail":11,"format":4,"version":4},"€2,500 including VAT",{"mode":17,"text":16753,"type":19,"style":10,"detail":11,"format":11,"version":4}," for one month. The fee contributes to the provision and upkeep of the private working and living space at the FUTURES Hub, as well as the professional support offered during the residency. The fee includes:",{"type":14,"format":10,"indent":11,"version":4,"children":16755,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":16757,"listType":5538,"direction":20},[16758,16762,16766,16770],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":16759,"direction":20},[16760],{"mode":17,"text":16761,"type":19,"style":10,"detail":11,"format":11,"version":4},"a private, fully equipped working and living space at the FUTURES Hub",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":16763,"direction":20},[16764],{"mode":17,"text":16765,"type":19,"style":10,"detail":11,"format":11,"version":4},"use of shared facilities at the FUTURES Hub",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":16767,"direction":20},[16768],{"mode":17,"text":16769,"type":19,"style":10,"detail":11,"format":11,"version":4},"optional support in facilitation of exchanges with relevant artists, curators, institutions and communities in Amsterdam or the FUTURES European network, where relevant",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":16771,"direction":20},[16772],{"mode":17,"text":16773,"type":19,"style":10,"detail":11,"format":11,"version":4},"the possibility to share work publicly through an artist talk, lecture, workshop or other suitable public activity, developed in dialogue with the FUTURES team",{"type":14,"format":10,"indent":11,"version":4,"children":16775,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":16777,"direction":20,"textStyle":10,"textFormat":11},[16778],{"mode":17,"text":16779,"type":19,"style":10,"detail":11,"format":11,"version":4},"The fee does not include:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":16781,"listType":5538,"direction":20},[16782,16786,16790,16794],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":16783,"direction":20},[16784],{"mode":17,"text":16785,"type":19,"style":10,"detail":11,"format":11,"version":4},"travel to and from Amsterdam",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":16787,"direction":20},[16788],{"mode":17,"text":16789,"type":19,"style":10,"detail":11,"format":11,"version":4},"daily living expenses",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":16791,"direction":20},[16792],{"mode":17,"text":16793,"type":19,"style":10,"detail":11,"format":11,"version":4},"production costs",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":16795,"direction":20},[16796],{"mode":17,"text":16797,"type":19,"style":10,"detail":11,"format":11,"version":4},"additional technical equipment or specialised materials",[16799,16851],{"id":16800,"title":16801,"text":16802},"6a71a186c25e12d7baf238d8","How the selection works",{"root":16803},{"type":9,"format":10,"indent":11,"version":4,"children":16804,"direction":20},[16805,16809,16813,16817,16843,16847],{"type":14,"format":10,"indent":11,"version":4,"children":16806,"direction":20,"textStyle":10,"textFormat":11},[16807],{"mode":17,"text":16808,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme is open to photographers, artists, writers, researchers, and curators, whether or not they are part of the FUTURES artist network. ",{"type":14,"format":10,"indent":11,"version":4,"children":16810,"direction":20,"textStyle":10,"textFormat":11},[16811],{"mode":17,"text":16812,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications are accepted on a rolling basis and reviewed by the FUTURES team.",{"type":14,"format":10,"indent":11,"version":4,"children":16814,"direction":20,"textStyle":10,"textFormat":11},[16815],{"mode":17,"text":16816,"type":19,"style":10,"detail":11,"format":11,"version":4},"The selection is based on:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":16818,"listType":5538,"direction":20},[16819,16823,16827,16831,16835,16839],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":16820,"direction":20},[16821],{"mode":17,"text":16822,"type":19,"style":10,"detail":11,"format":11,"version":4},"the artistic quality and clarity of your practice",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":16824,"direction":20},[16825],{"mode":17,"text":16826,"type":19,"style":10,"detail":11,"format":11,"version":4},"the relevance and feasibility of your proposed research or project",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":16828,"direction":20},[16829],{"mode":17,"text":16830,"type":19,"style":10,"detail":11,"format":11,"version":4},"your motivation to work within the FUTURES context and in Amsterdam",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":16832,"direction":20},[16833],{"mode":17,"text":16834,"type":19,"style":10,"detail":11,"format":11,"version":4},"the potential benefit of the residency for your practice",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":16836,"direction":20},[16837],{"mode":17,"text":16838,"type":19,"style":10,"detail":11,"format":11,"version":4},"your ability to be physically present for the residency