[{"data":1,"prerenderedAt":2038},["ShallowReactive",2],{"artists-project-page":3,"network-page":24,"stories-page":135,"events-page":837},{"id":4,"main_copy":5,"updatedAt":21,"createdAt":22,"globalType":23},1,{"title":6,"text":7},"Artist Projects",{"root":8},{"type":9,"format":10,"indent":11,"version":4,"children":12,"direction":20},"root","",0,[13],{"type":14,"format":10,"indent":11,"version":4,"children":15,"direction":20,"textStyle":10,"textFormat":11},"paragraph",[16],{"mode":17,"text":18,"type":19,"style":10,"detail":11,"format":11,"version":4},"normal","Explore projects from artists within the FUTURES network.","text",null,"2026-09-22T11:36:03.922Z","2026-09-03T09:00:26.375Z","artists-project-page",{"id":4,"main_copy":25,"members_copy":40,"past_members_copy":61,"profiles_copy":70,"residency_artists_copy":79,"edu_alumni_copy":108,"updatedAt":132,"createdAt":133,"globalType":134},{"title":26,"text":27},"FUTURES Network",{"root":28},{"type":9,"format":10,"indent":11,"version":4,"children":29,"direction":20},[30,34,36],{"type":14,"format":10,"indent":11,"version":4,"children":31,"direction":20,"textStyle":10,"textFormat":11},[32],{"mode":17,"text":33,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES is built through collaboration. Our network brings together photography institutions, festivals, museums, galleries, educational organisations and cultural partners from across Europe and beyond, creating a shared platform for supporting artists and strengthening the contemporary photography ecosystem.",{"type":14,"format":10,"indent":11,"version":4,"children":35,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":37,"direction":20,"textStyle":10,"textFormat":11},[38],{"mode":17,"text":39,"type":19,"style":10,"detail":11,"format":11,"version":4},"Through long-term partnerships, shared knowledge, commissions, residencies, educational programmes and public initiatives, the FUTURES Network connects organisations with different perspectives and areas of expertise. Together, they create opportunities for artists while contributing to a more connected, accessible and sustainable field of contemporary photography.",{"title":41,"text":42},"FUTURES Members",{"root":43},{"type":9,"format":10,"indent":11,"version":4,"children":44,"direction":20},[45,49,51,55,57],{"type":14,"format":10,"indent":11,"version":4,"children":46,"direction":20,"textStyle":10,"textFormat":11},[47],{"mode":17,"text":48,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Members are the institutions and organisations at the core of the network.",{"type":14,"format":10,"indent":11,"version":4,"children":50,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":52,"direction":20,"textStyle":10,"textFormat":11},[53],{"mode":17,"text":54,"type":19,"style":10,"detail":11,"format":11,"version":4},"Based in different European countries, our members actively contribute to the development of FUTURES by identifying and supporting emerging artists, sharing knowledge and resources, exchanging ideas, initiating collaborations and creating opportunities for artists across the network.",{"type":14,"format":10,"indent":11,"version":4,"children":56,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":58,"direction":20,"textStyle":10,"textFormat":11},[59],{"mode":17,"text":60,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their diverse perspectives and expertise shape FUTURES as a collaborative European platform and help build lasting connections between artists, institutions and audiences.",{"title":62,"text":63},"Past Members",{"root":64},{"type":9,"format":10,"indent":11,"version":4,"children":65,"direction":20},[66],{"type":14,"format":10,"indent":11,"version":4,"children":67,"direction":20,"textStyle":10,"textFormat":11},[68],{"mode":17,"text":69,"type":19,"style":10,"detail":11,"format":11,"version":4},"Over the years, different organisations have contributed to the development and growth of FUTURES. Our past members remain an important part of the platform's history and of the wider community that has helped shape FUTURES into what it is today.",{"title":71,"text":72},"Artists",{"root":73},{"type":9,"format":10,"indent":11,"version":4,"children":74,"direction":20},[75],{"type":14,"format":10,"indent":11,"version":4,"children":76,"direction":20,"textStyle":10,"textFormat":11},[77],{"mode":17,"text":78,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Artists are emerging artists selected and nominated by our network of member institutions across Europe. Each year, museums, festivals, publishers and other leading photography organisations introduce a new generation of artists whose practices are contributing to the development of contemporary photography.",{"title":80,"text":81},"Residents",{"root":82},{"type":9,"format":10,"indent":11,"version":4,"children":83,"direction":20},[84,102,104],{"type":14,"format":10,"indent":11,"version":4,"children":85,"direction":20,"textStyle":10,"textFormat":11},[86,88,100],{"mode":17,"text":87,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists who have taken part in ",{"id":89,"type":90,"fields":91,"format":10,"indent":11,"version":95,"children":96,"direction":20},"6a9936d09fe03937b87bca53","link",{"url":92,"newTab":93,"linkType":94},"https://www.futures-photography.com/residencies",true,"custom",3,[97],{"mode":17,"text":98,"type":19,"style":10,"detail":11,"format":99,"version":4},"residency programmes",8,{"mode":17,"text":101,"type":19,"style":10,"detail":11,"format":11,"version":4}," developed or hosted by FUTURES.",{"type":14,"format":10,"indent":11,"version":4,"children":103,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":105,"direction":20,"textStyle":10,"textFormat":11},[106],{"mode":17,"text":107,"type":19,"style":10,"detail":11,"format":11,"version":4},"Through periods dedicated to production, research, experimentation and exchange, these artists use the residency as a space to develop new ideas, deepen existing practices and create connections with different contexts, communities and professionals. Their profiles offer a closer look at the practices and research emerging from the FUTURES residency programmes.",{"title":109,"text":110},"FUTURES Masterclass Alumni",{"root":111},{"type":9,"format":10,"indent":11,"version":4,"children":112,"direction":20},[113,126,128],{"type":14,"format":10,"indent":11,"version":4,"children":114,"direction":20,"textStyle":10,"textFormat":11},[115,117,124],{"mode":17,"text":116,"type":19,"style":10,"detail":11,"format":11,"version":4},"Artists and image-makers who have participated in the ",{"id":118,"type":90,"fields":119,"format":10,"indent":11,"version":95,"children":121,"direction":20},"6ab3ed72ba9d3323ff5d8ad4",{"url":120,"newTab":93,"linkType":94},"https://futures-photography.com/futures-masterclass",[122],{"mode":17,"text":123,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Masterclass",{"mode":17,"text":125,"type":19,"style":10,"detail":11,"format":11,"version":4}," programme.",{"type":14,"format":10,"indent":11,"version":4,"children":127,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":129,"direction":20,"textStyle":10,"textFormat":11},[130],{"mode":17,"text":131,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working closely with established artists, curators and specialists, participants develop their practices through mentoring, experimentation and critical exchange. The alumni network extends these encounters beyond the classroom, connecting participants with the wider FUTURES community and with one another.","2026-09-23T15:18:55.694Z","2026-08-20T08:17:47.915Z","network-page",{"id":4,"main_copy":136,"featured_gallery":145,"featured_tags":832,"updatedAt":834,"createdAt":835,"globalType":836},{"title":137,"text":138},"Ideas shaping photography",{"root":139},{"type":9,"format":10,"indent":11,"version":4,"children":140,"direction":20},[141],{"type":14,"format":10,"indent":11,"version":4,"children":142,"direction":20,"textStyle":10,"textFormat":11},[143],{"mode":17,"text":144,"type":19,"style":10,"detail":11,"format":11,"version":4},"Interviews, essays and conversations from FUTURES artists, curators and contributors, alongside voices from across the wider photography community, exploring the ideas, practices and questions shaping contemporary photography and visual culture.",[146,420,671],{"relationTo":147,"value":148},"articles",{"id":149,"is_residency_story":93,"kind_of_residency_story":150,"title":151,"slug":152,"archived":153,"created_on":154,"updated_on":155,"published_on":156,"thumbnail":157,"author":187,"date_of_publication":188,"teaser":189,"featured":153,"futures_select":153,"news_kind":190,"news_subkind":191,"category":192,"video":10,"corresponding_event":20,"artist_name":194,"reference_artist":195,"residency_location":250,"year":251,"layout_type":252,"content":253,"updatedAt":418,"createdAt":419},532,"artistic","The grand performance of manhood: Mirielle Rohr in conversation with Lotte Houwink ten Cate ","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate",false,"Mon Apr 13 2026 08:38:11 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:41:45 GMT+0000 (Coordinated Universal Time)","Wed Jun 17 2026 08:47:07 GMT+0000 (Coordinated Universal Time)",{"id":158,"alt":20,"originalUrl":159,"uploaded_by":20,"updatedAt":160,"createdAt":160,"url":161,"thumbnailURL":20,"filename":162,"mimeType":163,"filesize":164,"width":165,"height":166,"focalX":167,"focalY":167,"sizes":168},13846,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa437d6c2a2b2ba571db_2.jpg","2026-06-19T14:04:56.042Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb.webp","image/webp",273230,4162,4800,50,{"thumb":169,"medium":175,"large":181},{"url":170,"width":171,"height":172,"mimeType":163,"filesize":173,"filename":174},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-300x346.webp",300,346,4552,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-300x346.webp",{"url":176,"width":177,"height":178,"mimeType":163,"filesize":179,"filename":180},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-1200x1384.webp",1200,1384,29436,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-1200x1384.webp",{"url":182,"width":183,"height":184,"mimeType":163,"filesize":185,"filename":186},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-2400x2768.webp",2400,2768,102350,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-thumb-2400x2768.webp","Lotte Houwink ten Cate ","2026-04-12T22:00:00.000Z","Berlin-born Mirielle Rohr is a visual artist and photographer currently based in Paris. Her future-oriented work merges analogue photography, AI, ceramics and sculpture to examine the online representation and aesthetics of gender and its relation to power, misogyny and consumption. In her latest project Red Pill - The manosphere, Rohr explores online spaces targeting men, from incel-forums and PickUp communities to looksmaxxing. ","Stories","Interview",[193],"Feminism","Mirielle Rohr",{"id":196,"profile_types":197,"is_member":153,"name":194,"slug":199,"archived":153,"created_on":200,"updated_on":201,"published_on":202,"biography":203,"e_mail":214,"profile_image":215,"website":10,"instagram":10,"first_name":216,"last_name":217,"kind_of_profile":218,"tags_profession":219,"tags_identity":221,"tags_location":223,"tags_practice":227,"tags_topics":230,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":234,"member_additional":235,"corresponding_art_projects":236,"corresponding_selected_year":237,"reference_residency":149,"date_of_residency":238,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":239,"curation_reference":240,"past_member":20,"approved_courses":241,"tutor_courses":242,"guest_expert_courses":244,"updatedAt":246,"createdAt":247,"email":214,"collection":248,"sessions":249},1400,[198],"profile","mirielle-rohr","Tue Mar 17 2026 14:52:35 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 08:02:19 GMT+0000 (Coordinated Universal Time)","Wed Apr 22 2026 08:05:50 GMT+0000 (Coordinated Universal Time)",{"root":204},{"type":9,"format":10,"indent":11,"version":4,"children":205},[206,210],{"type":14,"version":4,"children":207},[208],{"text":209,"type":19,"version":4},"Mirielle Rohr (b. Berlin) is a visual artist and photographer based between Paris and Berlin. She graduated from ECAL’s Master in Photography (Lausanne) in 2025. Through analogue photography, ceramics, sculpture, and AI-generated imagery, she examines the aesthetics and emotional economies of digital culture, how bodies, desire, and identity are mediated, performed, and consumed. Her works often combines tactile processes with synthetic image-making to produce psychologically charged narratives.",{"type":14,"version":4,"children":211},[212],{"text":213,"type":19,"version":4},"‍Her work has been published in the British Journal of Photography, Der Greif, Schema Magazine, SLEEK, and Fisheye Magazine, among many more. She was a finalist for the Picto Fashion Photography Award (2024) and presented her work at Paris Photo (Carte Blanche Étudiante, 2025) last year. In March 2026 she will exhibit at PhotoVogue Festival, is shortlisted for Un/Fund & Residency.","miriellerohr@gmail.com",14188,"Mirielle","Rohr","Artist",[220],11,[222],2,[224,225,226],29,28,20,[228,99,229],9,12,[231,232,233],5,13,41,[],[],[],[],"01/05/2026",[],[],[],{"docs":243,"hasNextPage":153},[],{"docs":245,"hasNextPage":153},[],"2026-10-06T14:42:00.039Z","2026-06-19T14:33:06.070Z","profiles-and-members",[],"Amsterdam","2026","full",[254,275,324,334,355,382,391],{"id":255,"text":256,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d0",{"root":257},{"type":9,"format":10,"indent":11,"version":4,"children":258},[259,263,265,269,271],{"type":14,"format":10,"indent":11,"version":4,"children":260,"direction":20,"textStyle":10,"textFormat":11},[261],{"mode":17,"text":262,"type":19,"style":10,"detail":11,"format":11,"version":4},"Much feminist attention has been paid to the fact that one is not born a woman, but rather, becomes one. The same holds true for men. Rohr is part of an emerging wave of artists who turn their eye to the performance of masculinity, adding nuance and complexity to the heated cultural debate around toxic masculinity.",{"type":14,"format":10,"indent":11,"version":4,"children":264,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":266,"direction":20,"textStyle":10,"textFormat":11},[267],{"mode":17,"text":268,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘My work used to exclusively focus on women and girls’, Rohr explains. ‘There was so much happening around femininity online. In my project Money Making Child for example, I showed how girl influencers are being pushed to adhere to ideals of adult femininity. Now we are more aware of boys and men who are equally tough on themselves, pushing themselves to ever more extreme aesthetic norms. The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.",{"type":14,"format":10,"indent":11,"version":4,"children":270,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":272,"direction":20,"textStyle":10,"textFormat":11},[273],{"mode":17,"text":274,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘Last summer I began to think about the manosphere. I was reading the German feminist author Tara-Louise Wittwer, who writes about the red-pill ideology that undergirds the manosphere. Once you have ‘consumed’ the red pill, you have awakened to the truth that feminism is unnatural.’ ",{"id":276,"blockName":20,"images":277,"blockType":323},"6a354cd08c91db2725ffb6d3",[278,301],{"id":279,"image":280},"6a354cd08c91db2725ffb6d1",{"id":281,"alt":20,"originalUrl":282,"uploaded_by":20,"updatedAt":283,"createdAt":283,"url":284,"thumbnailURL":20,"filename":285,"mimeType":163,"filesize":286,"width":287,"height":288,"focalX":167,"focalY":167,"sizes":289},13816,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e2c132c8494c2bfbe_3.jpg","2026-06-19T13:53:14.826Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0.webp",82976,1667,2500,{"thumb":290,"medium":295,"large":300},{"url":291,"width":171,"height":292,"mimeType":163,"filesize":293,"filename":294},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",450,7276,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-300x450.webp",{"url":296,"width":177,"height":297,"mimeType":163,"filesize":298,"filename":299},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",1800,53350,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-0-1200x1800.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":302,"image":303},"6a354cd08c91db2725ffb6d2",{"id":304,"alt":20,"originalUrl":305,"uploaded_by":20,"updatedAt":306,"createdAt":306,"url":307,"thumbnailURL":20,"filename":308,"mimeType":163,"filesize":309,"width":310,"height":288,"focalX":167,"focalY":167,"sizes":311},13817,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaa8e7316e039f9e2346a_4.jpg","2026-06-19T13:53:15.491Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1.webp",91166,1643,{"thumb":312,"medium":317,"large":322},{"url":313,"width":171,"height":314,"mimeType":163,"filesize":315,"filename":316},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",456,5556,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-300x456.webp",{"url":318,"width":177,"height":319,"mimeType":163,"filesize":320,"filename":321},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",1826,57362,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s1-2-1-1200x1826.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"images",{"id":325,"quote":326,"blockName":20,"blockType":333},"6ab27a557fbdea578644433a",{"root":327},{"type":9,"format":10,"indent":11,"version":4,"children":328,"direction":20},[329],{"type":14,"format":10,"indent":11,"version":4,"children":330,"direction":20,"textStyle":10,"textFormat":11},[331],{"mode":17,"text":332,"type":19,"style":10,"detail":11,"format":11,"version":4},"`The algorithm reproduces what most people resonate with, and that is often a very rigid understanding of gender that impacts men as well as women’.","quote",{"id":335,"text":336,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d4",{"root":337},{"type":9,"format":10,"indent":11,"version":4,"children":338},[339,343,345,349,351],{"type":14,"format":10,"indent":11,"version":4,"children":340,"direction":20,"textStyle":10,"textFormat":11},[341],{"mode":17,"text":342,"type":19,"style":10,"detail":11,"format":11,"version":4},"What fascinates Rohr about the manosphere is that it involves different generations. While adult influencers promote toxic masculinity, their audience consists of the Alpha generation: boys as young as 12. They look at violent trends like penis extensions and looksmaxxing, which means breaking jaws in order for them to look more like adult men, as a way of accumulating power. ‘It is very difficult to look at all of it, Rohr says.This has been a very hard subject to work on, I am completely immersed in it.’ But it clearly fascinates her, she is keen on seeing what’s to come. ",{"type":14,"format":10,"indent":11,"version":4,"children":344,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":346,"direction":20,"textStyle":10,"textFormat":11},[347],{"mode":17,"text":348,"type":19,"style":10,"detail":11,"format":11,"version":4},"The AI-generated imagery in Red Pill - The manosphere exclusively feature men. In the manosphere women are remarkably absent, men seek the validation of other men, they rate and confirm one another’s hotness, even though the community is ostensibly deeply heterosexual. ",{"type":14,"format":10,"indent":11,"version":4,"children":350,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":352,"direction":20,"textStyle":10,"textFormat":11},[353],{"mode":17,"text":354,"type":19,"style":10,"detail":11,"format":11,"version":4},"‘I first started to use AI when making Money Making Child. AI and social media work with a similar system of repetition and reenforcement. They also have a similar synthetic, artificially ‘perfect’ look. I collect a dataset of images relating to the topic. I mix screenshots from these trends, and combine them with a different aesthetic. Then I write the prompt. You get a lot of options, there is a part that you can control in AI, but also a part that cannot be controlled. That is the exciting and also the dangerous aspect of working with AI. With photography I am very in control. With AI it is unclear where we end up.’ ",{"id":356,"image":357,"blockName":20,"blockType":381},"6a354cd08c91db2725ffb6d5",{"id":358,"alt":20,"originalUrl":359,"uploaded_by":20,"updatedAt":360,"createdAt":360,"url":361,"thumbnailURL":20,"filename":362,"mimeType":163,"filesize":363,"width":364,"height":166,"focalX":167,"focalY":167,"sizes":365},13818,"https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/69dcaab0da12f7d37e4f11f1_1.jpg","2026-06-19T13:53:17.288Z","https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp","the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img.webp",333556,4128,{"thumb":366,"medium":371,"large":376},{"url":367,"width":171,"height":368,"mimeType":163,"filesize":369,"filename":370},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",349,7744,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-300x349.webp",{"url":372,"width":177,"height":373,"mimeType":163,"filesize":374,"filename":375},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",1395,58212,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-1200x1395.webp",{"url":377,"width":183,"height":378,"mimeType":163,"filesize":379,"filename":380},"https://futures-backend-unstated-int.vercel.app/api/media/file/the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp",2791,163136,"the-grand-performance-of-manhood-mirielle-rohr-in-conversation-with-lotte-houwink-ten-cate-s2-img-2400x2791.webp","image",{"id":383,"quote":384,"blockName":20,"blockType":333},"6ab27aa67fbdea578644433b",{"root":385},{"type":9,"format":10,"indent":11,"version":4,"children":386,"direction":20},[387],{"type":14,"format":10,"indent":11,"version":4,"children":388,"direction":20,"textStyle":10,"textFormat":11},[389],{"mode":17,"text":390,"type":19,"style":10,"detail":11,"format":11,"version":4},"'With photography I am very in control. With AI it is unclear where we end up.’",{"id":392,"text":393,"blockName":20,"blockType":19},"6a354cd08c91db2725ffb6d6",{"root":394},{"type":9,"format":10,"indent":11,"version":4,"children":395},[396,400,402,406,408,412,414],{"type":14,"format":10,"indent":11,"version":4,"children":397,"direction":20,"textStyle":10,"textFormat":11},[398],{"mode":17,"text":399,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr shows me an image of a man with enhanced, purple, smashed cheeks. By printing a collage of images collected from TikTok of the “bonesmashing”-trend on aluminum, hammering the aluminum from the back, and by adding screws, the man literally is turned into a ‘body under construction’. Another image looks like a Batman play figure, dripping in synthetic red, a nod to the Red Pill. Rohr is also creating a big print on aluminum, featuring many screenshots of the very violent trend of looksmaxxing, thus reflecting the fantasies and optimizing nature of manosphere ideals. ",{"type":14,"format":10,"indent":11,"version":4,"children":401,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":403,"direction":20,"textStyle":10,"textFormat":11},[404],{"mode":17,"text":405,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr wants to continue working with photography and AI, and she hasn’t completely made up her mind yet, in terms of how strict she want to be with AI. ‘I want to be progressive, it’s here, let’s use it. But at the same time, I worry about my photos, that I have worked on for years, being used as a dataset to reproduce my style. What I find most scary about AI is images that seem real. But using AI because it has strange characteristics can be fun. I often get the question why I use AI, instead of taking photos. But for me that question doesn’t make any sense. It’s like asking “Why do I drink coffee instead of tea?\" When people were painting and photography emerged, people also said that photography was easy. AI is not that easy to use. It’s very difficult to take a good picture, similarly, it’s not easy to generate a good image using AI. It’s not the easier escape.’",{"type":14,"format":10,"indent":11,"version":4,"children":407,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":409,"direction":20,"textStyle":10,"textFormat":11},[410],{"mode":17,"text":411,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr also makes artwork with deepfakes, a technology renowned for its misogynistic usage. The video “What would you like me to say?” was inspired by the recent public debate in Germany following the allegations of deepfake abuse and digital violence against TV presenter Christian Ullmen by his own partner, TV presenter Collien Fernandes. Rohr gave her image, video and voice to AI, with the prompt “What would a man from the manosphere want \"me\" to say?” The face carries her emotion, hesitation, and resistance, while her speech no longer belongs to herself. By using AI one feeds AI, but Rohrs work suggests a power grab, in using AI to make something very different, to turn the medium on its head. Rohr’s work uses AI in order to expose it. ",{"type":14,"format":10,"indent":11,"version":4,"children":413,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":415,"direction":20,"textStyle":10,"textFormat":11},[416],{"mode":17,"text":417,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rohr continues to work on femininity, and is making a plexiglass sculpture about the clean girl trend, an equivalent for women, explains Rohr. That is all about ‘being quiet, perfect and pure. It’s very, very conservative and has racist and fascist undertones’. ‘It would be interesting to exhibit them alongside one another’. ","2026-10-14T15:39:40.873Z","2026-06-19T14:04:56.195Z",{"relationTo":147,"value":421},{"id":422,"is_residency_story":93,"kind_of_residency_story":423,"title":424,"slug":425,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":426,"author":443,"date_of_publication":444,"teaser":445,"featured":20,"futures_select":20,"news_kind":190,"news_subkind":191,"category":446,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":448,"residency_location":250,"year":251,"layout_type":496,"content":497,"updatedAt":669,"createdAt":670},553,"research","The privilege of questioning - Papa De (DeLovie Kwagala) in Conversation with Nanoah Struik","the-privilege-of-questioning---papa-de-deloviekwagala-in-conversation-with-nanoah.struik",{"id":427,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":429,"createdAt":430,"url":431,"thumbnailURL":20,"filename":432,"mimeType":163,"filesize":433,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":436},16014,"Iliana Michali_Papa De Residency","2026-09-21T13:30:53.915Z","2026-09-21T13:30:52.513Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00027 - dimensioni grandi.webp",133604,853,1280,{"thumb":437,"medium":441,"large":442},{"url":438,"width":171,"height":292,"mimeType":163,"filesize":439,"filename":440},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00027%20-%20dimensioni%20grandi-300x450.webp",26044,"Iliana Michali_Papa De Residency_00027 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"Nanoah Struik","2026-09-09T09:46:55.000Z","DeLovie Kwagala AKA Papa De, is the first openly non-binary, queer photographer and social activist from Kampala, Uganda. They’re an award-winning multi-antidisciplinary artivist. Self-taught and now based in Berlin, their work explores identity, belonging, and gender + sexuality, insisting on images that refuse to sexualize, fetishize, or stigmatize their participants. During their FUTURES x Pride Photo residency in Amsterdam, Papa De developed ME(MORIES), a new body of work that revisits a family archive dating back to the 1970s through the gomesi, the traditional dress of Ugandan women from the Buganda Kingdom. In this conversation, we spoke with the artist about rebellion, constant becomings, and the privilege of asking questions.",[447],"Identity",{"id":449,"profile_types":450,"is_member":153,"name":451,"slug":452,"archived":20,"created_on":20,"updated_on":20,"published_on":20,"biography":453,"e_mail":468,"profile_image":469,"website":20,"instagram":20,"first_name":451,"last_name":10,"kind_of_profile":218,"tags_profession":470,"tags_identity":472,"tags_location":473,"tags_practice":476,"tags_topics":478,"born_in":20,"street_address":20,"city":20,"country":20,"corresponding_member":482,"member_additional":483,"corresponding_art_projects":484,"corresponding_selected_year":485,"reference_residency":422,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":486,"curation_reference":487,"past_member":20,"approved_courses":488,"tutor_courses":489,"guest_expert_courses":491,"updatedAt":493,"createdAt":494,"email":468,"collection":248,"sessions":495},1462,[198],"Papa De","papa-de",{"root":454},{"type":9,"format":10,"indent":11,"version":4,"children":455,"direction":20},[456,460,464],{"type":14,"format":10,"indent":11,"version":4,"children":457,"direction":20,"textStyle":10,"textFormat":11},[458],{"mode":17,"text":459,"type":19,"style":10,"detail":11,"format":11,"version":4},"DeLovie Kwagala (aka Papa De) is the first openly non-binary queer photographer from Uganda. An award winning visual artist and film maker, their art is a defiant stance against the colonial gaze, aiming to dismantle stereotypes around beauty, gender identity, and the fetishisation or victimisation of Black and queer bodies. Through self-taught, multi-disciplinary visual storytelling, Kwagala documents and archives African queer youth, exploring themes of identity, belonging, migration, displacement, and climate justice.",{"type":14,"format":10,"indent":11,"version":4,"children":461,"direction":20,"textStyle":10,"textFormat":11},[462],{"type":463,"version":4},"linebreak",{"type":14,"format":10,"indent":11,"version":4,"children":465,"direction":20,"textStyle":10,"textFormat":11},[466],{"mode":17,"text":467,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their mission is to preserve dignity, reclaim marginalised African queer histories, and provoke questioning of patriarchal and colonial narratives. Projects like The Quingdom ~ In Transition and Love(r)ships celebrate queer joy, intimacy, and resistance, asserting that \"to be visibly queer is a political statement in itself.\" Kwagala’s work, featured in TIME, The Guardian, and Vogue, strives to evoke relatability and inspire unlearning, ensuring their community is seen not as victims, but as glorious outliers: resilient, beautiful, and unapologetically present.","de@deloviekwagala.org",16010,[220,471],19,[95],[474,475],141,4,[477],14,[232,479,480,224,481],42,26,39,[],[],[],[],[],[],[],{"docs":490,"hasNextPage":153},[],{"docs":492,"hasNextPage":153},[],"2026-10-06T14:41:24.887Z","2026-09-21T13:20:11.914Z",[],"editorial",[498,512,537,556,573,589,606,617,638,649,660],{"id":499,"text":500,"blockName":20,"blockType":19},"6ab12ffaee738752c69d3f91",{"root":501},{"type":9,"format":10,"indent":11,"version":4,"children":502,"direction":20},[503,506,508],{"type":14,"format":10,"indent":11,"version":4,"children":504,"direction":20,"textStyle":10,"textFormat":222},[505],{"mode":17,"text":445,"type":19,"style":10,"detail":11,"format":222,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":507,"direction":20,"textStyle":10,"textFormat":222},[],{"type":14,"format":10,"indent":11,"version":4,"children":509,"direction":20,"textStyle":10,"textFormat":222},[510],{"mode":17,"text":511,"type":19,"style":10,"detail":11,"format":222,"version":4},"For this interview, Papa De spoke with Nanoah Struik (they/them), a Dutch-Nigerian writer, speaker, queer activist and award-winning podcast maker. Across their work, Struik engages with queerness, gender identity and diversity, gender equality, and the possibilities of challenging binary systems.",{"id":513,"image":514,"blockName":20,"blockType":381},"6ab13004ee738752c69d3f92",{"id":515,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":516,"createdAt":517,"url":518,"thumbnailURL":20,"filename":519,"mimeType":163,"filesize":520,"width":288,"height":287,"focalX":167,"focalY":167,"sizes":521},16011,"2026-09-21T13:25:55.320Z","2026-09-21T13:25:53.764Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056.webp","Iliana Michali_Papa De Residency_00056.webp",266488,{"thumb":522,"medium":527,"large":532},{"url":523,"width":171,"height":524,"mimeType":163,"filesize":525,"filename":526},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-300x200.webp",200,9004,"Iliana Michali_Papa De Residency_00056-300x200.webp",{"url":528,"width":177,"height":529,"mimeType":163,"filesize":530,"filename":531},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-1200x800.webp",800,76764,"Iliana Michali_Papa De Residency_00056-1200x800.webp",{"url":533,"width":183,"height":534,"mimeType":163,"filesize":535,"filename":536},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00056-2400x1600.webp",1600,236192,"Iliana Michali_Papa De Residency_00056-2400x1600.webp",{"id":538,"blockName":20,"blockType":539,"qa":540},"6ab13071ee738752c69d3f95","qa",{"question":541,"answer":542},"Nanoah Struik: In your residency you’ve worked on a new project. Where does a new body of work usually start for you: with an image you can already see in your head, a material you want to touch, or a question you can't stop asking? ",{"root":543},{"type":9,"format":10,"indent":11,"version":4,"children":544,"direction":20},[545,550,552],{"type":14,"format":546,"indent":11,"version":4,"children":547,"direction":20,"textStyle":10,"textFormat":11},"start",[548],{"mode":17,"text":549,"type":19,"style":10,"detail":11,"format":11,"version":4},"Papa De: It usually starts with an idea, then I visualise what I want the idea to look like, then see how that idea gets reinterpreted through the reality of making it. But with the residency, I actually had no idea what would come out. A lot of it was intuitive. I already had the archival  images from my family, but no idea how I wanted to present them, and that kept shifting throughout the month. That's the beauty of a residency: you have space to give it your all, to play with what works and what doesn't, until you land somewhere you're happy with. ",{"type":14,"format":546,"indent":11,"version":4,"children":551,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":553,"direction":20,"textStyle":10,"textFormat":11},[554],{"mode":17,"text":555,"type":19,"style":10,"detail":11,"format":11,"version":4},"Normally I work with imagery, I photograph other people. This time was different: I didn’t have that at all. It had to be introspective: I have these images, what do they mean for me? What's my position in telling these stories? There's a difference when the images aren't ones I made myself because my only connection to them was that they came from my grandmother, my curiosity about the dress's [gomesi] history, and the culture itself. Which is also where there's a disconnect: it's a culture that invalidates me, that tells me I don't fit the mold of what it means to be a Ugandan not-woman, nor man. ",{"id":557,"blockName":20,"blockType":539,"qa":558},"6ab13087ee738752c69d3f96",{"question":559,"answer":560},"NS: As you said, you usually are the one behind the camera, photographing dozens of other people's faces and stories in Uganda's queer community, but in your new work ME(MORIES) you insert your own body into a family archive that predates you. What is it like to become the archive yourself? ",{"root":561},{"type":9,"format":10,"indent":11,"version":4,"children":562,"direction":20},[563,567,569],{"type":14,"format":546,"indent":11,"version":4,"children":564,"direction":20,"textStyle":10,"textFormat":11},[565],{"mode":17,"text":566,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Honestly, the process was bittersweet. In the days before the opening, there was a cover image of a woman in the dress [gomesi] on a screen outside the residency door. I would see it every time I would pass by it, but at some point I didn't want to see it anymore. It hit me: I'm here representing a culture that doesn't give a fuck about me. But also: most of these women have never even left the country, and somehow they end up on a screen in Amsterdam, in this very cultural attire. Amsterdam of all places: I learned that a lot of the fabric for these dresses are printed and distributed in the Netherlands. It made me question my positionality in this narrative. ",{"type":14,"format":546,"indent":11,"version":4,"children":568,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":570,"direction":20,"textStyle":10,"textFormat":11},[571],{"mode":17,"text":572,"type":19,"style":10,"detail":11,"format":11,"version":4},"But it was also a rebellion: inserting myself into the archive: you cannot erase me. I'm as much part of this culture and tradition as anyone. My queerness, and being neither woman nor man, doesn't take that away. It's not meant to alienate me from culture or tradition. At the same time, I didn't want to impose myself too much. So I masked their likenesses, respecting that their journey was different from mine, while still honoring that my history, as a queer person, is erased, and I find a way to write myself into the story anyway. ",{"id":574,"image":575,"blockName":20,"blockType":381},"6ab130a6ee738752c69d3f97",{"id":576,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":577,"createdAt":578,"url":579,"thumbnailURL":20,"filename":580,"mimeType":163,"filesize":581,"width":434,"height":435,"focalX":167,"focalY":167,"sizes":582},16012,"2026-09-21T13:28:01.524Z","2026-09-21T13:28:00.554Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00005 - dimensioni grandi.webp",66396,{"thumb":583,"medium":587,"large":588},{"url":584,"width":171,"height":292,"mimeType":163,"filesize":585,"filename":586},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00005%20-%20dimensioni%20grandi-300x450.webp",12326,"Iliana Michali_Papa De Residency_00005 - dimensioni grandi-300x450.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":590,"blockName":20,"blockType":539,"qa":591},"6ab13101ee738752c69d3f98",{"question":592,"answer":593},"NS: You’ve worked across street photography, staged portraiture, and now archival collage and installation. How do you know which form a story needs to take: when does something want to be a photograph, and when does it want to become an object? ",{"root":594},{"type":9,"format":10,"indent":11,"version":4,"children":595,"direction":20},[596,600,602],{"type":14,"format":546,"indent":11,"version":4,"children":597,"direction":20,"textStyle":10,"textFormat":11},[598],{"mode":17,"text":599,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: Myself, I’m a constant becoming so I also don’t want to limit any shapes or forms that might want to reveal themselves through the process. The residency work kept evolving, which let me stop controlling it and just be intuitive. It was the first time I mixed disciplines. My first solo show in Berlin was the catalyst, indirectly: that's where I first used sculpture. I felt: there's more to explore there. ",{"type":14,"format":546,"indent":11,"version":4,"children":601,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":546,"indent":11,"version":4,"children":603,"direction":20,"textStyle":10,"textFormat":11},[604],{"mode":17,"text":605,"type":19,"style":10,"detail":11,"format":11,"version":4},"During the residency I really pushed outside my comfort zone. I was a blank canvas, and I let the work paint on me. ",{"id":607,"blockName":20,"blockType":539,"qa":608},"6ab13117ee738752c69d3f99",{"question":609,"answer":610},"NS: Belonging, memory and the body under scrutiny return again and again in your work. Are you circling the same questions from new angles each time, or does each project change what you believe about them? ",{"root":611},{"type":9,"format":10,"indent":11,"version":4,"children":612,"direction":20},[613],{"type":14,"format":10,"indent":11,"version":4,"children":614,"direction":20,"textStyle":10,"textFormat":11},[615],{"mode":17,"text":616,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: I keep going back to the same questions and getting different answers from myself each time: we're not the same people we were yesterday, and as the world shifts, systemically and economically, what these topics mean shifts too. Even in interpersonal relationships I've been told I repeat the same questions over and over again. Not because I expect a different outcome, I just believe in the art of inquiry and how time influences responses. That's how my brain works as a neurodivergent person, and that flows into how my work works too. ",{"id":618,"image":619,"blockName":20,"blockType":381},"6ab13123ee738752c69d3f9a",{"id":620,"alt":428,"originalUrl":20,"uploaded_by":20,"updatedAt":621,"createdAt":622,"url":623,"thumbnailURL":20,"filename":624,"mimeType":163,"filesize":625,"width":435,"height":626,"focalX":167,"focalY":167,"sizes":627},16013,"2026-09-21T13:29:55.444Z","2026-09-21T13:29:54.305Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi.webp","Iliana Michali_Papa De Residency_00001 - dimensioni grandi.webp",387306,854,{"thumb":628,"medium":632,"large":637},{"url":629,"width":171,"height":524,"mimeType":163,"filesize":630,"filename":631},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi-300x200.webp",18438,"Iliana Michali_Papa De Residency_00001 - dimensioni grandi-300x200.webp",{"url":633,"width":177,"height":634,"mimeType":163,"filesize":635,"filename":636},"https://futures-backend-unstated-int.vercel.app/api/media/file/Iliana%20Michali_Papa%20De%20Residency_00001%20-%20dimensioni%20grandi-1200x801.webp",801,320542,"Iliana Michali_Papa De Residency_00001 - dimensioni grandi-1200x801.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"id":639,"blockName":20,"blockType":539,"qa":640},"6ab13158ee738752c69d3f9b",{"question":641,"answer":642},"NS: Next to being an archivist and a storyteller, you’re also an artivist. Activism often wants to be understood quickly and clearly, yet art often resists that. How do you navigate the tension between wanting a message to land and wanting a piece to stay open to interpretation? ",{"root":643},{"type":9,"format":10,"indent":11,"version":4,"children":644,"direction":20},[645],{"type":14,"format":10,"indent":11,"version":4,"children":646,"direction":20,"textStyle":10,"textFormat":11},[647],{"mode":17,"text":648,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: However articulate you think you are, however much you believe something is true, perspective shifts things. I’ve learned to be less rigid about what I believe, to make room for other people’s perspectives. Different perspectives can be at the same time. There's room for nuance without erasing the other. That's also how you don't take away someone's free will: you let people examine things themselves, especially on topics they may never have thought about.",{"id":650,"blockName":20,"blockType":539,"qa":651},"6ab13164ee738752c69d3f9c",{"question":652,"answer":653},"NS: In a conversation with an archivist, I think we’re quick to look back. But what’s something you’re only just beginning to look forward to, artistically? ",{"root":654},{"type":9,"format":10,"indent":11,"version":4,"children":655,"direction":20},[656],{"type":14,"format":10,"indent":11,"version":4,"children":657,"direction":20,"textStyle":10,"textFormat":11},[658],{"mode":17,"text":659,"type":19,"style":10,"detail":11,"format":11,"version":4},"PD: The freedom to question and the privilege of being in a space where you can. To be able to just sit with things and have different outlooks, instead of just accepting what you've been told. Our forefathers never really questioned things the way we do now. Your great-great-grandmother followed the same script: nothing to question. Growing up in African tradition, you're told you can't do something, or you must do something, and you’re not allowed to ask questions. But here I am: questioning. We are the generation of asking why. And as a parent myself, I want my son to be able to question too.",{"id":661,"text":662,"blockName":20,"blockType":19},"6ab13176ee738752c69d3f9d",{"root":663},{"type":9,"format":10,"indent":11,"version":4,"children":664,"direction":20},[665],{"type":14,"format":10,"indent":11,"version":4,"children":666,"direction":20,"textStyle":10,"textFormat":11},[667],{"mode":17,"text":668,"type":19,"style":10,"detail":11,"format":11,"version":4},"Photos Credit: Iliana Michali","2026-10-19T13:44:19.675Z","2026-09-21T13:30:57.933Z",{"relationTo":147,"value":672},{"id":673,"is_residency_story":153,"kind_of_residency_story":150,"title":674,"slug":675,"archived":153,"created_on":20,"updated_on":20,"published_on":20,"thumbnail":676,"author":698,"date_of_publication":699,"teaser":700,"featured":20,"futures_select":20,"news_kind":701,"news_subkind":702,"category":703,"video":20,"corresponding_event":20,"artist_name":20,"reference_artist":20,"residency_location":20,"year":20,"layout_type":252,"content":705,"updatedAt":830,"createdAt":831},548,"HYBRIDS: Forging New Realities as Counter Narrative","hybrids-forging-new-realities-as-counter-narrative",{"id":677,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":679,"createdAt":680,"url":681,"thumbnailURL":20,"filename":682,"mimeType":163,"filesize":683,"width":684,"height":684,"focalX":167,"focalY":167,"sizes":685},15977,"HYBRID publication","2026-09-17T14:57:18.992Z","2026-09-17T14:57:17.744Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square.webp","_DSC0045 square.webp",1076334,4334,{"thumb":686,"medium":690,"large":694},{"url":687,"width":171,"height":171,"mimeType":163,"filesize":688,"filename":689},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-300x300.webp",13452,"_DSC0045 square-300x300.webp",{"url":691,"width":177,"height":177,"mimeType":163,"filesize":692,"filename":693},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-1200x1200.webp",186314,"_DSC0045 square-1200x1200.webp",{"url":695,"width":183,"height":183,"mimeType":163,"filesize":696,"filename":697},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0045%20square-2400x2400.webp",519824,"_DSC0045 square-2400x2400.webp","FUTURES Team","2024-10-30T12:00:00.000Z","HYBRIDS: Forging New Realities as Counter-Narrative” aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts.","Publications","Happening",[704],"Technology",[706,715,724,748,800,815],{"id":707,"text":708,"blockName":20,"blockType":19},"6ab3f82c861fa165df91203d",{"root":709},{"type":9,"format":10,"indent":11,"version":4,"children":710,"direction":20},[711],{"type":14,"format":10,"indent":11,"version":4,"children":712,"direction":20,"textStyle":10,"textFormat":11},[713],{"mode":17,"text":714,"type":19,"style":10,"detail":11,"format":11,"version":4},"HYBRIDS: Forging New Realities as Counter-Narrative aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts. ",{"id":716,"text":717,"blockName":20,"blockType":19},"6aabfebbb6d6d6312340d413",{"root":718},{"type":9,"format":10,"indent":11,"version":4,"children":719,"direction":20},[720],{"type":14,"format":10,"indent":11,"version":4,"children":721,"direction":20,"textStyle":10,"textFormat":11},[722],{"mode":17,"text":723,"type":19,"style":10,"detail":11,"format":11,"version":4},"We asked ourselves this: how is the act of narration evolving with the waves of counter-narratives that have flooded our knowledge systems, and what kinds of narratives might we need where we are heading? The book, edited by Salvatore Vitale and Saba Askary presents a collection of essays, interviews and visual responses to four points of departure: “The Speed of Narratives”, “An Evolution of Reality”, “Giving, Taking and Stealing the Right to Narrate” and “A Textured Future”. With texts and works by Morehshin Allahyari, Valentina Tanni, Max Pinckers, Tj Demos, Hoda Afshar, Alan Butler, Jean-Vincent Simonet and Nina Mangalanayagam among others.",{"id":725,"image":726,"blockName":20,"blockType":381},"6aabffd965551b605549ec7a",{"id":727,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":728,"createdAt":729,"url":730,"thumbnailURL":20,"filename":731,"mimeType":163,"filesize":732,"width":733,"height":734,"focalX":167,"focalY":167,"sizes":735},15978,"2026-09-17T14:58:02.363Z","2026-09-17T14:58:01.222Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096.webp","_DSC0096.webp",1505094,4608,3072,{"thumb":736,"medium":740,"large":744},{"url":737,"width":171,"height":524,"mimeType":163,"filesize":738,"filename":739},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-300x200.webp",15048,"_DSC0096-300x200.webp",{"url":741,"width":177,"height":529,"mimeType":163,"filesize":742,"filename":743},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-1200x800.webp",234652,"_DSC0096-1200x800.webp",{"url":745,"width":183,"height":534,"mimeType":163,"filesize":746,"filename":747},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0096-2400x1600.webp",704960,"_DSC0096-2400x1600.webp",{"id":749,"blockName":20,"images":750,"blockType":323},"6aac000665551b605549ec7b",[751,773],{"id":752,"image":753},"6aac000965551b605549ec7c",{"id":754,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":755,"createdAt":756,"url":757,"thumbnailURL":20,"filename":758,"mimeType":163,"filesize":759,"width":733,"height":734,"focalX":167,"focalY":167,"sizes":760},16024,"2026-09-23T16:07:14.909Z","2026-09-23T16:07:13.840Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112.webp","_DSC0112.webp",559522,{"thumb":761,"medium":765,"large":769},{"url":762,"width":171,"height":524,"mimeType":163,"filesize":763,"filename":764},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-300x200.webp",12060,"_DSC0112-300x200.webp",{"url":766,"width":177,"height":529,"mimeType":163,"filesize":767,"filename":768},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-1200x800.webp",84596,"_DSC0112-1200x800.webp",{"url":770,"width":183,"height":534,"mimeType":163,"filesize":771,"filename":772},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0112-2400x1600.webp",215454,"_DSC0112-2400x1600.webp",{"id":774,"image":775},"6aac002065551b605549ec7d",{"id":776,"alt":678,"originalUrl":20,"uploaded_by":20,"updatedAt":777,"createdAt":778,"url":779,"thumbnailURL":20,"filename":780,"mimeType":163,"filesize":781,"width":782,"height":783,"focalX":167,"focalY":167,"sizes":784},15980,"2026-09-17T14:58:58.587Z","2026-09-17T14:58:57.441Z","https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104.webp","_DSC0104.webp",989392,4026,2961,{"thumb":785,"medium":790,"large":795},{"url":786,"width":171,"height":787,"mimeType":163,"filesize":788,"filename":789},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-300x221.webp",221,14952,"_DSC0104-300x221.webp",{"url":791,"width":177,"height":792,"mimeType":163,"filesize":793,"filename":794},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-1200x883.webp",883,200430,"_DSC0104-1200x883.webp",{"url":796,"width":183,"height":797,"mimeType":163,"filesize":798,"filename":799},"https://futures-backend-unstated-int.vercel.app/api/media/file/_DSC0104-2400x1765.webp",1765,540144,"_DSC0104-2400x1765.webp",{"id":801,"text":802,"blockName":20,"blockType":19},"6ab3f860861fa165df91203e",{"root":803},{"type":9,"format":10,"indent":11,"version":4,"children":804,"direction":20},[805,809,811],{"type":14,"format":10,"indent":11,"version":4,"children":806,"direction":20,"textStyle":10,"textFormat":11},[807],{"mode":17,"text":808,"type":19,"style":10,"detail":11,"format":11,"version":4},"Edited by Salvatore Vitale and Saba Askary.",{"type":14,"format":10,"indent":11,"version":4,"children":810,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":812,"direction":20,"textStyle":10,"textFormat":11},[813],{"mode":17,"text":814,"type":19,"style":10,"detail":11,"format":11,"version":4},"With texts and works by Morehshin Allahyari, Valentina Tanni, Max Pinckers, Tj Demos, Hoda Afshar, Alan Butler, Jean-Vincent Simonet and Nina Mangalanayagam among others.",{"id":816,"text":817,"blockName":20,"blockType":19},"6aabfecab6d6d6312340d414",{"root":818},{"type":9,"format":10,"indent":11,"version":4,"children":819,"direction":20},[820],{"type":14,"format":10,"indent":11,"version":4,"children":821,"direction":20,"textStyle":10,"textFormat":11},[822,824,825,827,828],{"mode":17,"text":823,"type":19,"style":10,"detail":11,"format":11,"version":4},"150 pages",{"type":463,"version":4},{"mode":17,"text":826,"type":19,"style":10,"detail":11,"format":11,"version":4},"Soft cover with plastic sleeve, 20x27 cm",{"type":463,"version":4},{"mode":17,"text":829,"type":19,"style":10,"detail":11,"format":11,"version":4},"ISBN: 978-9-09-035599-3","2026-10-14T15:39:43.040Z","2026-09-17T14:53:18.686Z",[833,701,190],"Newsroom","2026-09-24T17:45:06.734Z","2026-09-16T09:33:29.914Z","stories-page",{"id":4,"main_copy":838,"featured_gallery":847,"updatedAt":2035,"createdAt":2036,"globalType":2037},{"title":839,"text":840},"Events",{"root":841},{"type":9,"format":10,"indent":11,"version":4,"children":842,"direction":20},[843],{"type":14,"format":10,"indent":11,"version":4,"children":844,"direction":20,"textStyle":10,"textFormat":11},[845],{"mode":17,"text":846,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES brings artists, curators, institutions and audiences together through exhibitions, conversations, workshops, screenings and other encounters that foster exchange around photography and contemporary visual culture.",[848,1748,1883],{"relationTo":849,"value":850},"events",{"id":851,"name":852,"slug":853,"archived":153,"created_on":20,"updated_on":20,"published_on":854,"event_thumbnail":855,"begin_date":879,"end_date":880,"location":881,"magnum_event":20,"host_event":20,"event_text":882,"link_to_tickets":20,"link_for_more_info":20,"related_member":1745,"online_event":153,"open_for_application":20,"meta_description":20,"updatedAt":1746,"createdAt":1747},150,"FUTURES presents The Ecology of Movement","futures-presents-the-ecology-of-movement","2026-10-11T22:00:00.000Z",{"id":856,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":857,"createdAt":858,"url":859,"thumbnailURL":20,"filename":860,"mimeType":163,"filesize":861,"width":862,"height":863,"focalX":167,"focalY":167,"sizes":864},16916,"2026-10-14T15:32:00.089Z","2026-10-14T15:31:59.053Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait.webp","Website_Cover_Portrait.webp",313470,3000,4000,{"thumb":865,"medium":870,"large":874},{"url":866,"width":171,"height":867,"mimeType":163,"filesize":868,"filename":869},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-300x400.webp",400,6452,"Website_Cover_Portrait-300x400.webp",{"url":871,"width":177,"height":534,"mimeType":163,"filesize":872,"filename":873},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-1200x1600.webp",59608,"Website_Cover_Portrait-1200x1600.webp",{"url":875,"width":183,"height":876,"mimeType":163,"filesize":877,"filename":878},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Portrait-2400x3200.webp",3200,203610,"Website_Cover_Portrait-2400x3200.webp","2026-11-08T23:00:00.000Z","2026-11-14T23:00:00.000Z","Atelier 13 Sévigné, Le Marais, Paris",{"root":883},{"type":9,"format":10,"indent":11,"version":4,"children":884,"direction":20},[885,891,893,899,901,903,905,910,935,937,939,941,945,947,953,955,959,963,965,972,974,976,980,984,986,990,992,996,998,1002,1004,1008,1010,1012,1016,1018,1022,1024,1028,1030,1031,1033,1037,1041,1043,1052,1076,1078,1082,1084,1155,1175,1177,1181,1183,1239,1259,1261,1265,1267,1321,1344,1346,1350,1352,1407,1427,1429,1433,1435,1436,1438,1443,1445,1449,1453,1477,1479,1483,1485,1489,1494,1496,1521,1523,1527,1531,1533,1537,1539,1541,1545,1549,1551,1555,1557,1561,1563,1565,1569,1573,1575,1579,1581,1585,1587,1589,1593,1597,1599,1603,1605,1609,1611,1615,1617,1619,1623,1627,1629,1633,1635,1639,1641,1645,1647,1649,1657,1661,1663,1671,1673,1677,1679,1681,1685,1689,1691,1695,1697,1701,1703,1707,1709,1713,1715,1719,1721,1725,1729,1731,1735,1739,1741],{"tag":886,"type":887,"format":10,"indent":11,"version":4,"children":888,"direction":20},"h2","heading",[889],{"mode":17,"text":890,"type":19,"style":10,"detail":11,"format":4,"version":4},"An exhibition and public programme exploring photography and environmental responsibility",{"type":14,"format":10,"indent":11,"version":4,"children":892,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":894,"direction":20,"textStyle":10,"textFormat":4},[895,897,898],{"mode":17,"text":896,"type":19,"style":10,"detail":11,"format":4,"version":4},"9–15 November 2026",{"type":463,"version":4},{"mode":17,"text":881,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":900,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":902,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":904,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":907,"direction":20},"h6",[908],{"mode":17,"text":909,"type":19,"style":10,"detail":11,"format":4,"version":4},"PROGRAMME AT A GLANCE",{"id":911,"type":912,"value":913,"fields":20,"format":10,"version":95,"relationTo":934},"6ad1c9a7d8c9944ba9db64b2","upload",{"id":914,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":915,"createdAt":916,"url":917,"thumbnailURL":20,"filename":918,"mimeType":163,"filesize":919,"width":920,"height":921,"focalX":167,"focalY":167,"sizes":922},17005,"2026-10-16T06:52:23.030Z","2026-10-16T06:52:22.002Z","https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02.webp","TEOM_Program_02.webp",112488,1275,1650,{"thumb":923,"medium":928,"large":933},{"url":924,"width":171,"height":925,"mimeType":163,"filesize":926,"filename":927},"https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02-300x388.webp",388,16180,"TEOM_Program_02-300x388.webp",{"url":929,"width":177,"height":930,"mimeType":163,"filesize":931,"filename":932},"https://futures-backend-unstated-int.vercel.app/api/media/file/TEOM_Program_02-1200x1553.webp",1553,108138,"TEOM_Program_02-1200x1553.