period",{"type":5510,"value":1124,"format":10,"indent":11,"version":4,"children":16840,"direction":20},[16841],{"mode":17,"text":16842,"type":19,"style":10,"detail":11,"format":11,"version":4},"your capacity to secure the necessary funding",{"type":14,"format":10,"indent":11,"version":4,"children":16844,"direction":20,"textStyle":10,"textFormat":11},[16845],{"mode":17,"text":16846,"type":19,"style":10,"detail":11,"format":11,"version":4},"Applications must be submitted at least one month before your intended start date.",{"type":14,"format":10,"indent":11,"version":4,"children":16848,"direction":20,"textStyle":10,"textFormat":11},[16849],{"mode":17,"text":16850,"type":19,"style":10,"detail":11,"format":11,"version":4},"You will receive a response within two weeks of submitting your application.",{"id":16852,"title":16853,"text":16854},"6a71a1b7c25e12d7baf238d9","How to apply",{"root":16855},{"type":9,"format":10,"indent":11,"version":4,"children":16856,"direction":20},[16857,16861],{"type":14,"format":10,"indent":11,"version":4,"children":16858,"direction":20,"textStyle":10,"textFormat":11},[16859],{"mode":17,"text":16860,"type":19,"style":10,"detail":11,"format":11,"version":4},"To apply, please submit:",{"tag":5506,"type":5507,"start":4,"format":10,"indent":11,"version":4,"children":16862,"listType":5538,"direction":20},[16863,16867,16871,16875,16879],{"type":5510,"value":4,"format":10,"indent":11,"version":4,"children":16864,"direction":20},[16865],{"mode":17,"text":16866,"type":19,"style":10,"detail":11,"format":11,"version":4},"a project proposal, maximum 500 words",{"type":5510,"value":222,"format":10,"indent":11,"version":4,"children":16868,"direction":20},[16869],{"mode":17,"text":16870,"type":19,"style":10,"detail":11,"format":11,"version":4},"a motivation letter, maximum 300 words",{"type":5510,"value":95,"format":10,"indent":11,"version":4,"children":16872,"direction":20},[16873],{"mode":17,"text":16874,"type":19,"style":10,"detail":11,"format":11,"version":4},"a CV or short biography, maximum 2 pages",{"type":5510,"value":475,"format":10,"indent":11,"version":4,"children":16876,"direction":20},[16877],{"mode":17,"text":16878,"type":19,"style":10,"detail":11,"format":11,"version":4},"a portfolio or relevant writing samples",{"type":5510,"value":231,"format":10,"indent":11,"version":4,"children":16880,"direction":20},[16881],{"mode":17,"text":16882,"type":19,"style":10,"detail":11,"format":11,"version":4},"confirmation that you are able to secure funding and be present in Amsterdam for the residency period","https://forms.gle/fWWSJ1sojF68o4dZ8",{"rows":16885},[16886,16889,16892,16896,16899,16902,16905,16908,16912,16915,16918,16921,16924,16927,16930,16933,16936,16939,16942,16945,16948,16951,16954,16957,16960,16963,16966,16969],{"id":16887,"object":16888,"quantity":20},"6aa02bd2b4b851d93d4b99d3","Strong double-sided tape",{"id":16890,"object":16891,"quantity":20},"6aa02be2b4b851d93d4b99d5","Glass cleaning solution",{"id":16893,"object":16894,"quantity":16895},"6aa02be9b4b851d93d4b99d7","Small tripod","1",{"id":16897,"object":16898,"quantity":16895},"6aa02befb4b851d93d4b99d9","Toolbox",{"id":16900,"object":16901,"quantity":16895},"6aa02bf5b4b851d93d4b99db","Screw assortment",{"id":16903,"object":16904,"quantity":16895},"6aa02bfab4b851d93d4b99dd","Electric screwdriver",{"id":16906,"object":16907,"quantity":16895},"6aa02c00b4b851d93d4b99df","Laser level",{"id":16909,"object":16910,"quantity":16911},"6aa02c07b4b851d93d4b99e1","Working gloves","2",{"id":16913,"object":16914,"quantity":16895},"6aa02c0fb4b851d93d4b99e3","Saw",{"id":16916,"object":16917,"quantity":16911},"6aa02c15b4b851d93d4b99e5","Work ladders",{"id":16919,"object":16920,"quantity":16895},"6aa02c1fb4b851d93d4b99e7","Drilling hammer",{"id":16922,"object":16923,"quantity":16895},"6aa02c25b4b851d93d4b99e9","Projector",{"id":16925,"object":16926,"quantity":16895},"6aa02c2bb4b851d93d4b99eb","Printer",{"id":16928,"object":16929,"quantity":20},"6aa02c3fb876ca47d38b4433","Plug extensions",{"id":16931,"object":16932,"quantity":16895},"6aa02c4cb876ca47d38b4435","Scale",{"id":16934,"object":16935,"quantity":20},"6aa02c51b876ca47d38b4437","Tape measure",{"id":16937,"object":16938,"quantity":20},"6aa02c58b876ca47d38b4439","Brushes in different sizes",{"id":16940,"object":16941,"quantity":20},"6aa02c5ab876ca47d38b443b","Wall paint",{"id":16943,"object":16944,"quantity":20},"6aa02c5bb876ca47d38b443d","Duct tape",{"id":16946,"object":16947,"quantity":16895},"6aa02c71b876ca47d38b443f","Paint roller",{"id":16949,"object":16950,"quantity":20},"6aa02c72b876ca47d38b4441","Blackout curtains",{"id":16952,"object":16953,"quantity":16895},"6aa02c74b876ca47d38b4443","Cutting mat",{"id":16955,"object":16956,"quantity":20},"6aa02c88b876ca47d38b4445","Pens, pencils and erasers",{"id":16958,"object":16959,"quantity":16895},"6aa02c8eb876ca47d38b4447","Iphone adapter for microphone",{"id":16961,"object":16962,"quantity":16911},"6aa02c93b876ca47d38b4449","Microphones",{"id":16964,"object":16965,"quantity":16895},"6aa02c9bb876ca47d38b444b","Pocket video camera",{"id":16967,"object":16968,"quantity":16895},"6aa02ca2b876ca47d38b444d","Air purifier",{"id":16970,"object":16971,"quantity":16895},"6aa02ca8b876ca47d38b444f","Moka coffee pot","2026-10-20T09:39:58.269Z","2026-07-29T12:45:36.878Z","artistic-residency-page",1792497219450]