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"media",{"type":14,"format":10,"indent":11,"version":4,"children":936,"direction":20,"textStyle":10,"textFormat":4},[],{"type":938,"version":4},"horizontalrule",{"type":14,"format":10,"indent":11,"version":4,"children":940,"direction":20,"textStyle":10,"textFormat":4},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":942,"direction":20},[943],{"mode":17,"text":944,"type":19,"style":10,"detail":11,"format":4,"version":4},"ABOUT THE PROJECT",{"type":14,"format":10,"indent":11,"version":4,"children":946,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":948,"direction":20,"textStyle":10,"textFormat":222},[949,951],{"mode":17,"text":950,"type":19,"style":10,"detail":11,"format":222,"version":4},"The Ecology of Movement",{"mode":17,"text":952,"type":19,"style":10,"detail":11,"format":11,"version":4}," explores the relationship between photography, environmental responsibility and cultural production, asking how ecological awareness might shape the ways images are made, exhibited and experienced.",{"type":14,"format":10,"indent":11,"version":4,"children":954,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":956,"direction":20,"textStyle":10,"textFormat":11},[957],{"mode":17,"text":958,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Julia Rajacic, the exhibition brings together five photographers who incorporate ecological constraints into their practices. Through different approaches to materials, processes, technologies and environments, their work explores how limitations can become a source of experimentation and creative possibility.",{"type":14,"format":10,"indent":11,"version":4,"children":960,"direction":20,"textStyle":10,"textFormat":11},[961],{"mode":17,"text":962,"type":19,"style":10,"detail":11,"format":11,"version":4},"The public programme extends these questions through talks, workshops, performances, presentations and discussions. Bringing together artists, curators and institutions, it considers ecological responsibility across photographic practice, visual culture and cultural production.",{"type":14,"format":10,"indent":11,"version":4,"children":964,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":966,"direction":20,"textStyle":10,"textFormat":11},[967,969,970],{"mode":17,"text":968,"type":19,"style":10,"detail":11,"format":11,"version":4},"Rather than proposing a single model for responsible cultural production, ",{"mode":17,"text":950,"type":19,"style":10,"detail":11,"format":222,"version":4},{"mode":17,"text":971,"type":19,"style":10,"detail":11,"format":11,"version":4}," creates space to question existing practices, exchange perspectives and consider how different approaches might inform one another.",{"type":14,"format":10,"indent":11,"version":4,"children":973,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":975,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":977,"direction":20},[978],{"mode":17,"text":979,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE ECOLOGY OF MOVEMENT EXHIBITION",{"type":14,"format":10,"indent":11,"version":4,"children":981,"direction":20,"textStyle":10,"textFormat":11},[982],{"mode":17,"text":983,"type":19,"style":10,"detail":11,"format":11,"version":4},"When ecological limits become a creative force",{"type":14,"format":10,"indent":11,"version":4,"children":985,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":987,"direction":20,"textStyle":10,"textFormat":11},[988],{"mode":17,"text":989,"type":19,"style":10,"detail":11,"format":11,"version":4},"How might ecological constraints shape the way photography is produced? And what possibilities emerge when limits become part of the creative process?",{"type":14,"format":10,"indent":11,"version":4,"children":991,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":993,"direction":20,"textStyle":10,"textFormat":11},[994],{"mode":17,"text":995,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Julia Rajacic, the exhibition brings together five photographers whose practices engage with ecological limits through material experimentation, site-specific approaches and alternative ways of working.",{"type":14,"format":10,"indent":11,"version":4,"children":997,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":999,"direction":20,"textStyle":10,"textFormat":11},[1000],{"mode":17,"text":1001,"type":19,"style":10,"detail":11,"format":11,"version":4},"Their work spans plant-based photographic processes, images made from polluted flora, self-built photographic equipment, collaborations with scientific research and projects exploring biodiversity and the relationships between humans and other species.",{"type":14,"format":10,"indent":11,"version":4,"children":1003,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1005,"direction":20,"textStyle":10,"textFormat":11},[1006],{"mode":17,"text":1007,"type":19,"style":10,"detail":11,"format":11,"version":4},"Together, these practices address photography’s ecological paradox: its capacity to make environmental crises visible while remaining part of the systems that contribute to them.",{"type":14,"format":10,"indent":11,"version":4,"children":1009,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1011,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1013,"direction":20},[1014],{"mode":17,"text":1015,"type":19,"style":10,"detail":11,"format":4,"version":4},"An eco-designed exhibition",{"type":14,"format":10,"indent":11,"version":4,"children":1017,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1019,"direction":20,"textStyle":10,"textFormat":11},[1020],{"mode":17,"text":1021,"type":19,"style":10,"detail":11,"format":11,"version":4},"The project also considers its own environmental impact. Guided by the curator’s commitment to eco-design, the exhibition prioritises reducing its footprint across travel, shipping, exhibition staging, material choices and catering.",{"type":14,"format":10,"indent":11,"version":4,"children":1023,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1025,"direction":20,"textStyle":10,"textFormat":11},[1026],{"mode":17,"text":1027,"type":19,"style":10,"detail":11,"format":11,"version":4},"Presented during the bicentenary of photography and ten years after the ratification and entry into force of the Paris Agreement, the project connects a reflection on the medium’s history with the environmental conditions shaping its future.",{"type":14,"format":10,"indent":11,"version":4,"children":1029,"direction":20,"textStyle":10,"textFormat":11},[],{"type":938,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1032,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1034,"direction":20},[1035],{"mode":17,"text":1036,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE ARTISTS",{"type":14,"format":10,"indent":11,"version":4,"children":1038,"direction":20,"textStyle":10,"textFormat":11},[1039],{"mode":17,"text":1040,"type":19,"style":10,"detail":11,"format":11,"version":4},"Five photographers approach ecological constraints through distinct practices and methods.",{"type":14,"format":10,"indent":11,"version":4,"children":1042,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1044,"direction":20},[1045],{"id":1046,"type":90,"fields":1047,"format":10,"indent":11,"version":95,"children":1049,"direction":20},"6ad09472d8c9944ba9db64ac",{"url":1048,"linkType":94},"https://a-baumgartner.com/://",[1050],{"mode":17,"text":1051,"type":19,"style":10,"detail":11,"format":11,"version":4},"Alexandra Baumgartner",{"id":1053,"type":912,"value":1054,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa503a617045aa261bc08",{"id":1055,"alt":1056,"originalUrl":20,"uploaded_by":20,"updatedAt":1057,"createdAt":1058,"url":1059,"thumbnailURL":20,"filename":1060,"mimeType":163,"filesize":1061,"width":1062,"height":1063,"focalX":167,"focalY":167,"sizes":1064},16928,"Artwork by Alexandra Baumgartner","2026-10-14T15:51:30.893Z","2026-10-14T15:51:29.854Z","https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp","FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7.webp",68390,1429,2000,{"thumb":1065,"medium":1070,"large":1075},{"url":1066,"width":171,"height":1067,"mimeType":163,"filesize":1068,"filename":1069},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",420,4634,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-300x420.webp",{"url":1071,"width":177,"height":1072,"mimeType":163,"filesize":1073,"filename":1074},"https://futures-backend-unstated-int.vercel.app/api/media/file/FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",1679,41472,"FullCycle_AlexandraBaumgartner_HowLikeALeafIAm_7-1200x1679.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1077,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1079,"direction":20,"textStyle":10,"textFormat":11},[1080],{"mode":17,"text":1081,"type":19,"style":10,"detail":11,"format":11,"version":4},"Working across photography, sound and installation, Baumgartner explores biodiversity, agriculture and the relationships between people and plants. Her work includes seed keepers and agronomic activists whose practices contribute to the preservation of biodiversity.",{"type":14,"format":10,"indent":11,"version":4,"children":1083,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1085,"direction":20},[1086],{"id":1087,"type":90,"fields":1088,"format":10,"indent":11,"version":95,"children":1153,"direction":20},"6acfaf08a617045aa261bc17",{"doc":1089,"linkType":1152},{"label":1090,"value":1091,"relationTo":248},"Benedetta Casagrande",{"id":1092,"profile_types":1093,"is_member":153,"name":1090,"slug":1094,"archived":153,"created_on":1095,"updated_on":1096,"published_on":1096,"biography":1097,"e_mail":1113,"profile_image":1114,"website":1115,"instagram":1116,"first_name":1117,"last_name":1118,"kind_of_profile":218,"tags_profession":1119,"tags_identity":1120,"tags_location":1121,"tags_practice":1122,"tags_topics":1126,"born_in":1130,"street_address":10,"city":1131,"country":1132,"corresponding_member":1133,"member_additional":1135,"corresponding_art_projects":1136,"corresponding_selected_year":1138,"reference_residency":1140,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1141,"curation_reference":1142,"past_member":20,"approved_courses":1143,"tutor_courses":1144,"guest_expert_courses":1146,"updatedAt":1148,"createdAt":1149,"email":1150,"collection":248,"sessions":1151},742,[198],"benedetta-casagrande","Mon Feb 03 2025 17:22:15 GMT+0000 (Coordinated Universal Time)","Thu Jan 15 2026 09:36:49 GMT+0000 (Coordinated Universal Time)",{"root":1098},{"type":9,"format":10,"indent":11,"version":4,"children":1099,"direction":1112},[1100,1104,1108],{"type":14,"version":4,"children":1101},[1102],{"text":1103,"type":19,"version":4},"Benedetta Casagrande (she/her) is an artist and educator working across photography, writing and sculpture, with a focus on regenerative practices and co-authorship with more-than-human agents. Starting from an interest in political ecology and critical studies, she develops a biocentric practice where photography is used to look-at and sit-within interspecies relationships and more-than-human life in times of extinctions, working through ecological grief, forming multi-species alliances and nurturing relationships based on principles of kinship, reciprocity and shared health. Working with darkroom chemistry made with locally foraged plants, scavenged iron and waste products, reclaiming silver from spent chemistry and applying a circular economy between the darkroom and the land through appropriate waste disposal processes, that allow for chemical waste to be composted and used as fertiliser, she approaches the practice of photography as a process of contaminations and encounters, trying to learn how to better live and die together.",{"type":14,"version":4,"children":1105},[1106],{"text":1107,"type":19,"version":4},"Benedetta graduated with a BA in Photography from the University of Brighton (2016) and with an MA in Art History and Museum Curating with Photography from the University of Sussex (2019). In the past years she has regularly engaged with the teachings and knowledge on ecological practices shared by The Sustainable Darkroom and Curioso Lab. Currently, she is part of the cohort of the postgraduate programme Alternative Ecologies with the Institute for Postnatural Studies (2026-2027).",{"type":14,"version":4,"children":1109},[1110],{"text":1111,"type":19,"version":4},"She is the winner of the Luigi Ghirri Award (2024) and the FE+SK Book Award (2024), and received a special mention from the jury at the 13th edition of the Francesco Fabbri Prize. Her first book, All Things Laid Dormant (Skinnerboox, 2024), is a finalist in the Arles Authors Book Award and the Singapore International Photography Festival Book Award, and has received the special mention of the Marco Bastianelli Photobook Award (2025). Her work has been exhibited in national and international institutions, including Photo Ireland (Dublin, 2019), 副本 INSTANCE (Shanghai, 2021), Fotografia Europea (Reggio Emilia, 2024), Photo Brussels (2024), PhMuseum Days (2024), the Italian Institute of Culture Stockholm (2025), Prague Photo Festival (2025), L’Imagerie Centre d’Arte (2025), Triennale (Milan, 2025) and Almanac (Turin, 2026).","ltr","benedettacasagrande@proton.me",12444,"https://benedettacasagrande.info/","https://www.instagram.com/benedetta_casagrande/","Benedetta","Casagrande",[99,220,229,231],[],[471,481],[1123,477,1124,1125],15,6,18,[1127,1128,1129,224],30,31,24,"1993","Milan","Italy",[1134],1455,[],[1137],54,[1139],16,545,[],[],[],{"docs":1145,"hasNextPage":153},[],{"docs":1147,"hasNextPage":153},[],"2026-10-09T09:43:27.959Z","2026-03-26T15:08:43.214Z","benedettacasagrande@gmail.com",[],"internal",[1154],{"mode":17,"text":1090,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1156,"type":912,"value":1157,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa486a617045aa261bc07",{"id":1158,"alt":1159,"originalUrl":20,"uploaded_by":1092,"updatedAt":1160,"createdAt":1161,"url":1162,"thumbnailURL":20,"filename":1163,"mimeType":163,"filesize":1164,"width":1165,"height":1166,"focalX":167,"focalY":167,"sizes":1167},16926,"Artwork by Benedetta Casagrande","2026-10-14T15:49:52.623Z","2026-10-14T15:49:25.126Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer.webp","Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer.webp",153154,911,1220,{"thumb":1168,"medium":1173,"large":1174},{"url":1169,"width":171,"height":1170,"mimeType":163,"filesize":1171,"filename":1172},"https://futures-backend-unstated-int.vercel.app/api/media/file/Title%20TBC%204%20(2026)%2C%20silver%20gelatin%20print%2C%20developed%20with%20kitchen%20waste%20developer%20%2B%2C%20nettle%20developer-300x402.webp",402,24858,"Title TBC 4 (2026), silver gelatin print, developed with kitchen waste developer +, nettle developer-300x402.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1176,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1178,"direction":20,"textStyle":10,"textFormat":11},[1179],{"mode":17,"text":1180,"type":19,"style":10,"detail":11,"format":11,"version":4},"Casagrande explores interspecies relationships through photography, writing and sculpture. For the exhibition, she presents silver gelatin prints developed using foraged plant matter, alongside ceramic sculptures incorporating reclaimed silver from spent darkroom chemistry.",{"type":14,"format":10,"indent":11,"version":4,"children":1182,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1184,"direction":20},[1185],{"id":1186,"type":90,"fields":1187,"format":10,"indent":11,"version":95,"children":1237,"direction":20},"6acfa90fa617045aa261bc0f",{"doc":1188,"linkType":1152},{"label":1189,"value":1190,"relationTo":248},"Diana Lelonek",{"id":529,"profile_types":1191,"is_member":153,"name":1189,"slug":1192,"archived":153,"created_on":1193,"updated_on":1194,"published_on":1194,"biography":1195,"e_mail":1210,"profile_image":1211,"website":10,"instagram":10,"first_name":1212,"last_name":1213,"kind_of_profile":218,"tags_profession":1214,"tags_identity":1215,"tags_location":1217,"tags_practice":1218,"tags_topics":1219,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":1220,"member_additional":1222,"corresponding_art_projects":1223,"corresponding_selected_year":1225,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1227,"curation_reference":1228,"past_member":20,"approved_courses":1229,"tutor_courses":1230,"guest_expert_courses":1232,"updatedAt":1234,"createdAt":1235,"email":1210,"collection":248,"sessions":1236},[198],"diana-lelonek","Mon Oct 14 2024 13:29:58 GMT+0000 (Coordinated Universal Time)","Fri Oct 03 2025 12:11:10 GMT+0000 (Coordinated Universal Time)",{"root":1196},{"type":9,"format":10,"indent":11,"version":4,"children":1197},[1198,1202,1206],{"type":14,"version":4,"children":1199},[1200],{"text":1201,"type":19,"version":4},"Diana Lelonek (b. 1988) graduated from the Faculty of Multimedia Communication at the University of Arts in Poznań. Her practice is based on photography combined with other media. She is interested in activities related to BioArt.",{"type":14,"version":4,"children":1203},[1204],{"text":1205,"type":19,"version":4},"Lelonek won several international competitions, among others: Show Off during the Kraków Photomonth Festival and ReGeneration 3 at the Musée de l’Elysée in Switzerland. Her works appear, among others, in the collection of the Museum of Photography in Lausanne, Center of the Contemporary Art in Warsaw etc",{"type":14,"version":4,"children":1207},[1208],{"text":1209,"type":19,"version":4},"‍","dianalelonek@gmail.com",3128,"Diana","Lelonek",[220],[222,1216],7,[1125,480],[99],[1127,224],[1221],1458,[],[1224],139,[1226],44,[],[],[],{"docs":1231,"hasNextPage":153},[],{"docs":1233,"hasNextPage":153},[],"2026-10-16T14:57:18.771Z","2026-03-26T15:09:59.081Z",[],[1238],{"mode":17,"text":1189,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1240,"type":912,"value":1241,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa5bca617045aa261bc09",{"id":1242,"alt":1243,"originalUrl":20,"uploaded_by":529,"updatedAt":1244,"createdAt":1245,"url":1246,"thumbnailURL":20,"filename":1247,"mimeType":163,"filesize":1248,"width":1249,"height":1250,"focalX":167,"focalY":167,"sizes":1251},16929,"Artwork by Diana Leonel","2026-10-14T15:54:35.859Z","2026-10-14T15:54:34.860Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Screenshot%202026-07-23%20at%2012.20.27.webp","Screenshot 2026-07-23 at 12.20.27.webp",140382,966,1237,{"thumb":1252,"medium":1257,"large":1258},{"url":1253,"width":171,"height":1254,"mimeType":163,"filesize":1255,"filename":1256},"https://futures-backend-unstated-int.vercel.app/api/media/file/Screenshot%202026-07-23%20at%2012.20.27-300x384.webp",384,21522,"Screenshot 2026-07-23 at 12.20.27-300x384.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1260,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1262,"direction":20,"textStyle":10,"textFormat":11},[1263],{"mode":17,"text":1264,"type":19,"style":10,"detail":11,"format":11,"version":4},"Lelonek examines relationships between humans and other species, responding to overproduction and environmental change. Her work includes cyanotypes made through extended solar exposures and unfixed anthotypes created using pigments gathered from plants growing in an urban nature reserve.",{"type":14,"format":10,"indent":11,"version":4,"children":1266,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1268,"direction":20},[1269],{"id":1270,"type":90,"fields":1271,"format":10,"indent":11,"version":95,"children":1319,"direction":20},"6acfa91ba617045aa261bc10",{"doc":1272,"linkType":1152},{"label":1273,"value":1274,"relationTo":248},"Santiago Martinez Benedetti",{"id":1275,"profile_types":1276,"is_member":153,"name":1273,"slug":1277,"archived":153,"created_on":1278,"updated_on":1279,"published_on":1280,"biography":1281,"e_mail":1288,"profile_image":1289,"website":1290,"instagram":1291,"first_name":1292,"last_name":1293,"kind_of_profile":218,"tags_profession":1294,"tags_identity":1296,"tags_location":1297,"tags_practice":1299,"tags_topics":1300,"born_in":1302,"street_address":20,"city":1303,"country":20,"corresponding_member":1304,"member_additional":1306,"corresponding_art_projects":1307,"corresponding_selected_year":1308,"reference_residency":20,"date_of_residency":20,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1309,"curation_reference":1310,"past_member":20,"approved_courses":1311,"tutor_courses":1312,"guest_expert_courses":1314,"updatedAt":1316,"createdAt":1317,"email":1288,"collection":248,"sessions":1318},1412,[198],"santiago-martinez-benedetti","Sun Feb 01 2026 15:02:59 GMT+0000 (Coordinated Universal Time)","Wed Mar 04 2026 14:18:11 GMT+0000 (Coordinated Universal Time)","Tue Mar 17 2026 11:04:00 GMT+0000 (Coordinated Universal Time)",{"root":1282},{"type":9,"format":10,"indent":11,"version":4,"children":1283},[1284],{"type":14,"version":4,"children":1285},[1286],{"text":1287,"type":19,"version":4},"I was born in Cali, Colombia, and moved to Switzerland at the age of four. My early interest in photography emerged through BMX culture, shaped by a raw, spontaneous, and DIY mindset.  This curiosity led me to study photography at ECAL, in Lausanne where I got a Bachelor in Photography in 2020.\r\n\r\nSince then, I have worked across different fields of photography, balancing applied practice with the development of a personal artistic body of work. In 2024, following a residency as part of the Verzasca Foto Festival, I initiated the project Torbola 31, which marked a turning point in my artistic practice. The project combines the DIY, instinctive heritage of my beginnings with a more structured and conceptual approach. It was awarded the Swiss Design Awards in 2025.\r\n\r\nAlongside my artistic work, I founded Siestaaa Papers, my own publishing house dedicated to collaborations with other artists and designers.","hello@santiagomartinez.ch",14261,"https://santiagomartinez.ch/","instagram.com/santiagezmartino/","Santiago","Martinez Benedetti",[99,220,1295],10,[228,477],[226,1298],27,[1216,1123],[1301],34,"1996","Lausanne",[1305],1456,[],[],[474],[],[],[],{"docs":1313,"hasNextPage":153},[],{"docs":1315,"hasNextPage":153},[],"2026-10-06T14:41:45.508Z","2026-06-19T14:39:29.398Z",[],[1320],{"mode":17,"text":1273,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1322,"type":912,"value":1323,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa660a617045aa261bc0b",{"id":1324,"alt":1325,"originalUrl":20,"uploaded_by":1275,"updatedAt":1326,"createdAt":1327,"url":1328,"thumbnailURL":20,"filename":1329,"mimeType":163,"filesize":1330,"width":1331,"height":288,"focalX":167,"focalY":167,"sizes":1332},16931,"Artwork by Santiago Martinez Benedetti","2026-10-14T15:57:20.588Z","2026-10-14T15:57:19.586Z","https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56.webp","year2_56.webp",202586,1771,{"thumb":1333,"medium":1338,"large":1343},{"url":1334,"width":171,"height":1335,"mimeType":163,"filesize":1336,"filename":1337},"https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56-300x423.webp",423,7452,"year2_56-300x423.webp",{"url":1339,"width":177,"height":1340,"mimeType":163,"filesize":1341,"filename":1342},"https://futures-backend-unstated-int.vercel.app/api/media/file/year2_56-1200x1694.webp",1694,97214,"year2_56-1200x1694.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1345,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1347,"direction":20,"textStyle":10,"textFormat":11},[1348],{"mode":17,"text":1349,"type":19,"style":10,"detail":11,"format":11,"version":4},"Martinez Benedetti investigates the material and technical possibilities of photography. His work includes black-and-white prints made using a self-built camera transported by bicycle across alpine trails, with physical strain and technical limitations becoming part of the process.",{"type":14,"format":10,"indent":11,"version":4,"children":1351,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1353,"direction":20},[1354],{"id":1355,"type":90,"fields":1356,"format":10,"indent":11,"version":95,"children":1405,"direction":20},"6acfa928a617045aa261bc11",{"doc":1357,"linkType":1152},{"label":1358,"value":1359,"relationTo":248},"Laure Winants",{"id":1360,"profile_types":1361,"is_member":153,"name":1358,"slug":1362,"archived":153,"created_on":1363,"updated_on":1364,"published_on":1364,"biography":1365,"e_mail":1376,"profile_image":1377,"website":10,"instagram":10,"first_name":1378,"last_name":1379,"kind_of_profile":218,"tags_profession":1380,"tags_identity":1381,"tags_location":1382,"tags_practice":1384,"tags_topics":1385,"born_in":10,"street_address":20,"city":10,"country":20,"corresponding_member":1386,"member_additional":1388,"corresponding_art_projects":1389,"corresponding_selected_year":1391,"reference_residency":1393,"date_of_residency":1394,"date_since":20,"date_ended":20,"linkedin":20,"corresponding_artist":1395,"curation_reference":1396,"past_member":20,"approved_courses":1397,"tutor_courses":1398,"guest_expert_courses":1400,"updatedAt":1402,"createdAt":1403,"email":1376,"collection":248,"sessions":1404},989,[198],"laure-winants","Mon Oct 14 2024 13:30:30 GMT+0000 (Coordinated Universal Time)","Wed May 06 2026 06:46:24 GMT+0000 (Coordinated Universal Time)",{"root":1366},{"type":9,"format":10,"indent":11,"version":4,"children":1367},[1368,1372],{"type":14,"version":4,"children":1369},[1370],{"text":1371,"type":19,"version":4},"Laure Winants is a researcher and field-based visual artist (BE, FR). Winants set up her artist’s studio in the heart of the Arctic ice pack. Embarked on a four-month polar expedition, she joined a team of multidisciplinary researchers to understand the evolution of this vast territory, where man is only a tiny part of life. Immersed in this white desert, she uses techniques developed specifically to capture the optical and luminous phenomena unique to the region. Using environmental sensors, the interaction of matter itself has become the creator of the work, putting human intervention to one side. Laure Winants makes this data tangible and emotionally perceptible, highlighting the interdependence of ecosystems and creating encounters in more-than-human temporalities. In this way, the artist creates a dialogue between art, the natural sciences, and technology.",{"type":14,"version":4,"children":1373},[1374],{"text":1375,"type":19,"version":4},"Laure has exhibited her work internationally in Berlin (DE), Reykjavik (IS), Brussels (BE), Paris (FR), and soon in Stockholm (SE), Luxembourg (LU), and Osaka (JP). Her work has entered the collection of several foundations, such as the Fondation des Arts du Luxembourg and the Palais de Liège (BE).","laurewinants@gmail.com",12585,"Laure","Winants",[220,1295],[222],[226,1383,225],51,[1216,99],[1127,1129],[1387],1306,[],[1390],782,[1392],38,529,"01/05/2025",[],[],[],{"docs":1399,"hasNextPage":153},[],{"docs":1401,"hasNextPage":153},[],"2026-10-14T19:06:59.916Z","2026-03-26T15:15:50.784Z",[],[1406],{"mode":17,"text":1358,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1408,"type":912,"value":1409,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa691a617045aa261bc0c",{"id":1410,"alt":1411,"originalUrl":20,"uploaded_by":1360,"updatedAt":1412,"createdAt":1413,"url":1414,"thumbnailURL":20,"filename":1415,"mimeType":163,"filesize":1416,"width":1417,"height":1418,"focalX":167,"focalY":167,"sizes":1419},16932,"Artwork by Laure Winants","2026-10-14T15:58:09.613Z","2026-10-14T15:58:08.305Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Laure%20Winants.%20Time%20Caspule%20series.webp","Laure Winants. Time Caspule series.webp",11852,848,1204,{"thumb":1420,"medium":1425,"large":1426},{"url":1421,"width":171,"height":1422,"mimeType":163,"filesize":1423,"filename":1424},"https://futures-backend-unstated-int.vercel.app/api/media/file/Laure%20Winants.%20Time%20Caspule%20series-300x426.webp",426,2848,"Laure Winants. Time Caspule series-300x426.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1428,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1430,"direction":20,"textStyle":10,"textFormat":11},[1431],{"mode":17,"text":1432,"type":19,"style":10,"detail":11,"format":11,"version":4},"Winants works at the intersection of art and scientific research, investigating fragile ecosystems and environmental processes. Her practice explores phenomena such as air bubbles trapped in polar ice through photographic methods responsive to light and material conditions.",{"type":14,"format":10,"indent":11,"version":4,"children":1434,"direction":20,"textStyle":10,"textFormat":11},[],{"type":938,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1437,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1440,"direction":20},"h3",[1441],{"mode":17,"text":1442,"type":19,"style":10,"detail":11,"format":4,"version":4},"THE CURATOR",{"type":14,"format":10,"indent":11,"version":4,"children":1444,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1446,"direction":20},[1447],{"mode":17,"text":1448,"type":19,"style":10,"detail":11,"format":4,"version":4},"Julia Rajacic",{"type":14,"format":10,"indent":11,"version":4,"children":1450,"direction":20,"textStyle":10,"textFormat":11},[1451],{"mode":17,"text":1452,"type":19,"style":10,"detail":11,"format":11,"version":4},"Independent curator and founder of Jardino",{"id":1454,"type":912,"value":1455,"fields":20,"format":10,"version":95,"relationTo":934},"6acfa705a617045aa261bc0d",{"id":1456,"alt":1457,"originalUrl":20,"uploaded_by":20,"updatedAt":1458,"createdAt":1459,"url":1460,"thumbnailURL":20,"filename":1461,"mimeType":163,"filesize":1462,"width":1463,"height":1464,"focalX":167,"focalY":167,"sizes":1465},16933,"Portrait of Julia Rajacic","2026-10-14T16:00:05.054Z","2026-10-14T16:00:03.881Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi.webp","Portrait Futures 150dpi.webp",166238,2043,1907,{"thumb":1466,"medium":1471,"large":1476},{"url":1467,"width":171,"height":1468,"mimeType":163,"filesize":1469,"filename":1470},"https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi-300x280.webp",280,5132,"Portrait Futures 150dpi-300x280.webp",{"url":1472,"width":177,"height":1473,"mimeType":163,"filesize":1474,"filename":1475},"https://futures-backend-unstated-int.vercel.app/api/media/file/Portrait%20Futures%20150dpi-1200x1120.webp",1120,68982,"Portrait Futures 150dpi-1200x1120.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},{"type":14,"format":10,"indent":11,"version":4,"children":1478,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1480,"direction":20,"textStyle":10,"textFormat":11},[1481],{"mode":17,"text":1482,"type":19,"style":10,"detail":11,"format":11,"version":4},"Julia Rajacic works at the intersection of art, ecology and community-based practices, exploring how culture can open new sensory, ethical and imaginative pathways towards ecological transition.",{"type":14,"format":10,"indent":11,"version":4,"children":1484,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1486,"direction":20,"textStyle":10,"textFormat":11},[1487],{"mode":17,"text":1488,"type":19,"style":10,"detail":11,"format":11,"version":4},"Her commitment to eco-design informs her curatorial practice, with attention to environmental impact across the different stages of exhibition-making, from travel and shipping to material selection and staging.",{"type":14,"format":10,"indent":11,"version":4,"children":1490,"direction":20,"textStyle":10,"textFormat":11},[1491,1492],{"type":463,"version":4},{"mode":17,"text":1493,"type":19,"style":10,"detail":11,"format":11,"version":4},"For The Ecology of Movement, Rajacic brings together five photographic practices that approach ecological limits as a generative force, considering how environmental responsibility can become integral to artistic practice rather than an external constraint.",{"type":14,"format":10,"indent":11,"version":4,"children":1495,"direction":20,"textStyle":10,"textFormat":11},[],{"id":1497,"type":912,"value":1498,"fields":20,"format":10,"version":95,"relationTo":934},"6acfbbdba617045aa261bc18",{"id":1499,"alt":20,"originalUrl":20,"uploaded_by":20,"updatedAt":1500,"createdAt":1501,"url":1502,"thumbnailURL":20,"filename":1503,"mimeType":163,"filesize":1504,"width":862,"height":1505,"focalX":167,"focalY":167,"sizes":1506},16934,"2026-10-14T17:28:59.106Z","2026-10-14T17:28:58.057Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape.webp","Website_Cover_Landscape.webp",175628,2250,{"thumb":1507,"medium":1512,"large":1517},{"url":1508,"width":171,"height":1509,"mimeType":163,"filesize":1510,"filename":1511},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-300x225.webp",225,4392,"Website_Cover_Landscape-300x225.webp",{"url":1513,"width":177,"height":1514,"mimeType":163,"filesize":1515,"filename":1516},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-1200x900.webp",900,38248,"Website_Cover_Landscape-1200x900.webp",{"url":1518,"width":183,"height":297,"mimeType":163,"filesize":1519,"filename":1520},"https://futures-backend-unstated-int.vercel.app/api/media/file/Website_Cover_Landscape-2400x1800.webp",117060,"Website_Cover_Landscape-2400x1800.webp",{"type":14,"format":10,"indent":11,"version":4,"children":1522,"direction":20,"textStyle":10,"textFormat":4},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1524,"direction":20},[1525],{"mode":17,"text":1526,"type":19,"style":10,"detail":11,"format":4,"version":4},"PUBLIC PROGRAMME",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1528,"direction":20},[1529],{"mode":17,"text":1530,"type":19,"style":10,"detail":11,"format":4,"version":4},"Conversations, experimentation and collective exchange",{"type":14,"format":10,"indent":11,"version":4,"children":1532,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1534,"direction":20,"textStyle":10,"textFormat":11},[1535],{"mode":17,"text":1536,"type":19,"style":10,"detail":11,"format":11,"version":4},"Developed by FUTURES in collaboration with members of its network and invited partners, the public programme brings together artists, curators and institutions to consider ecology in relation to image-making, technology, territories, visual literacy and cultural production.",{"type":14,"format":10,"indent":11,"version":4,"children":1538,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1540,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1542,"direction":20},[1543],{"mode":17,"text":1544,"type":19,"style":10,"detail":11,"format":4,"version":4},"Climate Conscious: What Can Art Do About Climate Change?",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1546,"direction":20},[1547],{"mode":17,"text":1548,"type":19,"style":10,"detail":11,"format":4,"version":4},"Hosted by  FUTURES and FEDORA",{"type":14,"format":10,"indent":11,"version":4,"children":1550,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1552,"direction":20,"textStyle":10,"textFormat":11},[1553],{"mode":17,"text":1554,"type":19,"style":10,"detail":11,"format":11,"version":4},"Bringing photography, opera and dance into conversation, this event considers what art can contribute to discussions about climate change. It asks what art can do that science or politics cannot, what we expect from artists, and how European cultural networks might contribute.",{"type":14,"format":10,"indent":11,"version":4,"children":1556,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1558,"direction":20,"textStyle":10,"textFormat":4},[1559],{"mode":17,"text":1560,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 10:30–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1562,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1564,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1566,"direction":20},[1567],{"mode":17,"text":1568,"type":19,"style":10,"detail":11,"format":4,"version":4},"Opening Up Reality",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1570,"direction":20},[1571],{"mode":17,"text":1572,"type":19,"style":10,"detail":11,"format":4,"version":4},"Lecture by Zied Ben Romdhane | Hosted by FUTURES in collaboration with Magnum Photos",{"type":14,"format":10,"indent":11,"version":4,"children":1574,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1576,"direction":20,"textStyle":10,"textFormat":11},[1577],{"mode":17,"text":1578,"type":19,"style":10,"detail":11,"format":11,"version":4},"Magnum photographer Zied Ben Romdhane examines the role of documentary photography in understanding climate-related issues. The lecture considers how photography can reveal the effects of environmental change on lives, relationships and identities beyond what can be conveyed through measurable data.",{"type":14,"format":10,"indent":11,"version":4,"children":1580,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1582,"direction":20,"textStyle":10,"textFormat":4},[1583],{"mode":17,"text":1584,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 15:00–17:00",{"type":14,"format":10,"indent":11,"version":4,"children":1586,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1588,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1590,"direction":20},[1591],{"mode":17,"text":1592,"type":19,"style":10,"detail":11,"format":4,"version":4},"Opening gathering",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1594,"direction":20},[1595],{"mode":17,"text":1596,"type":19,"style":10,"detail":11,"format":4,"version":4},"Featuring the launch of the FUTURES Special Edition of Fotograf magazine",{"type":14,"format":10,"indent":11,"version":4,"children":1598,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1600,"direction":20,"textStyle":10,"textFormat":11},[1601],{"mode":17,"text":1602,"type":19,"style":10,"detail":11,"format":11,"version":4},"An opportunity to meet artists, curators, partners and members of the photography community. The gathering includes the launch of the FUTURES Special Edition Occupy Time, presented alongside Fotograf magazine’s 50th issue, Authenticity.",{"type":14,"format":10,"indent":11,"version":4,"children":1604,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1606,"direction":20,"textStyle":10,"textFormat":222},[1607],{"mode":17,"text":1608,"type":19,"style":10,"detail":11,"format":222,"version":4},"Community Get-Together, co-hosted with Der Greif.",{"type":14,"format":10,"indent":11,"version":4,"children":1610,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1612,"direction":20,"textStyle":10,"textFormat":4},[1613],{"mode":17,"text":1614,"type":19,"style":10,"detail":11,"format":4,"version":4},"Thursday, 12 November 2026 | 17:30–22:00",{"type":14,"format":10,"indent":11,"version":4,"children":1616,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1618,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1620,"direction":20},[1621],{"mode":17,"text":1622,"type":19,"style":10,"detail":11,"format":4,"version":4},"Curating Photography under Algorithmic Conditions",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1624,"direction":20},[1625],{"mode":17,"text":1626,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Haus der Photographie, Deichtorhallen Hamburg",{"type":14,"format":10,"indent":11,"version":4,"children":1628,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1630,"direction":20,"textStyle":10,"textFormat":11},[1631],{"mode":17,"text":1632,"type":19,"style":10,"detail":11,"format":11,"version":4},"Nadine Isabelle Henrich, Senior Curator at Haus der Photographie, Deichtorhallen Hamburg; Marco de Mutiis, Digital Curator at Fotomuseum Winterthur; Mona Schubert, Curator at FOTO ARSENAL WIEN; and artist and researcher Sheung Yiu discuss how photographic institutions are rethinking curatorial and learning formats in response to algorithmic visual cultures and attention economies.",{"type":14,"format":10,"indent":11,"version":4,"children":1634,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1636,"direction":20,"textStyle":10,"textFormat":11},[1637],{"mode":17,"text":1638,"type":19,"style":10,"detail":11,"format":11,"version":4},"The panel is followed by Sheung Yiu’s live desktop lecture performance, I Asked the Magical Machine.",{"type":14,"format":10,"indent":11,"version":4,"children":1640,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1642,"direction":20,"textStyle":10,"textFormat":4},[1643],{"mode":17,"text":1644,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 10:30–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1646,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1648,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1650,"direction":20},[1651,1653,1655],{"mode":17,"text":1652,"type":19,"style":10,"detail":11,"format":4,"version":4},"BOOK",{"mode":17,"text":1654,"type":19,"style":10,"detail":11,"format":95,"version":4},"TALKS",{"mode":17,"text":1656,"type":19,"style":10,"detail":11,"format":4,"version":4}," in Paris",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1658,"direction":20},[1659],{"mode":17,"text":1660,"type":19,"style":10,"detail":11,"format":4,"version":4},"With FOTODOK",{"type":14,"format":10,"indent":11,"version":4,"children":1662,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1664,"direction":20,"textStyle":10,"textFormat":11},[1665,1667,1669],{"mode":17,"text":1666,"type":19,"style":10,"detail":11,"format":11,"version":4},"FOTODOK brings a special Paris edition of its live talk show dedicated to the stories behind photobooks. Hosted by photographer and educator Giya Makondo-Wills, the event brings photographers, designers and publishers together to discuss how their books came to life. It accompanies FOTODOK’s exhibition ",{"mode":17,"text":1668,"type":19,"style":10,"detail":11,"format":222,"version":4},"A Wider Gaze",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},".",{"type":14,"format":10,"indent":11,"version":4,"children":1672,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1674,"direction":20,"textStyle":10,"textFormat":4},[1675],{"mode":17,"text":1676,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 16:00–17:30",{"type":14,"format":10,"indent":11,"version":4,"children":1678,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1680,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1682,"direction":20},[1683],{"mode":17,"text":1684,"type":19,"style":10,"detail":11,"format":4,"version":4},"SUSTENTAR: Photography and Regenerative Practices",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1686,"direction":20},[1687],{"mode":17,"text":1688,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Ci.CLO – Plataforma de Fotografia",{"type":14,"format":10,"indent":11,"version":4,"children":1690,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1692,"direction":20,"textStyle":10,"textFormat":11},[1693],{"mode":17,"text":1694,"type":19,"style":10,"detail":11,"format":11,"version":4},"Ci.CLO presents SUSTENTAR, a programme of artistic laboratories connecting artists with territories, communities and scientists. Artistic director Virgílio Ferreira introduces projects by Joana Dionísio, Gonçalo C. Silva, Catarina Braga and Carlos Trancoso. Their presentations are followed by a conversation about regenerative approaches to the relationships between people, territories and living systems.",{"type":14,"format":10,"indent":11,"version":4,"children":1696,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1698,"direction":20,"textStyle":10,"textFormat":4},[1699],{"mode":17,"text":1700,"type":19,"style":10,"detail":11,"format":4,"version":4},"Friday, 13 November 2026 | 18:00–20:00",{"type":14,"format":10,"indent":11,"version":4,"children":1702,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1704,"direction":20},[1705],{"mode":17,"text":1706,"type":19,"style":10,"detail":11,"format":4,"version":4},"The Ecology of Movement: Julia Rajacic in conversation with the artists",{"type":14,"format":10,"indent":11,"version":4,"children":1708,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1710,"direction":20,"textStyle":10,"textFormat":11},[1711],{"mode":17,"text":1712,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curator Julia Rajacic joins the five exhibiting artists to discuss what it means to work within ecological limits. The conversation explores the methods, choices and compromises behind their practices, and how constraints can become a source of new images, processes and forms of knowledge.",{"type":14,"format":10,"indent":11,"version":4,"children":1714,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1716,"direction":20,"textStyle":10,"textFormat":4},[1717],{"mode":17,"text":1718,"type":19,"style":10,"detail":11,"format":4,"version":4},"Saturday, 14 November | 11:00–12:30",{"type":14,"format":10,"indent":11,"version":4,"children":1720,"direction":20,"textStyle":10,"textFormat":11},[],{"tag":1439,"type":887,"format":10,"indent":11,"version":4,"children":1722,"direction":20},[1723],{"mode":17,"text":1724,"type":19,"style":10,"detail":11,"format":4,"version":4},"Braiding Indigeneity: A Collective Editing Workshop",{"tag":906,"type":887,"format":10,"indent":11,"version":4,"children":1726,"direction":20},[1727],{"mode":17,"text":1728,"type":19,"style":10,"detail":11,"format":4,"version":4},"With Der Greif",{"type":14,"format":10,"indent":11,"version":4,"children":1730,"direction":20,"textStyle":10,"textFormat":4},[],{"type":14,"format":10,"indent":11,"version":4,"children":1732,"direction":20,"textStyle":10,"textFormat":11},[1733],{"mode":17,"text":1734,"type":19,"style":10,"detail":11,"format":11,"version":4},"Part of Der Greif’s I Am, Because of You, Mother Earth, Issue 19, guest-edited by Zanele Muholi, this participatory workshop invites photographers and visual storytellers to reconsider how images shape understandings of identity, land and relational memory.",{"type":14,"format":10,"indent":11,"version":4,"children":1736,"direction":20,"textStyle":10,"textFormat":11},[1737],{"mode":17,"text":1738,"type":19,"style":10,"detail":11,"format":11,"version":4},"Moderated by Caroline von Courten and Ilaria Sponda, the workshop is open to spectators.",{"type":14,"format":10,"indent":11,"version":4,"children":1740,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1742,"direction":20,"textStyle":10,"textFormat":4},[1743],{"mode":17,"text":1744,"type":19,"style":10,"detail":11,"format":4,"version":4},"Saturday, 14 November | 17:00–20:00",[],"2026-10-16T06:52:39.682Z","2026-10-12T10:34:48.555Z",{"relationTo":849,"value":1749},{"id":1750,"name":1751,"slug":1752,"archived":20,"created_on":20,"updated_on":20,"published_on":1753,"event_thumbnail":1754,"begin_date":1780,"end_date":1781,"location":1782,"magnum_event":20,"host_event":20,"event_text":1783,"link_to_tickets":1876,"link_for_more_info":20,"related_member":1880,"online_event":20,"open_for_application":20,"meta_description":20,"updatedAt":1881,"createdAt":1882},148,"Open Studio with Sheung Yiu","workshop-and-open-studio-with-sheung-yiu","2026-07-10T12:00:00.000Z",{"id":1755,"alt":20,"originalUrl":20,"uploaded_by":1756,"updatedAt":1757,"createdAt":1758,"url":1759,"thumbnailURL":20,"filename":1760,"mimeType":163,"filesize":1761,"width":1762,"height":1763,"focalX":167,"focalY":167,"sizes":1764},16237,1209,"2026-10-05T10:06:39.834Z","2026-10-05T10:06:38.597Z","https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023).webp","Fortune In My Thirties (2023).webp",829064,2993,3899,{"thumb":1765,"medium":1770,"large":1775},{"url":1766,"width":171,"height":1767,"mimeType":163,"filesize":1768,"filename":1769},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-300x391.webp",391,14608,"Fortune In My Thirties (2023)-300x391.webp",{"url":1771,"width":177,"height":1772,"mimeType":163,"filesize":1773,"filename":1774},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-1200x1563.webp",1563,187938,"Fortune In My Thirties (2023)-1200x1563.webp",{"url":1776,"width":183,"height":1777,"mimeType":163,"filesize":1778,"filename":1779},"https://futures-backend-unstated-int.vercel.app/api/media/file/Fortune%20In%20My%20Thirties%20(2023)-2400x3126.webp",3126,605238,"Fortune In My Thirties (2023)-2400x3126.webp","2026-10-28T17:30:00.000Z","2026-10-28T20:00:00.000Z","Amsterdam, Netherlands",{"root":1784},{"type":9,"format":10,"indent":11,"version":4,"children":1785,"direction":20},[1786,1803,1810,1812,1816,1820,1822,1826,1829,1833,1844,1848,1852,1856,1860,1869,1871],{"type":14,"format":546,"indent":11,"version":4,"children":1787,"direction":20,"textStyle":10,"textFormat":11},[1788,1790,1797,1799,1801],{"mode":17,"text":1789,"type":19,"style":10,"detail":11,"format":11,"version":4},"Join us for Sheung Yiu's Open Studio, our latest resident at the ",{"id":1791,"type":90,"fields":1792,"format":10,"indent":11,"version":95,"children":1794,"direction":20},"6ac377196f1a1d08db172b1a",{"url":1793,"newTab":153,"linkType":94},"https://share.google/ktHHDmAMlS0IoxXmu",[1795],{"mode":17,"text":1796,"type":19,"style":10,"detail":11,"format":11,"version":4},"FUTURES Hub",{"mode":17,"text":1798,"type":19,"style":10,"detail":11,"format":11,"version":4},". Sheung  will present his project \"",{"mode":17,"text":1800,"type":19,"style":10,"detail":11,"format":222,"version":4},"(Inter)Faces of Predictions",{"mode":17,"text":1802,"type":19,"style":10,"detail":11,"format":11,"version":4},"\" as part of the FUTURES Residency. ",{"type":14,"format":10,"indent":11,"version":4,"children":1804,"direction":20,"textStyle":10,"textFormat":11},[1805,1807,1809],{"mode":17,"text":1806,"type":19,"style":10,"detail":11,"format":11,"version":4},"The programme includes a Performative Desktop Lecture followed by an artist talk. In the lecture, Sheung juxtaposes schematics from Chinese face reading with contemporary facial recognition to unpack their historical trajectories and underlying logic. He presents archival materials to the webcam, obscuring and augmenting his features. This act highlights the face as an infinitely malleable interface onto which different systems forcefully impose meaning. Before and after the presentation, the space will screen the video essay ",{"mode":17,"text":1808,"type":19,"style":10,"detail":11,"format":222,"version":4},"It's a Face-eat-face World",{"mode":17,"text":1670,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":10,"indent":11,"version":4,"children":1811,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1813,"direction":20,"textStyle":10,"textFormat":4},[1814],{"mode":17,"text":1815,"type":19,"style":10,"detail":11,"format":4,"version":4},"About the artist:",{"type":14,"format":10,"indent":11,"version":4,"children":1817,"direction":20,"textStyle":10,"textFormat":11},[1818],{"mode":17,"text":1819,"type":19,"style":10,"detail":11,"format":11,"version":4},"Sheung Yiu (b. 1991, Hong Kong) is an image-centered artist and researcher based in Helsinki. His practice investigates emerging image-making technologies at the intersection of photography, large-scale computation, and visual culture. In his research-based practice, Yiu collaborates with multi-disciplinary experts to explore imaging practices emerging at the intersection of photography and large-scale computation. Through his dialogue with remote sensing scientists, he learned how to see the Earth from satellites. At the moment, he is looking at the history of face reading and facial recognition to understand how photographs become predictions in his project (Inter)Faces of Predictions. His works take the form of photography, video essays, desktop performance, exhibition installations, and artist books.",{"type":14,"format":10,"indent":11,"version":4,"children":1821,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1823,"direction":20,"textStyle":10,"textFormat":11},[1824],{"mode":17,"text":1825,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Contrary to the common wisdom, human tends to 'judge a book by its cover.' Across Eastern and Western cultures, society has developed ways to predict a person's character through facial features. In East Asian cultures, the esoteric practice of face-reading promises the power to see into one's future through facial analysis. Though face reading remains largely a folk belief, many continue to seek the occult power of predictions from face readers. In the West, the forgotten pseudo-science of physiognomy, combined with statistics and machine learning, re-enters our modern lives as facial recognition algorithms, where societal biases and individual prejudices continue perpetuating.” - Sheung Yiu",{"type":14,"format":546,"indent":11,"version":4,"children":1827,"direction":20,"textStyle":10,"textFormat":11},[1828],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":1830,"direction":20,"textStyle":10,"textFormat":4},[1831],{"mode":17,"text":1832,"type":19,"style":10,"detail":11,"format":4,"version":4},"Event details‍‍:",{"type":14,"format":546,"indent":11,"version":4,"children":1834,"direction":20,"textStyle":10,"textFormat":4},[1835,1836,1838,1840,1842,1843],{"type":463,"version":4},{"mode":17,"text":1837,"type":19,"style":10,"detail":11,"format":4,"version":4},"28",{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":11,"version":4}," ",{"mode":17,"text":1841,"type":19,"style":10,"detail":11,"format":4,"version":4},"October",{"mode":17,"text":1839,"type":19,"style":10,"detail":11,"format":11,"version":4},{"mode":17,"text":251,"type":19,"style":10,"detail":11,"format":4,"version":4},{"type":14,"format":546,"indent":11,"version":4,"children":1845,"direction":20,"textStyle":10,"textFormat":11},[1846],{"mode":17,"text":1847,"type":19,"style":10,"detail":11,"format":11,"version":4},"Open Studio: 17:30 - 20:00 ",{"type":14,"format":546,"indent":11,"version":4,"children":1849,"direction":20,"textStyle":10,"textFormat":11},[1850],{"mode":17,"text":1851,"type":19,"style":10,"detail":11,"format":11,"version":4},"17:30 - 18:00 | Walk-in",{"type":14,"format":546,"indent":11,"version":4,"children":1853,"direction":20,"textStyle":10,"textFormat":11},[1854],{"mode":17,"text":1855,"type":19,"style":10,"detail":11,"format":11,"version":4},"18:00 - 18:30 | Performative Desktop Lecture",{"type":14,"format":546,"indent":11,"version":4,"children":1857,"direction":20,"textStyle":10,"textFormat":11},[1858],{"mode":17,"text":1859,"type":19,"style":10,"detail":11,"format":11,"version":4},"18:30 - 19:00 | artist talk",{"type":14,"format":546,"indent":11,"version":4,"children":1861,"direction":20,"textStyle":10,"textFormat":11},[1862,1863],{"mode":17,"text":1209,"type":19,"style":10,"detail":11,"format":11,"version":4},{"id":1864,"type":90,"fields":1865,"format":10,"indent":11,"version":95,"children":1866,"direction":20},"6ac382766f1a1d08db172b21",{"url":1793,"newTab":93,"linkType":94},[1867],{"mode":17,"text":1868,"type":19,"style":10,"detail":11,"format":4,"version":4},"FUTURES Hub, Isaac Titsinghkade 6, 1018 CA Amsterdam",{"type":14,"format":546,"indent":11,"version":4,"children":1870,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1872,"direction":20,"textStyle":10,"textFormat":11},[1873],{"id":1874,"type":90,"fields":1875,"format":10,"indent":11,"version":95,"children":1877,"direction":20},"6acce7e1e54a7e3023df5890",{"url":1876,"newTab":93,"linkType":94},"https://forms.gle/DzXwLiyFfknkyxhJ9",[1878],{"mode":17,"text":1879,"type":19,"style":10,"detail":11,"format":11,"version":4},"Please RSVP here",[],"2026-10-12T14:02:32.033Z","2026-10-05T10:56:15.714Z",{"relationTo":849,"value":1884},{"id":1885,"name":1886,"slug":1887,"archived":153,"created_on":20,"updated_on":20,"published_on":1888,"event_thumbnail":1889,"begin_date":1910,"end_date":1911,"location":1912,"magnum_event":20,"host_event":153,"event_text":1913,"link_to_tickets":20,"link_for_more_info":20,"related_member":1955,"online_event":20,"open_for_application":20,"meta_description":20,"updatedAt":2033,"createdAt":2034},147,"Metamorphosis opens at Capa Center","metamorphosis-openst-at-capa-center","2026-05-10T12:00:00.000Z",{"id":1890,"alt":20,"originalUrl":20,"uploaded_by":1891,"updatedAt":1892,"createdAt":1893,"url":1894,"thumbnailURL":20,"filename":1895,"mimeType":163,"filesize":1896,"width":1897,"height":177,"focalX":167,"focalY":167,"sizes":1898},16236,824,"2026-10-05T09:53:31.771Z","2026-10-05T09:53:30.823Z","https://futures-backend-unstated-int.vercel.app/api/media/file/012.webp","012.webp",243130,1500,{"thumb":1899,"medium":1904,"large":1909},{"url":1900,"width":171,"height":1901,"mimeType":163,"filesize":1902,"filename":1903},"https://futures-backend-unstated-int.vercel.app/api/media/file/012-300x240.webp",240,9612,"012-300x240.webp",{"url":1905,"width":177,"height":1906,"mimeType":163,"filesize":1907,"filename":1908},"https://futures-backend-unstated-int.vercel.app/api/media/file/012-1200x960.webp",960,156798,"012-1200x960.webp",{"url":20,"width":20,"height":20,"mimeType":20,"filesize":20,"filename":20},"2026-10-06T18:00:00.000Z","2027-01-17T18:00:00.000Z","Budapest",{"root":1914},{"type":9,"format":10,"indent":11,"version":4,"children":1915,"direction":20},[1916,1920,1922,1926,1928,1932,1934,1938,1942,1946],{"type":14,"format":10,"indent":11,"version":4,"children":1917,"direction":20,"textStyle":10,"textFormat":11},[1918],{"mode":17,"text":1919,"type":19,"style":10,"detail":11,"format":11,"version":4},"Personal, social and environmental, this group exhibition traces transformation through diverse visual languages that reflect the tensions shaping our time.",{"type":14,"format":10,"indent":11,"version":4,"children":1921,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1923,"direction":20,"textStyle":10,"textFormat":11},[1924],{"mode":17,"text":1925,"type":19,"style":10,"detail":11,"format":11,"version":4},"Curated by Emese Mucsi, the Metamorphosis exhibition at Capa Center will feature FUTURES selected artists Claudia Amatruda, Máté Bartha, Marcus Gustafsson, Vitalii Halanzha, Zoe Hamill, Emilia Martin, Anna Orłowska, Constantin Schlachter and Balázs Turós.",{"type":14,"format":10,"indent":11,"version":4,"children":1927,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1929,"direction":20,"textStyle":10,"textFormat":11},[1930],{"mode":17,"text":1931,"type":19,"style":10,"detail":11,"format":11,"version":4},"“Where is metamorphosis taking place today, around you or further afield, where are you observing it, where are you imagining it? What metamorphic stories would you like to share? Besides the more general approaches, what are the transformational processes that characterise photography as a medium (from the development of analogue photography to the use and impact of artificial intelligence)? - Metamorphosis Curatorial Team",{"type":14,"format":10,"indent":11,"version":4,"children":1933,"direction":20,"textStyle":10,"textFormat":11},[],{"type":14,"format":10,"indent":11,"version":4,"children":1935,"direction":20,"textStyle":10,"textFormat":11},[1936],{"mode":17,"text":1937,"type":19,"style":10,"detail":11,"format":11,"version":4},"Events Details:",{"type":14,"format":10,"indent":11,"version":4,"children":1939,"direction":20,"textStyle":10,"textFormat":4},[1940],{"mode":17,"text":1941,"type":19,"style":10,"detail":11,"format":4,"version":4},"Robert Capa Contemporary Photography Center, Budapest",{"type":14,"format":10,"indent":11,"version":4,"children":1943,"direction":20,"textStyle":10,"textFormat":11},[1944],{"mode":17,"text":1945,"type":19,"style":10,"detail":11,"format":11,"version":4},"On view from 6 October 2026 – 17 January 2027",{"type":14,"format":10,"indent":11,"version":4,"children":1947,"direction":20,"textStyle":10,"textFormat":11},[1948],{"id":1949,"type":90,"fields":1950,"format":10,"indent":11,"version":95,"children":1952,"direction":20},"6ac3744d6f1a1d08db172b07",{"url":1951,"newTab":93,"linkType":94},"https://capacenter.hu/en/exhibitions/44th-hungarian-press-photo-exhibition-2/",[1953],{"mode":17,"text":1954,"type":19,"style":10,"detail":11,"format":11,"version":4},"More info here",[1956],{"id":1957,"profile_types":1958,"is_member":93,"name":1960,"slug":1961,"archived":153,"created_on":1962,"updated_on":1963,"published_on":1280,"biography":1964,"e_mail":1971,"profile_image":1972,"website":1973,"instagram":1974,"first_name":20,"last_name":20,"kind_of_profile":20,"tags_profession":1975,"tags_identity":1976,"tags_location":1977,"tags_practice":1978,"tags_topics":1979,"born_in":20,"street_address":10,"city":1912,"country":1980,"corresponding_member":1981,"member_additional":1982,"corresponding_art_projects":1983,"corresponding_selected_year":1984,"reference_residency":20,"date_of_residency":20,"date_since":1985,"date_ended":20,"linkedin":10,"corresponding_artist":1986,"curation_reference":2024,"past_member":153,"approved_courses":2025,"tutor_courses":2026,"guest_expert_courses":2028,"updatedAt":2030,"createdAt":2031,"email":1971,"collection":248,"sessions":2032},1319,[1959],"member","Robert Capa Contemporary Photography Center ","capa-center","Wed Oct 09 2024 14:13:27 GMT+0000 (Coordinated Universal Time)","Wed Feb 18 2026 13:40:45 GMT+0000 (Coordinated Universal Time)",{"root":1965},{"type":9,"format":10,"indent":11,"version":4,"children":1966},[1967],{"type":14,"version":4,"children":1968},[1969],{"text":1970,"type":19,"version":4},"A new and modern visual arts institute, the Robert Capa Contemporary Photography Center was opened in Budapest in December 2013. Among the tasks of the new visual institute are the organization of national and international exhibitions; the foundation of a prestigious photography award; the presentation of national and international photographers and photography workshops.\r\nActivities of the institution also include foreign study tours, public discussions, lectures, thematic film screenings, and performances, along with events of other art disciplines. Established in the centennial year of Robert Capa’s birth, the Center supports its operational, functional, and program costs from state subsidies, grants, and its own income.","info@capacenter.hu",15911,"https://capacenter.hu/","https://www.instagram.com/capacenter/",[],[],[],[],[],"Hungary",[],[],[],[],"2018-01-01T00:00:00.000Z",[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,1514,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],752,714,670,1294,1229,730,973,1295,791,806,695,807,733,732,1092,741,941,872,830,731,1091,1093,1118,1124,1298,1226,1296,1113,705,1170,1184,823,1356,1428,1343,1357,1432,[],[],{"docs":2027,"hasNextPage":153},[],{"docs":2029,"hasNextPage":153},[],"2026-10-05T15:40:42.482Z","2026-03-26T15:21:18.912Z",[],"2026-10-07T08:49:59.703Z","2026-10-05T09:56:53.738Z","2026-10-15T06:39:44.647Z","2026-09-19T14:03:21.295Z","events-page",1792497219448]